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Relevant bibliographies by topics / Poetic grammar / Dissertations / Theses

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Dissertations / Theses on the topic 'Poetic grammar'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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Consult the top 29 dissertations / theses for your research on the topic 'Poetic grammar.'

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1

Manalo, Paolo Marko. "Part 1, The balance of where we are : a theory of poetic composition in relation to cognitive poetics ; Part 2, The secret uncles : poems." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/2121.

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Part 1 of the thesis, ‘The Balance of Where We Are: A Theory of Composition in Relation to Cognitive Poetics’, considers a compositional theory of poetry, with particular attention to the creative process, the poetic line, and trope. Drawing on from the disciplines of creative writing and cognitive poetics, this thesis asserts basic and important considerations for writing poetry. Chapter One seeks a model for the creative process that will aid in sustaining poetic composition but without dictating a specific method of writing. In presenting several theories of creativity it discusses ways of

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2

Wooding, Jonathan. "Natural strange beatitudes : Geoffrey Hill's The Orchards of Syon, poetic oxymoron and post-secular poetics, and, An Atheist's Prayer-Book." Thesis, University of Plymouth, 2015. http://hdl.handle.net/10026.1/3223.

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Geoffrey Hill’s The Orchards of Syon (2002) occupies a contradictory position in twenty-first century poetry in being a major religious work in a post-religious age. Contemporary secular and atheistic insistence on the fundamentally crafted and flawed nature of religious faith has led Hill not to the abandoning of religious vision, but to a theologically disciplined approach to syntax, grammar and etymology. This dissertation examines Hill’s claim to a poetics of agnostic faith that mediate his alienation from a cynical and debased Anglophone contemporaneity. The oxymoronic nature of a faith c

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3

Argyropoulou, Christina. "The Language of the poetry of Hector Kaknavatos: the grammar, the functions of the poetic language and text-linguistic analysis of some poems." Doctoral thesis, Universite Libre de Bruxelles, 1997. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212193.

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4

Almeida, Aline Novais de. "Edição genética d\'A gramatiquinha da fala brasileira de Mário de Andrade." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-24102013-102309/.

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Esta dissertação de mestrado tem como objeto a edição genética de A gramatiquinha da fala brasileira obra inacabada e inédita pertencente à série Manuscritos Mário de Andrade, no arquivo do escritor, no patrimônio do Instituto de Estudos Brasileiros da Universidade de São Paulo. Apresentando a obra em fac-símile, esta Edição genética dA gramatiquinha da fala brasileira de Mário de Andrade, inscrita no Programa de Pós-Graduação em Literatura Brasileira da FFLCH-USP, é resultado do projeto temático FAPESP/ IEB e FFLCH-USP, Estudo do processo de criação de Mário de Andrade nos manuscritos de seu

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5

Rashwan, Nagy Mohamed Fahim Eweis. "Lyn Hejinian's and Charles Bernstein's language poetics : a postmodern conceptual grammar." Thesis, De Montfort University, 2002. http://hdl.handle.net/2086/13271.

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6

Gatti, Icaro Francesconi. "A Crestomatia de Proclo: tradução integral, notas e estudos da composição do códice 239 da Bibliotheca de Fócio." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-05062013-112806/.

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A presente dissertação visa à tradução anotada dos textos que nos dão a conhecer a obra convencionalmente denominada Crestomatia e atribuída a Proclo, junto de um estudo que caracterize, o quanto possível, essa obra que permanece tão obscura quanto relevante para os Estudos Clássicos. Traduziram-se tanto os fragmentos referentes ao Ciclo Épico, prováveis excertos diretos da obra, como o resumo que dela restou na Biblioteca de Fócio, códice 239. A anotação se atém ao códice 239, a fim de tornar conhecido o que fosse o variado conteúdo geral da obra. O códice também é o foco do estudo, que prete

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7

Valpey, Kenneth Russell. "The grammar and poetics of Mūrti-Sevā : Caitanya Vaiṣṇava image worship as discourse, ritual, and narrative." Thesis, University of Oxford, 2004. http://ora.ox.ac.uk/objects/uuid:598573d2-21c4-41a3-a4d5-dd6c0d59639f.

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This thesis offers a multi-faceted exploration of image worship theology and practice within a Vaishnava Hindu theistic devotional tradition founded in the sixteenth century, flourishing today largely in north and northeast India and, since recently, spreading worldwide. The thesis serves two aims. First, it augments existing scholarship on Hindu temple image worship and Caitanya (Gaudīya) Vaishņavism by focusing on two contemporary temple communities one in the north Indian pilgrimage centre Vrindavan, the second near Watford, outside London. These represent, respectively, an "embodied commun

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8

Doná, Tarsila de Oliveira Delfine. "Métrica e ritmo das \"Odes\" de Horácio." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-08012015-174011/.

