Relevant bibliographies by topics / Peredvyzhnyky (the Travelling Art Exhibitions)

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Academic literature on the topic 'Peredvyzhnyky (the Travelling Art Exhibitions)'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Peredvyzhnyky (the Travelling Art Exhibitions)"

1

Василь, Дутка. "СВІТ ГУЦУЛЬЩИНИ КРІЗЬ ПРИЗМУ МАЛЯРСТВА ВЛАДИСЛАВА ЯРОЦЬКОГО". ВІСНИК Львівської національної академії мистецтв, № 27 (17 листопада 2015): 36–43. https://doi.org/10.5281/zenodo.33914.

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The author considers artistic, aesthetic and  visual conceptual basis of European art of the second half of the XIX-th — beginning of the XX-th century in this article. He analyzes what caused interest in Hutsulshchyna with its unique culture, and inspired V. Yarots’ky to monumental and decorative searches in painting. The author researches peculiarities of compositional structures of his works, principles of plastics and style, ethnographic and aesthetic grounds of implementation of an art idea. 
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2

Świtek, Gabriela. "Across Borders and Art Histories: Travelling Exhibitions." Artium Quaestiones, no. 35 (December 31, 2024): 55–82. https://doi.org/10.14746/aq.2024.35.3.

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The concept of art geography is undergoing a process of revision in light of recent research on exhibition histories. The analysis of major perennial art exhibitions is conducted in relation to the spatial, global structures of social and economic life, or as an aspect of tourism geographies. The geography of art exhibitions entails mapping circulation, analysing the spatial and temporal conditions under which art is presented, and the identifying cultural boundaries in the reception of travelling artworks. This article examines the circulation of international exhibitions that were presented
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3

Valkova, K. V. "The Experience of Organizing the First Travelling Art Exhibitions in Russia (1871-1890s)." Izvestiya of Altai State University, no. 2(112) (June 5, 2020): 24–28. http://dx.doi.org/10.14258/izvasu(2020)2-03.

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This article discusses the main goals of organizing the first traveling art exhibitions in Russia and specific measures for their implementation by members of the Association of the Wanderers (“Peredvizhniki”). The borrowing by artists of the idea of the second half of 19th century holding traveling exhibitions in Western countries is noted. The implementation of such exhibitions in the Russian Empire was made possible largely due to the emergence of technical capabilities, namely the development of railway communication. Despite the fact that the Wanderers proclaimed as their goal the acquain
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4

CHETVERIKOVA, A. S. "TRAVELING EXHIBITIONS AS A LEADING EDUCATIONAL ACTIVITY OF THE OREL ART GALLERY (1950s – 2000s)." JOURNAL OF PUBLIC AND MUNICIPAL ADMINISTRATION 13, no. 1 (2024): 175–89. http://dx.doi.org/10.22394/2225-8272-2024-13-1-175-189.

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The main purpose of the article is to analyze traveling exhibitions as leading educational activity of the Orel Art Gallery. According to the organizers, the creation of the Orel Art Gallery and other similar open art museums was supposed to promote the aesthetic and public education. Therefore, summarizing the results of this multifaceted activity, the functioning and organization of exhibitions, the selection of expositions and authors are the subject of close attention. According to the Party ideology, museums and galleries had to be accessible. But not all forms of educational work were in
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5

Taylor, Nora A. "Have Performance, Will Travel." Asian Journal of Social Science 44, no. 6 (2016): 725–39. http://dx.doi.org/10.1163/15685314-04406006.

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This article looks at artistic exchanges in Southeast Asia that are created through person-to-person contact, rather than the circulation of objects, in the form of performance art events, re-enactments, and large travelling exhibitions. It argues that close physical contact and creative collaborations among artists have become a means of writing alternative art histories that rely on oral transmission and live recordings. The creation of networks among artists have helped develop bonds among artists, as well as foster the development of art history in the region.
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6

Kolokolceva, N. Yu, K. V. Valkova, and I. V. Pyanzina. "The Importance of the Position of an Exhibition Organizer at the Association of Artists-Peredvizhniki (on the Example of A.D. Chirkin's Activities in 1872-1881)." Izvestiya of Altai State University, no. 3(125) (July 12, 2022): 23–27. http://dx.doi.org/10.14258/izvasu(2022)3-03.

