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Relevant bibliographies by topics / Photography, Australian Australia / Dissertations / Theses

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Dissertations / Theses on the topic 'Photography, Australian Australia'

Author: Grafiati

Published: 11 December 2022

Last updated: 31 July 2025

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1

Riddler, Eric. "Sublime souls & symphonies : Australian phototexts, 1926-1966." Master's thesis, University of Sydney, 1993. http://hdl.handle.net/2123/14449.

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Deas, Megan Elizabeth. "Imagining Australia: Community, participation and the 'Australian Way of Life' in the photography of the Australian Women's Weekly, 1945-1956." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/148424.

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While the cultural history and practices of press photography in Australia have gained scholarly attention in recent years, the contribution of other forms of photography published in magazines—including editorial, advertising and readers’ photographs—to burgeoning concepts of nationhood has been largely overlooked. This thesis examines the role of photography in visualising a post-war ‘imagined community’ in a study of The Australian Women’s Weekly magazine, the highest-circulating weekly publication in the country, between the end of the Second World War in 1945 and the introduction of telev

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3

Fernandez, Eva. "Collaboration, demystification, Rea-historiography : the reclamation of the black body by contemporary indigenous female photo-media artists." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2002. https://ro.ecu.edu.au/theses/741.

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This thesis examines the reclamation of the 'Blak' body by Indigenous female photo-media artists. The discussion will begin with an examination of photographic representatiors of Indigenous people by the colonising culture and their construction of 'Aboriginality'. The thesis will look at the introduction of Aboriginal artists to the medium of photography and their chronological movement through the decades This will begin with a documentary style approach in the 1960s to an intimate exploration of identity that came into prominence in the 1980s with an explosion of young urban photomedia arti

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Boddy, Adrian. "Max Dupain and the photography of Australian architecture." Thesis, Queensland University of Technology, 1996. https://eprints.qut.edu.au/36005/25/__qut.edu.au_Documents_StaffHome_StaffGroupR%24_rogersjm_Desktop_36005_Vol1_Digitised%20Thesis%20Vol%201%20Compressed%20%20Boddy.pdf.

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This thesis considers Max Dupain (1911-1992) and his contribution to the development of architectural photography in Australia. Through his continuous and prolific output over six decades of professional photography Dupain greatly stimulated awareness of and interest in Australian architecture. Before Dupain began specialising in the field, little consistent professional architectural photography had been practised in Australia. He and some of his close associates subsequently developed architectural photography as both a specialised branch of photography and - perhaps more significantl

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5

Watson, David Rowan Scott. "Precious Little: Traces of Australian Place and Belonging." University of Sydney, 2005. http://hdl.handle.net/2123/1098.

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Master of Visual Arts<br>The Dissertation is a meditation on our relationship with this continent and its layered physical and psychological ‘landscapes’. It explores ways in which artists and writers have depicted our ‘thin’ but evolving presence here in the South, and references my own photographic work. The paper weaves together personal tales with fiction writing and cultural, settler and indigenous history. It identifies a uniquely Australian sense of 21st-century disquiet and argues for some modest aesthetic and social antidotes. It discusses in some detail the suppression of focus in p

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Watson, David Rowan Scott. "Precious Little: Traces of Australian Place and Belonging." Thesis, The University of Sydney, 2004. http://hdl.handle.net/2123/1098.

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The Dissertation is a meditation on our relationship with this continent and its layered physical and psychological ‘landscapes’. It explores ways in which artists and writers have depicted our ‘thin’ but evolving presence here in the South, and references my own photographic work. The paper weaves together personal tales with fiction writing and cultural, settler and indigenous history. It identifies a uniquely Australian sense of 21st-century disquiet and argues for some modest aesthetic and social antidotes. It discusses in some detail the suppression of focus in photography, and sugges

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7

Jolly, Martyn. "Fake photographs making truths in photography /." Click here for electronic access to document: http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf, 2003. http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf.

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Jolly, Martyn. "Fake photographs : making truths in photography." Phd thesis, Sydney College of the Arts, 2003. http://hdl.handle.net/2123/4046.

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9

Gigler, Elisabeth. "Indigenous Australian art photography an intercultural perspective." Aachen Shaker, 2007. http://d-nb.info/990542270/04.