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O objetivo deste trabalho é estudar os metros das Odes de Horácio segundo gramáticos, comentadores e metricistas antigos, para compreender como esses autores interpretam aqueles metros; quais são, segundo eles, suas classificações e escansões; e, por fim, partindo do pressuposto de que aos metros, quando recitados, era atribuído certo ritmo, quais seriam as possíveis ritmizações, de acordo com os preceitos da métrica e da rítmica<br>The objective of this dissertation is the study of the metres used by Horace in his Odes, according to ancient grammarians, comentators and metricians, in order to

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9

Akkari, Karim. "Langue légitime ou légitimation du discours : étude comparative sur le rapport des grammairiens avec les différents corpus d'énoncés de l'arabe normatif." Thesis, Strasbourg, 2017. http://www.theses.fr/2017STRAC031.

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Cette thèse s’intéresse au corpus d’énoncés reconnu légitime pour asseoir un parler dit « normatif ». L’engouement pour la langue des Arabes et son apprentissage s’est fait - depuis la propagation de l’Islam - de plus en plus fort. L’arabe devient alors objet d’étude. Très tôt, à une époque encore discutée, s’organise une grande collecte des éléments constitutifs de ce qui allait servir de base à l’établissement des codes linguistiques de la langue arabe. En parallèle, s’effectue également une autre collecte : celle des récits sur les dits et faits du Prophète Muḥammad, composant le corpus du

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10

Pagel, Amber Noelle. ""How Can We Know the Dancer from the Dance?": Cognitive Poetics and the Poetry of William Butler Yeats's." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984126/.

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Cognitive poetics, the recently developed field of literary theory which utilizes principles from cognitive science and cognitive linguistics to examine literature, is applied in this study to an exploration of the poetry of William Butler Yeats. The theoretical foundation for this approach is embodiment theory, the concept from cognitive linguistics that language is an embodied phenomenon and that meaning and meaning construction are bodily processes grounded in our sensorimotor experiences. A systematic analysis including conceptual metaphors, image schemas, cognitive mappings, mental spaces

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11

Hsieh, Ann-Lee. "Sound iconicity and grammar of poetry in Du Fu's "The Journey to the North" and "Singing My Heart Out in Five Hundred Characters on the Way from the Capital to Fongxian County"." Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/2501.

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This paper is about the sound iconicity of the Late Middle Chinese entering tone in two of Du Fu's long narrative poems, "The Journey to the North" and "Singing my Heart out in Five Hundred Characters on the Way from the Capital to Fongxian County", as well as Du Fu's grammar of poetry in these two poems. In poetry, rhyme is an arbitrary and 'visible' figure reiterated with regulation which forms an axis of sequence, and this axis will work jointly with all the other poetic elements—semantics, images, and grammar to form the whole of a poem. In these two poems, all the rhyme characters carry a

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12

Année, Magali. "La diction des chants parénétiques : de Kallinos à Tyrtée [édition, traduction, interprétation]." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040112.

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La singularité et la fonction holoparénétique particulièrement efficace des fragments de Tyrtée et de Kallinos, trop longtemps négligées par une tradition philologique étroitement homérocentrée, imposaient d’elles-mêmes que l’on revienne sur le texte de ces deux poètes-savants du VIIe siècle a. C. et, pour ce faire, que l’on s’en tienne à la lettre des manuscrits sans d’entrée de jeu s’en offusquer, et que l’on étudie pour elle-même, en ses profondeurs linguistiques, la diction qui fut la leur et qui pour la première fois, concomitamment à Archiloque, usa du mètre élégiaque. Or, outre que le f

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13

Tatu, Silviu. "The qatal//yiqtol (yiqtol//qatal) verbal sequence in Semitic couplets : a case study in systemic functional grammar with applications on the Hebrew Psalter and Ugaritic poetry /." Piscataway, N.J : Gorgias Press, 2008. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9781593339586.

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14

Bertoncini, Elena. "Code-switching in an `Utendi´?" Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-92657.

