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Journal articles on the topic 'Poetic and the political'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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1

Skidan, Aleksandr. "Political/Poetic." Russian Studies in Literature 54, no. 1-3 (2018): 84–94. http://dx.doi.org/10.1080/10611975.2018.1507397.

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2

Romanyshyn, Nataliia. "LINGUAL AND POETIC ACTUALIZATION OF POLITICAL AND SOCIAL CONCEPTS IN GEORGE GORDON BYRON’S POETIC DISCOURSE." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 5(73) (2019): 165–69. http://dx.doi.org/10.25264/2519-2558-2019-5(73)-165-169.

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3

Frank, Jason. "Aesthetic Democracy: Walt Whitman and the Poetry of the People." Review of Politics 69, no. 3 (2007): 402–30. http://dx.doi.org/10.1017/s0034670507000745.

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This essay argues for Walt Whitman's significance to contemporary democratic theory, neither as a theorist of moral or aesthetic individualism nor as a theorist of communitarian nationalism, but as a theorist of the democratic sublime. Whitman's account of “aesthetic democracy” emphasizes the affective and autopoetic dimensions of political life. For Whitman, popular attachment to democracy requires an aesthetic component, and he aimed to enact the required reconfiguration of popular sensibility through a poetic depiction of the people as themselves a sublimely poetic, world-making power. Thro

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4

Ross, Craig. "Rorty's Poetic Politics." Politics 14, no. 3 (1994): 143–48. http://dx.doi.org/10.1111/j.1467-9256.1994.tb00013.x.

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In reading Rorty as political theorists we must separate his critique of epistemology from his advocacy of a new style of philosophy. If we concentrate on the detail and presuppositions of the latter, we will find insufficient reason to grant that his political project is coherent or that it derives any support from his attack on ‘Enlightenment’ philosophy. We will see that historicist accounts can never reasonably compel belief; that no-one (save the epistemologist manque craving a role) could accept that there is a compelling social need for poetic and literary exclamations; and that great m

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5

McGonagle, Declan. "From the Poetic to the Political." Éire-Ireland 33, no. 3-4 (1998): 189–90. http://dx.doi.org/10.1353/eir.1998.0013.

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6

Odysseos, Louiza. "Stolen Life’s Poetic Revolt." Millennium: Journal of International Studies 47, no. 3 (2019): 341–72. http://dx.doi.org/10.1177/0305829819860199.

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Joining the discussion of revolution and resistance in world politics, this article puts forward the idea of poetic revolt as a necessary companion to these terms, one which centres attention on the ongoing reverberations of transatlantic slavery – what have been called its ‘afterlives’ (Saidiya Hartman, Édouard Glissant). Engaging with contributions to poetics, black studies and black feminist thought, it first develops a theoretical orientation of the ongoingness of slavery as a ‘grammar of captivity’ (Hortense Spillers) that ‘wake work’, a term proposed by Christina Sharpe, aims to disrupt.

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7

Knutson, Jesse Ross. "The Political Poetic of the Sena Court." Journal of Asian Studies 69, no. 2 (2010): 371–401. http://dx.doi.org/10.1017/s0021911810000033.

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Through a study of the corpus of contemporary literary depictions of the early medieval/medieval king of Bengal, Lakṣmaṇasena, in the works of the royal literary salon, this essay defines a cluster of poetic elements inseparable from the monarch. It suggests that this official poetic projects its proximity to the contemporary Turkish invasion (ca. 1205 ce), and the attendant crisis and restructuring of the Sena state. Some idiosyncratic poems, however, evince a historical dynamic that is both distinct and inseparable from the official poetic: the proud assertion of a Sanskrit literary provinci

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Claramonte Arrufat, Jordi. "Tipologías y métodos de la intervención poética. Un breve acercamiento desde la estética." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada 1, no. 18 (2012): 48. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.201218548.

