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Journal articles on the topic 'Philoctète'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Mauduit, Christine. "Les morts de Philoctète." Revue des Études Grecques 108, no. 2 (1995): 339–70. http://dx.doi.org/10.3406/reg.1995.2658.

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2

Darmon, Jean-Pierre. "Philoctète à Nabeul (une retractatio)." Bulletin de la Société Nationale des Antiquaires de France 1989, no. 1 (1991): 232–39. http://dx.doi.org/10.3406/bsnaf.1991.9492.

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3

DAGIOS, Mateus. "Napoleão como Filoctetes." Faces de Clio 6, no. 12 (2020): 294–310. http://dx.doi.org/10.34019/2359-4489.2020.v6.31975.

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O objetivo do artigo é apresentar um caso de reapropriação do mito de Filoctetes na caricatura antinapoleônica, Nicolas Philoctète dans l’Îsle d’Elbe (1814-1815), em que Napoleão em Elba é pejorativamente associado a Filoctetes em Lemnos. Antiguidade, discurso nacional e caricatura misturam-se para compor um Napoleão ferido e abandonado, um caso em que as virtudes guerreiras se transformam em chacota na pena de um artista desconhecido, que recria o quadro do pintor neoclássico francês Guillaume Guillon Lethière, Philoctète dans l’île déserte de Lemnos (1798), para uma releitura pejorativa do m

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4

Irigoin, Jean. "La composition architecturale du Philoctète de Sophocle." Revue des Études Anciennes 100, no. 3 (1998): 509–24. http://dx.doi.org/10.3406/rea.1998.4743.

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5

B. Servin, Micheline. "Philoctète, Robespierre et le choix des textes." Les Temps Modernes 656, no. 5 (2009): 197. http://dx.doi.org/10.3917/ltm.656.0197.

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6

Cuny, Diane. "Le corps souffrant chez Sophocle : Les Trachiniennes et Philoctète." Kentron, no. 18 (December 31, 2002): 69–78. http://dx.doi.org/10.4000/kentron.1958.

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7

Teroni, Sandra. "L'arc de Philoctète. Sartre et l'attirance pour le don." Cahiers de l'Association internationale des études francaises 50, no. 1 (1998): 279–95. http://dx.doi.org/10.3406/caief.1998.1324.

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8

Lameere, William. "L'Ode au Sommeil du Philoctète de Sophocle (vv. 827-864)." L'antiquité classique 54, no. 1 (1985): 159–79. http://dx.doi.org/10.3406/antiq.1985.2147.

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9

Jouanna, Jacques. "La double fin du Philoctète de Sophocle : rythme et spectacle." Revue des Études Grecques 114, no. 2 (2001): 359–82. http://dx.doi.org/10.3406/reg.2001.4462.

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10

Thévenet, Lucie. "L'Héraklès de Philoctète : une synthèse théâtrale du deus ex machina." Bulletin de l'Association Guillaume Budé 1, no. 2 (2008): 37–65. http://dx.doi.org/10.3406/bude.2008.2302.

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11

Bérubé, Georges-L. "Le personnage de Philoctète dans l’Oedipe de Voltaire : un signe avant-coureur." Lumen: Selected Proceedings from the Canadian Society for Eighteenth-Century Studies 13 (1994): 61. http://dx.doi.org/10.7202/1012521ar.

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12

Klimis, Sophie. "Penser l’éducation chorale en la pratiquant. Approche métathéâtrale du Philoctète de Sophocle." Études de lettres, no. 313 (September 24, 2020): 59–78. http://dx.doi.org/10.4000/edl.3153.

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13

Donnet, Daniel. "Sophocle, Chateaubrun, et l’association Riccoboni-Favart: le Philoctète dans une trajectoire de réécritures." Les Lettres Romanes 58, no. 3-4 (2004): 305–89. http://dx.doi.org/10.1484/j.llr.3.106.

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14

Morin, Bernadette. "L'épopée homérique au service du personnage tragique : Polyphème, Héphaïstos et Philoctète à Lemnos." Revue des Études Grecques 116, no. 2 (2003): 386–417. http://dx.doi.org/10.3406/reg.2003.4544.

