Relevant bibliographies by topics / Photograph collection / Dissertations / Theses
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Dissertations / Theses on the topic 'Photograph collection'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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1

Stoffle, Richard W., and Vlack Kathleen A. Van. "Timber Mountain Caldera Landscape Photograph Collection." Bureau of Applied Research in Anthropology, University of Arizona, 2013. http://hdl.handle.net/10150/303350.

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These photographs offer illustrations of the people, places, and resources along the two prominent pilgrimage trails in the Timber Mountain Caldera region. These photographs were taken during the 2006 Timber Mountain Caldera Landscape Study, the 2001 Shoshone Mountain Wind Farm Environmental Assessment, and 1999 NTS Rock Art study.
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2

Stoffle, Richard W. "Ojibway Traditional Resources Study Photograph Collection." University of Arizona Libraries, Special Collections, 2013. http://hdl.handle.net/10150/305108.

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3

Malan, Andre. "The use of historical photographs as source for cultural histor : the Sammy Marks photograph collection." Diss., University of Pretoria, 1996. http://hdl.handle.net/2263/37292.

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During his sojourn on earth man leaves traces behind. Subsequent generations can follow these traces through research in order to find out more about his forebears. The term document can be interpreted much wider than referring to written material so that different types of material can serve as source from which this knowledge can be drawn. Pictorial sources is one subsection underneath which photographic material in turn resorts. This study looks at the use of historical photographs as source from which the cultural historian can draw information .. Historical photographs are often me
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Stoffle, Richard W., Vlack Kathleen Van, and Nathaniel O'Mara. "Water Bottle Canyon Traditional Cultural Property Study Photograph Collection." Bureau of Applied Research in Anthropology University of Arizona, 2013. http://hdl.handle.net/10150/301169.

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Stoffle, Richard W., and Vlack Kathleen A. Van. "Arizona Strip Landscapes and Place Name Study: Photograph Collection." Bureau of Applied Research in Anthropology, University of Arizona, 2013. http://hdl.handle.net/10150/292607.

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This file contains a sample of photographs taken during the Arizona Strip Landscapes and Place Name Study(2003-2004). The photographs in this slideshow provide the viewer with an overview of places visited and resources examined during this study.
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Stoffle, Richard W., Vlack Kathleen A. Van, Rebecca S. Toupal, Sean O’Meara, and Jessica Medwied-Savage. "The Old Spanish Trail and Hispanic Communities Photograph Collection." University of Arizona Libraries, Special Collections, 2013. http://hdl.handle.net/10150/297034.

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This is a slide show of selected photographs from the Old Spanish Trail and Hispanic Communities Ethnographic Study. These photographs serve as supplemental materials for the two reports and offers illustrations of the people, places and resources.
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Walker, Jessica E. "Unexpected Reflection Collection." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1253634229.

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Langford, Martha. "Suspended conversations : private photographic albums in the public collection of the McCord Museum of Canadian History." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape16/PQDD_0007/NQ30314.pdf.

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Cleveland, Larissa. "Collector : collection/possession/persona /." Online version of thesis, 2008. http://hdl.handle.net/1850/6186.

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Anderson, Carlos. "INDIVIDUAL IDENTIFICATION OF POLAR BEARS BY WHISKER SPOT PATTERNS." Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3274.

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Many types of ecological studies require identification of individual animals. I developed and evaluated an automated identification system for polar bears (Ursus maritimus) based on their whisker spot patterns. First, I measured the reliability of using whisker spot patterns for identification from polar bear photographs taken in western Hudson Bay. This analysis involved estimating the complexity of each whisker spot pattern in terms of its information content. I found that 98% of patterns contained enough information to be reliable, and this result varied little among three different observ
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Nabozny, Andrea Rita da Silva. "A composição da paisagem urbana de Ponta Grossa-PR nas fotografias do acervo Foto Elite." Universidade Estadual de Ponta Grossa, 2018. http://tede2.uepg.br/jspui/handle/prefix/2688.