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Este artículo propone una división tripartita de las prácticas poéticas en el espacio público: poéticas de denuncia, colaborativas y relacionales. Señalaremos a su vez algunas de las fortalezas y algunas de las flaquezas específicas de las que se pretenden prácticas efectivas en un nivel poético o en un nivel político. Con el fin de pensar mejor esta doble efectividad, el artículo se cierra con la introducción de elementos conceptuales y teóricos que pueden resultar útiles. Palabras clave: Estética modal, repertorios, disposiciones, paisajes. This article argues that poetic practices that take

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9

STETKEVYCH, SUZANNE PINCKNEY. "Poetic Genius and Poetic Jinni: The Case of Ibn Shuhayd." International Journal of Middle East Studies 39, no. 3 (2007): 333–35. http://dx.doi.org/10.1017/s0020743807070456.

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Long appreciated for its combination of lyric charm and mordant wit, Ibn Shuhayd al-Andalusi's (992–1035) Risalat al-tawabiʿ wa-l-zawabiʿ (Epistle of Attendant Jinn and Whirling Demons), as I have argued recently, also offers a sophisticated treatise on poetic influence and inspiration. Composed around 1013–17, the epistle consists of the young poet's highly ironic and parodic defense against accusations of plagiarism leveled by one Abu Bakr ibn Hazm. The epistle, as edited by Butrus al-Bustani, is divided into an introduction and four chapters on the attendant jinn of poets, the attendant jin

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10

Bedi, Tarini. "“Network not Paperwork”: Political Parties, the Malkin, and Political Matronage in Western India." Politics & Gender 12, no. 01 (2016): 107–42. http://dx.doi.org/10.1017/s1743923x15000549.

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I heard Durva, a fearless leader in the Indian political party,Shiv Sena(Shivaji's Army) repeat this poetic refrain in many of her public speeches. She invariably received rousing applause and breathless admiration from the audiences she addressed. Many junior party workers and female constituents who listened in awe at the large women's rallies she organized around the elections began to repeat this in their own lives and in their political campaigns; and Durva's leadership style and the words uttered by her sharp but poetic and charismatic tongue traveled across the district helping the poli

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11

Patke, Rajeev S. "Poetic Knowledge." Theory, Culture & Society 23, no. 2-3 (2006): 199–205. http://dx.doi.org/10.1177/0263276406062574.

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Whether poetry gives knowledge or not is a question that has been debated from a variety of perspectives, depending on how a society or a culture defines knowledge, and on the function it ascribes to poetry in relation to that definition. The civilizations of Asia and the Middle East have generally taken the line that poetry deals primarily with affects, emotions and feelings. The West has had a more complicated history of responses. One way of making sense of this history is to map rival claims as split over the idea of scientific knowledge, where it affects notions of the poetic function. Th

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12

Al-Sheikh, Samir, and Ahmed Hasan Mousa. "The Evolution of the Aesthetic Vision in Kabbani’s Poetic Discourse." Advances in Language and Literary Studies 9, no. 4 (2018): 180. http://dx.doi.org/10.7575/aiac.alls.v.9n.4p.180.

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If poetry is the verbal art of beauty, and beauty is truth, then, poetry has its own truth which is universal by nature since the poetic patterns embody a particular vision of the universe. This universal truth is encoded in poetic image. The poet who creatively used the poetic image to express his aesthetic vision is Nizar Kabbani (1923- 1998). The study aims at exploring the development of the notion of beauty as structured in the modern Arab poetic works. It aims at investigating Kabbani’s poetic imagery in its amorous-erotic aspects. The study proceeds with the hypothesis that the modern l

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13

Barbour, Charles. "Marx's Poetic Unconscious: Secrecy, Literature, and the Political." Parallax 16, no. 4 (2010): 16–28. http://dx.doi.org/10.1080/13534645.2010.508645.

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14

LEMPERT, MICHAEL. "The poetics of stance: Text-metricality, epistemicity, interaction." Language in Society 37, no. 4 (2008): 569–92. http://dx.doi.org/10.1017/s0047404508080779.

