Academic literature on the topic 'Philosophical lyrics'

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Journal articles on the topic "Philosophical lyrics"

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Lyubimov, Nikolay Ivanovich. "Philosophical problematic in the lyrics of Nadezhda Emykan." Филология: научные исследования, no. 12 (December 2020): 178–88. http://dx.doi.org/10.7256/2454-0749.2020.12.34706.

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Within the framework of studying the typological varieties of modern Mari philosophical poetry, this article examines the lyrics of the contemporary Mari poet Nadezhda Emykan (Vasilyeva), particularly the poems from the compilation “I am the Daughter of Spring” (2016), which reflect the philosophical worldview and perception of the author, and in a certain way characterize the lyrical heroine. Research methodology contains historical-typological and structural-semantic analysis of the works, which allowed describing the structural-semantic levels of philosophical problemati
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Abdullayeva, Umida. "ROLE-PLAYING LYRICS IN THE WORKS OF USMAN AZIM." Scientific Reports of Bukhara State University 5, no. 5 (2021): 167–78. http://dx.doi.org/10.52297/2181-1466/2021/5/5/15.

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Introduction. In today's new Uzbekistan, the vast opportunities created in all areas of science are making an invaluable contribution to their development. In particular, recent research in the field of literature has helped students who have read the new Uzbek literature and its theoretical updates to understand their ideological content through the analysis of poetic genres. The main part of the theory of Uzbek literature consists of lyrical, epic and dramatic works of modern modern Uzbek literature, the main theme of which is the idea of analyzing the work of art in terms of form and conten
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Stepanova, Varvara Egorovna. "Artistic peculiarities of the philosophical works of S. S. Vasilyev-Borogonsky." Litera, no. 12 (December 2021): 15–24. http://dx.doi.org/10.25136/2409-8698.2021.12.37099.

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The goal of this research lies in the description of artistic uniqueness of the philosophical lyrics of S. S. Vasilyev. The author reviews the problem of the poetic language of Vasilyev’s philosophical poems from the perspective of determination of the role and function of poetic images, as well as the techniques of rhetorical patterns, stylistics and syntax as method of expressing the original philosophical views. Examination of the philosophical lyrics of S. S. Vasilyev required an overview of the context of philosophical poetry of the Yakut classics – A. E. Kulakovsky, A
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Gulnur, GABDULLİNA, GİLMUTDİNOVA Aigul, and GAİNULLİNA Gulfiya. "THE SYSTEM OF IMAGES IN LOVE LYRICS OF ILSIYAR IKSANOVA." İNTOBA - İnsan ve Toplum Bilimleri Akademi Dergisi 2, no. 1 (2022): 28–39. https://doi.org/10.5281/zenodo.6667585.

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In the creative work of the modern Tatar poet Ilsiyar Iksanova, love and intimate lyrics, the sincerity of the lyrical hero, the author's ability to complicate texts with the help of symbols are especially noted. The poet always strives for the individualization of feelings. The lyrical heroine consistently describes her experiences, thoughts, sensations, love lyrics acquires a philosophical meaning. The lyrical hero feels a part of nature, the universe. The philosophical picture of the world in love lyrics is permeated with images of nature, which give rise to associations with the world
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Parkheta, Lubov. "FEATURES OF STUDYING LYRICS IN LITERATURE LESSONS." Psychological and Pedagogical Problems of Modern School, no. 1(9) (April 27, 2022): 72–78. http://dx.doi.org/10.31499/2706-6258.1(9).2023.279339.

