Academic literature on the topic 'Photographers'

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Journal articles on the topic "Photographers"

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Indra Astutik, Ika Ratna, and Yudhistira Wignya Radhitya. "Sistem Informasi Pemesanan Jasa Fotografer Berbasis Web Pada Studio Fotograferku." Journal of Technology and System Information 1, no. 1 (2024): 1–15. http://dx.doi.org/10.47134/jtsi.v1i1.2142.

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Studio Fotograferku is a company engaged in photography services. In the current digital era, the need for photography services continues to increase along with the growth of the creative industry and social media. However, the process of finding and ordering photographers often takes a long time and is less efficient. Seeing this potential, we developed a web-based photographer ordering information system. This system aims to make it easier for customers to search, compare, and order photographer services according to their needs and preferences. This system provides a photographer search fea
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Kaeppler, Adrienne L. "Early photographers encounter Tongans." Journal of New Zealand & Pacific Studies 8, no. 2 (2020): 209–26. http://dx.doi.org/10.1386/nzps_00038_1.

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Four early photographers are examined here in relation to their encounters with Tongans and Tonga. These photographers are Andrew Garrett, Gustav Adolph Riemer, Clarence Gordon Campbell and Walter Stanhope Sherwill. Garrett, an American natural historian who specialized in shells and fish, took two ambrotypes of Tongans in Fiji in 1868, which are two of the earliest Tongan photographs known. Riemer, born in Saarlouis, Germany, was a marine photographer on S.M.S. Hertha on an official diplomatic visit and took at least 28 photographs in Tonga in 1876. Campbell, a tourist from New York, took 25
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Heriwanto, Heriwanto, Muhammad Faiz Bolkiah, and Oky Mauludya Sudradjat. "Photo Arts Concept as Alternative Photography Works." Jomantara: Indonesian Journal of Art and Culture, Vol. 4 No. 2 July 2024 (July 30, 2024): 136–43. http://dx.doi.org/10.23969/jijac.v4i2.13509.

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The development of photography so far has encouraged the birth of various forms of new concepts in the field of photography. The birth of digital photography technology has provided various conveniences and encouraged photographers to develop photography more widely. Currently, the concept of photo art has been widely used by photographers or photo artists through the development of new ideas and concepts in the form of photographic works. Fine art photography can be an assessment and representation for the photographer who created the photograph. Therefore, the time has come for photographers
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Fiore, Dánae. "Photographs as Artifacts." Anthropos 114, no. 1 (2019): 57–78. http://dx.doi.org/10.5771/0257-9774-2019-1-57.

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This article presents key concepts and methods used to develop a visual archaeology of two Indigenous societies of Tierra del Fuego (Shelk’nam, Yámana/Yagan). Photographs are conceived as artifacts, which condense the traces of at least two agents: photographers and photographed subjects. These visual records are not only biased by the different photographers who took them, but also shed light on the different material culture patterns produced by each Indigenous society, which are visible on the images when studied in large samples. The article discusses some results of systematic investigati
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Kimball, Claire. "Photographing Early Modern Drama in Performance: A Visual Dramaturgy." Shakespeare Bulletin 42, no. 4 (2024): 469–98. https://doi.org/10.1353/shb.2024.a956895.

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Abstract: This essay examines the significance of the production photographer’s approach to documenting early modern drama in performance where the photographer has also served as a rehearsal room dramaturg. Drawing from the personal observations of Brave Spirits Theatre’s resident dramaturg/production photographer, the essay explores several productions of Shakespeare and his contemporaries, as well as select rehearsal and production photos, to investigate the ways in which a dramaturg can less intrusively document early rehearsals, anticipate staging elements, and employ a broad contextual a
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Kloster Poulsen, Steffen. "Når eksplosioner er kunst." Periskop – Forum for kunsthistorisk debat, no. 31 (June 13, 2024): 100–115. http://dx.doi.org/10.7146/periskop.v2024i31.146623.

