Relevant bibliographies by topics / Piano roll / Dissertations / Theses
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Dissertations / Theses on the topic 'Piano roll'

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Published: 22 February 2024

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1

Wikström, Fanny. "Folkmusik på piano : En studie av tre folkmusikpianisters spelsätt och deras förhållningssätt till pianot som folkmusikinstrument." Thesis, Karlstads universitet, Musikhögskolan Ingesund, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-6538.

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Syftet med denna uppsats har varit att få en inblick i hur pianot används inom den svenska folkmusiken. Bakgrundskapitlet handlar om folkmusikgruppernas och instrumenteringens utveckling inom svensk folkmusik. Jag har intervjuat tre aktiva folkmusikpianister och lyssnat på och analyserat deras spel. Det följer även med en cd-skiva med ljudexempel från intervjutillfällena. Vi pratade om karaktärsdrag som de lyfter fram i spelet, om deras inställning till folkmusiktraditionen, pianots möjligheter och begränsningar samt vilken roll pianot har i den svenska folkmusiken. Mina slutsatser är att pian
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2

Larsson, Daniel. "Tumregeln : En självstudie om tummen och dess roll i pianoteknik." Thesis, Karlstads universitet, Institutionen för konstnärliga studier (from 2013), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-78004.

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Syftet med denna studie är att utforska vilken roll tummen spelar inom pianoteknik, vilka metoder som kan användas för att minska ofrivilliga spänningar i tummen samt om medveten övning under en period leder till en märkbar förbättring i tumteknik. Studien utgår ifrån ett fenomenologiskt perspektiv och baseras på självobservationer med hjälp av loggbok och videodokumentation. Forskning tyder på att överansträngning av tummens muskler är vanligt bland pianister, samt att fingrarna påverkar varandra i deras rörelser. Litteratur inom pianoteknik diskuterar ofta hur tummen kan påverka spelet och a
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3

Lee, Kyung-ae. "A comparative study of Claude Debussy's piano music scores and his own piano playing of selections from his Welte-Mignon piano roll recordings of 1912." Access restricted to users with UT Austin EID Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3035961.

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4

Hoogland, Anna. "Tangenttradition : En kvalitativ intervjustudie om musiklärarstudenters syn på pianots roll i sångundervisning." Thesis, Karlstads universitet, Institutionen för konstnärliga studier (from 2013), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-78878.

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Föreliggande studies syfte är att undersöka hur musiklärarstudenter med inriktning sång i de olika genrerna jazz, folkmusik och klassisk musik ser på pianots roll i sångundervisning. Tidigare litteratur och forskning berör pianots användande inom ramen för instrumentalundervisning och hur det kan påverka olika undervisningssituationer. Studien har en kvalitativ forskningsansats och utgår från det sociokulturella perspektivet på lärande. Semistrukturerade, kvalitativa intervjuer har använts som metod för att undersöka de individuella uppfattningar som finns hos musiklärarstud
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5

Romero-García, Gonzalo. "Mathematical Morphology for the Analysis and Generation of Time-Frequency Representations of Music." Electronic Thesis or Diss., Sorbonne université, 2023. http://www.theses.fr/2023SORUS554.

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Cette thèse explore l'application de la Morphologie Mathématique à l'analyse et la génération de musique, en se concentrant sur deux représentations en temps-fréquence : les spectrogrammes et les piano rolls. La morphologie mathématique est un outil de traitement des images non linéaire qui sert à considérer des notions topologiques de l'image. Nous présentons trois applications. La première est d'analyser des spectrogrammes avec des outils morphologiques pour obtenir des paramètres avec lesquels synthétiser un son d'instrument de musique. La deuxième est de générer des piano rolls avec deux p
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6

Seah, Tsu Tham Tommy. "Exploring historical Russian pianism in Sergei Lyapunov’s Twelve Transcendental Études, Op. 11: The development of a performance edition." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2018. https://ro.ecu.edu.au/theses/2131.