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Methodical approaches to the study of lyrics in literature lessons are disclosed in the article, in particular, its role in the formation of literary competence in students of general secondary education institutions. It is noted that lyrics are the most mobile of all genres of literature and have the greatest potential in shaping the emotional sphere of students and great educational opportunities. Various methodical algorithms for the study of lyric poetry are analyzed, in particular, the fact that lyrics are divided into civil, or political, philosophical, intimate, or personal, landscape,
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Amankulova, L. А., and B. S. Begmanova. "CREATIVE ENDEAVOUR IN THE CONTEMPORARY KAZAKH POETRY (ON THE WORK OF Y. ZHUNIS)." Keruen 77, no. 4 (2022): 254–63. http://dx.doi.org/10.53871/2078-8134.2022.4-21.

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A genre of lyrics in modern Kazakh literary criticism is being studied in a complex way. Many scientific works have been written on the history of the poetry development and lyric poetry. There is always a place for a poetry in the literature; there is a place for lyricism in the poetry. With the advent of new trends and manners in Kazakh poetry, a role of a lyrical hero changes from time to time. In this article, for the first time, mentality of modern Kazakh lyrics becomes an object of a scientific research. The study examines a history of development of Kazakh poetry on the example of the w
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Lyubimov, Nikolay Ivanovich. "The image of the wind in the socio-philosophical lyrics of Albert Vasiliev." Филология: научные исследования, no. 6 (June 2023): 47–58. http://dx.doi.org/10.7256/2454-0749.2023.6.40980.

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In the article, as part of the study of typological varieties of modern Mari philosophical lyrics, the image of the wind in the lyrics of the poet Albert Vasiliev is considered. The role of this natural image in the artistic and aesthetic representation of the author's socio-philosophical views and personality features of his lyrical hero is revealed based on the material of poetic works included in his collection «Osh lumyshto chever polan» («Red Viburnum on white Snow», 2017). In this aspect, the lyrics of A. Vasiliev are studied for the first time. The methodological basis of the research i
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Lyubimov, Nikolay Ivanovich. "The Philosophy of nature in the lyrics of Albert Vasiliev." Litera, no. 7 (July 2022): 91–101. http://dx.doi.org/10.25136/2409-8698.2022.7.38466.

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In the article, the artistic natural philosophy of Albert Vasiliev is considered as part of the study of the poetics of modern Mari philosophical lyrics. Based on the material of poems included in his collection "Osh lumyshto chever polan" ("Red Viburnum on white snow", 2017), revealed the semantics and artistic functions of natural images that represent the philosophical attitude and worldview of the author and characterize his lyrical hero in a certain way. In this aspect, Albert Vasiliev's lyrics are analyzed for the first time in regional literary studies. The methodological basis of the r
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Srihilmawati, Rostika, M. Arinal Rahman, and Ciptro Handrianto. "EXPLORING THE CULTURAL PHILOSOPHY OF RED KEBAYA THROUGH SUNDANESE SONG LYRICS." IJoLaC: International Journal of Language and Culture 1, no. 1 (2023): 1–12. https://doi.org/10.63762/ijolac.v1i1.2.

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The kebaya, when analyzed through the lens of song lyrics, emerges not just as a garment but as enveloping the transmission of ancestral wisdom, embodying a cultural philosophy that has the potential to enrich and guide contemporary lives. This research endeavors to bridge this knowledge gap by unraveling its philosophical values embedded in Sundanese song lyrics. The research is rooted in the philosophy of science, rationalism, empiricism, and scientific methods. The research uncovers a complex interplay of positive and negative values, symbolic meanings, and cultural contexts. The analysis u
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Suleymanova, T. A. "Eschatological motifs in Rutul poetry." Язык и текст 5, no. 3 (2018): 46–55. http://dx.doi.org/10.17759/langt.2018050306.

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In Rutul's poetry, the famous story of which begins from XI-XII with the name of Zeinab Hinavi, the ashugs in the pre-revolutionary period and the poets of the post-revolutionary period developed several main themes - love lyrics, philosophical lyrics, spiritual lyrics. One of the main ones is philosophical lyrics, in which eschatological motifs occupy a special place.
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Dissertations / Theses on the topic "Philosophical lyrics"

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Simecek, Karen. "Experiencing lyric poetry : emotional responses, philosophical thinking and moral inquiry." Thesis, University of Warwick, 2013. http://wrap.warwick.ac.uk/57957/.

