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Journal articles on the topic 'Photograph collection'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Hinzler, H. I. R. "The Indonesian Archaeology Photograph and Documentation System (IAPDS)." Art Libraries Journal 18, no. 2 (1993): 34–38. http://dx.doi.org/10.1017/s0307472200008324.

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On December 1st 1989 the Indonesian Archaeology Photograph and Documentation System (IAPDS) was launched in Leiden. The project, which is scheduled to last three years, has both a photographic and a documentary aspect. The photographic aspect concerns firstly the conservation of the collection of black and white photographs of the Archaeological Service of the Netherlands-Indies, made between 1901 and 1941, and of the Indonesian Archaeological Survey, dating from 1945 to 1955. This collection consists of more than 25,000 photographs, of which 21,855 are kept in various institutions in Leiden.

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Bednarek, Anna, and dr Wojciech Walanus. "Fotografia jako narzędzie dokumentacji i popularyzacji zbiorów Czartoryskich w XIX wieku / Photography as a Tool of Documenting and Promoting the Czartoryski Collection in 19th Century (Summary)." Rozprawy Muzeum Narodowego w Krakowie/Papers of the National Museum in Krakow 13, no. 13 (2025): 70–100. https://doi.org/10.52800/rmnk13.a5.

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After the mid-19th century, the reproduction of private and public collections by means of photography for academic, publishing and commercial purposes became an increasingly common practice. The earliest known photographs of the artworks belonging to the Princes Czartoryski Museum were taken during exhibitions, and their authors were Karol Beyer (1858), Franck (1865) and Adolphe Braun (1878). The latter published a separate catalogue of the photographs of paintings from the Czartoryski Museum in 1883. Some works were recorded also by other photographers (e.g. Awit Szubert). However, the cruci

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Abilova, Ramina O., and Tatiana P. Krasheninnikova. "Journey of the USA Citizen Frank Whitson Fetter to the USSR: History of the Foreign Photographic Collection in the Duke University Library (1930)." Herald of an archivist, no. 4 (2020): 1184–200. http://dx.doi.org/10.28995/2073-0101-2020-4-1184-1200.

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The article presents the results of studying the Whitson Fetter (1899-1991) photo collection on Fetter’s visit to the Soviet Union in the summer of 1930. He spent six days in Moscow and six weeks in Kazan, then took a trip down the Volga River and the Caspian Sea. In his journey, Frank W. Fetter took about 330 photographs, which are currently stored in the David M. Rubenstein Rare Book & Manuscript Library, Duke University (Durham, North Carolina, USA). The article reconstructs the origin of the photographic collection (USSR, June-August 1930) and its life in the family archive of Frank W.

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Meho Manjgo. "Photographs in the Photo Archive’s Old Stock in Gazi Husrev-beg’s Library in Sarajevo." Anali Gazi Husrev-Begove biblioteke 28, no. 42 (2021): 211–33. http://dx.doi.org/10.51719/25663267.2021.28.42.211.

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Gazi Husrev-beg’s Library in Sarajevo, beside its rich stock of manuscripts, archival and museum collections, also houses a valuable collection of photographs within the photo archive’s stock, which is divided into the old and the new stock. The focus of this paper is on photographs from the photo archive’s old stock, taken at the time of the arrival of the Austro-Hungarian government, when the first professional photograph stores started up in this area. This paper aims at trying to determine whether the photographs from the photo archive’s old stock were signed by Anton Schadler, Walter Taus

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Orii, Yuki, Takayuki Nozawa, and Toshiyuki Kondo. "Web-Based Intelligent Photograph Management System Enhancing Browsing Experience." Journal of Advanced Computational Intelligence and Intelligent Informatics 14, no. 4 (2010): 390–95. http://dx.doi.org/10.20965/jaciii.2010.p0390.

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We developed a web-based intelligent photograph browsing system that enables automatic clustering of unstructured digital photograph collection. We conducted a user study to assess the effectiveness of developed photograph browsing system em APC and APCCT). The user task adopted here was finding some target photographs indicated by the experimenter. The results suggest that the clustering method of the photograph browsing systems should be changed according to whether or not the photographs had been taken by the user.