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ABSTRACTThis article examines the text-metrical (“poetic”) organization of epistemic stance-taking in discourse, focusing on epistemic stance in a form of argumentation, Tibetan Buddhist ‘debate’ (rtsod pa) at Sera Monastery in India. Emergent text-metrical structures in discourse are shown to reflexively map utterance-level propositional stance into larger-scale, fractionally congruent models of interactional stance. In charting the movement from epistemic stance to interactional stance by way of poetic structure, the article argues for and clarifies the place of poetics in the study of stanc

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15

Pajević, Marko. "A Poetics of Society: Thinking Language with Henri Meschonnic." Comparative Critical Studies 15, no. 3 (2018): 291–310. http://dx.doi.org/10.3366/ccs.2018.0297.

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Throughout his oeuvre, Henri Meschonnic pursued language and literary studies as a means to better understand meaning-making processes and the functioning of society. By systematically establishing what Meschonnic called a poetics of society, this article explores the connection between a theory of language and a theory of society. Meschonnic makes use of the old debate between realism and nominalism to criticize realism as totalitarian, and situates this on the side of a language theory exclusively based on the sign, to which he opposes his theory of rhythm, which emphasizes the semantic valu

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16

Ripert, Yohann C. "When Is Poetry Political? Césaire on the Role of Knowledge in 1944." Small Axe: A Caribbean Journal of Criticism 25, no. 1 (2021): 1–14. http://dx.doi.org/10.1215/07990537-8912743.

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This essay investigates a moment for Caribbean knowledge production in which intellectuals, gathered in Haiti in 1944 for an International Congress of Philosophy, questioned whether to politicize knowledge or to seclude it from politics. Focusing on Aimé Césaire’s “Poetry and Knowledge,” the author compares the 1944 conference paper with the version published in Tropiques in 1945 to show a feedback loop between poetry and politics. The war, the isolation, and the intellectual evolution of Tropiques coalesced to form a new environment that prompted Césaire to rethink the relation between poetic

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17

Minh, Ho Chi. "Poetic Justice." boundary 2 23, no. 3 (1996): 246. http://dx.doi.org/10.2307/303646.

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18

Willoughby-Herard, Tiffany. "Poetic Labors and Challenging Political Science: An Epistolary Poem." Journal of Women, Politics & Policy 40, no. 1 (2019): 228–35. http://dx.doi.org/10.1080/1554477x.2019.1565465.

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19

Berdnikova, Olga A. "On the Poetics of Titles in I. A. Bunin’s Poetic Heritage." Izvestia of the Ural federal university. Series 2. Humanities and Arts 22, no. 4 (202) (2020): 238–55. http://dx.doi.org/10.15826/izv2.2020.22.4.074.

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This article considers I. A. Bunin’s poetic oeuvre from the point of view of title poetics in order to identify the main patterns and author’s strategies in working with the title complex. The methodology is based on the correlation of the title with the text, subtext, and metatext of the poem, taking into account textual refinements. In Bunin’s principle of working with the title complex, there is a noticeable striving for accuracy and at the same time for a metaphorical semantic comprehensiveness that includes existential, natural, and cultural constants. Thus, the main features of Bunin’s p

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20

Romero, Rachel. "Poetic Transcription in the Sociology Classroom: Developing Empathy, Analytical Skills, Creativity, and Engagement." Teaching Sociology 48, no. 3 (2020): 211–19. http://dx.doi.org/10.1177/0092055x20923703.

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This note overviews a class activity and an assignment for engaging poetic transcription. Poetic transcription is an arts-based research method commonly employed in the analysis and representation of qualitative data. The discussion provides some background on arts-based research, poetic inquiry, and poetic transcription as research practices within the qualitative tradition. Furthermore, it shows how utilizing poetry in the classroom can help develop empathy and analytical skills as well as facilitate collaboration, creativity, and student engagement. This teaching note includes an examinatio

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21

Melo, Luís Carlos Alves de. "A poesia intimista-militante guineense: elos entre a literatura e o engajamento político." Scriptorium 4, no. 2 (2019): 148. http://dx.doi.org/10.15448/2526-8848.2018.2.32320.