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The genre of the Étude emerged with the increased popularity of the piano in the nineteenth century. It was often composed to provide practice material for perfecting a particular performance technique. Frederic Chopin (1819 – 1849) and Franz Liszt (1811 – 1886) are among the earliest composers whose Études are well established in the canon of concert piano repertory. Later emerged the new genre of Études that are considered worthy of the concert platform – the Concert Étude. Born in 1859 in Yaroslavl, Russia, Sergei Mikhailovich Lyapunov (1859 – 1924) was a highly regarded composer, pianist,
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7

Phillips, Peter. "Piano Rolls and Contemporary Player Pianos: The Catalogues, Technologies, Archiving and Accessibility." Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/16939.

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Reproducing piano rolls have been of great interest to me for nearly 40 years, yet despite their significant potential in a number of research areas, they remain largely untapped. In my thesis I seek to discover why this vast historical library of music and interpretations is not more widely acknowledged and utilised. Reproducing piano rolls provide a valuable evidence of nineteenth-century performing practices, as well as offering unique pathways to other forms of research. The substantive catalogues of art music alone prove the musical worth of these rolls. Numerous commentators have chosen
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8

Damm, Bernt W. "The development of a piano-recorder system." Thesis, Cape Technikon, 1993. http://hdl.handle.net/20.500.11838/1155.

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Thesis (Masters Diploma (Electrical Engineering)--Cape Technikon, Cape Town, 1993<br>This thesis describes the development and design of a pianorecorder system. This system makes it possible to record the notes played on a piano onto a computer disk. The records can then be used for the manufacturing of pianola rolls.
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9

Simones, Lilian Lima. "The role of gesture in piano teaching and learning." Thesis, Queen's University Belfast, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.676714.

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The experience of engaging with music through listening, teaching and learning would be impossible without a bodily interface, through which movement and music can be physically produced, experienced and understood. Physical gestures form a central part of the communication established between the teacher-student dyad in the communication of symbolic and functional musical knowledge. Factors such as gesture types (forms and meanings) and their specific outcomes in the teaching and learning processes have been consistently overlooked in the instrumental music pedagogical context. This thesis pr
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10

Hill, Juliet E. "The 'conjunto' piano in 1940s Cuba : an analysis of the emergence of a distinctive piano role and style." Thesis, SOAS, University of London, 2008. http://eprints.soas.ac.uk/26210/.

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By the early 1940s, the piano was an established part of the Cuban conjunto in the performance of son montuno, one of the great 20th century Cuban dance musics. Its role, however, has been given little attention by scholars. This thesis documents the emergence of an idiomatic and highly influential piano style during the 1940s in the new context of the conjunto. It argues that the piano represents a challenge to accepted views of the continuation of African musical practices in Cuba. Popular and academic perceptions of the African heritage in Cuba are directly related to the country's historic
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11

Hwang, Yeeun. "The Role of the Affect and the Key Characteristics in Chopin's Piano Music." Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1620169641612711.

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12

Weaver, Jeffery L. "The Role of Goals and Practice Steps in Piano Practice Assignments." Bowling Green State University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1124721584.

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13

Furneaux, Sophia-Louise Maria. "The role of eye movements during music reading." Thesis, University of Sussex, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.360499.

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14

Rust, Henning Jacobus. "Die ontwikkeling van die vroeë klaviertrio met spesifieke verwysing na die rol van die klavier / H.J. Rust." Thesis, North-West University, 2011. http://hdl.handle.net/10394/8996.

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Studies concerning the development of the piano trio primarily cultivate analyses of the musical structures found in this genre. Few of these studies deal in depth with the socio-historical aspect of the development of the piano trio. Such a neglected process can only lead to the loss of valuable information. It is important to pay careful attention to our ever-changing environment and how this phenomenon impacts upon music. The study of the development of the early piano trio (because of the social nature of chamber music) requires greater attention to the social history associated with this
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15

Phillips, Nicholas Scott Everett William A. "Mendelssohn's Songs without words revisited: culture, gender, literature, and the role of domestic piano music in Victorian England /." Diss., UMK access, 2007.

