Relevant bibliographies by topics / Photography, Australian Australia

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Photography, Australian Australia'

Author: Grafiati
Published: 11 December 2022
Last updated: 31 July 2025

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Journal articles on the topic "Photography, Australian Australia"

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Anderson, Fay. "Chasing the Pictures: Press and Magazine Photography." Media International Australia 150, no. 1 (2014): 47–55. http://dx.doi.org/10.1177/1329878x1415000112.

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For over a century, press and magazine photography has influenced how Australians have viewed society, and played a critical role in Australia's evolving national identity. Despite its importance and longevity, the historiography of Australian news photography is surprising limited. This article examines the history of press and magazine photography and considers its genesis, the transformative technological innovations, debates about images of violence, the industrial attitudes towards photographers and their treatment, the use of photographs and the seismic recent changes. The article argues
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Maynard, Margaret. "Fashion and Air Travel: Australian Photography and Style." Costume 51, no. 1 (2017): 103–20. http://dx.doi.org/10.3366/cost.2017.0007.

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The expansion of commercial air travel in Australia after the Second World War caused significant changes to women's fashion and its marketing in this country. The developing technology of aeroplanes as commercial carriers meant European clothes and ideas reached Australia increasingly rapidly. A long-term sense of stylistic inferiority diminished and the sometimes unquestioning acceptance of imported style was challenged. As post-war retailers expanded their product range, they sought possibilities to market Australian designed and made garments both in Europe and the US. Using co-marketing w
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Quanchi, Max. "‘Record of my journeyings in the Coral Sea’: Randolph Bedford’s 1906 album of the Solomon Islands." Journal of New Zealand & Pacific Studies 8, no. 1 (2020): 39–56. http://dx.doi.org/10.1386/nzps_00014_1.

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Albums and scrapbooks are rarely the focus of research. This article examines the motivation and context for a unique and rare album compiled by a ‘special correspondent’ – George Randolph Bedford, an aspiring Federal politician, journalist and writer – who visited the Solomon Islands in 1906 on a personal fact-finding mission. His scrapbook contains 212 photographs and a series of articles on the Solomon Islands that he had published in illustrated weekend newspapers in Australia in 1906 and early 1907. The Australian colonies had just federated, Britain had just passed control of Papua to Au
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Lydon, Jane. "Photography and Critical Heritage." Public Historian 41, no. 1 (2019): 18–33. http://dx.doi.org/10.1525/tph.2019.41.1.18.

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Historical photographs of Australian Aboriginal people were amassed during the colonial period for a range of purposes, yet rarely to further an Indigenous agenda. Today, however, such images have been recontextualized, used to reconstruct family history, document culture, and express connections to place. They have become a significant heritage resource for relatives and descendants. Images stand in for relatives lost through processes of official assimilation—or as this sad history is now known in Australia, the Stolen Generations. This article explores the potential healing power of the pho
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Pickard, John. "Assessing vegetation change over a century using repeat photography." Australian Journal of Botany 50, no. 4 (2002): 409. http://dx.doi.org/10.1071/bt01053.

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Repeat photography is a technique of detecting changes in the landscape by comparing old and more recent photographs taken at the same place. Information gained is used to detect landscape change as one component of historical ecology. Understanding the causes of any change detected requires additional information. The technique was pioneered in vegetation ecology in Arizona and has since been applied in many other parts of the United States. After a description of the technique, the American experience is reviewed and the problems of detecting change and assigning cause are discussed. The rel
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Anderson, Fay. "‘Photographing Lindy’: Australian press photography and the Chamberlain case, 1980–2012." Media International Australia 162, no. 1 (2016): 7–18. http://dx.doi.org/10.1177/1329878x16665495.

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This article analyses the news photography surrounding a high-profile case of alleged matricide in Australia: the disappearance of 9-month-old Azaria Chamberlain, and the subsequent murder trial and eventual acquittal of her mother, Lindy. While the scholarship on the media’s conduct during Chamberlain’s ordeal has been exhaustive, the press photographers’ role has not been considered. Drawing on oral history interviews with newspaper photographers, this article explores the ways that the photographers’ workplace culture, gender, relationships and practices informed their approach. It argues t
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Nowak, Magdalena Anna. "Self-Historicization Through Photography and Documentation. Stanisław Ostoja-Kotkowski’s Archive in the National Museum in Warsaw." Život umjetnosti, no. 111 (July 2023): 106–31. http://dx.doi.org/10.31664/zu.2022.111.09.