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Submitted by Angela Maria de Oliveira (amolivei@uepg.br) on 2018-11-26T19:51:22Z No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Andrea Rita da Silva Nabozny.pdf: 7686327 bytes, checksum: e333c5cfe7ac6cabf4a7c24574fd2f70 (MD5)<br>Made available in DSpace on 2018-11-26T19:51:22Z (GMT). No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Andrea Rita da Silva Nabozny.pdf: 7686327 bytes, checksum: e333c5cfe7ac6cabf4a7c24574fd2f70 (MD5) Previous issue date: 2018-09-20<br>Coordenação de Aperfeiçoamento de Pesso
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Carter, Ashley. "Attitude change regarding animal abuse in adults the effect of education and visual aids." Honors in the Major Thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/357.

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Additionally, images of animals alone immediately increased attitudes regarding treatment of animals. This difference does not appear to increase further over time. Images of animals alone appear to aid in immediately altering individuals' sense of continuity with animals. The attitude that animals and humans share some commonalities and exist in relation to each other could assist in adoption campaigns by allowing the potential owners to place themselves with the animals they are adopting. However, over time information combined with images of humans and animals significantly increase this se
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Halsban, Megan. "Stereographs as Scholarly Resources in American Academic Libraries and Special Collections." Thesis, School of Information and Library Science, 2008. http://hdl.handle.net/1901/543.

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This paper examines stereographic images as scholarly resources, and begins with a brief history of the stereograph. A discussion and review of the literature related to the stereograph as well as the preservation of photographic objects follows the introduction. In addition to the literature review, collections of stereographs at four repositories were evaluated for usability: The Keystone-Mast Archive at the University of California, Riverside; The Eliot Elisofon Archive at the Smithsonian Institution; the George Eastman House; the Library of Congress. The paper ends with suggestions for fut
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Mendes, Menezes Lucas. "Images voyageuses : photographie amateur brésilienne dans la collection de la Société française de photographie." Thesis, Paris 1, 2019. http://www.theses.fr/2019PA01H080.

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La collection de photographies brésiliennes de la Société française de photographie (SFP) est composée de 150 photographies, produites entre les années 1940 et 1950 par des photographes amateurs, formellement associés à des photo-clubs au Brésil. Au-delà des appartenances esthétiques, géographiques et institutionnelles, ces images peuvent, d’abord, être divisées en deux groupes différents : celles envoyées pour la participation au Salon International d’Art Photographique en 1951 et celles exhibées en février 1960, dans le cadre d’une exposition sur la photographie brésilienne, organisée à Gale
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Minkley, Hannah Smith. "Photographing other selves: collecting, collections and collaborative visual identity." Thesis, Nelson Mandela Metropolitan University, 2016. http://hdl.handle.net/10948/12669.

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This study is situated in a social documentary photography context, and is concerned to explore whether the collaborative interaction between photographer, subject (as collector) and material object (as collection) might enable a practice that presents a more mutual and subject-centred visual identity emerge. In particular, photographers Jim Goldberg and Gideon Mendel have focused more on the subject themselves, using collaborative processes such as photo-voice and photo elicitation, as well as the use of peoples’ handwritten captions on photographic prints themselves. Claudia Mitchell’s overv
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Hontos, Vasiliki. "Conservation survey of the Benaki Museum Photographic Archive in Athens, Greece /." Online version of thesis, 1991. http://hdl.handle.net/1850/11621.

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Cobon, Linda Louise. "Problems and issues in the arrangement and description of photographs in libraries and archival repositories." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/27687.

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Until recent years, archivists have been reluctant to consider photographs as being archival in nature. The evidential value possessed by some photographs was ignored and archivists also failed to see where the informational value of a photographic image could be enhanced when viewed within the context in which it was created. Instead, archivists preferred to arrange and describe photographs as discrete items. For assistance in this endeavor, archivists turned to members of the library profession. Librarians, for their part, found that photographs were not amenable to standard bibliographic fo
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Procházka, Václav. "Efektivní tagování fotografií." Master's thesis, Vysoké učení technické v Brně. Fakulta informačních technologií, 2013. http://www.nusl.cz/ntk/nusl-413348.