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Thesis (D.M.A.)--Conservatory of Music. University of Missouri--Kansas City, 2007.<br>"A dissertation in performance." Typescript. Advisor: William A. Everett. Vita. Title from "catalog record" of the print edition Description based on contents viewed Feb. 08, 2008 Includes bibliographical references (leaves 123-136). Online version of the print edition.
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16

Ng, Lok. "Modern Chinese Piano Composition and Its Role in Western Classical Music: A Study of Huang An-lun's Piano Concerto No. 2 in C minor, Op. 57." Thesis, connect to online resource, 2006. http://www.unt.edu/etd/all/Dec2006/Open/ng_lok/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2006.<br>System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Apr. 21, 2003, Oct. 11, 2004, Oct. 24, 2005, and July 12, 2006. Includes bibliographical references (p. 33-35).
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17

Marable, Ingrid. "The Women of August Wilson and a Performance Study and Analysis of the Role of Grace in Wilson's The Piano Lesson." Master's thesis, University of Central Florida, 2009. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3875.

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In the fall of 2007, I was cast in the University of Central Florida's production of The Piano Lesson. My thesis will examine my performance in the role of Grace, as well as understudying the role of Berniece under the direction of Professor Belinda Boyd. In addition to the performance components, my thesis materials will include historical and cultural character research and a reflective journal documenting my rehearsal and production process. My character research and journal will address questions about the characters "choices" and the relationship of their environment to views of personal
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18

Kounadi, Anna. "Scriabin Sonata-Fantasy op. 19 n. 2 on record : a comparative study of sound recordings and piano rolls." Thesis, Goldsmiths College (University of London), 2016. http://research.gold.ac.uk/18522/.

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Since the advent of the record, more than forty recordings of the Scriabin Sonata-Fantasy op. 19 n. 2 have been produced, as well as two piano rolls, with Igumnov (1911) and the composer himself performing the work (1910). This thesis sets out to analyse the evolution of performance style of this work within the last two centuries, using numerical values and music analysis software, in search of a verifiable analysis of performance traits. This study aims to detect strategies and techniques that performers of the work have used to form their performances. Observation is oriented to register lo
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19

Plath, Niko [Verfasser], and Rolf [Akademischer Betreuer] Bader. "From Workshop to Concert Hall : Acoustic Observations on a Grand Piano under Construction / Niko Plath ; Betreuer: Rolf Bader." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2020. http://d-nb.info/1215292341/34.

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20

Marable, Ingrid A. "The women of August Wilson and a performance study and analysis of the role of Grace in Wilson's The piano lesson." Orlando, Fla. : University of Central Florida, 2009. http://purl.fcla.edu/fcla/etd/CFE0002676.

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21

Taylor, Robert Louis. "The Role of Analysis and Comparison in the Performance of Selected Single-Movement Compositions for Trumpet and Piano by Joseph Turrin with an Interview of the Composer, a Lecture Recital, Together with Three Recitals of Selected Works by Handel, Honegger, Tomasi, and Others." Thesis, connect to online resource, 2005. http://www.unt.edu/etd/all/Dec2005/taylor%5Frobert%5Flouis/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2005.<br>System requirements: Adobe Acrobat Reader. Accompanied by 5 recitals, recorded July 1, 1996, June 22, 1998, June 24, 2002, Sept. 8, 2003, and Oct. 27, 2005. Includes bibliographical references (p. 56).
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22

Unruh, Amy Elizabeth. "Louis Moreau Gottschalk (1829-1869) the role of early exposure to African-derived musics in shaping an American musical pioneer from New Orleans /." [Kent, Ohio] : Kent State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1257865487.