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O presente artigo tem como objetivo central promover uma reflexão sobre a poesia engajada produzida na Guiné-Bissau desde os movimentos de libertação nacional até os dias atuais, desaguando no que conhecemos como literatura intimista-militante, como meio hábil para se demonstrar os elos de aproximação entre literatura e política. A literatura guineense é, sem sombra de dúvidas, exemplo de como esses dois elementos são parte de um mesmo contexto e de como podemos estar diante de obras poéticas que se transfiguram em verdadeiros manifestos políticos, assim como discursos políticos que podem ser

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22

Valiquette Moreau, Nina. "Poetic Justice: Rereading Plato’s Republic." Contemporary Political Theory 18, S4 (2018): 259–62. http://dx.doi.org/10.1057/s41296-018-0249-9.

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23

Hayes, Michael Thomas. "The Poetic Generation of Place: Ethnography for a Better World." Ethnographic Edge 2, no. 1 (2018): 119. http://dx.doi.org/10.15663/tee.v2i1.39.

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In this article, I employ the ethnographer poetic as a strategic provocation to rethink the foundation of contemporary ethnography. The root of the word poet or poem is the ancient Greek concept of poiesis. Poiesis is defined as making. While in the Greek tradition poiesis foregrounded an analysis of the arts or aesthetics, contemporary usages highlight the making of a social or political dimension. Drawing from the social and political dimensions of poiesis, I argue that the ethnographer does more than simply represent a social context, and, instead, calls the place into existence. The ethnog

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24

Niżyńska, Joanna. "The Impossibility of Shrugging One's Shoulders: O'Harists, O'Hara, and Post-1989 Polish Poetry." Slavic Review 66, no. 3 (2007): 463–83. http://dx.doi.org/10.2307/20060297.

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In this article, Joanna Niżyńska explores the modes used by poets of the bruLion generation (whose debuts coincided with the end of communism) to import Frank O'Hara's poetics into Polish literature and the significance of their doing so. By employing Harold Bloom's concepts of the “anxiety of influence,” “kenosis,” and “daemonization,” Niżyńska analyzes the intergenerational impulses manifested in O'Harism in relation to the Romantic paradigm in Poland's poetic tradition. Niżyńska claims that in turning to O'Hara, such poets as Marcin Świetlicki, Jacek Podsiadło, and Miłosz Biedrzycki engaged

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25

Gallagher, Mary. "Poetic (Re)Turn in Dany Laferrière's L'Énigme du retour." Irish Journal of French Studies 18, no. 1 (2018): 143–62. http://dx.doi.org/10.7173/164913318825258482.

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Dany Laferrière's 2009 novel, L'Énigme du retour, enacts a poetic turn that is also, however, a return (both to the genre of poetry and to a 'temps perdu', which is superimposed on the emigrant writer's 'pays perdu'). As such, this work inflects a personal narrative with collective, political resonance and with added literary and aesthetic value. Formally, structurally and discursively, it mediates a historically resonant, proto-bardic ethos, connecting across time with a universal tradition of poetically addressing politically and culturally significant questions, including those related to h

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26

Burford, James. "Sketching Possibilities: Poetry and Politically-engaged Academic Practice." Art/Research International: A Transdisciplinary Journal 3, no. 1 (2018): 229–46. http://dx.doi.org/10.18432/ari29261.

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In this article I draw together and reflect upon my own experiences of writing poetry as a part of a politically-engaged academic life. My aim is to trace the political possibilities I have found in poetic practices, with the hope that describing and reflecting on my own experiences may illuminate pathways for others to integrate poetry into their academic practice. As I will detail, I have published research poetry and have been a leader of workshops that encourage academics to incorporate poetic and other forms evocative writing into their researcher toolkits. Often participants in these wor

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Hurol, Yonca, and Ashraf M. Salama. "Editorial: Urban Transformations in Rapidly Growing Contexts." Open House International 44, no. 4 (2019): 4. http://dx.doi.org/10.1108/ohi-04-2019-b0001.

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Cities have always been sources of inspiration for poetry. However, the modern western cities, which are the origins of secularity, have inspired poets in different ways. Charles Baudelaire captured the poetic dimensions of modernity in Paris in the 19th century. He wrote about the night life of Paris which became possible after street lighting. He wrote about corruption. Baudelaire also wrote about the changing character of commercial places in cities and tried to grasp the feelings of people as a ‘flaneur': an individual stroller at city streets. The philosopher Walter Benjamin got inspired

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Lendler, Marc. "Civil Liberties and Poetic License." PS: Political Science and Politics 28, no. 2 (1995): 217. http://dx.doi.org/10.2307/420349.