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To date, the most substantial accounts of our engagement with literature have focused on prose-fiction, in particular the novel, drawing on issues of plot, character and narrative in explaining our understanding of literary works. These accounts do not consider how the poetic features of a literary work may affect our reading experience and how this contributes to the meaning of the work. In this thesis I show the philosophical importance of the experience of reading poetry for the role it can play in inquiry, in particular, how such an experience can facilitate philosophical thinking and acti
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Paulauskienė, Sonata. "Aldonos Elenos Puišytės kūryba." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2008. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2008~D_20080804_111254-84469.

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Pagrindinė darbo problema, inspiravusi temos pasirinkimą - poetės, vertėjos ir dramaturgės Aldonos Elenos Puišytės biografija ir kūryba, kuri nebuvo plačiau aptarta ir analizuota literatūrologų. Analizuojant autorės gyvenimo faktus buvo bandoma nustatyti, kokie asmeniniai ir istoriniai įvykiai turėjo įtakos jos pasaulėjautos formavimuisi ir kaip tai atsispindi poetės kūryboje. Remiantis jos išleistomis poezijos knygomis, esė, interviu su poete ir pasitelkus lietuvių literatūros kritikų straipsnius bei recenzijas, buvo pabandyta atskleisti jos kūrybos savitumą, išskirti bei apžvelgti poezijos ž
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Palchik, M. A., та М. А. Пальчик. "Творческая индивидуальность Леонида Губанова : магистерская диссертация". Master's thesis, 2014. http://hdl.handle.net/10995/27840.

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The paper presents an original literary concept that describes both the philosophical system of L. Gubanov and the originality of his poetry. The logic of the master's thesis is subject to the presentation of this concept. The work outlines the originality of lyrical poetry by L. Gubanov; investigates the images of Chaos and Cosmos, as well as the main myths that define the uniqueness of artistic and philosophical system of the poet. The work analyses some of the author's poetic techniques, presents observations on the ways of organization of the poetic expression.<br>В работе представлена ори
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Books on the topic "Philosophical lyrics"

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Press, Funtime, ed. Quiddities: Philosophical Poetry. 2nd ed. Funtime Press, 2013.

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Dumitru, Găleșanu, ed. The lights of man: The philosophical lyric poetry. Eikon, 2021.

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Frye, Northrop. Fábulas de identidade: Estudios de mitologia poética. NovaAlexandria, 1999.

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Simecek, Karen. Philosophy of Lyric Voice. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350240551.

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Carefully considering the difference in the philosophical potential of page poetry and performance poetry, Karen Simecek argues that it is only by considering them side by side that the unique cognitive value of each can be realised. Focusing on spoken word poetry reveals the importance of voice and embodied words to the differing epistemic rewards of engaging with contemporary works of poetry in both private reading and live performance. This concept of embodied voice progresses a new line of thinking in the cognitivism debate and unlocks the philosophical value of engaging with poetry. Simec
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Cultural and philosophical reflections in Indian poetry in English. Authorspress, 2016.

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Weiner, Robert G. Perspectives on the Grateful Dead. Praeger, 1999. http://dx.doi.org/10.5040/9798400696473.

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The Grateful Dead, one of the most meticulously documented rock bands, significantly influenced American music and popular culture. Its popularity has endured for three decades despite mixed critical reception. Jerry Garcia, thought of among many as a musical icon and spokesperson for more than one generation of fans, was often equally scorned by various critics. This collection of scholarly essays attests to the varied fields of interest the band and its followers, known as Deadheads, have affected, including psychology, law, and ethnomusicology. The contributions explore the diversity of the
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Cosmos and image in the Renaissance: French love lyric and natural-philosophical poetry. Legenda, 2008.