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15

Donnet, Daniel. "La traduction du Philoctète par Leconte de Lisle: version grecque ou version latine?" Les Lettres Romanes 41, no. 4 (1987): 289–309. http://dx.doi.org/10.1484/j.llr.5.111658.

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16

Donnet, Daniel. "Le Philoctète en vers français, de Charles Delanoue: le problème des sources. Deuxième partie: Bellaguet - Delanoue." Les Lettres Romanes 49, no. 3-4 (1995): 235–61. http://dx.doi.org/10.1484/j.llr.4.00924.

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17

Donnet, Daniel. "Le Philoctète en vers français, de Charles Delanoue: le problème des sources. Première partie: Rochefort, Bellaguet, Delanoue." Les Lettres Romanes 49, no. 1-2 (1995): 69–80. http://dx.doi.org/10.1484/j.llr.4.00912.

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18

Donnet, Daniel. "Le Manuscrit 9561 du Fonds Georges Douay: un témoin peu connu de la réécriture du Philoctète au xviiie siècle." Les Lettres Romanes 57, no. 3-4 (2003): 187–235. http://dx.doi.org/10.1484/j.llr.3.75.

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19

Jouanna, Jacques. "Sémantique et temporalité tragique : remarques sur les sens de παλαιός et de πάλαι à partir du Philoctète de Sophocle". Revue des Études Grecques 117, № 1 (2004): 21–36. http://dx.doi.org/10.3406/reg.2004.4560.

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20

Misrahi-Barak, Judith. "Exploring Trauma through the Memory of Text: Edwidge Danticat Listens to Jacques Stephen Alexis, Rita Dove, and René Philoctète." Journal of Haitian Studies 19, no. 1 (2013): 163–83. http://dx.doi.org/10.1353/jhs.2013.0020.

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21

Kosak, Jennifer Clarke. "PHILOCTETES." Classical Review 52, no. 1 (2002): 1–3. http://dx.doi.org/10.1093/cr/52.1.1.

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22

Arnott, Robert. "Philoctetes." Journal of the Royal Society of Medicine 96, no. 12 (2003): 619–20. http://dx.doi.org/10.1177/014107680309601229.

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23

Powlson, Mark. "Philoctetes." Journal of the Royal Society of Medicine 97, no. 2 (2004): 99–100. http://dx.doi.org/10.1177/014107680409700227.

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24

Arnott, R. "Philoctetes." JRSM 96, no. 12 (2003): 619–20. http://dx.doi.org/10.1258/jrsm.96.12.619-b.

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25

Demetriades, A. K. "Philoctetes." JRSM 96, no. 12 (2003): 620. http://dx.doi.org/10.1258/jrsm.96.12.620.

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26

Powlson, M. "Philoctetes." JRSM 97, no. 2 (2004): 99–100. http://dx.doi.org/10.1258/jrsm.97.2.99-b.

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27

Whitby, Mary. "Telemachus Transformed? The Origins of Neoptolemus in Sophocles' Philoctetes." Greece and Rome 43, no. 1 (1996): 31–42. http://dx.doi.org/10.1093/gr/43.1.31.

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Sophocles' Philoctetes contains many moments of high drama and of tension between conflicting protagonists. The prologue scene between Odysseus and Neoptolemus lays the foundations for the development of the dramatic crisis by portraying their fundamental disagreement as to the best means of bringing Philoctetes back to Troy, while the long first episode (219–675) depicts the evolution of the intense relationship between Philoctetes and the youthful Neoptolemus, who has in the prologue reluctantly agreed to implement Odysseus' plan to deceive Philoctetes. The first stage of this interaction is

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28

Rosa, Paolo, Michele Zilioli, and Maarten Jacobs. "Notes on endemic Alpine chrysidids, with key to Alpine Philoctetes Abeille de Perrin, 1879, and remarks on two rarely collected species (Hymenoptera, Chrysididae)." Natural History Sciences 4, no. 1 (2017): 9. http://dx.doi.org/10.4081/nhs.2017.325.