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Thesis (Ph.D.)--Kent State University, 2009.<br>Title from PDF t.p. (viewed April 9, 2010). Advisor: Terry E. Miller. Keywords: Louis Moreau Gottschalk; Gottschalk; Amy Unruh; music; piano; African; Bamboula; night; tropics; New Orleans; Louisiana; American; composer. Includes bibliographical references (p. 308-323).
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23

Russek, Mathieu Lia Ananda. "El rol de la vegetación acompañante en el movimiento de Ceroglossus chilensis en las plantaciones de pino adultas, jóvenes y bosque maulino." Tesis, Universidad de Chile, 2016. http://repositorio.uchile.cl/handle/2250/150958.

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Memoria para optar al título profesional de Ingeniera en Recursos Naturales Renovables<br>El movimiento de individuos en paisajes fragmentados depende de la complejidad estructural del ambiente ajeno, la que en matriz forestal dependería de la presencia de vegetación acompañante (VA) en las plantaciones que la conforman. La presencia de VA generaría un menor desplazamiento y movimientos más circulares, los que resultan en una mayor permanencia en un hábitat que ofrece mayor estabilidad microclimática, mayor oferta de recursos y mayor disponibilidad de micro-sitios para oviposición, hibernación
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24

Williams, Nicholas Mark. "A study on performing the Hungarian Rhapsodies in the Liszt tradition." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2020. https://ro.ecu.edu.au/theses/2360.

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Franz Liszt’s Hungarian Rhapsodies (1851, 1853) have long been among the most popular collections of piano music. They have also long garnered a reputation for “superficial brilliance and effect” which seems to have influenced the way that famous pianists play the works in public. But would a performer immersed in the Liszt tradition have approached them differently? This dissertation aims to promote a re-evaluation of the Hungarian Rhapsodies from this perspective: considering Liszt’s own ideas on music and performance, the writings and recordings of his pupils, and Liszt’s book Des Bohémiens
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25

Williamson, Deborah. "A Performer's Analysis of Lili Boulanger's Clairières dans le ciel: Song Cycle for High Voice and Piano; a Lecture Recital Together with the Role of Blanche in Dialogues of the Carmelites by F. Poulenc and Two Recitals of Selected Works by H. Purcell, F. Schubert, S. Prokofieff, E. Chausson, W. A. Mozart, R. Schumann and G. Fauré." Thesis, University of North Texas, 2001. https://digital.library.unt.edu/ark:/67531/metadc3022/.

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Lili Boulanger was an important composer of early twentieth century French music. Her compositional style represents a development and mastery of musical techniques of the great composers of her time including Fauré, Debussy and Wagner combined with her own creative expression. The result is a compelling musical language that was uniquely her own. She held an important place among her contemporaries in Paris and her accomplishments were considered newsworthy during her lifetime (1893- 1918). She obtained a much sought-after publishing contract with Ricordi. Her more famous sister, Nadia Boulan
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Williamson, Deborah. "A performer's analysis of Lili Boulanger's Clairières dans le ciel song cycle for high voice and piano : a lecture recital together with the role of Blanche in Dialogues of the Carmelites by F. Poulenc and two recitals of selected works by H. Purcell, F. Schubert, S. Prokofieff, E. Chausson, W.A. Mozart, R. Schumann and G. Fauré /." connect to online resource, 2001. http://www.library.unt.edu/theses/open/20013/williamson%5Fdeborah/index.htm.

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27

Lee, Kyung-Ae. "A comparative study of Claude Debussy's piano music scores and his own piano playing of selections from his Welte-Mignon piano roll recordings of 1912." 2001. http://hdl.handle.net/2152/10669.

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28

Whitehead, Laura Lynn. "Transcendent Sounds: The Early Piano Music of Alexander Scriabin." Thesis, 2014. http://hdl.handle.net/1828/5223.

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Studies of Alexander Scriabin (1871-1915) have traditionally focused on his middle- and late-period music after 1902. Discussions of his personal philosophy and its impact on his music also concentrate on these two periods. This thesis examines Scriabin’s philosophy and piano music from a sub-section of his early period—1892 to 1897—that I designate his “formative” period. I argue that Scriabin’s eccentric belief in transcendence through music was already developing and influencing his music during his formative period. Evidence to support this theory is found in three areas: context, performa
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29

"The Imitation of Orchestral Effects and the Expressive Role of the Piano in Richard Strauss's Sonata for Violin and Piano in E-flat Major, Op. 18." Doctoral diss., 2014. http://hdl.handle.net/2286/R.I.25074.