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In old Swahili tendi and homiletic poems about 50% of vocabulary is of Arabic origin (Bertoncini 1973), and besides single words, they include noun phrases or even whole Arabic sentences. In order to prove my point, I will discuss some verses taken from the Utendi wa Shujaka by one Hasan bin Ali from Lamu. The only extant manuscript of this epic poem in 295 stanzas was brought to Germany in 1854 by Ludwig Krapf and is kept in the Library of the Orientalistic Society in Halle. The poem is written in the Lamu dialect with many archaic features, like the incomplete palatalization of KI, the demon

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15

Jesus, Isabela Maia Pereira de. "Terentiani Mauri De Litteris, De Syllabis, De Metris : estudo crítico e tradução anotada /." Araraquara, 2020. http://hdl.handle.net/11449/192861.

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Orientador: João Batista Toledo Prado<br>Resumo: O presente trabalho consiste em um estudo da arte gramatical intitulada Terentiani Mauri de litteris, de syllabis, de metris, do autor latino Terenciano Mauro (TM), que se ocupa da descrição e técnica de uso dos versos da lírica latina. Composto pelos livros De litteris, De syllabis e De metris, o tratado técnico perpassa os mais variados tópicos: desde o estudo das letras latinas e da formação de sílabas, até o emprego de diferentes metros na composição dos versos de renomados poetas latinos. O estudo volta-se à investigação das principais cara

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16

Brannon, Katrina. "Une approche cognitive de la langue émotionnelle dans l’œuvre de John Keats." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL133.

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Cette thèse présente une analyse linguistique d’une sélection de poèmes de John Keats, et plus précisément celle de l’expression et de la verbalisation de l’émotion à travers le langage dans les vingt-six poèmes qui composent le corpus poétique et qui constituent le point de départ de cette recherche. L’approche linguistique privilégiée est une approche cognitive, basée sur les théories de la linguistique cognitive, de la grammaire cognitive, et de la poétique cognitive. La théorie de la métaphore et de la métonymie conceptuelles joue également un rôle important dans les analyses poétiques et

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17

Ottmann, François. "La systématicité kantienne et le changement de la conception du langage autour de 1800." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H227.

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La philosophie critique de Kant entretient un rapport ambigu à la question du langage. Bien que le système critique ne semble pas contenir de théorie du langage à proprement parler, les effets du registre transcendantal sur la façon d’appréhender le langage en philosophie semblent aussi massifs que souterrains. Pour envisager ce paradoxe, une hypothèse nouvelle est formulée : la philosophie kantienne serait l’expression paradoxale mais particulièrement paradigmatique d’une crise du langage de grande ampleur observable en Allemagne autour de 1800. Ce n’est qu’en replaçant le système critique da

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18

Chiabotti, Francesco. "Entre soufisme et savoir islamique : l'oeuvre de ῾Abd al-Karīm al-Qushayrī (376-465 / 986-1072)." Thesis, Aix-Marseille, 2014. http://www.theses.fr/2014AIXM3096.

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La présente étude veut représenter un essai de synthèse des aspects les plus remarquables de la production littéraire et du rôle dans l'histoire du soufisme du maître soufi et théologien khorassanien Abū l-Qāsim ῾Abd al-Karīm b. Hawāzin al-Qushayrī (376-465/ 986-1072). Trois axes principaux sont développés : la vie de Qushayrī et la dynamique de diffusion de son oeuvre, l'analyse du corpus qushayrien (étude des manuscrits et état de l'édition), les aspects les plus remarquables de sa doctrine. L'idée principale qui guide ce travail est la saisie de la relation qu'on aperçoit, dans l'oeuvre de

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19

Ducroux, Amélie. "Le problème de la relation dans la poésie de T.S. Eliot." Thesis, Lyon 2, 2011. http://www.theses.fr/2011LYO20065.

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Le problème de la relation a souvent été perçu par les lecteurs d’Eliot comme un manque de relations logiques, grammaticales, chronologiques, entraînant une difficulté à faire sens des poèmes. Ce manque perçu entraîne le lecteur à rechercher des relations dans la structure interne du poème ou dans le matériau intertextuel ou symbolique qu’il convoque. Il se confronte alors à une pratique intertextuelle bien particulière, non exempte d’une certaine forme de tromperie. La poésie d’Eliot fait jouer les relations syntaxiques, logiques et temporelles attendues. Cette poétique de l’indétermination m

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20

Pivetti, Michaella. "A fantasia, o design e a literatura para a infância. Fundamentos para uma gramática contemporânea da fantasia nos livros ilustrados." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/16/16134/tde-16102018-145108/.