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This thesis investigates efficient manual image tagging approaches. It specifically focuses on organising images into clusters depending on their content, and thus on simplifying the selection of similar photos. Such selections may be efficiently tagged with common tags. The thesis investigates known techniques for visualisation of image collections according to the image content, together with dimensionality reduction methods. The most suitable methods are considered and evaluated. The thesis proposes a novel method for presenting image collections on 2D displays which combines a timeline wit
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Wills, David. "Cultural Mulch : an investigation into collectors who create collections of mass produced objects and of the potential significance of those objects in relation to consumer culture." Phd thesis, Canberra, ACT : The Australian National University, 2009. http://hdl.handle.net/1885/8036.

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Collecting is an activity that stems from humankinds roots as hunters and gathers, when necessity rather than want, was key. This dissertation considers the strategies and motivations behind collecting in the 21st Century and what the significance is of collected objects. It considers the many guises, aims and reasons for collections being made, from the attainment of wealth and status, to the filling of personal voids, or the simple pleasures of belonging to a like-minded group of people. The dissertation charts contemporary influences in collecting behaviour, from an increased interest in ce
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Humayun, Saalem. "Constructing family photograph albums : how the process of archival acquisition writes history." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99722.

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This thesis is about photographic archives. Specifically, it concerns the process of acquisition for family photograph albums as archival texts. It argues that the process of acquisition writes history, and not one sole author. Additionally it argues that the institutional policy of an archive governs this process. Further, it argues that there is a homology between a public and private archive. In this light, it pursues an autobiographical approach, and compares the author's family photograph album with a family photograph album in the McCord Museum of Canadian History.
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Fenech, A. "Lifetime of colour photographs in mixed archival collections." Thesis, University College London (University of London), 2011. http://discovery.ucl.ac.uk/1333217/.

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Chromogenic prints, which make up around 99% of all colour photographs, are amongst the most vulnerable materials in archival storage. However, although environmental standards for storage are available, antagonistic requirements within archives mean that the recommended conditions are not always appropriate. This study evaluated the impact of mixed archival storage on chromogenic prints by following three lines of research: environmental, material and values. During storage, three environmental parameters predominantly influence chromogenic print lifetime: temperature, relative humidity (RH)
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22

Hall, Alison. "The Shelter photographs 1968-1972 : Nick Hedges, the representation of the homeless child and a photographic archive." Thesis, University of Birmingham, 2016. http://etheses.bham.ac.uk//id/eprint/6534/.

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The thesis examines the work of photographer Nick Hedges (b. 1953) who made photographs for the housing charity Shelter between 1968 and 1972. It concentrates on Hedges’ methodology, his representation of the homeless child, and how this was deployed in Shelter’s campaign strategy. Moreover, it examines the wider political, sociological and cultural debates surrounding the conception, production, dissemination and reception of the Shelter photographs. The thesis argues that Hedges’ photographs, although contextualised by an ostensibly radical charity agenda, were shaped by an established photo
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23

Stoffle, Richard W., Vlack Kathleen A. Van, Phillip Dukes, Sola Stephanie De, and Hannah Johnson. "Solar PEIS Native American Ethnographic Study Photographic Collection." Bureau of Applied Anthropology, University of Arizona, 2013. http://hdl.handle.net/10150/301158.

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24

Beard, Sophie. "Collecting Collects: the family photograph in the British newspaper." Thesis, University of the Arts London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650314.

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25

Edge, Sarah-Jane. "Photography and identities : a case study and related photographic practice : an investigation into the role of early photographic representations of working-class women from London (1860-1865) as represented in the photographic collection of Arthur J. Mu." Thesis, University of Ulster, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.428807.

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26

Gassner, Patricia. "Icons of war photography : how war photographs are reinforced in collective memory : a study of three historical reference images of war and conflict." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2461.

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Thesis (MPhil (Journalism))--University of Stellenbosch, 2009.<br>There are certain images of war that are horrific, frightening and at the same time, due to an outstanding compositional structure, they are fascinating and do not allow its observers to keep their distance. This thesis examines three images of war that have often been described as icons of war photography. The images “children fleeing a napalm strike” by Nick Ut, “the falling soldier” by Robert Capa and Sam Nzima’s photograph of Hector Pieterson are historical reference images that came to represent the wars and conflicts
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Challine, Éléonore. "Une étrange défaite : les projets de musées photographiques en France (1850-1945)." Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010506.