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The article is based on the research I carried out on the archive of Stanisław Ostoja-Kotkowski (1922–1994), the Cold War-era Polish-Australian artist living in South Australia, which is currently kept in the National Museum in Warsaw. Ostoja-Kotkowski was a pioneer in electronic art, kinetic sculpture, laser art, computer graphics and light art in the 1960s and 1970s. The article analyzes the archive in the context of “self-historicization” (Badovinac), used by this émigré artist to create his artistic identity in both Australia and Poland. The archive proves that self-documentation by the le
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Burns, Kara, and Suzanne Belton. "Clinicians and their cameras: policy, ethics and practice in an Australian tertiary hospital." Australian Health Review 37, no. 4 (2013): 437. http://dx.doi.org/10.1071/ah12039.

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Medical photography illustrates what people would prefer to keep private, is practiced when people are vulnerable, and has the power to freeze a moment in time. Given it is a sensitive area of health, lawful and ethical practice is paramount. This paper recognises and seeks to clarify the possibility of widespread clinician-taken medical photography in a tertiary hospital in Australia, examining the legal and ethical implications of this practice. A framework of law, state Department of Health policy and human rights theory were used to argue the thesis. Clinicians from 13 purposively chosen w
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Duggan, Jo-Anne, and Enza Gandolfo. "Other Spaces: migration, objects and archives." Modern Italy 16, no. 3 (2011): 315–28. http://dx.doi.org/10.1080/13532944.2010.507931.

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Other Spaces is a collaborative creative arts exhibition project that explores visual and material expressions of cultural identity with a particular focus on museum collections. This project aims to provide a rich examination – visual, emotional and intellectual – of the multiple cultural narratives that contribute to the social fabric of Australia through a unique marriage of contemporary photomedia and creative writing practice. This project explores the ways that migrants and refugees have found to express their cultural identity through the material objects they have brought with them to
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Zerwes, Erika. "A trajetória esquecida da fotógrafa Margaret Michaelis: entrevista com Helen Ennis * The forgotten history of photographer Margaret Michaelis: interview with Helen Ennis." História e Cultura 5, no. 3 (2016): 402. http://dx.doi.org/10.18223/hiscult.v5i3.1792.

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Esta entrevista com a australiana Helen Ennis, curadora e professora de história da arte na Australian National University, busca jogar luz sobre a vida e obra da fotógrafa Margaret Michaelis (1902-1985). Ennis foi a autora da única biografia existente até o momento sobre Michaelis, além de ter sido a responsável pela incorporação do arquivo da fotógrafa na National Gallery of Australia, e pela exposição “Margaret Michaelis: Love, loss and photography”, realizada naquela instituição em 2005. Ennis recuperou, depois de quase quarenta anos esquecida, a rica obra fotográfica e história de vida de
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Dissertations / Theses on the topic "Photography, Australian Australia"

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Riddler, Eric. "Sublime souls & symphonies : Australian phototexts, 1926-1966." Master's thesis, University of Sydney, 1993. http://hdl.handle.net/2123/14449.

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Deas, Megan Elizabeth. "Imagining Australia: Community, participation and the 'Australian Way of Life' in the photography of the Australian Women's Weekly, 1945-1956." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/148424.

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While the cultural history and practices of press photography in Australia have gained scholarly attention in recent years, the contribution of other forms of photography published in magazines—including editorial, advertising and readers’ photographs—to burgeoning concepts of nationhood has been largely overlooked. This thesis examines the role of photography in visualising a post-war ‘imagined community’ in a study of The Australian Women’s Weekly magazine, the highest-circulating weekly publication in the country, between the end of the Second World War in 1945 and the introduction of telev
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Fernandez, Eva. "Collaboration, demystification, Rea-historiography : the reclamation of the black body by contemporary indigenous female photo-media artists." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2002. https://ro.ecu.edu.au/theses/741.

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This thesis examines the reclamation of the 'Blak' body by Indigenous female photo-media artists. The discussion will begin with an examination of photographic representatiors of Indigenous people by the colonising culture and their construction of 'Aboriginality'. The thesis will look at the introduction of Aboriginal artists to the medium of photography and their chronological movement through the decades This will begin with a documentary style approach in the 1960s to an intimate exploration of identity that came into prominence in the 1980s with an explosion of young urban photomedia arti
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Boddy, Adrian. "Max Dupain and the photography of Australian architecture." Thesis, Queensland University of Technology, 1996. https://eprints.qut.edu.au/36005/25/__qut.edu.au_Documents_StaffHome_StaffGroupR%24_rogersjm_Desktop_36005_Vol1_Digitised%20Thesis%20Vol%201%20Compressed%20%20Boddy.pdf.

