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Books on the topic 'Philosophical lyrics'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Press, Funtime, ed. Quiddities: Philosophical Poetry. 2nd ed. Funtime Press, 2013.

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2

Dumitru, Găleșanu, ed. The lights of man: The philosophical lyric poetry. Eikon, 2021.

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3

Frye, Northrop. Fábulas de identidade: Estudios de mitologia poética. NovaAlexandria, 1999.

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4

Simecek, Karen. Philosophy of Lyric Voice. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350240551.

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Carefully considering the difference in the philosophical potential of page poetry and performance poetry, Karen Simecek argues that it is only by considering them side by side that the unique cognitive value of each can be realised. Focusing on spoken word poetry reveals the importance of voice and embodied words to the differing epistemic rewards of engaging with contemporary works of poetry in both private reading and live performance. This concept of embodied voice progresses a new line of thinking in the cognitivism debate and unlocks the philosophical value of engaging with poetry. Simec

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5

Cultural and philosophical reflections in Indian poetry in English. Authorspress, 2016.

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6

Weiner, Robert G. Perspectives on the Grateful Dead. Praeger, 1999. http://dx.doi.org/10.5040/9798400696473.

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The Grateful Dead, one of the most meticulously documented rock bands, significantly influenced American music and popular culture. Its popularity has endured for three decades despite mixed critical reception. Jerry Garcia, thought of among many as a musical icon and spokesperson for more than one generation of fans, was often equally scorned by various critics. This collection of scholarly essays attests to the varied fields of interest the band and its followers, known as Deadheads, have affected, including psychology, law, and ethnomusicology. The contributions explore the diversity of the

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7

Cosmos and image in the Renaissance: French love lyric and natural-philosophical poetry. Legenda, 2008.

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8

Banks, Kathryn. Cosmos and Image in the Renaissance: French Love Lyric and Natural-Philosophical Poetry. Taylor & Francis Group, 2008.

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9

Banks, Kathryn. Cosmos and Image in the Renaissance: French Love Lyric and Natural-Philosophical Poetry. Taylor & Francis Group, 2017.

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10

Banks, Kathryn. Cosmos and Image in the Renaissance: French Love Lyric and Natural-Philosophical Poetry. Taylor & Francis Group, 2017.

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11

Banks, Kathryn. Cosmos and Image in the Renaissance: French Love Lyric and Natural-Philosophical Poetry. Taylor & Francis Group, 2017.

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12

Banks, Kathryn. Cosmos and Image in the Renaissance: French Love Lyric and Natural-Philosophical Poetry. Taylor & Francis Group, 2017.

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13

Hadjimichael, Theodora A. The Emergence of the Lyric Canon. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198810865.001.0001.

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This book explores the process of canonization of Greek lyric, as well as the textual transmission, and preservation of the lyric poems from the archaic period through to their emergence from the Library at Alexandria as edited texts. It takes into account a broad range of primary material, and focuses on specific genres, authors, philosophical schools, and scholarly activities that played a critical role in the survival and canonization of lyric poetry: comedy, Plato, Aristotle’s Peripatos, and the Hellenistic scholars. It explores therefore the way in which fifth- and fourth-century sources

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14

Zak, William F. Robert Frost’s Visionary Gift. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9781978727182.

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In Robert Frost’s Visionary Gift: Mining and Minding the Wonder of Unexpected Supply, William F. Zak provides groundbreaking analysis of well over one hundred of Frost’s lyrics, considering each poem as an interrelated portion of the poet’s overarching “constellation of intention.” Beyond biography, this book offers extended, close readings of Frost’s oeuvre, building its case incrementally from deftly examined particulars. Zak discusses how the pastoral mode Frost adopts is no depleted, homespun idiom retreating from modernism’s complexities, but a self-conscious determination to assume the p

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15

Sierhuis, Freya. Politics, Imagination, and Desire in the Work of Fulke Greville. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199935338.013.142.

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This article examines a number of the key political and philosophical questions in the poetry, drama, and philosophical treatises of Fulke Greville, first Lord Brooke (1554–1628), arguing that the philosophical complexity and linguistic obscurity for which Greville’s style is known offer an appropriate tool for the examination of some of his enduring intellectual preoccupations: the paradoxes of political power and the rise and fall of empires, examined in the choruses of his Ottoman closet drama Mustapha; and the examination of the mechanisms of idolatry and spiritual servitude that link the

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16

Hyman, Wendy Beth. Impossible Desire and the Limits of Knowledge in Renaissance Poetry. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198837510.001.0001.