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Banks, Kathryn. Cosmos and Image in the Renaissance: French Love Lyric and Natural-Philosophical Poetry. Taylor & Francis Group, 2008.

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Banks, Kathryn. Cosmos and Image in the Renaissance: French Love Lyric and Natural-Philosophical Poetry. Taylor & Francis Group, 2017.

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Banks, Kathryn. Cosmos and Image in the Renaissance: French Love Lyric and Natural-Philosophical Poetry. Taylor & Francis Group, 2017.

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Book chapters on the topic "Philosophical lyrics"

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Brown, Stephen F. "Nicholas of Lyra's Critique of Scotus' Univocity." In Historia Philosophiae Medii Aevi. B.R. Grüner Publishing Company, 1992. http://dx.doi.org/10.1075/zg.142.08bro.

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Franke, William. "Lyric Reflexivity in Panoptic Historical-Philosophical Perspective—Troubadours, Christianity, and Romanticism." In Dante’s Paradiso and the Theological Origins of Modern Thought. Routledge, 2021. http://dx.doi.org/10.4324/9781003152156-70.

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"Philosophical Lyrics." In The Oxford Chaucer, Vol. 2: Dream Poems, Troilus and Criseyde, Shorter Poems, Philosophical and Scientific Prose. Oxford University Press, 2024. https://doi.org/10.1093/oseo/instance.00308893.

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Zantaria, Vladimir K. "Philosophical Lyrics of Bagrat Shinkuba in Russian Translation." In Abkhazia in Russian Literature of the 19th — 20th Centuries: in 3 vols. Vol. 2. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/arl-2023-2-479-490.

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The article analyzes the experience of translating the philosophical lyrics of the outstanding Abkhaz poet Bagrat Shinkuba into Russian as an example of high professionalism in such a refined and delicate area. Considered as the most successful transcriptions of the lyrical works of the Abkhaz master, translations of the poems “My Star” (S. Lipkin), “They drink for my long life!” (K. Simonov), “This inevitable hour will come ...” (D. Chachkhalia), “The hearth burns and the flame curls” (Y. Kozlovsky), “The word has a soul” (L. Ozerov). It is noted that translators turned to classical principle
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"The Lyrics." In The Oxford Chaucer, Vol. 2: Dream Poems, Troilus and Criseyde, Shorter Poems, Philosophical and Scientific Prose. Oxford University Press, 2024. https://doi.org/10.1093/oseo/instance.00308881.

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Zhaplova, Tatyana M. "Subject detailing as an instrument of poetization of the estate life in the lyrics by I.A. Bunin of the 1890s–1900s." In Estate real — estate literary: vectors of creative transformation. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/978-5-9208-0676-5-94-105.

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The article deals with I.A. Bunin’s early lyrics, options for its subject detailing and features of its functioning. The author traces the development of the estate image in the poems of 1887–1891 — from landscape sketches to everyday genre sketches from the life of a young landowner who is immersed in the atmosphere of the Russian “noble nest”. In Bunin’s interpretation, the estate setting acquires more and more specific features, while being filled with a special meaning and evoking special emotions of the lyric hero, who remembers what he saw and experienced, thanks to the bright details of
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"AN APPRECIATION OF THE FILIPINO PHILOSOPHICAL OUTLOOK THROUGH FILIPINO POPULAR LYRICS." In Philippine Worldview. ISEAS Publishing, 1986. http://dx.doi.org/10.1355/9789814379021-008.

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Ostas, Magdalena. "Interiority and Expression in Dickinson’s Lyrics, Magdalena Ostas." In The Poetry of Emily Dickinson. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190651190.003.0003.