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Lane, S. N., K. S. Richards, and J. H. Chandler. "Developments in photogrammetry; the geomorphological potential." Progress in Physical Geography: Earth and Environment 17, no. 3 (1993): 306–28. http://dx.doi.org/10.1177/030913339301700302.

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Current emphasis in geomorphology recognizes the need for the accurate representation of topographic form, reflected in the growth of digital terrain and elevation modelling. A key requirement of such strategies is the efficient acquisition of information in an appropriate form and at an appropriate resolution to the landform under consideration. The traditional use of photographs in geomorphology has been for interpretation, but developments in photogrammetry may allow the full advantages of the photograph as a means of acquiring and storing quantitative information to be used. The photograph

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Close, Ronnie. "Parallax Error: The Aesthetics of Image Censorshipe." Cabinet, Vol. 2, no. 2 (2017): 74–81. http://dx.doi.org/10.47659/m3.074.art.

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Parallax Error is a found photographic image collection scavenged from well-known art history publications in bookstores in Cairo between 2012 and 2014. What makes the series distinct are the forms and styles of censorship used on the original images ahead of sale and public distribution. The altered images involve some of the leading figures in the canon of Western photographic history and these respected photo works enter into a process of state censorship. This entails hand-painting each photograph, in each book edition, in order to obscure the full erotic effect of the object of desire, i.

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Kusnerz, Peggy Ann. "An Artist's Photograph Collection." History of Photography 27, no. 2 (2003): 192–93. http://dx.doi.org/10.1080/03087298.2003.10443271.

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Van Trigt, Paul, and Susan Legêne. "Writing Disability into Colonial Histories of Humanitarianism." Social Inclusion 4, no. 4 (2016): 188–96. http://dx.doi.org/10.17645/si.v4i4.706.

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In this paper, the relation between humanity and disability is addressed by discussing the agency of people with disabilities in colonial histories of humanitarianism. People with disabilities were often—as indicated by relevant sources—regarded and treated as passive, suffering fellow humans, in particular in the making and distribution of colonial photography. In the context of humanitarianism, is it possible to understand these photographs differently? This paper analyzes one photograph—from the collection of the Tropenmuseum Amsterdam—of people with leprosy in the protestant leprosarium Be

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Ferenc, Tomasz. "Praca, robotnicy, archiwa, fotograﬁa — utrwalanie stereotypów i walka o emancypację". Kultura i Społeczeństwo 59, № 3 (2015): 203–21. http://dx.doi.org/10.35757/kis.2015.59.3.10.

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Work, workers, and workers’ living conditions quickly became a ﬁeld of interest for photographers. Already by the middle of the 19th century there were photographs showing working people. Nevertheless, the contexts in which such photographs were taken varied considerably. The ﬁrst part of this article presents, in the historical perspective, the different causes and strategies involved in making these types of documents, up to the moment when photographs began to appear that had been made by workers themselves. The movement to photograph workers, which developed in the ﬁrst decades of the 20th

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MILLER, ANDREW. "Favoring Nature: Herman Melville's “On the Photograph of a Corps Commander”." Journal of American Studies 46, no. 3 (2012): 663–79. http://dx.doi.org/10.1017/s0021875811001381.

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This paper involves a close reading of Herman Melville's poem “On the Photograph of a Corps Commander,” published in Melville's 1866 collection Battle-Pieces. Realizing that Melville's poem is one of the first descriptions (ekphrases) of a photograph in verse, the paper explores how Melville's poem uses physiognomy to describe the subject of the photograph: an American Civil War general, who is only identified as “the Corps Commander.” In this way, Melville's poem reflects the nineteenth-century philosophical and popular notions of photography. These notions came to regard photography as a Neo

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Abilova, Ramina O., and Yana Yu Kirillova. "Photographic Heritage of the Kazan Pharmacist Arnold Brening: History and Composition of the Collection (1904–37)." Herald of an archivist, no. 3 (2023): 861–75. http://dx.doi.org/10.28995/2073-0101-2023-3-861-875.