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10

Kwiatkowski, Maksymilian. "Backwards, forwards and in-between : nostalgic landscapes, photography, identity and the return journey 'home'." Phd thesis, School of Geosciences, 2007. http://hdl.handle.net/2123/10237.

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Buziak, Renata Monika. "Biochromes: Perceptions of Australian Medicinal Plants through Experimental Photography." Thesis, Griffith University, 2016. http://hdl.handle.net/10072/366679.

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This practice-led visual arts research project uses photography to represent medicinal plants of Minjerribah (North Stradbroke Island), and provides a visual articulation of the actions of decay and regeneration. It draws on natural science and extensive consultations and discussions with members of the Quandamooka community of Minjerribah. I have a particular interest in medicinal plants that stems from my childhood spent growing up in the small town of Janów Lubelski in Southeast Poland. My grandmother had a special knowledge of making infusions from local herbs, and remedies from twigs and

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12

Willis, Anne-Marie. "Writing photographic history in Australia : towards a critical account." Thesis, The University of Sydney, 1986. https://hdl.handle.net/2123/28611.

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This thesis presents a critical framework for historically considering photography in Australia from the 1840s to the 1970s. The approach adopted is to critically map the currently constituted field of photographic history by taking the existing accounts of photography in Australia and the key issues of photographic history as a series of starting points. These are presented, then interrogated by setting them into new evaluative contexts. The basic claim of the thesis, presented in the Introduction, is for the necessity of considering and recognising the constitution of photography in the br

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13

Gaskins, William G. "On the relationship between photography and painting in Australia, 1839-1900." Thesis, Gaskins, William G. (1991) On the relationship between photography and painting in Australia, 1839-1900. PhD thesis, Murdoch University, 1991. https://researchrepository.murdoch.edu.au/id/eprint/52768/.

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The change from symbolism to imitative art in the late medieval period, and the confirmation of this in post- Renaissance art and art philosophy, served as a paradigm for painters until the mid nineteenth century. The pursuit of supreme objectivity in art, as seen through the camera obscura together with the questioning of the prevailing notions concerning the origins of natural phenomena, inevitably led to a reappraisal of what constituted 'beauty'. The birth of aesthetics endorsed the position of art as the most important medium of representation of the natural wilderness as the handiwork of

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Gray, Michael. "New Australian plants and animals. An exhibition - and - Physiology, phenomenology and photography: Picturing the indeterminate within an Australian art practice. An exegesis." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2016. https://ro.ecu.edu.au/theses/1923.

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This practice-led research project investigates indeterminate aspects of perception related to human vision and postcolonial conditioning. Through an inventive range of lens-based artworks, the research draws parallels between preconscious visual phenomena and the subjective experience of non-indigenous Australians of multiple generations. The resulting body of creative work, New Australian Plants and Animals, can be seen to approach preconscious visual phenomena derived from the physiology of the human eye through the use of primitive photographic lens technology. This process is applied to t

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15

Ballard, Bernadette Ann. "The Seeing machine : photography and the visualisation of culture in Australia, 1890-1930 /." Connect to thesis, 2003. http://eprints.unimelb.edu.au/archive/00000833.

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16

Budd, Peter Frederick. "Changing the Gaze: A Photographic Representation of the Australian Wine Identities." Thesis, Griffith University, 2012. http://hdl.handle.net/10072/367468.

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This research project took as its premise that Australian winemakers have contributed to Australia’s modern identity yet they remain, photographically, an unrepresented sector of Australian society, indeed almost a cliché. The photographic representation and promotion of the Australian wine industry it was argued created a wine gaze, but that imagery of winemakers took a secondary role to imagery projecting the cultural and industrial significance of that industry. Thus this project argues that the graphic documentation of Australian winemakers in contemporary Australia remains deeply inadequa

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17

Quartermaine, P. N. "'Speaking to the eye' : Painting, photography and the popular illustrated press in Australia, 1850-1900." Thesis, University of Exeter, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.379670.

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18

Bowman, Christopher M. "Gallery of the Past: Writing Historical Fiction with 19th Century Photography in Canada and Australia." Thesis, Griffith University, 2013. http://hdl.handle.net/10072/365910.