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This article argues for an expanded effort to search for, and actively utilize, concepts and methods from the sociolinguistic periphery of the otherwise anglocentric academic lit- erature on photography in order to achieve a more level playing field between vernacular concepts and purportedly universal ones. Taking the history of public debate on photo- graphy in Japan as a departure point, this article aims to map out a new area of explora- tion for photographic research in the academic field of art history. Japan has been home to a vivid public and intellectual debate on photography since th
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Dissarami, Dissarami. "PHOTOGRAPHER INCOM EARNINGS PRE-WEDDING IN PERSPECTIVE AL-'AMÂL . IJÂRAH CONTRACT (A Research in Takengon City)." Dusturiyah: Jurnal Hukum Islam, Perundang-undangan dan Pranata Sosial 12, no. 2 (2022): 169. http://dx.doi.org/10.22373/dusturiyah.v12i2.13260.

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Pre-wedding photo shoots are carried out to meet various aesthetic needs at the wedding ceremony. This causes many people to need the services of a photographer, producing various forms of style from every pre-wedding photo moment that is created. There are three problem formulations in this thesis, namely first, how is the contribution of the photographer in determining behavior and style in pre-wedding shooting. Second, what are the efforts made by the photographer to avoid photo sessions that are against the syara' in pre-wedding photography. Third, what are the consequences of the photogra
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Susanti, Indah. "Pemberdayaan Budaya Visual Erison J. Kambari dalam Ranah Pelestarian Budaya Lokal Sumatera Barat." Rekam 20, no. 1 (2024): 87–104. http://dx.doi.org/10.24821/rekam.v20i1.7805.

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This article reveals the sides of photography by local photographers. The method used is to analyze the work of Erison J Kamari and the appreciation of the audience for his photographs. The method used in this research is qualitative. The result of this research is how to promote and introduce the local potentials of West Sumatran culture by Erison through his visual records. The actions of this photographer from Kurai provide realization in professional art creation management. Capturing moments that cannot be separated from patience, basic understanding of photography techniques, selection o
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TAJUDDIN, LAILI MARDZIAH, ANDRIALIS ABD RAHMAN, NOR AZIYANA ABD RAHMAN, and ROSLIZA AHMAD. "OVERVIEW OF STREET PHOTOGRAPHER OBJECTIVES FOR THE PHOTOJOURNALISM GENRE." Quantum Journal of Social Sciences and Humanities 5, no. 6 (2024): 212–20. https://doi.org/10.55197/qjssh.v5i6.495.

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This study is a review of borderless street photography, aiming to explore the objectives behind each captured subject and the storytelling conveyed through the recorded and displayed images. The methodology used combines both contemporary studies and literature references. Several images from current street photographers were selected for analysis, linking the purpose behind the captures with insights from previous literature. Interviews with photographers were also conducted to further strengthen the data obtained. The analysis revealed that the purpose of street photography, whether direct
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Virkki, Susanna. "Finnish Theatre Photography and the Influence of Technology." Nordic Theatre Studies 26, no. 2 (2014): 60. http://dx.doi.org/10.7146/nts.v26i2.24310.

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This article is mainly based on interviews with three Finnish photographers’, Kari Hakli, Jalo Porkkala, and Petri Nuutinen’s as well as on the theatre photographs they have taken. The criterion for selecting these three photographers has been that their work spans a number of decades; therefore, the development of Finnish theatre photography can be studied from this perspective. The theatre photograph is a photo of the stage image, which is often based on the dramaturgy of the play script. The subjects and points of view of the photographer are not generally agreed on in advance with the dire
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Dissertations / Theses on the topic "Photographers"

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Shtonda, A. O. "Great Contemporary Photographers." Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/8399.

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Jambard-Sweet, Carolyn. "Carte-de-visite culture in Manchester NH a case study /." Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1162753708.

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Cordier, Astrid. "The influence of 1950s fashion photographers, Richard Avedon and Irving Penn, on photographers Matthew Rolston and Steven Meisel." Thesis, Nelson Mandela Metropolitan University, 2011. http://hdl.handle.net/10948/d1008112.

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Photography has been used to record and document periods in time, which Wells (2001:19) acknowledges by stating that, “…photographs are records and documents which pin down the changing world of appearance”. Richard Avedon and Irving Penn made a significant contribution to fashion photography during the 1950s but this has seldom been explored in a scholarly way. By defining the characteristics of Avedon and Penn’s work, a possible understanding of their influence on contemporary fashion photographers, Matthew Rolston and Steven Meisel may be determined and so expand on the understanding of the
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Macleod, Sheila Jean. "Three french writer-photographers after Roland Barthes." Thesis, Birkbeck (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.411256.