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abstract: The Sonata for Violin and Piano in E-flat Major, Op. 18 (1888), was the last major work of chamber music by Richard Strauss (1864-1949). Although for only two instruments, the Sonata reflects Strauss's growing interest in symphonic writing both in his tone poems and orchestral songs, anticipating his style of orchestration and his expressive use of tone colors. This study examines instances of orchestral writing in the piano and makes suggestions for their performance. An overview of Strauss's compositions, from his early chamber music to the `heroic' symphonic works, places the Sona
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Jheng, Yi-Ru, and 鄭臆如. "The Pianists’ Innovative Thinking:The Documentary Film of Lina Yeh and Rolf-Peter Wille’s \"Piano Theater\" Concert Series." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/jkt4mn.

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碩士<br>國立臺灣師範大學<br>民族音樂研究所<br>107<br>Lina Yeh and Rolf-Peter Wille are famous due-pianists in Taiwan. Their music often brings out new thoughts across fields. This study first organized their past concert programs and video/audio data by years for the purpose of identifying their creativity changes in their concert productions. Then, this study analyzed their music history, concert models, and contents based on the “Piano Theater” concert series. Lastly, this study conducted an interview with Lina Yeh, in which she shared her journey of producing this series. The interview was recorded as a vid
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31

Bowen, Nellie. "Stylistic principles in three chamber works by Bela Bartok with particular reference to the role of the piano." Thesis, 1990. http://hdl.handle.net/10413/8917.

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The thesis discusses the following three works composed by Bartok between 1922 and 1938 : Sonata no. 2 for Violin and Piano, Rhapsody no. 1 for Violin and Piano and "Contrasts" for Violin, Clarinet and Piano. Details relating to Bartok's compositional style in the three chamber works are investigated, with particular reference to the role of the piano. The piano writing is not innovative, but the traditional boundaries are extended by means of the melodic idiom, harmonies and rhythms. The thesis considers traceable musical influences viz. folk music and the influence of other composers; form a
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32

Embry, Jessica L. "The Role of Organicism in the Original and Revised Versions of Brahms's Piano Trio in B Major, Op. 8, Mvt. I: A Comparison by Means of Grundgestalt Analysis." 2007. https://scholarworks.umass.edu/theses/28.

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Agopian, Vartan. "The Role of Self-Regulation, Quantity of Practice and Self-Efficacy in Self-Assessment and Improved Performance among Lebanese and Czech Piano Students." Doctoral thesis, 2019. http://www.nusl.cz/ntk/nusl-405740.

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This work studies the role of self-regulation and self-efficacy during piano practice in improved self-assessment and performance, since in the last couple of decades, research has shown that number of hours of practice is not the only predictor of improved performance. Piano students at the Beirut and Prague conservatories wrote weekly journals assessing their self-regulation during practice for nine months and then performed in an exam, in addition to filling an online questionnaire. Results showed that students self-regulated mostly using the method and social factors dimension. Moreover, a
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Candido, Marcio Andre. "The sonata for violin and piano in A Major, Op. 14 by Leopoldo Miguéz (1850–1902): analysis, influences, and its role in the violin literature." Thesis, 2017. https://hdl.handle.net/2144/23362.

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The sonata for Violin and Piano in A Major, Op.14 by Leopoldo Américo Miguéz is the first Romantic-period sonata composed in the Brazilian violin-piano literature, and arguably one of the most important sonatas in the genre. The sonata was composed in 1885, one year after Miguéz’s return from a short period of study in Europe. This period saw a prolific output of the most essential pieces of this repertory in the late 19th century—the Brahms, Franck, Strauss, and Fauré sonatas. The Miguéz sonata demonstrates a decidedly European taste, completely lacking the sense of nationalism that Villa-Lob
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