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This thesis, consisting of a novel and dissertation, explores the writing of historical fiction, and the use of photography as research in visualising the several settings that the characters inhabit. As the novel is set in the late 19th century, the conventions of Victorian-era photography came to the forefront of the research. The story sees two fictional brothers leave their home on Vancouver Island in Canada, each traveling alone, and each with a different weight on his heart. They find themselves in towns with very real, and very documented, histories, and this is where my research into p

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19

Knezevic, Nina. "Interpreting the autobiographical archive." Phd thesis, Sydney College of the Arts, 2009. http://hdl.handle.net/2123/13893.

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McGrath, Pamela Faye. "Hard looking : a historical ethnography of photographic encounters with Aboriginal families in the Ngaanyatjarra lands, Western Australia." Phd thesis, Canberra, ACT : The Australian National University, 2010. http://hdl.handle.net/1885/10977.

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The Ngaanyatjarra region of the Western Desert of Western Australia is one of Australia's most remote and enduring frontiers. The aboriginal people who call this country home have been encountering 'incomers' with cameras since the early 1890s. The images they created continue to influence how Aboriginal lives are imagined by unfamiliar audiences. Rarely, however, have Ngaanyatjarra people had an opportunity to view and comment on the films and photographs produced in these encounters. This study recognises the specific social values which accrue with a subject's recovery of their own so

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21

Seaton, Daniel. "‘A Fleeting Glimpse of Truth’: A Group Biography of Australia’s Second World War Correspondents." Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/29887.

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This biographical study has at its centre six of Australia’s most notable war correspondents of the Second World War: Kenneth Slessor, Damien Parer, Chester Wilmot, George Johnston, Osmar White and George Silk. There were over 250 Australian war correspondents during the conflict, in contrast to just thirteen during the First World War. This large group was a relatively well-defined professional and social network, within which existed friendships, rivalries, and collaborative endeavours. I argue that to truly understand the individuals who made up this network, we have to consider them not ju

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22

Price, Alun John. "Cultures Of Practice Within Design: An Exploration Of The Differences And Similarities Between Photography And Painting As Representational Practices." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2014. https://ro.ecu.edu.au/theses/1451.

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Contemporary designers and photographers face many challenges as the profession rapidly develops. This is especially the case in in the Western Australian context. A review into the recent history of the Western Australian design profession is evidence that designers and photographers are consistently shifting between commercial and self-expressive practice. However, the urge to keep up with technological advancement has masked conscious development of this shift, which is a key to self-realisation and improvement for a designer and photographer. This lack of conscious questioning limits holis

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23

Forscher, Helene. "Animals in the landscape : an analysis of the role of the animal image in representations of identity in selected Australian feature films from 1971 to 2001 /." Gold Coast, Queensland : Bond University, 2007. http://epublications.bond.edu.au/theses/forscher.

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Thesis (PhD) -- Bond University, 2007.<br>"A dissertation submitted in fulfillment of the requirements of the degree of Doctor of Philosophy"-- t.p. Bibliography: leaves 266-281. Also available via the World Wide Web.

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24

Saris, Katja. "Application of an appearance-based intervention to improve sun protection outcomes of outdoor workers in Queensland, Australia." Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/53265/3/Katja_Saris_thesis.pdf.

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Outdoor workers are exposed to high levels of ultraviolet radiation (UVR) and may thus be at greater risk to experience UVR-related health effects such as skin cancer, sun burn, and cataracts. A number of intervention trials (n=14) have aimed to improve outdoor workers’ work-related sun protection cognitions and behaviours. Only one study however has reported the use of UV-photography as part of a multi-component intervention. This study was performed in the USA and showed long-term (12 months) improvements in work-related sun protection behaviours. Intervention effects of the other studies ha

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25

Smith, Matthew Stuart. "The relationship between Australians and the overseas graves of the First World War." Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/38655/1/Matthew_Smith_Thesis.pdf.

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The purpose of this thesis is to outline the relationship that existed in the past and exists in the present, between Australians and the War Graves and Memorials to the Missing. commemorations of Australians who died during the First World War. Their final resting places are scattered all over the world and provide a tangible record of the sacrifice of men and women in the war, and represent the final result by Official Agencies such as the Imperial, and later, Commonwealth War Graves Commission, and its agency representative, the Office of Australian War Graves, of an attempt to appropriatel

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26

Hoehne, Craig John. "Forged under the Hammer and Sickle: The Case of Geoffrey Powell, 1945–1960." Thesis, Griffith University, 2016. http://hdl.handle.net/10072/366519.