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29

Bartky, Elliot. "Plato and the Politics of Aristotle's Poetics." Review of Politics 54, no. 4 (1992): 589–620. http://dx.doi.org/10.1017/s0034670500016077.

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This article challenges the view that Aristotle's Poetics provides a defense against Plato's assault on poetry. I argue that Aristotle's discussion of poetry is at least as critical of the poetic depiction of the city and the gods as is the Platonic account. In the Poetics Aristotle does break with Plato in order to establish poetry's independence from philosophy. Aristotle's account of poetry as an independent activity should not, however, be read as a defense of poetry against Plato's subordination of poetry to philosophy. Instead, it is argued that Aristotle establishes poetry's independenc

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30

Hunter, Walt. "Contemporary Poetry and Capitalism." American Literary History 31, no. 4 (2019): 860–69. http://dx.doi.org/10.1093/alh/ajz039.

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Abstract The field of poetry and poetics has been revitalized by a decade and a half of close attention to many of its enduring premises and assumptions. Three new books by Jasper Bernes, Margaret Ronda, and Heather Milne show how US poetry from 1945 to the present responds to the changing conditions of historical capitalism. Departing from older periodizing narratives anchored in the shift from modernism to postmodernism, these books uncover the poetic histories that emerge in tandem with changes in economic structures and political regimes.

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31

Kluge, Alexander. "The Poetic Power of Theory." New German Critique 47, no. 1 (2020): 9–24. http://dx.doi.org/10.1215/0094033x-7908350.

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Abstract The roots of theory lie in the spirit of resistance and “essential powers” that Karl Marx and Immanuel Kant ascribed to human beings. The poetic power of social life seeks and finds counter-algorithmic expression through narrative capacities of differentiation, and the poetic power of theory operates as a political alliance out of which emancipation of any kind becomes subjectively possible, without being subjectively controlled. What twenty-first-century forms of theoretical practice, sensory intelligence, and storytelling allow for the courage of cognition in a world dominated by Si

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32

Wilson, James Matthew. "Poetic Jansenism: Religious and Political Representation in Denis Devlin's Poetry." Éire-Ireland 42, no. 3 (2007): 35–59. http://dx.doi.org/10.1353/eir.2007.0035.

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33

Blanton, C. D. "Nominal Devolutions: Poetic Substance and the Critique of Political Economy." Yale Journal of Criticism 13, no. 1 (2000): 129–51. http://dx.doi.org/10.1353/yale.2000.0003.

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34

Levine, Caroline. "Rhythms, Poetic and Political: The Case of Elizabeth Barrett Browning." Victorian Poetry 49, no. 2 (2011): 235–52. http://dx.doi.org/10.1353/vp.2011.0011.

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35

Neil B. McLynn. "Poetic Creativity and Political Crisis in Early Fifth-Century Gaul." Journal of Late Antiquity 2, no. 1 (2009): 60–74. http://dx.doi.org/10.1353/jla.0.0028.

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36

Anastassov, Vassil. "Poetic Function of Language in Political Time and Space: Language, Linguistics and Political Studies." International Journal of the Humanities: Annual Review 6, no. 5 (2008): 31–38. http://dx.doi.org/10.18848/1447-9508/cgp/v06i05/42431.

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37

Borhani, Maya T. "New Vox in Poetic Inquiry." Art/Research International: A Transdisciplinary Journal 6, no. 2 (2021): 316–46. http://dx.doi.org/10.18432/ari29511.