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Cette thèse traite de l’histoire des projets de musées de photographie en France entre 1850 et 1945. Elle a pour ambition d’étudier et de circonscrire les diverses conceptions du musée photographique – documentaire, artistique, historique, technique, etc. – et leur histoire. Entre la fin du XIXe siècle et la Seconde Guerre mondiale, coexistent deux idées principales dans la conception du musée photographique : ce que nous appellerons « musée des photographies », où la photographie constitue avant tout le moyen d’une encyclopédie ou documentation visuelle, et ce que nous nommerons d’autre part
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Wolfe, Kimberly. "Flat Files: The Absence of Vernacular Photography in Museum Collections." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/163.

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This thesis will explore the causes and consequences of the absence of vernacular photography from museum collections. Through historical analysis of vernacular photography and a close interpretation of a contemporary family snapshot, I will argue that vernacular photographs are important objects of great cultural significance and poignant personal meaning. Photography has always defied categorization. It serves multiple functions and roles, is studied in a vast number of disciplines, and exists in a variety of institutions and collections. Furthermore, it is difficult to classify a single
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Schrader, Julie Ann. "The Morgan collection of Southwest pottery website : research and photography : a project /." Click here to view virtual exhibition, 2005. http://www.holmes.anthropology.museum/southwestpottery/index.html.

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Camarda, Sandra. "Journeys into the materiality of photographs : the case of the Blackmore collection." Thesis, University College London (University of London), 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.497815.

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Cronin, Orla Siobhan Therese. "The meaning and psychological significance of family photographic collections." Thesis, University of Southampton, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.388804.

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Bouza, Arnoso Estéfani. "Taming contingency : photography at the crossroads between collections, archives and atlases." Thesis, University of Westminster, 2017. https://westminsterresearch.westminster.ac.uk/item/q5y1q/taming-contingency-photography-at-the-crossroads-between-collections-archives-and-atlases.

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My practice-based PhD investigates how the gathering of visual information through the photographic camera, together with the visual strategies involved in the organisation and configuration of specific groups of images are key processes in the constitution of meaning. I use my own practice to ‘de-construct’ these ideas, to help me understand the role of photography in recording information with the purpose of piecing the gathered material together in an atlas, using the montage, and to finally present the result using the grid as a structure that holds all the photographs together. One of the
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Shipalana, Kizzy. "Dematerialisation of a photographic collection at the concrete institute’s information centre." Master's thesis, Faculty of Humanities, 2019. http://hdl.handle.net/11427/30504.

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The Concrete Institute’s information centre houses special collections and information about concrete and various aspects of concrete technology, including photographs that need to be managed effectively for retrieval purposes. The photographic collection has to be recorded and preserved according to relevant standards to ensure longevity and long term access. Management of photographic collections comes with its unique problems. The purpose of this study is to improve the state of the photographic collection by organising it for easy retrieval, allocating metadata and preserving it for futur
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David, Bruno. "Les parcours de la photographie : la photographie de presse à l'épreuve du collectif." Avignon, 2000. http://www.theses.fr/2000AVIG1025.

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Cette recherche interroge le travail de construction de l'information à l'oeuvre dans les entreprises de presse écrite. La photographie de presse constitue une entrée théorique et méthodologique qui permet d'articuler trois manières d'aborder la question du travail médiatique. Dans un premier temps, nous explorons, à partir de l'analyse comparée de livraisons réelles, les potentialités narratives des photographies mises en scène dans la presse. Dans un second temps, une expérimentation mettant à contribution trois rédactions de la presse magazine, nous permet de développer une approche socio-s
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Ignas-Menzies, Tristan. "Provoke as a collective practice of photographic realism." Thesis, University of British Columbia, 2016. http://hdl.handle.net/2429/59066.