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The article is devoted to the consideration of organizational issues related to the implementation of the mobile form of exhibition activity of the Society for Travelling Art Exhibitions in the first decade of its existence. The special role of the Commissioner for the organization of exhibitions or the organizer of exhibitions in the coordination of these issues is noted. The experience of organizing the First Traveling Exhibition in 1871-1872 showed the need to attract to the Society a person who understands art and is ready to assume the responsibilities associated with exhibiting in the pr
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7

Ткачев, Виталий Викторович. "ДЕЯТЕЛЬНОСТЬ ОБЩЕСТВА ПЕРЕДВИЖНЫХ ВЫСТАВОК В КОНТЕКСТЕ РАСКРЫТИЯ ТВОРЧЕСТВА ХУДОЖНИКОВ И ПРИОБЩЕНИЯ К ХУДОЖЕСТВЕННОМУ НАСЛЕДИЮ В 1890-1910 гг. (ПО МАТЕРИАЛАМ ПЕРИОДИЧЕСКОЙ ПЕЧАТИ ИРКУТСКОЙ ГУБЕРНИИ)". Вестник Восточно-Сибирского государственного института культуры 160 (17 жовтня 2023): 11–21. http://dx.doi.org/10.31443/2541-8874-2023-2-26-11-21.

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The study considers the activities of the society of travelling exhibitions in the context of portraying the artists’ creativity and familiarizing with the artistic heritage in 1890-1910. The principles of cooperation between the community of intellectuals and arts workers in the museums and galleries are presented in detail. On the basis of the periodical press describing the collective work of the centers of artistic life in Irkutsk, it is proven that both collectors and public figures focused on the development of creative urban space, the formation of cultural ties and the emergence of edu
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8

Lemaire, Marie-Hélène. "Les concepts en mouvement : une méthode basée sur la poésie pour la visite de groupe dans l’exposition d’art contemporain." Canadian Review of Art Education 48, no. 1 (2021): 53–72. http://dx.doi.org/10.26443/crae.v48i1.102.

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Résumé : L’objectif de cet article consiste à présenter ma méthode de recherche des concepts en mouvement basée sur la poésie pour la visite de groupe dans l’exposition d’art contemporain. Cette méthode s’élabore en dialogue avec l’approche pédagogique de l’équipe de l’éducation à la Fondation PHI qui s’ancre dans la notion de mouvement et dans la méthodologie des concepts migratoires (Bal, 2002). Ma pédagogie féministe basée sur les concepts en mouvement est une extension des concepts migratoires, mais elle s’en distingue en se situant spécifiquement dans l’écriture poétique née d’une fulgura
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9

Likhomanov, Anton V. "Popularization of Russian Culture and Development of Librarianship: To the 200th Anniversary of Vladimir Vasilyevich Stasov." Bibliotekovedenie [Russian Journal of Library Science] 73, no. 5 (2024): 435–44. http://dx.doi.org/10.25281/0869-608x-2024-73-5-435-444.

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The activity of the outstanding Russian art and music critic V.V. Stasov (1824—1906) is considered. In 2024 the 200th anniversary of his birth is celebrated. V.V. Stasov was closely connected with the “Mighty Handful” group of composers (he helped to create subjects for operas) and members of the Association of Travelling Art Exhibitions (he selected material for paintings). V.V. Stasov promoted the achievements of Russian art in our country and abroad. Having given more than 50 years of his life to service in the Imperial Public Library, V.V. Stasov made an invaluable contribution to its deve
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10

Cacchione, Orianna. "Related rhythms: Situating Zhang Peili and contemporary Chinese video art in the globalizing art world." Journal of Contemporary Chinese Art 5, no. 1 (2018): 21–39. http://dx.doi.org/10.1386/jcca.5.1.21_1.