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Pavão, Luís. "Photography in Lisbon, Portugal from 1886 to 1914 /." Online version of thesis, 1989. http://hdl.handle.net/1850/11377.

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黎健強 and Kin-keung Edwin Lai. "The life and art photography of Lang Jingshan (1892-1995)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B30230214.

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Haney, Erin Leigh. "If these walls could talk! : photographs, photographers and their patrons in Accra and Cape Coast, Ghana 1840-1940." Thesis, SOAS, University of London, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.415453.

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Gillis, Natalie Kersey. "Reconstructions : the contemporary Southern landscape by its photographers." [Tampa, Fla] : University of South Florida, 2008. http://purl.fcla.edu/usf/dc/et/SFE0002736.

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Morris, Ryan K. "Understanding Involuntary Job Loss Among Former Newspaper Staff Photographers." Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/4174.

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This study examines former newspaper photographers' experience with being laid-off from their staff positions. The purpose was to identify emerging themes within the context of involuntary job loss, job satisfaction, and occupational identity via interviews with 8 photojournalists who experienced the phenomenon of being laid-off. The newspaper industry has long been considered both the starting point for young and aspiring photojournalism careers and the most consistent and stable venue for an income. Yet recent changes in the media landscape, particularly economic stress on traditional busin
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Wilson, Denise Alexandra. "Beyond the domestic : women photographers in Ireland 1853-1913." Thesis, Ulster University, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.755095.

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Books on the topic "Photographers"

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Chalker, David. 100 views of Canberra. PhotoAccess, 2013.

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Johnson, Brooks. Photography speaks: 150 photographers on their art. Aperture Foundation, Inc., 2004.

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Casgrain, H. R. Jules Livernois. s.n.], 1986.

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Hinata, Kōzaburō. Beijing Shanben zhao xiang guan: Riben she ying shi he ta jing tou xia de jin dai Zhongguo. Shanghai shu hua chu ban she, 2021.

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Naylor, Colin. Contemporary photographers. 2nd ed. St. James Press, 1988.

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National Geographic Society (U.S.), ed. The photographers. Distributed by Warner Home Video, 2000.

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Jean-Claude, Gautrand, ed. Photographers' Paris. Bookking International, 1989.

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Colin, Naylor, and Bobrowski Ryszard, eds. Contemporary photographers. 2nd ed. St. James Press, 1988.

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Erich, Lessing, Sattlberger Chris, and Anzenberger Agency for Photographers (Vienna, Austria)., eds. 22 photographers. Edition Stemmle, 1997.

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Printing, London College of. Photographers' control. LCP, 1987.

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Book chapters on the topic "Photographers"

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Sylvester, Judith. "Photographers." In The Media and Hurricanes Katrina and Rita. Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230611290_2.

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Cummings, Scott T. "Photographers." In The Theatre of Les Waters. Routledge, 2022. http://dx.doi.org/10.4324/9781003170808-45.

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Druker, Elina. "Chapter 8. In and out of focus." In Children’s Literature, Culture, and Cognition. John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/clcc.17.08dru.

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Anna Riwkin was a Russian-Swedish photographer who contributed significantly to the growing use of photographs in children’s picturebooks during the second half of the twentieth century. This chapter investigates the photographic techniques and genres in Riwkin’s works for children. Using a selection of reportage portraits and photo books by her as a starting point, the chapter discusses the relationship between words and images in photo narratives for children. During the early part of her career, Riwkin specialized in portraits and dance photography and during the 1930s, she added journalist
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Lavine, Joe, and Brad Bartholomew. "What Light Does." In Lighting for Photographers. Routledge, 2019. http://dx.doi.org/10.4324/9781351166645-1.

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Lavine, Joe, and Brad Bartholomew. "Success." In Lighting for Photographers. Routledge, 2019. http://dx.doi.org/10.4324/9781351166645-10.

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Lavine, Joe, and Brad Bartholomew. "The Building Process." In Lighting for Photographers. Routledge, 2019. http://dx.doi.org/10.4324/9781351166645-2.