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The argument in this chapter is that Dickinson’s poetics of inner life makes us see anew the long-standing philosophical problem of expression. Dickinson’s poetry invests itself in an understanding of subjectivity that rearranges the anchors we often turn to in thinking about how lives and identities take on shape in expressive forms. Poetry forces this essentially inward poet to conclude that introspection leads to blindness and rather than to self-knowledge and understanding. Dickinson presents us with a new picture of a human subject unable to find comfort or satisfaction in pursuing itself
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Shevel, Tamara, and Natalia Shevel. "DOLORIC POETICS OF M. VORONYI'S AND G. CHUPRYNKA'S LYRICS." In Traditional and innovative scientific research: domestic and foreign experience. Publishing House “Baltija Publishing”, 2024. http://dx.doi.org/10.30525/978-9934-26-436-8-16.

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A new philosophical system of thinking and modern original poetics and aesthetics at the turn of the century was marked by the appearance of poets such as S. Baudelaire or P. Verlaine, who formed the theoretical platform of symbolism with a breakthrough into the mysterious subconscious. The modern cultural-psychological type of sensuality, which was formed at the end of the 19th century, is marked by mystical apocalyptic experiences and melancholy, the search for God and the aesthetics of suffering. M. Voronyi and G. Chuprynka were bright representatives of their time, so we find a lot in comm
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Wallmark, Zachary. "Vector of Brutality: Madness, Violence, and Contagion in Heavy Metal Reception." In Nothing but Noise. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190495107.003.0006.

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This chapter investigates the role played by timbre in the moral panic over heavy metal music that erupted in the United States during the 1980s and 1990s. Examining the social dynamics of this reception history and exploring philosophical tensions surrounding sound and semantics in Western culture (in dialogue with Adriana Cavarero), it argues that the “brutal” timbral palette of heavy metal, its acoustical noisiness (vocal and electric guitar distortion), played an essential though overlooked role in the public furor over the meaning of heavy metal. Tracing the arc of public reception betwee
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Conference papers on the topic "Philosophical lyrics"

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ALIEVA, Dildora. "PHILOSOPHICAL LYRICS AND REFLECTIONS OF THE LYRICAL HERO CHO JI HUN." In UZBEKISTAN-KOREA: CURRENT STATE AND PROSPECTS OF COOPERATION. OrientalConferences LTD, 2021. http://dx.doi.org/10.37547/ocl-01-29.

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This article discussed the emergence and further development of the poetic group “Blue Deer”. The creativity of poets in this group received development of tradition in Korean landscape lyrics and its poetics. An apple to the origins and motives of classical poetry became evidence of their reverent attitude to historical and cultural, including the literal memory of the Korean people. Cho Ji Hong is an outstanding representative of this poetic group. Cho Ji Hoon's work bears the stamp of traditions, national customs, traditions, legends
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Verejanu, Dan. "The „Innocent”, „Paradise”, „Absolute” Man in Lucian Blaga’s Lyrical and Philosophical Works." In Conferinta stiintifica nationala "Lecturi în memoriam acad. Silviu Berejan", Ediția 6. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/lecturi.2023.06.23.

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Researching the metaphor function, Blaga speaks in his essay „The genesis of the metaphor and the sense of culture” about the man who „became a man”. Blaga was always preoccupied of the Man who has a destiny of creating culture (metaphorical and stylistically), with its sacred abyss roots and a great launch of revelation intentions. The true ambassador of united Romania, focused especially into giving greatness to the being, Lucian Blaga became aware of the value of creation moment. The man, existing in the mystery horizon for revelation, it is a creation man, a man of culture. Referring to th
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Cocieru, Mariana. "Contribuția etnologului Sergiu Moraru la dezvoltarea folcloristicii din Basarabia – itinerar biografic și științific." In Conferința științifică națională "Sergiu Moraru: 75 de ani de la naștere". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/sm.75.2021.01.

