Relevant bibliographies by topics / Podcasts – Fiction

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Reports

Academic literature on the topic 'Podcasts – Fiction'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Podcasts – Fiction"

1

Martínez-Otón, Laura, Cristina Rodríguez-Luque, and Mario Alcudia-Borreguero. "El reportaje de historias de vida como punto de partida de la radio dramatizada y el ´podcast´ de no ficción en el ecosistema digital. Estudio de caso. ´Sin mi identidad´ (Cadena COPE), ´Lo conocí en un Corpus´ (Podium Podcast) y ´Las tres muertes de mi padre´ (Cuonda)." INDEX COMUNICACION 9, no. 2 (2019): 135–62. http://dx.doi.org/10.33732/ixc/09/02elrepo.

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In current digital ecosystem, sound is gaining prominence through new formats such as podcasting, born in the era of mobility. Formats that can share elements, characteristics, dynamics of work and consumption with other traditional radio formats, such as reports, docudramas or the radio soap opera. This article aims to analyze whether the strength of human reach storytelling is a common starting point in analogic reports and in fictional and non-fiction podcasts, both on audio platforms and on conventional radio. For this, three podcast are proposed as case study: ‘Sin mi identidad’ (2018, CO
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Olmedo-Salar, Silvia, and Paloma López-Villafranca. "Análisis comparativo de ´podcasts´ y series televisivas de ficción. Estudio de casos en España." INDEX COMUNICACION 9, no. 2 (2019): 183–213. http://dx.doi.org/10.33732/ixc/09/02analis.

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Sound fiction genre takes a relevant position after the irruption of American productions such as Serial in the year 2014, whose success boosted its emission in other media as a series with the same title offered by HBO. In Spain, the conversion from podcast to television series hasn´t been produced yet, but we do have on stream podcasts that derive from television series, specifically, on RTVE platform. The objective of this work is to perform a formal comparative analysis and content of podcasts and series of television platforms in Spain and the United States applied to the first season of
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Arense-Gómez, Alfredo, Maria de la Peña Mónica Pérez Alaejos, Raúl Terol-Bolinches, and Luis Miguel Pedrero-Esteban. "Journalism in the age of audification: Features of narrative non-fiction podcasting in Spain." Radio Journal:International Studies in Broadcast & Audio Media 22, no. 2 (2024): 163–85. https://doi.org/10.1386/rjao_00098_1.

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The digital ecosystem has promoted on-demand audio listening as a complimentary and even alternative to traditional radio. Some 51 per cent of Spanish internet users listen to podcasts on a regular basis, and podcast consumption in Spain is the highest in Europe. Narrative non-fiction podcasts are giving impetus to topics and issues which may be absent from traditional radio, limited by production schedules and the constraints of the antenna. Audio documentaries combine information, fiction and context through narrative and audio elements that are unusual in conventional audio journalism. This
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4

Vicente, Eduardo. "Non-fiction narrative podcasts: an overview of the Brazilian production." Slow Journalism: estilo, contenidos, nuevos formatos y audiencias, no. 21 (February 29, 2024): raeic112101. http://dx.doi.org/10.24137/raeic.11.21.1.

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This text seeks to provide an overview of the development and current production of non-fiction narrative podcasts in Brazil. To this end, it initially presents a definition of the genre, highlighting its origin in radio journalism in the United States. Next, this production is contextualized in relation to Brazilian radio and some of the pioneering or most influential productions are listed. Subsequently, we provide a sample of the most recent works. Through this sample, the text seeks to present both the main agents involved in this field of production (large local media groups and larger po
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Skjerseth, Amy. "Podcast Reenactments and the Sonics of Fictionalization from Cher to Swift." Journal of Popular Music Studies 35, no. 4 (2023): 34–53. http://dx.doi.org/10.1525/jpms.2023.35.4.34.