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The article presents results of studying photographic heritage of the Kazan pharmacist Arnold Brening (1879–37). Its first part examines his biography drawing on documents from the State Archive of the Republic of Tatarstan and on private archive of his granddaughter Tatyana Brening. Close attention is paid to the professional development of A. Brening, from his apprenticeship at the Brening Heirs Pharmacy to obtaining a pharmacist's degree at the Imperial Kazan University, from tenant to owner of the pharmacy at the corner of Bolshaya Prolomnaya (Bauman street, since 1930) and Universitetskay

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Melekhin, A. V., N. A. Bochkarev, N. A. Kashulin, E. M. Zubova, and P. M. Terentjev. "HOW TO COLLECT THE PICTURES ON THE FISH MORPHOLOGY." Herald of Kola Science Centre of the RAS 13, no. 1/2021 (2021): 30–36. http://dx.doi.org/10.37614/2307-5228.2021.13.1.003.

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Collecting fish morphology data in the field is usually difficult and time consuming. The method of digital photography with further computer processing is currently widely used in biology and facilitates the acquisition of morphological data of fish. The article gives recommendations for obtaining high-quality digital photographs of fish, which we have tested empirically on a large ichthyological material. The studies of the morphological variability of fish following these recommendations showed several positive aspects: accelerating the collection of morphological material, increase of the

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Floate, Susan. "Asylum architecture." Psychiatric Bulletin 16, no. 12 (1992): 764–65. http://dx.doi.org/10.1192/pb.16.12.764.

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The College library is continuing with its project to photograph some of the large old psychiatric hospitals. With the planned closure and possible demolition of many of these institutions it seems worthwhile to record the architecture of the buildings, although inevitably most have been extended, renovated or dissected over the years. Initially hospitals in the vicinity of London are being photographed but we hope to include establishments throughout the country and would be pleased to receive photographs of any architecturally interesting psychiatric hospitals to add to our collection. (Phot

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Belek Fialho Teixeira, Müge, and Frederico Fialho Teixeira. "One and the Multiple." idea journal 17, no. 01 (2020): 221–36. http://dx.doi.org/10.37113/ij.v17i01.357.

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an artwork designed in response to Frank and Eunice Corley’s photographic collection of Brisbane’s suburbia. It departs from the construction of image as a transitional element, built in our minds through empirical experience. Similar to photographer Frank Corley’s work process, in order to represent space, one has to be present. Understanding Corley’s photographic collection as an ontological database oriented by the question of the one versus the multiple, the artwork exposes the decision that affects the work on two distinct levels: effects arising from the specific manner in which Corley p

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Braker, Emily M. "Phototank setup and focus stack imaging method for reptile and amphibian specimens (Amphibia, Reptilia)." ZooKeys 1134 (December 9, 2022): 185–210. http://dx.doi.org/10.3897/zookeys.1134.96103.

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Fluid-preserved reptile and amphibian specimens are challenging to photograph with traditional methods due to their complex three-dimensional forms and reflective surfaces when removed from solution. An effective approach to counteract these issues involves combining focus stack photography with the use of a photo immersion tank. Imaging specimens beneath a layer of preservative fluid eliminates glare and risk of specimen desiccation, while focus stacking produces sharp detail through merging multiple photographs taken at successive focal steps to create a composite image with an extended dept

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Braker, Emily M. "Phototank setup and focus stack imaging method for reptile and amphibian specimens (Amphibia, Reptilia)." ZooKeys 1134 (December 9, 2022): 185–210. https://doi.org/10.3897/zookeys.1134.96103.

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Fluid-preserved reptile and amphibian specimens are challenging to photograph with traditional methods due to their complex three-dimensional forms and reflective surfaces when removed from solution. An effective approach to counteract these issues involves combining focus stack photography with the use of a photo immersion tank. Imaging specimens beneath a layer of preservative fluid eliminates glare and risk of specimen desiccation, while focus stacking produces sharp detail through merging multiple photographs taken at successive focal steps to create a composite image with an extended dept

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Jamal, Amr, Khalid M. Al Ghamdi, Shabana Tharkar, et al. "Contemporary Trends and Ethical Concerns in Clinical Photography in Saudi Arabia." Journal of Nature and Science of Medicine 5, no. 1 (2022): 44–50. http://dx.doi.org/10.4103/jnsm.jnsm_143_20.