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As a doctoral candidate ever-deepening my understandings of arts-based research methods, in general, and performative and poetic methods of inquiry in particular, this paper advances several new theories of Vox in poetic inquiry (Prendergast, 2009, 2015, 2020), playing with the generative possibilities found with/in such poeticizing as writing method, performative gesture, and reflexive praxis, while addressing intersections between the personal/public and poetry as political currency. Woven as a métissage of poetic offerings within theoretical exposition, this essay links theory, research me

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Rrahmani, Kujtim. "In the Shadow of Mnemosyne: The Poetics of Debt in Fiction and Testimony." Interlitteraria 24, no. 2 (2020): 525–39. http://dx.doi.org/10.12697/il.2019.24.2.19.

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Th is essay aims to thematize the poetic and cultural-historical image of debt, embodied as memorial discourse in both fi ctional and nonfi ctional literature. Th e poetics of debt are forged within the melting pot of mythic and historical images, political and cultural aspects, and poetic and testimonial temporalities – but always sheltered in the shadow of Mnemosyne. Th us, memory remains a permanent umbrella for the diff erent faces of debt. Debt is interrogated within the arc of authors Danilo Kiš and Zef Pllumi, two leading literary and cultural personalities in 20th-century south-eastern

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Gazzola, Giuseppe. "Montale as postmodernist." Forum Italicum: A Journal of Italian Studies 51, no. 1 (2016): 232–60. http://dx.doi.org/10.1177/0014585816662444.

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The article considers primarily Montale’s fourth book, Satura (1971), and interrogates the connections between the new direction of Montale’s poetry and the scientific and philosophical trends of the 1950s and 1960s. To describe Montale’s late work as postmodernist is to measure the self-conscious distancing of his poetics from the writing of the first three volumes: the poetic voice of Satura explores the dialectic relationship between modern and postmodern. The common postmodernist annulments – the end of ideology, the end of history, the end of authorial presence, the distinction between hi

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Bahoora, Haytham. "BAUDELAIRE IN BAGHDAD: MODERNISM, THE BODY, AND HUSAYN MARDAN'S POETICS OF THE SELF." International Journal of Middle East Studies 45, no. 2 (2013): 313–29. http://dx.doi.org/10.1017/s0020743813000019.

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AbstractDuring a revolutionary period of cultural production and anticolonial political commitment in 1950s Baghdad, the modernist poet Husayn Mardan was put on trial for his “obscene” collection entitled Qasaʾid ʿAriya (Naked Poems). Heavily influenced by Baudelaire, Mardan's poetics provide a revolutionary paradigm focused on the gratification of the corporeal. This paper considers how Mardan's poetry, largely marginalized from the canonized modernist Arabic poetic tradition, registers resistance to an increasingly rationalized and bureaucratic social order through a transgressive poetics th

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STEINER, EMILY. "Piers Plowman, Diversity, and the Medieval Political Aesthetic." Representations 91, no. 1 (2005): 1–25. http://dx.doi.org/10.1525/rep.2005.91.1.1.

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ABSTRACT This essay argues that later medieval English poetry, and William Langland's Piers Plowman in particular, developed strains of political thought that originated with Continental legal scholars. More specifically, Langland, in concert with other fourteenth-century alliterative poets, helped shape political thought about diversity, an ““unfinished”” project of earlier Continental philosophers and jurists, through radical experiments in poetic form.

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42

Putz, Kerstin. "Activist poetry versus lyrical action: Günther Anders on poetry and politics." Thesis Eleven 153, no. 1 (2019): 24–38. http://dx.doi.org/10.1177/0725513619863117.

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This essay focuses on Günther Anders’s engagement with (political) poetry. I draw on published material and unpublished source texts from the Anders Nachlass to track how Anders arrives at his own writing style and mode of address through his sustained engagement with poetry. Anders’s philosophical prose and exoteric use of language is shaped by multifaceted reflections on (political) poetry and by the tension between ‘political poetry’ and ‘lyrical action’. I first elaborate on Anders's reading of Brecht in the early 1930s, and then turn to the poetry and reflections on poetics that were writ

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43

Malamud, Randy. "Poetic Animals and Animal Souls." Society & Animals 6, no. 3 (1998): 263–77. http://dx.doi.org/10.1163/156853098x00195.