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A detailed study of two endemic Alpine species of the genus <em>Philoctetes</em> Abeille de Perrin, 1879 is given, as well as a key to the Alpine <em>Philoctetes</em> species and a brief discussion on Alpine Chrysididae. New distributional data, notes on type specimens and pictures are provided. A new synonym <em>Philoctetes</em> <em>putoni</em> (du Buysson, 1892) = <em>Philoctetes</em> <em>delvarei</em> Tussac &amp; Tussac, 1993 syn. n. is proposed.

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29

Jones, Richard, Sophocles, and R. G. Ussher. "Sophocles: Philoctetes." Classical World 85, no. 2 (1991): 137. http://dx.doi.org/10.2307/4351048.

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30

Sidney F. Parham. "Philoctetes' Wound." Literature and Medicine 9, no. 1 (1990): 12–20. http://dx.doi.org/10.1353/lm.2011.0166.

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31

Bryceson, Anthony. "Philoctetes' foot." Lancet 355, no. 9206 (2000): 850. http://dx.doi.org/10.1016/s0140-6736(05)72471-5.

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32

Feldman, Allen. "Philoctetes Revisited." Social Text 19, no. 3 (2001): 57–89. http://dx.doi.org/10.1215/01642472-19-3_68-57.

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33

Falkner, Thomas M. "Containing Tragedy: Rhetoric and Self-Representation in Sophocles' "Philoctetes"." Classical Antiquity 17, no. 1 (1998): 25–58. http://dx.doi.org/10.2307/25011073.

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This essay examines "Philoctetes" as an exercise in self-representation by looking at the self-referential and metatheatrical dimensions of the play. After suggesting an enlarged understanding of metatheater as "a particularly vigorous attempt to engage the audience at the synthetic and thematic levels of reading," I examine "Philoctetes" as a self-conscious discourse on tragedy, tragic production, and tragic experience, one which participates in a larger conversation in the late fifth century about the ethics of tragedy, including the remarks of Gorgias on theatrical deception (ἀπάτη). The pl

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34

Tessitore, Aristide. "Justice, Politics, and Piety in Sophocles′ Philoctetes." Review of Politics 65, no. 1 (2003): 61–88. http://dx.doi.org/10.1017/s0034670500036536.

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The easy conflation of god(s) and country—what might be called the dual foundations of justice—is challenged and explored in Sophocles′ Philoctetes. Odysseus's consistent appeal to the common good and Philoctetes′ troubled attachment to a divinely sanctioned principle of justice are set at odds in a play where the fate of the entire Greek expedition at Troy hangs in the balance. While most read the play as a celebration of young Neoptolemus as he frees himself from the corrupt influence of Odysseus and, through his encounter with Philoctetes, grows in personal integrity, this essay maintains t

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35

O'Higgins, Dolores. "Narrators and Narrative in the Philoctetes of Sophocles." Ramus 20, no. 1 (1991): 37–52. http://dx.doi.org/10.1017/s0048671x00002824.

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According to Proclus, the story of the bowman Philoctetes' return to Troy from his solitude on Lemnos appeared in the Little Iliad. In terms of the overall history of the war, the event occurs relatively late—shortly before the destruction of the city; indeed, according to the oracle of Helenus which inspired the recovery expedition to Lemnos, it seems to have been necessary to the success of the Greek war-effort. In terms of the epic tradition, it can be seen as something of a watershed, standing between a glorious, but unsuccessful, past and a successful, but somewhat ambivalent, future, rec

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36

Wiggins, Ellwood. "Cold War Compassion: The Politics of Pity in Tom Stoppard’s Neutral Ground and Heiner Müller’s Philoktet." Literatur für Leser 38, no. 4 (2015): 255–70. http://dx.doi.org/10.3726/lfl2015-4_255.

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At the same time on opposite sides of the Iron Curtain, two avant-garde playwrights decided to remake a 2400-year-old tragedy. Heiner Müller (1929-1996) and Tom Stoppard (1937-) are widely regarded as two of the most innovative dramatists of East Germany and Great Britain and respectively. In 1965, Stoppard submitted a script for a spy thriller to Granada TV and Müller published his first play since being banned from the East German Writers’ Association in 1961. Though unbeknownst to each other and writing for drastically different purposes, media, and audiences, they both lit upon Sophocles’

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37

Wilson, Ryan. "Philoctetes, Long Afterward." Hopkins Review 11, no. 3 (2018): 406–8. http://dx.doi.org/10.1353/thr.2018.0070.