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Forged under the Hammer and Sickle, The Case of Geoffrey Powell 1945–1960 is a multimodal exhibition and exegesis that concerns the post-war production of photographer-turned-documentary-filmmaker Geoffrey Powell (1918–1989). It re-evaluates Powell's production through the prism of his socio-political evolution from reactionary to Marxist. Within the photo-historical literature, he is defined as a participant in the mainstream Post-War Documentary Movement in photography. However, my research has revealed that Powell belonged to a cross-disciplinary nexus of creative thought. He was a member o

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27

Fries, Katherine. "Ariadne's thread - memory, interconnection and the poetic in contemporary art." Connect to full text, 2008. http://hdl.handle.net/2123/5709.

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Thesis (M.V.A.)--University of Sydney, 2009.<br>Title from title screen (viewed November 26, 2009) Submitted in fulfilment of the requirements for the degree of Master of Visual Arts to the Sydney College of the Arts, University of Sydney. Degree awarded 2009; thesis submitted 2008. Includes bibliographical references.

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28

Johnson, Maggie. "Report." Thesis, 2001. http://hdl.handle.net/1885/155959.

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Ogilvie, Charlene Sarah. "The Aboriginal movement and Australian photography." Phd thesis, 2007. http://hdl.handle.net/1885/149690.

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Magee, Karen. "Captain Sweet’s colonial imagination: the ideals of modernity in South Australian views photography 1866 - 1886." Thesis, 2015. http://hdl.handle.net/2440/92551.

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Captain Samuel Sweet worked as an outdoor photographer in South Australia (including the Northern Territory) between 1866 and 1886. In Australian public libraries, museums and archives his photographs are consulted as objective visual documents. Their more recent appearance in public art galleries ascribes to them the status of art, obscuring the fact that Sweet was a commercial photographer whose subjects and style were directed by the colonial market. This thesis documents the extent and nature of Sweet’s oeuvre, and examines his photographs within the original context of their creation, inc

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Lien, Chia-Chi. "Report." Master's thesis, 2003. http://hdl.handle.net/1885/156414.

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Seares, Margot. "Report." Thesis, 2003. http://hdl.handle.net/1885/155859.

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Hammami, Thouraya. "Report." Master's thesis, 2004. http://hdl.handle.net/1885/155873.

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Wills, David. "Studio report." Thesis, 2003. http://hdl.handle.net/1885/156412.

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Hewitt, Lauren. "Studio report." Thesis, 2003. http://hdl.handle.net/1885/156365.

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Shibata, Chikako. "Report." Thesis, 2002. http://hdl.handle.net/1885/156398.

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37

Taylor, C. J. "Collapsible Time: Contesting Reality, Narrative And History In South Australian Liminal Hinterlands." Phd thesis, 2017. http://hdl.handle.net/1885/131791.

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My practice-led project explores the indexical lamination of memory, history, narrative and reality afforded by photography imbued with the illusion of spatial dimensionality. This thesis investigates the notion that far from freezing a ‘slice of time’ photography reanimates perception through sensation rendering duration flexible and elastic. Using the liminal landscape of South Australia as time’s stage, I contend that time is ‘collapsible’, constantly unfolding and repeating. In embracing this temporal flow, I submit that photomedia becomes our most compelling connection to time itself, as

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38

Lydon, Jane. "Regarding Coranderrk : photography at Coranderrk Aboriginal Station, Victoria." Phd thesis, 2000. http://hdl.handle.net/1885/147197.

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39

De, Lorenzo Catherine. "Ethnophotography : photographic images of Aboriginal Australian." Thesis, 1993. http://hdl.handle.net/2123/1158.

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40

Voss, J. J. (John James). "Photographic representations and veracity in the Australian political arena." Thesis, 2003. https://eprints.utas.edu.au/22095/1/whole_VossJohnJames2003_thesis.pdf.