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Impossible Desire and the Limits of Knowledge in Renaissance Poetry examines the limits of embodiment, knowledge, and representation at disregarded nexus: the erotic carpe diem poem in early modern England. These macabre seductions offer no compliments or promises, but instead focus on the lovers’ anticipated decline, and—quite stunningly given the Reformation context—humanity’s relegation not to a Christian afterlife but to a Marvellian “desert of vast Eternity.” In this way, a poetic trope whose classical form was an expression of pragmatic Epicureanism became, during the religious upheaval

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17

Spencer, Stephen J. Emotions in a Crusading Context, 1095-1291. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198833369.001.0001.

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Emotions in a Crusading Context is the first book-length study of the emotional rhetoric of crusading. It investigates the ways in which a number of emotions and affective displays—primarily fear, anger, and weeping—were understood, represented, and utilized in twelfth- and thirteenth-century western narratives of the crusades, making use of a broad range of comparative material to gauge the distinctiveness of those texts: crusader letters, papal encyclicals, model sermons, chansons de geste, lyrics, and an array of theological and philosophical treatises. In addition to charting continuities

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18

Masculinity, Gender and Identity in the English Renaissance Lyric. Cambridge University Press, 2008.

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19

Bloomfield-Gadêlha, Connie, and Edith Hall, eds. Time, Tense, and Genre in Ancient Greek Literature. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780191949302.001.0001.

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Abstract This volume examines the interplay of time, tense, and genre in ancient Greek literature, showing how these elements function as part of a dynamic, interconnected system. Through multivocal and reflexive analysis, it offers fresh perspectives on how texts reflect, construct, and challenge cultural conceptions of time. The book is structured to explore the relationship between philosophical time and literary time, with chapters arranged into three sections that correspond to the earliest questions asked by Greek philosophers: how do humans relate to gods (Metaphysics)? How do we know t

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20

Janczuk, Elena. Stałe motywy metafizyczne w twórczości Mariny Cwietajewej. University of Warsaw Press, 2021. http://dx.doi.org/10.31338/uw.9788323546054.

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The analysis of metaphysical motifs in Marina Tsvetaeva’s lyric poetry, their occurrence and tendency to continuous metamorphosis. Tsvetaeva made a profound change in understanding the essence of the 20th century poetry and her reflections on the world and man’s place in it brought her closer to philosophy. The motifs she used had been present in philosophical discourse as they referred to such notions as space and time, body and soul, life and death, light and darkness, silence and sound, god. To a scholar and a reader Tsvetaeva’s poetry means constant discovering and decoding senses and emot

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21

Packer, Sharon, and Jody Pennington, eds. A History of Evil in Popular Culture. Praeger, 2014. http://dx.doi.org/10.5040/9798216972648.

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Evil isn't simply an abstract theological or philosophical talking point. In our society, the idea of evil feeds entertainment, manifests in all sorts of media, and is a root concept in our collective psyche. This accessible and appealing book examines what evil means to us. Evil has been with us since the Garden of Eden, when Eve unleashed evil by biting the apple. Outside of theology, evil remains a highly relevant concept in contemporary times: evil villains in films and literature make these stories entertaining; our criminal justice system decides the fate of convicted criminals based on

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22

Packer, Sharon, and Jody Pennington, eds. A History of Evil in Popular Culture. Praeger, 2014. http://dx.doi.org/10.5040/9798216972631.

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Evil isn't simply an abstract theological or philosophical talking point. In our society, the idea of evil feeds entertainment, manifests in all sorts of media, and is a root concept in our collective psyche. This accessible and appealing book examines what evil means to us. Evil has been with us since the Garden of Eden, when Eve unleashed evil by biting the apple. Outside of theology, evil remains a highly relevant concept in contemporary times: evil villains in films and literature make these stories entertaining; our criminal justice system decides the fate of convicted criminals based on

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23

Das poetische Werk des Abu Sahr al-Hudali: Eine literaturanthropologische Studie. Harrassowitz, 2008.

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24

Diaz, Natalie. When My Brother Was an Aztec. Faber & Faber, Limited, 2022.

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25

Diaz, Natalie. When My Brother Was an Aztec. Faber & Faber, Limited, 2021.

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26

When my brother was an Aztec. Copper Canyon Press, 2012.

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27

When My Brother Was an Aztec. Copper Canyon Press, 2022.