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This thesis considers Max Dupain (1911-1992) and his contribution to the development of architectural photography in Australia. Through his continuous and prolific output over six decades of professional photography Dupain greatly stimulated awareness of and interest in Australian architecture. Before Dupain began specialising in the field, little consistent professional architectural photography had been practised in Australia. He and some of his close associates subsequently developed architectural photography as both a specialised branch of photography and - perhaps more significantl
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Watson, David Rowan Scott. "Precious Little: Traces of Australian Place and Belonging." University of Sydney, 2005. http://hdl.handle.net/2123/1098.

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Master of Visual Arts<br>The Dissertation is a meditation on our relationship with this continent and its layered physical and psychological ‘landscapes’. It explores ways in which artists and writers have depicted our ‘thin’ but evolving presence here in the South, and references my own photographic work. The paper weaves together personal tales with fiction writing and cultural, settler and indigenous history. It identifies a uniquely Australian sense of 21st-century disquiet and argues for some modest aesthetic and social antidotes. It discusses in some detail the suppression of focus in p
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Watson, David Rowan Scott. "Precious Little: Traces of Australian Place and Belonging." Thesis, The University of Sydney, 2004. http://hdl.handle.net/2123/1098.

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The Dissertation is a meditation on our relationship with this continent and its layered physical and psychological ‘landscapes’. It explores ways in which artists and writers have depicted our ‘thin’ but evolving presence here in the South, and references my own photographic work. The paper weaves together personal tales with fiction writing and cultural, settler and indigenous history. It identifies a uniquely Australian sense of 21st-century disquiet and argues for some modest aesthetic and social antidotes. It discusses in some detail the suppression of focus in photography, and sugges
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Jolly, Martyn. "Fake photographs making truths in photography /." Click here for electronic access to document: http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf, 2003. http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf.

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Jolly, Martyn. "Fake photographs : making truths in photography." Phd thesis, Sydney College of the Arts, 2003. http://hdl.handle.net/2123/4046.

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Gigler, Elisabeth. "Indigenous Australian art photography an intercultural perspective." Aachen Shaker, 2007. http://d-nb.info/990542270/04.

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Kwiatkowski, Maksymilian. "Backwards, forwards and in-between : nostalgic landscapes, photography, identity and the return journey 'home'." Phd thesis, School of Geosciences, 2007. http://hdl.handle.net/2123/10237.

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Books on the topic "Photography, Australian Australia"

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Daniel, Palmer, ed. Twelve Australian photo artists. Piper Press, 2009.

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Alan, Davies. The mechanical eye in Australia: Photography 1841-1900. Oxford University Press, 1985.

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Pizzi, Gabrielle. Voices of the earth: Paintings, photography, and sculpture from Aboriginal Australia. Gabrielle Pizzi, 1994.

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Robinson, Julie. A century in focus: South Australian photography, 1840s-1940s. Art Gallery of South Australia, 2007.

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Inara, Walden, McFarlane Robert 1942-, and Historic Houses Trust of New South Wales., eds. Sydney now: New Australian photojournalism. Historic Houses Trust of New South Wales, 2007.

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Gilmour, Joanna. Husbands & wives. Edited by National Portrait Gallery (Australia). National Portrait Gallery, 2010.

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Faigan, Julian. Uncommon Australians: Towards an Australian portrait gallery. Art Exhibitions Australia, 1992.

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Ennis, Helen. Australian photographs: A souvenir book of Australian photography in the Australian National Gallery. Australian National Gallery, 1988.

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David, Moore. Australian photographer. Chapter & Verse, 1988.

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Wilson, Stephen K. Australia's reptiles: A photographic reference to the terrestrial reptiles of Australia. W. Collins, 1988.

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Book chapters on the topic "Photography, Australian Australia"

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Edwards-Groves, Christine. "The Sand Through My Fingers: Finding Aboriginal Cultural Voice, Identity and Agency on Country." In Living Well in a World Worth Living in for All. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-7985-9_6.

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AbstractConcerns about supporting Aboriginal and Torres Strait Islander learners to reach their potential endure in contemporary Australian education and society. Moreover, supporting these Aboriginal learners to have a sense of self-worth, self-awareness and personal identity that enables them to manage their emotional, mental, cultural, spiritual and physical wellbeing was identified as a key goal of the “Alice Springs (Mparntwe) Education Declaration”. This declaration sets out the national vision for education and the commitment of Australian Governments to improve educational outcomes for
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deCourcy, Elisa, and Martyn Jolly. "Australia." In Empire, Early Photography and Spectacle. Routledge, 2020. http://dx.doi.org/10.4324/9781003104780-4.