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AbstractMesoamericans' rich spiritual beliefs about the importance of animals and about the correlation between the well-being of animals and that of human beings contrast with a diminutive respect accorded to animals in industrialized cultures. Some vestige of a parallel sensibility, however - granting animals an aura of dignity relatively independent of anthropocentric constructions - may be detected in the animal poetry of selected Western writers including Marianne Moore, Gary Snyder, and José Emilio Pacheco. Such animal poetry, although possessing no explicit links to Mesoamerican spiritu

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44

Sacks, Jeffrey. "Poetic Theology: Paul and Form." Political Theology 19, no. 7 (2018): 629–37. http://dx.doi.org/10.1080/1462317x.2018.1513188.

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45

Ornellas, Sandro. "Infinito e segredo nas poéticas da combinação de Melo e Castro e de Herberto Helder / Infinite and Secret in the Poetics of Combination of Melo e Castro and Herberto Helder." Revista do Centro de Estudos Portugueses 40, no. 63 (2020): 59. http://dx.doi.org/10.17851/2359-0076.40.63.59-74.

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Resumo: A partir da colaboração entre Melo e Castro e Herberto Helder na direção do segundo número da revista PO.EX, de 1966, o texto propõe um diálogo entre os dois poetas quanto ao uso do método cibernético da combinação em suas poéticas. Toma-se inicialmente o contexto do pós-guerra, quando o método combinatório passa a ser chave de criação para os poetas. No fim do texto, chega-se à contemporaneidade, quando a tecnologia algorítmica parece controlar e conduzir destinos político-culturais. Nesse percurso, articulam-se algumas semelhanças e diferenças entre os usos da combinação pelos dois p

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Moroşan, Ioana. "Avangarda (Anti)-Umană. Incursiune În Poezia Politică A Lui Paul Celan." Lucian Blaga Yearbook 20, no. 1 (2019): 146–53. http://dx.doi.org/10.2478/clb-2019-0015.

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AbstractThis paper aims to analyse a part of Paul Celan's poetic discourse and study the way in which its political dimensions arise, with a particular focus on poems dedicated to Osip Mandelştam in the Nobody's Rose volume. For this purpose, a disjunction is made and justified between political poetry, or expressive discourse treating the political, and politically possessed poetry, discourse in service of ideology. Of particular interest is the social function assumed by such political poetry, triggered by the spreading of illness within the social corpus towards which the poet acts, in Ion

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Pajević, Marko. "TRANSLATION AND POETIC THINKING." German Life and Letters 67, no. 1 (2014): 6–21. http://dx.doi.org/10.1111/glal.12028.

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Kunze, Rui. "On the Spot: The Art of the Real at the Intersection of Poetry and Documentary." Poetica 51, no. 1-2 (2020): 195–217. http://dx.doi.org/10.30965/25890530-05101006.

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Abstract Three documentaries on poetry appeared in China during a short period between 2014 and 2016, indicating a renewed interest in the real dimension of poetry, especially its “real” link with social and political issues. Despite the fact that they were made by very different cultural producers – state-owned China Central Television, independent filmmakers, and Youku, one of China’s largest commercial video websites – these documentaries all deploy and appropriate the cultural discourse of xianchang 现场 (on the spot, live scene) to authenticate poet, poetic texts, poetic tradition, and poet

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Vera Reyes, María. "Memory and Utopia." Theory Now. Journal of Literature, Critique, and Thought 4, no. 2 (2021): 249–53. http://dx.doi.org/10.30827/tn.v4i2.21075.

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In Memory and Utopia, Manus O’Dwyer offers a new insight into Valente’s poetics. Contrary to the view that Valente detached his verse from any kind of social or political commitment, O’Dwyer claims that the notions of void and self-negation are key to understand his desire to make his lines reach a broad community and recover the memory of the dead. The author delineates Valente’s poetic career on the basis on the identification between desolation and the Francoist dictatorship. Valente’s verse points at a new nothingness, but not with the selfish aim to enjoy an isolation from reality. Quite

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Madsen, Kenneth D., and D. B. Ruderman. "Robert Frost's ambivalence: Borders and boundaries in poetic and political discourse." Political Geography 55 (November 2016): 82–91. http://dx.doi.org/10.1016/j.polgeo.2016.06.003.

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