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Lavine, Joe, and Brad Bartholomew. "Lighting as Part of Composition." In Lighting for Photographers. Routledge, 2019. http://dx.doi.org/10.4324/9781351166645-3.

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Lavine, Joe, and Brad Bartholomew. "Experimentation." In Lighting for Photographers. Routledge, 2019. http://dx.doi.org/10.4324/9781351166645-4.

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Lavine, Joe, and Brad Bartholomew. "Lighting Equipment." In Lighting for Photographers. Routledge, 2019. http://dx.doi.org/10.4324/9781351166645-5.

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Lavine, Joe, and Brad Bartholomew. "DSLR Cameras." In Lighting for Photographers. Routledge, 2019. http://dx.doi.org/10.4324/9781351166645-6.

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Conference papers on the topic "Photographers"

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Svansson, Einar. "THE BEAUTY OF GARBAGE_ART OF PHOTOGRAPHY MEETS ENVIRONMENTALISM." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/vs10.21.

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Artists and university professors face an increasingly complex environment. There is access to abundance of information and the AI revolution helps everyone to deliver more detailed and structured knowledge. This is an opportunity to try new methods and novel combinations in the artistic and learning processes and use more diverse ideas and methods. We want to highlight the development in recent years in our personal life in Iceland in the use of photography in this context. It all started in the Covid-19 pandemic crisis with lockout and exile at home. The parents of the university professor f
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Adams, Dustin, Tory Gallagher, Alexander Ambard, and Sri Kurniawan. "Interviewing blind photographers." In ASSETS '13: The 15th International ACM SIGACCESS Conference on Computers and Accessibility. ACM, 2013. http://dx.doi.org/10.1145/2513383.2513418.

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Adams, Dustin, Sri Kurniawan, Cynthia Herrera, Veronica Kang, and Natalie Friedman. "Blind Photographers and VizSnap." In ASSETS '16: The 18th International ACM SIGACCESS Conference on Computers and Accessibility. ACM, 2016. http://dx.doi.org/10.1145/2982142.2982169.

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Lux, Mathias, Mario Taschwer, and Oge Marques. "A closer look at photographers' intentions." In the ACM multimedia 2012 workshop. ACM Press, 2012. http://dx.doi.org/10.1145/2390803.2390811.

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Huang, Yi-hui. "Understanding digital-altered photographs through photographers’ views of reality: Matt Siber as an example." In Electronic Visualisation and the Arts (EVA 2011). BCS Learning & Development, 2011. http://dx.doi.org/10.14236/ewic/eva2011.10.

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Xue, Shao-Fu, Qian Lin, Daniel R. Tretter, Seungyon Lee, Zygmunt Pizlo, and Jan Allebach. "Investigation of the role of aesthetics in differentiating between photographs taken by amateur and professional photographers." In IS&T/SPIE Electronic Imaging, edited by Qian Lin, Jan P. Allebach, and Zhigang Fan. SPIE, 2012. http://dx.doi.org/10.1117/12.914686.

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Zhan, Tian, and Austin Amakye Ansah. "Enhancing Amateur Photography: A Deep Learning Mobile Application for Real-Time Aesthetic feedback." In 12th International Conference on Computational Science and Engineering. Academy & Industry Research Collaboration Center, 2024. http://dx.doi.org/10.5121/csit.2024.141602.

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Capturing aesthetically pleasing photographs can be challenging for amateur photographers due to the complexity of factors such as lighting, composition, and contrast. To address this issue, we propose a mobile application powered by deep learning models and regression analysis. This application analyzes real-time image frames using a pre-trained MobileNet backbone and a custom classification layer [8]. By leveraging the Aesthetics and Attributes database, the app calculates an aesthetic score for each photograph, providing instant feedback to users. Challenges encountered during development,
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Ranjith, Durgunala, Vanam Sravan Kumar, Narsingoju Chandramouli, et al. "Wild life animals image classification for photographers using VGG19." In 7TH INTERNATIONAL CONFERENCE ON NANOSCIENCE AND NANOTECHNOLOGY. AIP Publishing, 2024. http://dx.doi.org/10.1063/5.0195730.