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Objectives: Medical photography is imperative for maintaining documentation of patient records and aiding in diagnosis and management, research, education, and training. Smartphones have replaced conventional photography due to their ease of availability, accessibility, and storage; however, their use raises privacy and ethical concerns. The objective of the present study was to determine the current trends in clinical photography and to assess the ethical issues involved in this field. Methods: A cross-sectional survey was used to interview physicians registered at the Saudi Commission for He

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Wagner, Michele. "Note on the Shantz Collection, Tuscon, Arizona." History in Africa 19 (1992): 445–49. http://dx.doi.org/10.2307/3172013.

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Housed in vaults and basements in various locations at the University of Arizona in Tucson, Arizona, is a remarkable collection of photographs, plant specimens, cultural artifacts, postcards, letters, and field notes of Dr. Homer Leroy Shantz (1876-1958). Shantz was a noted plant physiologist and former President of the University of Arizona (1928-1936), and one of the earliest professional botanists to survey and photograph the flora in select regions of southern, central, and eastern Africa. In 1919/20 he traversed the African continentfrom Cape to Cairo with a Smithsonian-sponsored research

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Godfrey, Jenny. "The DACS Slide Collection Licensing Scheme." Art Libraries Journal 26, no. 4 (2001): 10–17. http://dx.doi.org/10.1017/s030747220001244x.

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For many years slide libraries in higher education institutions in the UK grew steadily in size as they accommodated the needs of new and expanding art and design courses. Although some slide librarians acquired new slides by photographing works of art in museums and art galleries, and most bought slides of the traditional art history canon from commercial publishers and art galleries, the largest proportion of these ever growing slide collections was made up of slides produced by copy photography, using slide film to photograph images taken from books, journals and exhibition catalogues. Chan

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Севастьянова, С. А. "Lucian Gorodetsky’s Photograph of the Family of Grand Duke Konstantin Konstantinovich from the Collection of Pavlovsk State Museum Reserve: Study and Restoration." Terra artis. Art and Design, no. 1 (April 24, 2023): 67–75. http://dx.doi.org/10.53273/27128768_2023_1_67.

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Представляет интерес история и опыт реставрации коллодионного отпечатка «Семья великого князя Константина Константиновича в Библиотеке Марии Федоровны в Павловском дворце», выполненная в 1909 г. фотографом Люцианом Станиславовичем Городецким. При поступлении в реставрацию фотография была наклеена на картон. Она заметно потеряла контрастность, появились пятна различного происхождения, расслоения и повреждения фотослоя. Бумага фотографии и картона с разрывами, изломами и утратами. С оборотной стороны верхний слой картона сорван, поверхность покрыта слоем клея и содержит надпись графитом, написан

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Shepherd, Nick. "The modest violet. Response to ‘The Burkitt affair revisited’." Archaeological Dialogues 10, no. 1 (2003): 33–39. http://dx.doi.org/10.1017/s1380203803231123.

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Buried deep in the Goodwin Collection are five passport-style photographs of the man himself, memorable for their informality and their eccentricity. In the first photograph Goodwin looks directly at the camera, the sober academic. In the second, mouth ajar, he looks up to the heavens. In the third, in a different jacket, he gazes off into the distance, wistful as a pre-Raphaelite virgin. Pencilled on the back, in Goodwin's handwriting, is the word ‘Soulful’. A fourth image has him grinning at the camera. In a final photograph he looks to the floor. Pencilled on the back is the caption ‘The Mo

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Albiez-Wieck, Sarah. "Racializing Mestizos and Mestizas in the Philippines—Dean Worcester’s Anthropometric Types in the Early 20th Century." Histories 5, no. 2 (2025): 23. https://doi.org/10.3390/histories5020023.

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In the Spanish Empire, the term mestizo/mestiza denoted, overwhelmingly, people of so-called “mixed” European and indigenous ancestry, but there existed also some regional adaptations with differing genealogies such as the mestizos de sangley in the Philippines. The article traces some developments of the application and racialization of the term mestizo shortly after the end of the Spanish Empire in the Philippines under U.S. rule. It will look at photographs that were taken in by Dean Worcester, secretary of the interior, and his staff, in order to apply and develop theories of the biologist

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Wrona, Adeline. "Une madone à Fukushima. La condition numérique du portrait de presse." Sur le journalisme, About journalism, Sobre jornalismo 3, no. 1 (2014): 170–81. http://dx.doi.org/10.25200/slj.v3.n1.2014.137.