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41

Lofts, Pamela. "A necessary nomadism : rethinking a place in the sun." Master's thesis, 2007. http://hdl.handle.net/1885/147113.

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Robinson, Peter Angus. "A photographic investigation of sexual imagery in the Australian mainstream media." Thesis, 2010. https://eprints.utas.edu.au/21423/1/whole_RobinsonPeterAngus2010_thesis.pdf.

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My Masters project is a photographic investigation into sexualised images, as distinct from the images of sex that are readily available to those who wish to seek them out. At the heart of this project is schaulust, a Swiss word coined by Sigmund Freud in Five Lectures on Psychoanalysis in 1910. According to Alainde Mijolla in the essay Scoptophila/Scopophila an approximate translation of schaulust is the pleasure in looking. However, a fuller description would also include the pleasure of being looked upon and to a certain degree, the shame of the enjoyment of looking. My projec

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Mellor, Danie. "Forming identities." Phd thesis, 2004. http://hdl.handle.net/1885/151477.

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Hsieh, Galen Chien-Chang. "Report from Photomedia Workshop." Master's thesis, 2002. http://hdl.handle.net/1885/155526.

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Fiveash, Tina Dale Media Arts College of Fine Arts UNSW. "The enigma of appearances: photography of the third dimension." 2007. http://handle.unsw.edu.au/1959.4/44259.

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The Enigma of Appearances is an examination into the medium of three-dimensional photography, with particular focus on the technique of stereoscopy. Invented in the mid-Victorian era, stereoscopy was an attempt to simulate natural three-dimensional perception via a combination of optics, neurology, and a pair of dissimilar images. Whilst successful in producing a powerful illusion of spatial depth and tangibility, the illusion produced by stereoscopy is anything but ??natural??, when compared to three-dimensional perception observed with the naked eye. Rather, stereoscopic photography creates

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46

Lohse, Hardy. "Can introducing collaboration and trade and exchange into the photographic encounter respond to the inherent potential for exploitation, abuse and humiliation in traditional documentary photography? And, will doing this still maintain documentary photography's ability to capture the reality of living in towns in decline in Australia?" Phd thesis, 2017. http://hdl.handle.net/1885/133593.

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Documentary photography is built on assumptions of factual objectivity, and seeks to provide direct access to human experience and emotion. Throughout its long history it has become synonymous with the recording of social conflict and human misery. However, it has also been criticised for exploiting, abusing and humiliating its subjects, as viewers often look at the downtrodden and their reality from a position of relative privilege and passivity. My exhibition of photographs and photobook collectively titled Other People’s Lives, and supported by t

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Chen, Nancy Hui-yun. "Report." Thesis, 2001. http://hdl.handle.net/1885/156145.

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Depairon, Philippe. "«Nous les hibakushas de Tchernobyl» : la pratique photographique de Kazuma Obara en régime numérique." Thesis, 2020. http://hdl.handle.net/1866/24295.

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La « triple catastrophe » survenue le 11 mars 2011 dans la région du Tōhoku au Japon coïncide avec l’émergence de nouvelles technologies numériques qui ont rendu possible la diffusion en ligne presque immédiate des photographies de l’évènement après leur prise. Un des défis subséquents des artistes professionnels japonais est alors de donner une forme adéquate aux conséquences de ce désastre sans nécessairement contribuer à ce qu’ils perçoivent être un trop plein d’images. Ce mémoire prend la série Exposure (2015 – 2016), une oeuvre réalisée à Tchernobyl par le photographe Obara Kazuma, pour e

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Wasikowska, Marzene. "Report." Master's thesis, 2000. http://hdl.handle.net/1885/156291.

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Marshall, Victoria. "Mapping, modelling and remote sensing buffel grass (Cenchrus ciliaris) infestations in arid Australia." Thesis, 2013. http://hdl.handle.net/2440/84131.

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Invasive plants pose a serious threat to ecological, environmental and cultural values of infested regions and can be costly to control. Grass invasions are particularly concerning because they can alter wildfire regimes and change ecosystem function and structure at a global scale. Mapping, monitoring, and understanding invasive species ecology sufficiently to identify habitats prone to invasion are important for containment of the invasive plant. To this effect, remote sensing and spatial information science can be useful. In arid and semi-arid rangelands worldwide African perennial Buffel

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