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Nada, Arex. "The Prying Eye: A Study On The Adherence Of The Selected National Broadsheets To The Code Of Ethics Of National Press Photographers Association." In 28th Global Conference on Business Management and Economics. Global Conference Alliance, 2022. http://dx.doi.org/10.62510/nafb7812.

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Newspapers use visual components to deliver information more effectively and efficiently and elicit emotional responses from readers. The purpose of the study was to determine whether chosen national broadsheets adhered to the NPPA (National Press Photographers Association) photojournalism code of ethics. It focused on determining the visual contents of photos depicting calamity, crime, and tragedy published in selected national broadsheets using the NPPA Code of Ethics; to analyze the contents and presentation of photos depicting calamity, crime, and tragedy through the analysis of text and s
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Wagner, Claudia, Sitaram Asur, and Joshua Hailpern. "Religious Politicians and Creative Photographers: Automatic User Categorization in Twitter." In 2013 International Conference on Social Computing (SocialCom). IEEE, 2013. http://dx.doi.org/10.1109/socialcom.2013.49.

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Reports on the topic "Photographers"

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Whitacre, Madeline, and Wendy Strohmeyer. Project Y Photographers. Office of Scientific and Technical Information (OSTI), 2024. http://dx.doi.org/10.2172/2372662.

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Galenson, David. The Greatest Photographers of the Twentieth Century. National Bureau of Economic Research, 2009. http://dx.doi.org/10.3386/w15278.

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Johnson, T. Tips for Photographers, Birders, and Wildlife Viewers on Guided Trips. Alaska Sea Grant, University of Alaska Fairbanks, 2010. http://dx.doi.org/10.4027/tpbwvgt.2010.

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McCoy-Sulentic, Miles, Diane Menuz, Denise Culver, and Elisabeth Stimmel. Common Wetland Plants of Utah’s Central Basin and Range Ecoregion. Utah Geological Survey, 2024. http://dx.doi.org/10.34191/mp-178.

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The goal of this field guide is to provide an easy-to-use plant identification resource for both amateur and experienced natural resource professionals working in the Central Basin and Range ecoregion of Utah. This field guide can help users identify wetland plants, compare species with similar and easily confused species, and learn about plant attributes such as native status and affinity for wetlands. This book would not have been possible without the generous support of the Colorado Natural Heritage Program (CNHP), especially Joanna Lemly and co-author Denise Culver, whose Colorado wetland
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Duncan. L52005 Reliable Diagnosis of SCC During Field Inspection. Pipeline Research Council International, Inc. (PRCI), 2003. http://dx.doi.org/10.55274/r0011252.

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Direct assessment (DA) is one method pipeline companies use to assess the extent and severity of stress corrosion cracking and other defects on their pipeline system. Successful integrity management of a pipeline is dependent, in part, on proper interpretation of the defects encountered in the DA program. The objective of this project was to prepare a document containing a compilation of types of crack-like magnetic-particle testing (MT) or visual indications found on underground transmission pipelines for the purpose of proper interpretation of their type and cause. Pipe samples containing va
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Paul, Sierrah. Ghosts of the Landscapes. Montana State University, 2025. https://doi.org/10.15788/1751923121.

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Having recently inherited a set of cameras and film from a great uncle, Ray Wilmot (1923–1993), this work, Ghosts of the Landscapes, works to explore more about the life of a family member that I was unable to meet, having been born 11 years after his death. Ray Wilmot was an avid photographer, who pursued photography throughout his adult life until he was diagnosed with Multiple sclerosis (MS) about 10 years before his death. This led him to leave his cameras and film sitting for the rest of his life, along with them sitting for 30 years beyond his death. I embarked on the journey of developi
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Rampton, V. N., and J. S. Vincent. Photographs of Coastland Terrains. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1987. http://dx.doi.org/10.4095/126958.

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Rampton, V. N. Photographs of Coastland Terrains. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1987. http://dx.doi.org/10.4095/126959.

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Piccolo, Angiola. White Rock Historic Photographs. Office of Scientific and Technical Information (OSTI), 2023. http://dx.doi.org/10.2172/1962776.

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Van Vlack, Hannah, and Cyler Norman Conrad. Steen's photographs of Bandelier NM. Office of Scientific and Technical Information (OSTI), 2020. http://dx.doi.org/10.2172/1601597.

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