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 Cet submission analyse l’incidence des modes de circulation de l’image sur les pratiques de la photographie de presse. L’exemple choisi est celui d’une photographie qui représente une femme au milieu des décombres d’Ishinomaki, image achetée par l’Agence France-Presse (AFP) à un quotidien japonais, au lendemain du Tsunami de mars 2011. Reprise en couverture de nombreux journaux occidentaux, recadrée autour de la figure féminine, initialement saisie en plan large, cette photographie devient un portrait, rapidement désigné comme « la madone des décombres ». En décrivant les facteurs techn

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Bearn, David R., Jonathan R. Sandy, and William C. Shaw. "Photogrammetric Assessment of the Soft Tissue Profile in Unilateral Cleft Lip and Palate." Cleft Palate-Craniofacial Journal 39, no. 6 (2002): 597–603. http://dx.doi.org/10.1597/1545-1569_2002_039_0597_paotst_2.0.co_2.

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Objective To describe the soft tissue profile of children with unilateral cleft lip and palate from profile photographs and assess the reliability of this method. Design Retrospective analysis of prospectively collected data. Setting A national study in the United Kingdom. Subjects Caucasian children born in the United Kingdom between April 1, 1982, and March 31, 1984, and aged between 12 and 14 years at data collection. A cleft side and noncleft side profile photograph was available for each of 175 children. Method Seven angular measurements were made using Dentofacial Planner Plus software,

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Kumar Ray, Narendra. "The Role of Forensic Photography in Criminal Investigation and Trial." Journal of Social Science and Humanities 6, no. 9 (2024): 187–88. http://dx.doi.org/10.53469/jssh.2024.6(09).34.

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Photography is one of the main crucial factors consider during investigation of scene of crime. Crime scene and evidence photography is crucial to investigate a crime scene and of birth in the 21st century round the world all respective friendship, scientist use high resolution camera lens, modern instruments, technology to capture crime scene photos. Evidence collection and capturing it’s photograph and represent in court as vital evidence are benefits of modern photography. In this paper, we will consider the modern aspect of forensic photography in any criminal and civil cases investigation

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Cleland, Jennifer, and Anna MacLeod. "The visual vernacular: embracing photographs in research." Perspectives on Medical Education 10, no. 4 (2021): 230–37. http://dx.doi.org/10.1007/s40037-021-00672-x.

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AbstractThe increasing use of digital images for communication and interaction in everyday life can give a new lease of life to photographs in research. In contexts where smartphones are ubiquitous and many people are “digital natives”, asking participants to share and engage with photographs aligns with their everyday activities and norms more than textual or analogue approaches to data collection. Thus, it is time to consider fully the opportunities afforded by digital images and photographs for research purposes. This paper joins a long-standing conversation in the social science literature

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Stepanova, Alevtina V., and Alla V. Sukhova. "From the funds of the Museum of Anthropology of the Moscow State University. Photographs of the peoples of the North Caucasus in the exposition of the Anthropological Exhibition of 1879: Karachays." Moscow University Anthropology Bulletin (Vestnik Moskovskogo Universiteta. Seria XXIII. Antropologia), no. 3 (August 23, 2023): 139–52. http://dx.doi.org/10.32521/2074-8132.2023.3.139-152.

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Introduction. This publication is the second in a series of articles devoted to the description of the collection of photographs of representatives of the peoples of the Kuban region, and is devoted to the study of a part of the collection, including photographs of Karachays. Materials and methods. The basis of the work was a collection of photographs collected by E.D. Felitsyn (1848-1903), presented by him at the Anthropological Exhibition of 1879 in Moscow and kept in the funds of Anuchin Scientific Research Institute and the Museum of Anthropology of Lomonosov Moscow State University. Resul

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Belton, Tom. "Resurrecting Images from the Morgue: A Case Study of the London Free Press Collection of Photographic Negatives." Collections: A Journal for Museum and Archives Professionals 16, no. 4 (2020): 381–92. http://dx.doi.org/10.1177/1550190620964073.