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38

Drake, Drake. "Natural and Divine orders: The Politics of Sophocles’ Philoctetes." Polis: The Journal for Ancient Greek Political Thought 24, no. 2 (2007): 179–92. http://dx.doi.org/10.1163/20512996-90000113.

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A closer look at the character of Odysseus in the opening passages of the Philoctetes reveals a more nuanced psychology of guilt and justification than commentators have thus far appreciated in the cunning hero’s role. This paper examines the relations of sympathy (oiktos) between Odysseus, Neoptolemus, and Philoctetes as a way of entering into the complicated political drama of the work. Conceiving politics in the Philoctetes as a hybrid construction of the demands of nature (including the phenomenon of sympathy) and the demands of the gods, this study provides a reading of Sophocles’ play as

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39

Fondane, Benjamin, and Eric Freedman. "Philoctetes: A Dramatic Poem." Cardozo Studies in Law and Literature 6, no. 1 (1994): 1–50. http://dx.doi.org/10.2307/743377.

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40

Grassi, Walter, Antonella Farina, and Claudio Cervini. "The foot of Philoctetes." Lancet 354, no. 9196 (1999): 2156–57. http://dx.doi.org/10.1016/s0140-6736(99)06567-8.

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41

Stephens, J. CERI. "The Wound of Philoctetes." Mnemosyne 48, no. 4 (1995): 153–68. http://dx.doi.org/10.1163/156852595x00103.

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42

Davidson, John. "HOMER AND SOPHOCLES' PHILOCTETES." Bulletin of the Institute of Classical Studies 40, Supplement_66 (1995): 25–35. http://dx.doi.org/10.1111/j.2041-5370.1995.tb02177.x.

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43

Fondane, Benjamin, and Eric Freedman. "Philoctetes: A Dramatic Poem." Cardozo Studies in Law and Literature 6, no. 1 (1994): 1–50. http://dx.doi.org/10.1525/lal.1994.6.1.02a00030.

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44

Wingrove, Elizabeth. "Philoctetes in the Bastille." Cultural Critique 74, no. 1 (2010): 65–80. http://dx.doi.org/10.1353/cul.0.0068.

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45

Fondane, Benjamin. "Philoctetes A Dramatic Poem." Law & Literature 6, no. 1 (1994): 1–50. http://dx.doi.org/10.1080/1535685x.1994.11015744.

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46

Hawkins, Anne Hunsaker. "Ethical Tragedy and Sophocles' "Philoctetes"." Classical World 92, no. 4 (1999): 337. http://dx.doi.org/10.2307/4352287.

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47

Dunn, Francis. "Narrative Bonds in Sophocles’ Philoctetes." Mouseion 17, S1 (2020): 31–42. http://dx.doi.org/10.3138/mous.17.s1.004.

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48

Taplin, Oliver. "THE MAPPING OF SOPHOCLES' PHILOCTETES." Bulletin of the Institute of Classical Studies 34, no. 1 (1987): 69–77. http://dx.doi.org/10.1111/j.2041-5370.1987.tb00554.x.

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49

KONSTAN, DAVID. "Philoctetes' Pity: Commentary on Moravcsik." Proceedings of the Boston Area Colloquium of Ancient Philosophy 13, no. 1 (1997): 276–83. http://dx.doi.org/10.1163/2213441797x00181.

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50

Lada-Richards, Ismene. "Neoptolemus and the bow: ritual thea and theatrical vision in Sophocles' Philoctetes." Journal of Hellenic Studies 117 (November 1997): 179–83. http://dx.doi.org/10.2307/632556.

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Much has been written in recent years on the ways in which ritual forms, patterns and sequences are remoulded into the imagery and action of classical Greek plays. A tragedy which offers exceptionally fertile ground for studies on ‘ritual and drama' is Sophocles’ Philoctetes, since theatrical and ritual strands are so intimately interwoven in its plot as to create an inextricable knot. In forthcoming work I explore in full both the ritual liminality of Philoctetes' and Neoptolemus' existence as well as the subtle ways in which the vital dramatic experiences of ‘acting’ and ‘viewing’ are inhere

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