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Podcasts often blend journalistic investigation with personal reflection, from Serial to Switched on Pop. Their veneer of fiction-as-fact especially confounds representation when podcasts’ voice acting and sound design portray pop stars in caricatured dramatizations. This paper examines reenactments of Cher and Taylor Swift in podcasts that investigate popular music industries and technology. As I show, these stars often are ventriloquized on podcasts due to their respective ages and visibility as women. Podcasts interrogate them for being too old or too young and for trespassing onto the ofte
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Yeates, Robert. "Serial fiction podcasting and participatory culture: Fan influence and representation in The Adventure Zone." European Journal of Cultural Studies 23, no. 2 (2018): 223–43. http://dx.doi.org/10.1177/1367549418786420.

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New media affords significant opportunities for audience feedback and participation, with the power to influence the creation and development of contemporary works of fiction, particularly when these appear in serialized instalments. With access to creators permitted via social media, and with online platforms facilitating the creation and distribution of audience paratexts, fans increasingly have the power to shape the fictional worlds and diversity of the characters found within the series they enjoy. A noteworthy and understudied example is fiction podcasting, an emerging form that draws on
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Razali, Geofakta, and Wirawan Wirawan. "Social Criticism through Ghost Storytelling on Tirto.id Podcast Contents." Jurnal Communio : Jurnal Jurusan Ilmu Komunikasi 13, no. 2 (2024): 241–57. http://dx.doi.org/10.35508/jikom.v13i2.9383.

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This research aims to identify the pattern of ghost storytelling in podcasts produced by Tirto.id journalists. It attempts to answer the question whether ghost storytelling on the Tirto.id podcast channel is a means of audience entertainment or whether it truly reflects the function that journalists play in educating the public and actualising societal criticism. Implementing a qualitative content analysis method, this study explores five ghost episodes on Tirto.id’s INSENTIF podcast channel. We argue that the selected podcast episodes exemplify the hybridity of journalism which amalgamates in
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8

Stewart, Victoria. "True Crime and Contemporary Crime Fiction." Crime Fiction Studies 3, no. 2 (2022): 159–74. http://dx.doi.org/10.3366/cfs.2022.0072.

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The incorporation of thematic and formal references to true-crime texts in recent British and Irish crime novels shows fiction authors acknowledging that they share an audience with true-crime podcasts, documentaries and books. At the same time, these authors assert the particular contribution that fiction makes to the raising of awareness of both real-world crime and its representations. Examples considered include novels by Ruth Rendell, Denise Mina and Catherine Ryan Howard.
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Fitó-Carreras, Maria, Montserrat Vidal-Mestre, and Alfonso Freire-Sánchez. "The storytelling of destination podcasts of government tourism agencies for the promotion and construction of territorial identity." Radio Journal:International Studies in Broadcast & Audio Media 23, no. 1 (2025): 127–46. https://doi.org/10.1386/rjao_00110_1.

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The podcast has emerged as a format for the promotion of tourism destinations. This study explores how, through branding, governmental tourism agencies convey the identity of the territory they represent and manage to create travel expectations among their stakeholders. We therefore employed a descriptive documentary method with a quantitative and qualitative approach and analysed titles produced by fourteen agencies. The results reveal that the most used genre for the construction of the narrative is the interview and the least used is fiction and that local expert sources predominate, with a
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10

Yeates, Robert. "Serial fiction podcasting and participatory culture: Fan influence and representation in The Adventure Zone." European Journal of Cultural Studies 23, no. 2 (2018): 223–43. https://doi.org/10.1177/1367549418786420.

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Abstract:
New media affords significant opportunities for audience feedback and participation, with the power to influence the creation and development of contemporary works of fiction, particularly when these appear in serialized instalments. With access to creators permitted via social media, and with online platforms facilitating the creation and distribution of audience paratexts, fans increasingly have the power to shape the fictional worlds and diversity of the characters found within the series they enjoy. A noteworthy and understudied example is fiction podcasting, an emerging form that draws on
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Dissertations / Theses on the topic "Podcasts – Fiction"

1

Williams, Anna. "My Gothic dissertation: a podcast." Diss., University of Iowa, 2019. https://ir.uiowa.edu/etd/7046.