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This paper is a case study of the ongoing transformation of the London Free Press Collection of Photographic Negatives from a physical archive to a digital one. This Collection is a typical medium-sized newspaper photographic negative morgue dating between 1938 and 1992. These morgues possess enormous value as visual evidence of the development of communities, and society in general. The London Free Press serves a market of around a million people in Southwestern Ontario, Canada. The Collection’s current custodian, the University of Western Ontario Archives and Special Collections, is in the p

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Heđbeli, Živana, and Nikola Mokrović. "Managing a Photograph Collection: ARKzin photo archive Case Study." Atlanti 25, no. 1 (2015): 131–40. http://dx.doi.org/10.33700/2670-451x.25.1.131-140(2015).

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Paper deals with whole process of organization of photo documentation produced by magazine ARKzin. ARKzin was published from 1991 to 1998 and first existed within the Antiwar Campaign Croatia, a network of peace, antiwar, and human rights groups, and later became independent subject. Collection of photographs consists of around 1500 items, taken from different authors, with some of them later becoming well-known photographers, and covers many subjects: protests, war atrocities, portraits of people interviewed for ARKzin, various social events, and graphics. The collection itself is valuable ov

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Vesel, Nevenka, and Andreja Istenič. "Researching a Child's Perspective of Experiencing Positive Feelings Through Photography and Interview." Education and Self Development 19, no. 4 (2024): 109–18. https://doi.org/10.26907/esd.19.4.09.

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In the research article, we focus on research and data collection from the perspective of the child, where the latter is an active researcher. During the research, we sought to break the scientific effect of data collection, which can only be done through play and by including all children in research, or so-called experimentation. We offered them resources that encouraged a high level of motivation, and we guided the children through the research with open-ended questions. Qualitative research is presented with an emphasis on interview techniques. In the theoretical part of the article, we fo

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Tomlinson, R. A. "A photograph of Olympia in the Alma Tadema Collection." Annual of the British School at Athens 84 (November 1989): 353–54. http://dx.doi.org/10.1017/s0068245400021031.

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A photograph in the Alma Tadema Collection in the library of the University of Birmingham, captioned ‘A View near Athens’ is identified rather as a general view of Olympia, taken during the second season of the German excavations, in 1876–7.

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Barr, Nancy W. "The Photograph—A Brief History of the DIA's Collection." Bulletin of the Detroit Institute of Arts 84, no. 1-4 (2010): 4–7. http://dx.doi.org/10.1086/dia23183242.

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Lesiak-Przybył, Bożena. "Dawne fotografie dotyczące życia i twórczości Jana Matejki w zbiorach Archiwum Narodowego w Krakowie." Rocznik Biblioteki Naukowej PAU i PAN 67 (December 30, 2022): 71–84. http://dx.doi.org/10.4467/25440500rbn.22.007.17362.

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Old photographs about Jan Matejko’s life and work in the collection of the National Archives in Cracow The collection of the National Archives in Cracow contain 66 photographs related to Jan Matejko. They were taken in the period from 1860s till 1939, mostly by photographers from Cracow and Warsaw, but the authorship of some of them remains unknown. Due to their subject, the photographs may be divided into four groups: 1) presenting Jan Matejko (6 likenesses) and documenting his funeral (2); 2) photographs documenting the artist’s works (47 items); 3) photographs related to Jan Matejko’s house

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Lund, Katrín Anna. "Co-Creating Nature: Tourist Photography as a Creative Performance." Humanities 12, no. 6 (2023): 141. http://dx.doi.org/10.3390/h12060141.

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This article examines tourism nature photography as a creative and sensual activity. Based on a collection of photographs gathered from tourists in the Strandir region in northwest Iceland, I demonstrate how photographing nature is a more-than-human practice in which nature has full agency. Much has been written about tourist photography since John Urry theorised about the tourist gaze in the early 1990s; this view has been criticised, especially in the light of the performance turn in tourism studies.It has, for example, been noted that tourist photography is not just about the gazing tourist

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Fokin, Pavel. "Four Portraits, No Retouching." Неизвестный Достоевский 7, no. 3 (2020): 97–113. http://dx.doi.org/10.15393/j10.art.2020.4801.