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Comprised of the critic Taki Kōji, poet Okada Takahiko, and photographers Nakahira Takuma, Takanashi Yutaka, and Moriyama Daido (who joined with the publication of the second issue), the photographic journal Provoke ran for three issues between 1968 and 1969. My thesis considers Provoke in terms of its status as a physical and commercial object within the socio-economic context of late 1960s Japan so as to offer a perspective into the collaborative endeavour represented by the journal as a whole. I argue that Provoke attempted to mobilize photography’s documentary potential in the face of the
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Gonzalez, Stephanie. "A Thousand Words: Responses to Photographs." Honors in the Major Thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1168.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Humanities<br>English; Creative Writing
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Stoffle, Richard W., Vlack Kathleen A. Van, Nathaniel B. O’Meara, and Aja Y. Martinez. "The Bahamas Biocomplexity Study Photo Collection." Bureau of Applied Research in Anthropology, University of Arizona, 2013. http://hdl.handle.net/10150/297234.

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Triantaphillidou, Sophie. "Aspects of image quality in the digitisation of photographic collections." Thesis, University of Westminster, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251575.

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Chen, Chufeng. "The use of episodic memory for browsing personal collections of digital photographs." Thesis, University of Sunderland, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.442549.

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Mouchel, Didier. "La collection Soclet : inventaire des fonds photographiques du photographe amateur Alfred Soclet, 1853-1926 /." Rouen (36 rue Campulley, 76000) : D. Mouchel, 1998. http://catalogue.bnf.fr/ark:/12148/cb37068637h.

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Beltramim, Fabiana Marcelli da Silva. "Entre o estúdio e a rua: a trajetória de Vincenzo Pastore, fotógrafo do cotidiano." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-06102015-163400/.

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Esta pesquisa segue a trajetória do fotógrafo italiano Vincenzo Pastore, que atuou em São Paulo entre os anos de 1899 e 1918. Se Pastore, por um lado, viveu produzindo retratos comerciais em estúdio, por outro, a sua produção mais emblemática foi a série de fotos realizadas nas ruas e nos arredores da capital paulista. O percurso trilhado por Vincenzo Pastore se entrelaçou nesta análise com o de suas imagens, numa investigação voltada para os processos sociais que constituíram as duas trajetórias: a do fotógrafo e a de suas fotos. Este estudo tentou compreender duas questões principais. A part
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Martins, Thaís Menna Barreto. "A fotografia de Luiz Arthur Ubatuba de Faria : o olhar de um urbanista." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2017. http://hdl.handle.net/10183/170059.

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Este trabalho de pesquisa investiga o uso da fotografia como ferramenta de trabalho para o urbanismo a partir da análise de um estudo de caso: a atuação do urbanista e fotógrafo gaúcho Luiz Arthur Ubatuba de Faria (1908-1954), cuja relevância de sua atuação profissional em muito contribuiu para a constituição e consolidação do urbanismo no Rio Grande do Sul como campo profissional, e, de maneira pioneira fez uso sistemático da fotografia em seus trabalhos de urbanismo. Como “recorte serial”, foi estabelecida a série documental do conjunto iconográfico que conforma o Acervo Fotográfico de Luiz
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Couvidat, David. "La collection "terre humaine" de Jean Malaurie (1955-2015) : littérature, anthropologie et photographie." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCC030/document.

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La collection « Terre Humaine » (1955-2015) dirigée par un géographe et explorateur français, Jean Malaurie, se présente comme un espace de diffusion d’idées, d'objets, et de pratiques permettant d’explorer, dans la seconde moitié du XXe siècle, la perméabilité des frontières du champ littéraire au contact de l’anthropologie et de la photographie. La diversité des profils des auteurs, des modes d’écriture, des espaces et des périodes, dissimule l’unité souterraine d’une aventure éditoriale à vocation universelle qui cherche à comprendre les populations les plus variées, à la fois dans le temps
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Klicnarová, Dita. "Sběratel krystalů." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2013. http://www.nusl.cz/ntk/nusl-232385.