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28

Wilkinson, Ben. Don Paterson. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781800855373.001.0001.

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The Scottish author Don Paterson is one of Britain’s leading contemporary poets. A popular writer as well as a formidably intelligent one, he has won both a dedicated readership and most of Britain’s major poetry prizes, including the T. S. Eliot Prize on two occasions, the Forward Prize in every category, and the Queen’s Gold Medal for Poetry. In this first comprehensive study of Paterson’s poetry, Ben Wilkinson presents him as a modern-day metaphysical, whose work is characterised by guileful use of form, musicality, colloquial diction and playful wit, negotiating the postmodern demands of t

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29

ife, fahima. Maroon Choreography. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021568.

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In Maroon Choreography fahima ife speculates on the long (im)material, ecological, and aesthetic afterlives of black fugitivity. In three long-form poems and a lyrical essay, they examine black fugitivity as an ongoing phenomenon we know little about beyond what history tells us. As both poet and scholar, ife unsettles the history and idea of black fugitivity, troubling senses of historic knowing while moving inside the continuing afterlives of those people who disappeared themselves into rural spaces beyond the reach of slavery. At the same time, they interrogate how writing itself can be a f

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30

'What is Truth?': Towards a Theological Poetics. Routledge, 2001.

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31

'What is Truth?': Towards a Theological Poetics. Routledge, 2001.

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32

Cruz, Gabriela. Grand Illusion. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190915056.001.0001.

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Grand Illusion is a new history of grand opera as an art of illusion facilitated by the introduction of gaslight illumination at the Académie Royale de Musique (Paris) in the 1820s. It contends that gas lighting and the technologies of illusion used in the theater after the 1820s spurred the development of a new lyrical art, attentive to the conditions of darkness and radiance, and inspired by the model of phantasmagoria. Karl Marx, Walter Benjamin, and Theodor Adorno have used the concept of phantasmagoria to arrive at a philosophical understanding of modern life as total spectacle, in which

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33

Apollonio, Carol, and Radislav Lapushin, eds. Chekhov's Letters. Rowman & Littlefield, 2018. https://doi.org/10.5040/9781666987942.

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Of the thirty volumes in the authoritative Academy edition of Chekhov's collected works, fully twelve are devoted to the writer's letters. This is the first book in English or Russian addressing this substantial—though until now neglected—epistolary corpus. The majority of the essays gathered here represent new contributions by the world's major Chekhov scholars, written especially for this volume, or classics of Russian criticism appearing in English for the first time. The introduction addresses the role of letters in Chekhov's life and characterizes the writer's key epistolary concerns. Aft

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34

Larson, Katherine R. The Matter of Song in Early Modern England. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198843788.001.0001.

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Given the variety and richness of the sixteenth- and seventeenth-century English “songscape,” it might seem unsurprising to suggest that early modern song needs to be considered as sung. When a reader encounters a song in a sonnet sequence, a romance, and even a masque or a play, however, the tendency is to engage with it as poem rather than as musical performance. The Matter of Song in Early Modern England: Texts in and of the Air opens up the notion of song from a performance-based perspective and considers the implications of reading early modern song not simply as lyric text but as embodie

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35

Levinson, Marjorie. Thinking Through Poetry. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198810315.001.0001.

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This is a work of and about literary criticism. Its title signals a contribution to debates about reading. We think “through”—“by means of,” “with”—poems, sympathetically elaborating their surfaces. We “think through” poems to their end—solving a problem, getting to their roots. And we “think through” to “go beyond,” in a philosophical, speculative criticism to which the poem carries us. All three meanings of “through” are in play throughout. The subtitle applies “field” first to Romantic studies—offering new readings of canonical British Romantic poems to address contemporary topics (depth vs

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36

Keller-Privat, Isabelle. Lawrence Durrell’s Poetry. The Rowman & Littlefield Publishing Group, 2019. https://doi.org/10.5040/9781683935285.

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This book offers the first in-depth analysis of Lawrence Durrell’s entire poetic opus, from his early collections in the 1940s up to his last one published in 1973. Thirty years of Durrellian poetry are brought together in order to unveil the genesis of Durrell’s writing, both poetic and fictional, drawing links to his novels and residence books, which he kept writing at the same time. Durrell thus appears as first and foremost one of the greatest late modernist poets whose literary and epistemological investigations are to be understood in the light of a worldwide network of literary brotherh

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37

Fábulas de Indentidade. Nova Alexandria, 2000.

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