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Researchers are still raising questions related to the time and place of shooting of certain portraits in the scarce photographic iconography of F. M. Dostoevsky. First of all, this pertains to a set of early photographs, whose dating ranges between 1857 and 1863, according to various sources. The article offers new arguments in favor of attributing several portraits of F. M. Dostoevsky to 1859. This refers to photographs that captured an image of F. M. Dostoevsky that is unusual for most of his admirers, namely, without a beard. Two of them were taken in Semipalatinsk by the photographer S. A

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Weingert, Michael, and Kate Larson. "TrailView: Combining Gamification and Social Network Voting Mechanisms for Useful Data Collection." Proceedings of the AAAI Conference on Human Computation and Crowdsourcing 1 (November 3, 2013): 80–81. http://dx.doi.org/10.1609/hcomp.v1i1.13110.

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There is a dearth of structured, organized photographical information of hiking trails and nature in general. Although people frequently photograph these locations and some efforts have been conducted to create virtual walk-throughs of select locations using specialized equipment~\cite{Stanger13:Take,Olanoff13:Google}, the information is largely scattered across different social networks and other websites. With TrailView we aim to utilize the efforts and photographs of everyday hikers to create a structured view of hiking trails and nature. TrailView boasts a gamified system to encourage user

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Selvam, Sheba, Ramadoss Balakrishnan, and Balasundaram Sadhu Ramakrishnan. "Ontology With Hybrid Clustering Approach for Improving the Retrieval Relevancy in Social Event Detection." International Journal on Semantic Web and Information Systems 14, no. 4 (2018): 33–56. http://dx.doi.org/10.4018/ijswis.2018100102.

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Progression in digital technology and the fame of social media sites such as Facebook, YouTube, Flickr etc., necessitate sharing memories. This results in a colossal amount of multimedia content such as text, audio, photographs and video on the web. Retrieving photographs exclusively from web in the large collection is a challenging task. One way to retrieve photographs is by identifying them as events. The automatic organization of a multimedia collection into groups of items, where each group corresponds to a distinct event is described as Social Event Detection (SED). Contextual information

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Muço, Edmond. "Pietro Marubi - Founder of The First Photography Studio in Albania." Pannoniana 7, no. 1 (2023): 187–95. http://dx.doi.org/10.32903/p.7.1.9.

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This article aims to highlight the art of photography in Albania, which began at the end of the 1850s and is associated with the name Pietro Marubi (1834-1903). It deals with the origin of Pietro Marubi, who was Italian from Piacenza. For political reasons, he left Italy, sought refuge in Albania, and settled in the city of Shkodra. The scope is on his extraordinary work, including the founding of the first photography studio in Albania around 1855, which was a bold step at that time. Among his earliest photographs are those of Hamzë Kazazi (1858) and Leonardo de Martino (1859). He became a po

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CARMO, JOÃO A. M., VIVIANE R. SCALON, MARIA F. CALIÓ, and ANDRÉ O. SIMÕES. "Lectotypification of Psyllocarpus schwackei (Spermacoceae, Rubiaceae)." Phytotaxa 329, no. 2 (2017): 185. http://dx.doi.org/10.11646/phytotaxa.329.2.10.

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Psyllocarpus schwackei was described by Schumann (1898: 18), for which he cited a single collection, “in Brasiliae civitate Minas Geraes, locis arenosis in Serra do Cipo: Schwacke n, 8089, floret Aprili”. In a taxonomic revision of the genus, Kirkbride (1979) stated that the material studied by Schumann at the Botanical Museum in Berlin had been destroyed during the Second World War (Hiepko 1987), and that he was unable to locate any duplicates of this collection. He consulted a photograph of the specimen available in the Field Museum of Natural History type photograph series, negative number

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Goncharova, Natalia N., and Alexandra A. Castro Stepanova. "On the possibility of using anthropological photography to determine linear facial dimensions. Methodical article." Moscow University Anthropology Bulletin (Vestnik Moskovskogo Universiteta. Seria XXIII. Antropologia), no. 3 (September 14, 2021): 17–26. http://dx.doi.org/10.32521/2074-8132.2021.3.017-026.

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Three samples were analyzed – the population of central Chile (175 men and 55 women), the indigenous population of Altai (38 men and 67 women) and the Russians of Altai (52 men and 42 women). The collection of material took place in two stages: working directly with the subject and working with photographs. Measurements of the parameters of the head and face of the subjects in the field in both cases were carried out according to the classical method of V.V. Bunak, adopted in the Russian anthropometric school. Photographing in portrait and in profile was carried out taking into account the rec

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Hummer, Kim. "Fruit Germplasm Preservation." HortScience 24, no. 2 (1989): 190. http://dx.doi.org/10.21273/hortsci.24.2.190.