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This dissertation entitled Crystals Collector is concerned with the phenomenon of collecting, and more specifically with crystals as objectes in an imaginary collection. The objects are selected based on a personal fascination of the author. However, the collection always has, similarly as a crystal, a predetermined internal structure. The meaning of individual parts only become apparent when they are viewed as a whole. The main artefacts of the collection are paintings on canvas - with the painting becoming a similar 'fetish' as a collected crystal. Mineral it the key artefact and as such it
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ESTEVES, FERNANDA LO BIANCO. "IMAGES OF REDEMPTION: A BENJAMINIAN COLLECTOR AND THE PHOTOGRAPHY AS PROMISE OF HAPPINES." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2009. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=14646@1.

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CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO<br>Em que mundo habita o colecionador e as fotografias antes do encontro? O objetivo desta dissertação é apresentar o trabalho de um colecionador benjaminiano de fotografias enquanto fisiognomista do mundo das coisas. Através de uma filosofia do encontro ele tenta compreender e desvendar os mistérios de uma cidade na sua flanerie. Tenta também, dialetizar o tempo através da procura e fazer dos achados (objeto, imagem) um dispositivo capaz despertá-lo da fantasmagoria de modernidade.<br>In which world does a collector and photographs
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Stead, Sarah. "PLACE, SPACE, AND FORM CAPTURED THROUGH PHOTOGRAPHIC MEDITATION." Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4193.

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Inspired by Buddhist philosophy, the photographic series Architectural Zen attempts to beautify banal and pragmatic architecture through limiting and preexisting artificial light conditions. The selective illumination of artificial light eliminates the non-essential details and enhances the pure forms and saturated color presented by the camera lens. This encourages the photographer and the viewer to enter a state of meditation. The resulting process is similar to a Zen approach to image making. The ancient Zen artist s compositions are strengthened by a meditation on form and subsequent elim
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Görgen, Carolin. "Out here it is different - The California Camera Club and community imagination through collective photographic practices : toward a critical historiography, 1890-1915." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCC010/document.

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Le California Camera Club, un collectif de photographes amateurs et professionnels actif à San Francisco notamment entre 1890 et 1915, est une organisation constamment marginalisée dans l’histoire de la photographie et de l’Ouest américain. En adoptant une double approche d’histoire culturelle et matérielle, cette thèse éclaire une gamme d’activités et de productions de ce club largement inconnu, qui ont contribué à forger l’identité d’une communauté éloignée de l’Ouest. Par son approche inclusive, réunissant plus de 400 membres en 1900, le club doit être considéré comme une organisation local
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Wang, Han-Chih. "The Profane and Profound: American Road Photography from 1930 to the Present." Diss., Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/468625.

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Art History<br>Ph.D.<br>This dissertation historicizes the enduring marriage between photography and the American road trip. In considering and proposing the road as a photographic genre with its tradition and transformation, I investigate the ways in which road photography makes artistic statements about the road as a visual form, while providing a range of commentary about American culture over time, such as frontiersmanship and wanderlust, issues and themes of the automobile, highway, and roadside culture, concepts of human intervention in the environment, and reflections of the ordinary an
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Vale, Sam. "Collecting rooms : objects, identities and domestic spaces." Thesis, University of the Arts London, 2014. http://ualresearchonline.arts.ac.uk/7782/.

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This practice-based enquiry into United Kingdom based collecting rooms reveals five participants’ motivations, frustrations and satisfactions manifested in the creation of their spaces. Through the examination of theorists and commentators in the distinct but related fields of cultural theory, sociology and art, the thesis proposes that a collector’s past can be witnessed through memories generated by and within the space. The thesis also advances the idea that part of the experience of the space takes place in the present but simultaneously imagines the future. I have constructed spatial port
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Weber, Kaylin Haverstock. "The studio and collection of the 'American Raphael', Benjamin West, P.R.A. (1738-1820)." Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/4307/.

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When the history painter Benjamin West (1738-1820) died in March 1820, he left behind a remarkable monument to his life and work in his residence at 14 Newman Street, in London’s fashionable West End. Here, he had created an elaborate ‘palace’ of art, dedicated to history painting and to himself – his artistic genius, his artistic heroes, and his unique transatlantic identity. This impressive establishment was nearly fifty years in the making and part of an elaborate strategy to develop an artistic reputation as the pre-eminent history painter of his generation. While his studio has been consi
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