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Lydon, Jane. "Happy Families: Unesco’s Human Rights Exhibition in Australia, 1951." In Photography, Humanitarianism, Empire. Routledge, 2020. http://dx.doi.org/10.4324/9781003103813-7.

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Lydon, Jane. "Blind Spots or Bearing Witness: Antislavery and Frontier Violence in Australia." In Photography, Humanitarianism, Empire. Routledge, 2020. http://dx.doi.org/10.4324/9781003103813-4.

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Ponsford, Megan. "Photographic reportage and the colonial imaginary." In The 1935 Australian Cricket Tour of India. Routledge, 2021. http://dx.doi.org/10.4324/9781003263456-8.

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Drew, Richard A. I., and Meredith C. Romig. "Materials and methods." In The fruit fly fauna (Diptera: Tephritideae: Dacinae) of Papua New Guinea, Indonesian Papua, Associated Islands and Bougainville. CABI, 2022. http://dx.doi.org/10.1079/9781789249514.0003.

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Abstract Large numbers of dacine specimens were collected throughout Papua New Guinea by trapping and host fruit sampling. Steinertype fruit fly traps, baited with cue lure, methyl eugenol or vanillylacetone (zingerone), were set in many localities over a wide range of ecosystems. In most cases, the traps were serviced on 2-week cycles for at least 1 year. Samples of rainforest and cultivated fruits were collected in some provinces. All specimens collected were preserved in a dry state and sent to R.A.I. Drew at Griffith University, Brisbane, Australia, for microscopic identification and curat
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Heljakka, Katriina. "7. Objects of Resilience." In Play in a Covid Frame. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0326.07.

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This chapter addresses plush perspectives on pandemic toy play by positioning the #teddychallenge as an example of creative intergenerational and continuous play which developed into an international phenomenon in the early stages of the Covid-19 pandemic. In March 2020, teddy bears and other plush toys were brought to the windows in New Zealand, Australia, UK, Europe and North America. The world’s most popular character toy sat in the windows, often holding hands or giving hugs to other toy friends, depicting the longing for human closeness with its gestures. As a form of hybrid and screen-ba
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Giblett, Rod. "Shooting the Sunburnt Country, the Land of Sweeping Plains, the Rugged Mountain Ranges: The Role of Australian Landscape and Wilderness Photography in Promoting Environmental Sustainability and in Forming a New National Identity." In Landscapes of Culture and Nature. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230250963_7.

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Couchman, Sophie. "Chinese Australian Brides, Photography, and the White Wedding." In Locating Chinese Women. Hong Kong University Press, 2021. http://dx.doi.org/10.5790/hongkong/9789888528615.003.0003.

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Despite ‘unchanging tradition’ being a key characteristic of the white wedding, the cultural practices that make up the white wedding have evolved and become integrally linked to the creation of the wedding photograph. From the late nineteenth century, increasing numbers of women, including Australians with Chinese heritage, were married and photographed in white. This chapter analyses Chinese-Australian wedding photographs from the 1890s to the 1940s within larger global movements in fashion and culture. It suggests that by marrying in white, Chinese-Australian women were not assimilating int
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Scott, Rowena H. "Sustainability in Photography Can Change the World." In Practice, Progress, and Proficiency in Sustainability. IGI Global, 2014. http://dx.doi.org/10.4018/978-1-4666-5856-1.ch003.

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Photography plays important, but undervalued and misunderstood, roles in how modern urban humans relate to nature and how nature is mediated to us, forming our perceptions and national identity. Typically landscape photography depicts nature aesthetically as sublime, picturesque and beautiful. Photographs have been powerful raising awareness of sustainability and communicating political messages. The chapter reviews the influence of two great Australian wilderness photographers, Olegas Truchanas and Peter Dombrovskis, as well as Edith Cowan University's (ECU) Photography for Environmental Sust
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Conference papers on the topic "Photography, Australian Australia"

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Poikolainen Rosén, Anton, Maria Normark, and Mikael Wiberg. "Relating to the Environment Through Photography." In OzCHI '20: 32nd Australian Conference on Human-Computer-Interaction. ACM, 2020. http://dx.doi.org/10.1145/3441000.3441026.

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Noriah Bidin, Rabia Qindeel, and Yaacob Mat Daud. "High-speed photographic study on plasma induced by focusing IR laser." In 2006 Australian Conference on Optical Fibre Technology (ACOFT). IEEE, 2006. http://dx.doi.org/10.1109/acoft.2006.4519332.