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Abstract The cover photograph, by Joseph Postman, Plant Pathologist, USDA/ARS, demonstrates a portion of the unique diversity of Pyrus germplasm within the collection at the National Clonal Germplasm Repository (NCGR) in Coivallis, Ore. Each of the fruits in the photograph is a pear species, hybrid, or cultivar.

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Landis, Lawrence A., and Natalia Fernandez. "Documenting Oregon's Latino Heritage: The Braceros in Oregon Photograph Collection." OLA Quarterly 18, no. 3 (2012): 21–27. http://dx.doi.org/10.7710/1093-7374.1366.

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Dielman, Gary. "Research Files: Discovering Gold in Baker County Library's Photograph Collection." Oregon Historical Quarterly 109, no. 1 (2008): 88–97. http://dx.doi.org/10.1353/ohq.2008.0103.

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Benemann, William E. "Reference implications of digital technology in a library photograph collection." Reference Services Review 22, no. 4 (1994): 45–50. http://dx.doi.org/10.1108/eb049229.

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Superbi, Fiorella Gioffredi. "The Photograph and Bernard Berenson: The Story of a Collection." Visual Resources 26, no. 3 (2010): 289–303. http://dx.doi.org/10.1080/01973762.2010.499653.

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Earl, Clarence L. Jimenez. "Memories of Sounds: An Archiving Project in Two Aural Communities." ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 5 (July 1, 2020): 1–8. https://doi.org/10.30819/aemr.5-1.

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Documentation, collection, and the storage of music and sound is second nature to the discipline of ethnomusicology. Frances Desmore’s iconic photograph (albeit staged) of a gramophone with Blackfoot leader, Mountain Chief in the early 20th century quite accurately depicts a salient feature of the discipline --- the scholar and the local engaged in the recording of music. The technology and the dress have obviously undergone changes but the photograph continues to echo resonantly. As Jaap Kunst has said and quoted by Seeger, “Ethnomusicology could never have grown into an independe

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McCredie, Athol. "Collecting photographs: The development of Te Papa's historical photography collection." Tuhinga 20 (June 1, 2009): 41–66. https://doi.org/10.3897/tuhinga.20.e34179.

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This article examines the development of Te Papa’s historical photography collection, from its origins in the Colonial Museum to the present. In so doing, it outlines the collection’s contents and shows that the present-day shape of the collection bears the imprint of changing museology and evolving ideas about the role of photography in a museum. It covers the relatively passive collecting by founding director James Hector in the nineteenth century; the concerted effort to build a collection of ethnographic photographs under his successor, Augustus Hamilton; photographic activity by Museum st

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Aulia Nurul Izza, Rauly Sijabat, and Rita Meiriyanti. "Mengulik Longevity Jasa Fotografi Di Tengah Gempuran Smartphone." Lokawati : Jurnal Penelitian Manajemen dan Inovasi Riset 2, no. 3 (2024): 121–39. http://dx.doi.org/10.61132/lokawati.v2i3.867.

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Photography is one of the new avenues of service and business, some have made a hobby of photography a lucrative profession. They should be prepared to compete with other companies of the same kind by creating a good image of the consumer, providing quality of service and increasing innovation and creativity in order to create different photo concepts and attract consumers. The strategy became the main idea of Hero Photography to develop a business in photographic services. Hero Photography tried to adapt and compensate by coming up with a strategy that would attract consumers.These research m

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O’Brien, Aoife. "Pacific photographs from the Vanadis expedition, 1883–85." Journal of New Zealand & Pacific Studies 8, no. 1 (2020): 7–21. http://dx.doi.org/10.1386/nzps_00012_1.

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The Vanadis expedition was a Swedish–Norwegian scientific and trade mission that circumnavigated the globe between 1883 and 1885. The scientific aspect of the expedition focused on the collection of objects, archaeological excavations and the documentation of the peoples, places and material culture encountered on the voyage. Responsible for much of this collecting and documentation was ethnographer Hjalmar Stolpe, as well as photographer Oscar Birger Ekholm. An estimated 7500 objects from the Vanadis expedition today form part of Etnografiska museet (The Museum of Ethnography) collections in

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