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In My Gothic Dissertation, I perform an intertextual analysis of Gothic fiction and modern-day graduate education in the humanities. First, looking particularly at the Female Gothic, I argue that the genre contains overlooked educational themes. I read the student-teacher relationships in Ann Radcliffe’s The Mysteries of Udolpho (1794), Mary Shelley’s Frankenstein (1818, 1831), and Charlotte Brontë’s Villette (1853) as critiques of the insidious relationship between knowledge and power. Part literary critic and part literary journalist, I weave through these readings reports of real-life ‘horr
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Decicio, Brendan. "The Layered Frames of Performed Tabletop: Actual-Play Podcasts and the Laminations of Media." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8737.

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Despite their sudden growth in popularity, the role-playing actual-play podcasts have either been ignored or grouped with the genre of audio drama in prior scholarly works. Examination using frame analysis shows, however, that these podcasts are distinct in their engagement of the audience on multiple, simultaneous levels; levels which correspond with well-known media genres such as Documentary, Fiction, and Game Play. Each frame has its own layer of identities, conduct, and avenue for appealing to audiences just as these genres have their own distinct appeals. Through the combinations of thes
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Books on the topic "Podcasts – Fiction"

1

Luper, Eric. Seth Baumgartner's Love Manifesto. HarperCollins, 2010.

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Her last word. Montlake Romance, 2018.

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Burton, Mary. Her Last Word. Brilliance Audio, 2018.

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Summers, Courtney. Sadie: A Novel. St. Martin's Press, 2018.

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Are you sleeping. 2017.

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Are You Sleeping. Thorndike Press, 2018.

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Are You Sleeping. Gallery Books, 2018.

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Are You Sleeping. Simon & Schuster, 2017.

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Are You Sleeping. Pan Macmillan, 2017.

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10

Barber, Kathleen. Are You Sleeping. Pan Macmillan, 2017.

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Book chapters on the topic "Podcasts – Fiction"

1

Hancock, Danielle, and Leslie McMurtry. "‘I Know What a Podcast Is’: Post-Serial Fiction and Podcast Media Identity." In Podcasting. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-90056-8_5.

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Kleege, Georgina. "30. Fiction Podcasts Model Description by Design." In Crip Authorship. New York University Press, 2023. http://dx.doi.org/10.18574/nyu/9781479819386.003.0033.

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Morrissey, Colleen. "‘The Grief Manual’: Fact, Fiction, and Narrative Podcasts." In Faktuales und fiktionales Erzählen II. Ergon Verlag, 2020. http://dx.doi.org/10.5771/9783956505126-167.

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O’Toole, Kit. "Magic Circles." In Fandom and The Beatles. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190917852.003.0005.

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Despite technological change, two elements of the Beatles fan community remain stable: community and artistic expression. Fans want to communicate with fellow enthusiasts. In addition, fans want to contribute to that community, whether through fan fiction, fanzines, books, online discussion groups, YouTube channels, or podcasts. In the 1960s and 1970s, fans bonded primarily in person at record stores, concerts, and fan conventions. Desktop publishing and personal computers let fans design their own fanzines at lower cost. Then the internet changed how fans network and how they contribute to pa
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Reports on the topic "Podcasts – Fiction"

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Mental Health in Schools, and the Global CYP Mental Health Crisis. ACAMH, 2021. http://dx.doi.org/10.13056/acamh.17482.

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In this podcast, we talk to Lauren Cross about her research interests around mental health and wellbeing in schools and inequalities during childhood and adolescence, as well as her co-authored CAMH debate paper ‘Is There a True Global Children and Young People's Mental Health Crisis Fact or Fiction’.
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