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In the present study, the author traces the biographical landmarks and the preoccupations of the ethnologist Sergiu Moraru for the safeguarding of the intangible cultural heritage by conducting field researches and scientific use of registered materials. He worked for almost 23 years in the academic field (at Department of Ethnography and Arts Study of the Academy of Sciences of Moldova, then at the Folklore Sector of the Institute of Language and Literature of the ASM, at the Department of Ethnography and Arts of the Institute of Ethnography and Folklore of ASM), holding the positions: lower
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TABURCEANU, Polina, and Valerii TABURCEANU. "The motivation of longing in Liviu Deleanu's creation." In "Higher education: traditions, values, perspectives", international scientific conference. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.27-28-09-2024.p286-291.

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There are states representative of Romanian spirituality, without equivalence in the culture of other peoples. Among them is the feeling of longing, which is difficult to define. The multitude of meanings of longing are proof of the fine sensitivity of the souls of the people who sang it. In order to fully express this wealth of nuances, the popular poet used the most varied artistic methods. Longing appears in two poses: as a being (fantastic abstract or human) and as passion. The artistic nuance of longing is determined by certain aesthetic concepts resized in temperaments and lyrical struct
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Sameti, Mozhdeh. "DIALOGUE AND DIALOGISM IN DIEGETIC DRAMA." In Proceeding of the Thirteenth International Conference at the Faculty of Foreign Languages. Alfa BK University Belgrade, 2024. https://doi.org/10.46793/lld24.134s.

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Diegetic drama is between a purely narrative text and a purely dialogical text. Diegesis (narrative) is a concept taken from Plato’s theories, usually opposed to mimesis (imitation). This type of drama became an established genre in the modern era in opposition to the classical Aristotelian drama. Brecht’s “epic theatre” is one of the well-known types of diegetic theatre and drama, whose purpose was to combat the audience’s passivity and invite them to activate their thinking. After Brecht, other dramatists, such as Beckett, created diegetic dramas combining third-person, abstract narratives (
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Gallik, Ján. "Death as radical border. About Jan Čep’s novel The Border of a Shadow." In The Figurativeness of the Language of Mystical Experience. Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-4.

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The Czech Catholic writer Jan Čep (1902–1974) belonged to the group of authors who built their work on spiritual-religious motifs. Literary critic František Xaver Šalda stated in the bookmark of Čep’s novel The Border of a Shadow (1935) that he is a “poet of death”, namely “a very special, possessing a very special, unusual view of things of life and death”. The language and imagery of his artistic work are based on philosophical-reflexive and meditative lyricism, often with a contemplative overlap. We consider the image of a double home to be one of the key images of Čep’s poetics. Its develo
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Bandalo, Visnja. "ECO-SCIENCE RELATED TOPICS IN THE LITERARY OPUS OF CRISTINA CAMPO." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.18.

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This paper innovatively analyzes cultural intersections between the literary oeuvres of modern Italian writer Cristina Campo and the topics pertaining to ecocriticism, together with concomitant digital aspects thereof. The paper explores transversally across her work the elements of eco-literature, as well as interdisciplinary convergences in the light of environmental science with a particular focus on the envisionment of diachronic examples and other external intertextual elements in the contemporary era. The interest of this paper is in theoretical exegesis and correlated eco-poetical descr
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Мир-Багирзаде, Ф. А. "Oriental symbolism of the ballet "Seven beauties" based on the poem by Nizami Ganjavi." In Современное социально-гуманитарное образование: векторы развития в год науки и технологий: материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.91.54.086.

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автор исследует творческие интерпретации произведения поэта-гуманиста Низами Гянджеви (XII в.) из цикла «Хамсе» «Семь красавиц». Поэт, был подлинным эрудитом, знатоком не только коранических текстов, истории, античной и мусульманской философии, но и астрономии. Данная статья – попытка проследить ориентальную символику образов Гянджеви в одной из творческих интерпретаций поэмы «Семь красавиц», через призму хореографического и сценографического искусства. Метод исследования – семиотический анализ, объект исследования – балет «Семь красавиц», объединивший достижения современной европейской хореог
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