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Despite being considered the first video artist to work in China, the majority of Zhang Peili’s earliest video works were originally exhibited abroad. In many of these exhibitions, his videos were displayed in different installation formats and configurations. One of the most evident of these changes occurred at the travelling exhibition China Avant-Garde. In Berlin, the opening venue of the exhibition, two videos were displayed in ways that differed from their original presentations; Document on Hygiene No. 3 (1991) and Assignment No. 1 (1992) were presented as singlechannel videos on single
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Books on the topic "Peredvyzhnyky (the Travelling Art Exhibitions)"

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Judith, Findlay, and Scottish Arts Council. Travelling Gallery., eds. Swarm: Travelling Gallery summer 1995. Travelling Gallery, 1995.

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2

Escalante, Samuel Morales. The travelling book. Edited by Hernandez Marco Antonio editor, Colección Jumex (Mexico), and Caplletra SL. Fundación Colección Jumex, 2010.

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3

Daina, Augaitis, and Vancouver Art Gallery, eds. Raven travelling: Two centuries of Haida art. Vancouver Art Gallery, 2006.

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4

Mirta, D'Argenzio, Fundação de Serralves (Portugal), Haus der Kunst München, and Museo d'arte contemporanea Donnaregina, eds. Robert Rauschenberg: Travelling '70/ '76. Electa, 2008.

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5

Inc, Creative Collective Center, ed. Who owns women's bodies?: A travelling art exhibition. Creative Collective Center, 2001.

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6

Abramovic, Marina. Marina Abramovic: Talon siivous : matkakaappi = cleaning the house : travelling cabinet. Kiasma, Nykytaiteen museo, 1999.

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7

Gaeta, Antonia. Pavilhão de Angola: On ways of travelling : la Biennale di Venezia. Ministério da Cultura de Angola, 2015.

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G, Winter Joan, and Gurang Land Council (Aboriginal Corporation), eds. Native title business: Contemporary indigenous art : a national travelling exhibition. Keeaira Press, 2002.

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9

Einbandkunst, Meister der. Meister der Einbandkunst =: Masters of the art of bookbinding = Maîtres de la reliure d'art : an international travelling exhibition of design bindings. CBBAG, 1991.

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10

Istituto per l'arte e il restauro "Palazzo Spinelli." Art on art: An introduction to the techniques and to the restoration of paintings on wood panel and canvas : extract from the catalogue of the travelling educational exhibition 1995-1996. The Istituto, 1995.

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Book chapters on the topic "Peredvyzhnyky (the Travelling Art Exhibitions)"

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Bobilewicz, Grażyna. "Obraz Afryki w malarstwie rosyjskim XX i początku XXI wieku." In Afryka i (post)kolonializm. Wydawnictwo Uniwersytetu Łódzkiego, 2016. http://dx.doi.org/10.18778/8088-260-7.07.

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The research on Russian painting of the 20th and the beginning of the 21st century in the context of early and modern African culture/art belongs to the realm of theoretical reflection within such disciplines as cultural geography, anthropology of place and space, cultural and existential experience, geocriticism (painterly depictions of natural and urban space), geopoetics (painterly topography), and is interdisciplinary in nature. The analysis of Russian-African interdisciplinary dialogue in visual representations of Africa, as an aspect of the Russians’ awareness and idea of this continent,
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Conference papers on the topic "Peredvyzhnyky (the Travelling Art Exhibitions)"

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Morozova, Anna V. "TRAVELLING EXHIBITIONS OF SPANISH PAINTING IN THE CONTEXT OF FRANCO�S POLICY." In 7th SWS International Scientific Conference on ART and HUMANITIES - ISCAH 2020 Proceedings. STEF92 Technology, 2020. http://dx.doi.org/10.5593/sws.iscah.2020.7.1/s22.08.

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