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Saeed, Fawad. "Digital Image Processing of High Resolution Aerial Photograph of Shallow Marine Sanctuary, Victoria, Australia." In 2006 International Conference on Advances in Space Technologies. IEEE, 2006. http://dx.doi.org/10.1109/icast.2006.313823.

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Jones, Christian Martyn, and Claudia Baldwin. "Using emotion eliciting photographs to inspire awareness and attitudinal change." In the 21st Annual Conference of the Australian Computer-Human Interaction Special Interest Group. ACM Press, 2009. http://dx.doi.org/10.1145/1738826.1738859.

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Kazak, Sibel, Jill Fielding, and Lucia Zapata-Cardona. "Investigation Cycle for Analysing Image-Based Data: Perspectives From Three Contexts." In Bridging the Gap: Empowering and Educating Today’s Learners in Statistics. International Association for Statistical Education, 2022. http://dx.doi.org/10.52041/iase.icots11.t8d1.

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A traditional data investigation cycle includes problem posing, planning and collecting data, analysing data, and making conclusions. This research studies the data investigation cycle for analysing image-based data. In three independent research projects, students at different educational levels and from different countries were provided photographic data of families and their environments around the world from the Dollar Street project. Data collected included classroom video-recordings (Australia), individual student interviews (Colombia), and pre-service mathematics teachers’ interviews (T
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Guedes, Pedro. "Healing Modern Architecture’s Break with the Past: Musings around Brazilian Fenestration." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2022. http://dx.doi.org/10.55939/a3990prwvx.

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This paper focuses on the role of Brazilian architects in emancipating Modern Architecture from overly limiting orthodoxies. In particular, this study follows direct, if weak influences across the Pacific to Australia and stronger ones across the South Atlantic to Southern Africa, where Brazilian ideas found fertile ground without being filtered through Northern Hemisphere mediations. Official delegations of architects from Australia and South Africa went to Brazil seeking inspiration and transferable ideas achieved mixed success. Central to the theme of this essay is a recently discovered and
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Dodevska, Margarita, Marina Radić, and Nevena Ivanović. "Analysis of food supplements from the category "fat burners"." In Proceedings of the International Congress Public Health - Achievements and Challenges. Institute of Public Health of Serbia "Dr Milan Jovanović Batut", 2024. http://dx.doi.org/10.5937/batutphco24187d.

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Background: Food supplements that are claimed to acutely accelerate fat metabolism or increase energy expenditure, interfere with fat absorption, increase fat oxidation during exercise, and/or lead to long-term metabolic-promoting changes are known as "fat burners". In order to improve sports performance, they are among the most popular sports supplements (whether for professional and/ or recreational athletes). Methods and Objectives: The aim of this paper was to review and analyze the composition of food supplements from the category "fat burners" that are present on the market of the Republ
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Court, Kenneth E. "Extended Cruising The Second Time Around." In SNAME 7th Chesapeake Sailing Yacht Symposium. SNAME, 1985. http://dx.doi.org/10.5957/csys-1985-005.

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Some years ago, in 1975, I presented a paper and a slide show at an earlier sailing yacht symposium in Annapolis. The subject was a four-year, 28,000 mile cruise I had made in the years 1965 - 1968 most of the way around the world: Hawaii and the South Pacific, New Zealand, Australia's Barrier Reef, the Indian Ocean, the Red Sea, the Mediterranean, including the Greek Islands, an Atlantic crossing to Barbados from the Canary Islands, the Caribbean, and home to the Chesapeake. The paper I wrote then was entitled "Extended Cruising: An Overview" and contained sketches and data from my logs. It w
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Reports on the topic "Photography, Australian Australia"

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Discover Haiti Exhibition. Inter-American Development Bank, 2012. http://dx.doi.org/10.18235/0005976.

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The Inter-American Development Bank's Cultural Center will host on June 11-27 Discover Haiti, an exhibit of handcrafts from the Urban Zen Foundation's Haitian Artisan Project and pieces from the Nomad Two Worlds collaborative arts project. Discover Haiti is being organized jointly by the IDB Cultural Center, renowned designer Donna Karan's Urban Zen Foundation and Nomad Two Worlds, a foundation established by acclaimed Australian photographer Russell James to promote artists from indigenous and marginal communities.
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HRH the Prince of Wales' Visit to Australia June 1920 - Overseas pressmen accompanying the Prince of Wales photographed talking with Denison Miller (middle). Reserve Bank of Australia, 2021. http://dx.doi.org/10.47688/rba_archives_pn-002048.

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