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A literatura para a infância trabalha com a imaginação, mas nem sempre com a fantasia, entendida como operar criativo sobre esta. Partindo de tal pressuposição, a tese desenvolve um estudo sobre a literatura contemporânea representada pelos livros ilustrados e procura fundamentar parâmetros para uma leitura da fantasia na produção desses livros, a partir da teoria literária e do design. Para isso investiga também a noção de gramática sugerida pelo escritor italiano Gianni Rodari. Para estabelecer os contornos do conceito de fantasia -- encontrado inicialmente em Bruno Munari (\"Fantasia\", 197

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21

Milan, Johan. "Vers une grammaire du désir : dire l’union et la chair en grec préclassique (étymologie, lexicologie et sémantique)." Thesis, Sorbonne université, 2020. http://accesdistant.sorbonne-universite.fr/login?url=http://theses.paris-sorbonne.fr/2020SORUL086.pdf.

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Comment dire le désir érotique et ses concrétisations ? Des épopées homériques aux odes de Pindare, de la cosmogonie hésiodique à l’invective moraliste et à la passion des lyriques, la présente étude passe au crible l’ensemble des textes grecs de la période archaïque pour éclairer ce phénomène linguistique. Le désir et la sexualité sont traités comme une langue à part, au sein du grec, convoquant un lexique, une syntaxe et une stylistique spécifiques. Le lexique détoure les mots de la langue commune et bâtit les concepts du désir dans une chronologie particulière, détaillant ce que le français

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22

Chang, Jonathan. "Neither Here Nor There, But Altogether Elsewhere : A Brief Study of Distance." Thesis, Konstfack, Grafisk design & illustration, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6942.

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Knowing is often framed by language; this moving arrangement of parts helps us make sense of our surround, rendering possible ways of relating, acting, and responding. Situated yet unsettled, the play of language enables us to mediate distances, to make sense of our frames while seeking other ways of being with and for. Through dialogue, these works attempt to reroute and reorient so that we may learn to see each other — and to see ourselves.

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23

Gertzog, James Michael. ""Beauty, enlightenment, and comfort at top speed" : cognitive spaces and blending in the fictional universes of Kurt Vonnegut and Gabriel García Márquez /." 2008. http://hdl.handle.net/10288/525.

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24

Rand, Michael. "Poetry and grammar in the works of Eleazar be-rabbi Qillir : a grammatical analysis of selected liturgical poems /." 2003. http://wwwlib.umi.com/dissertations/fullcit/3089320.

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25

Bushney, Melanie Jean. "Noord-Sotho-spreekwoorde : 'n linguistiese ontleding." Thesis, 2014. http://hdl.handle.net/10210/9242.

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26

Van, Heerden Chantelle. "Intertextuality reinterpreted : a cognitive linguistics approach with specific reference to conceptual blending." Diss., 2008. http://hdl.handle.net/10500/924.

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In this dissertation, I investigate the cognitive processes integral to intertextual readings by referring to the cognitive linguistics framework known as conceptual blending. I refer to different genres of intertextual texts and then explain these intertexts in terms of cognitive principles and processes, such as conceptual blending networks. By applying the framework of conceptual blending to intertexts within different genres, I suggest that the underlying cognitive processes are universal for the interpretation of any type of intertextual text. My findings indicate that conceptual ble

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27

Cooper, Patricia Anne. "Lexis and the undergraduate : analysing vocabulary needs, proficiencies and problems." Diss., 1999. http://hdl.handle.net/10500/17926.

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Beginning with Plato's expulsion of the poets in the Republic, this dissertation ' looks at the often hostile, yet also symbiotic, relationship between·poetry and philosophy. Aristotle's 'response' to Plato is regarded as a significant origin of literary theory. Nietzsche's critique of Western philosophy as being an attempt to suppress its own metaphoricity, leads to a revaluation of truth and consequently of the privileging of philosophy over poetry. Post-structuralism sometimes overemphasizes this constitutive force of metaphoricity, at the expense of conceptual modes. However, Derri

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28

Fleming, Alicia Ann-Marie. "CAMBIOS DIALECTALES E IDIOSINCRACIAS EN LA ENSEÑANZA DEL SEGUNDO IDIOMA A ESTUDIANTES MINORITARIOS A TRAVÉS DE LA POESÍA AFROCUBANA." Thesis, 2013. http://hdl.handle.net/1805/3201.

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Indiana University-Purdue University Indianapolis (IUPUI)<br>Cotidianamente los profesores se hacen esta pregunta: ¿cómo pueden relacionarse mis estudiantes con la lección? Saben que si los estudiantes pudieran acoplarse con el contenido de la lección, entenderían y aprenderían con gran eficacia. En la mayoría de los distritos escolares urbanos de Indianapolis, Estados Unidos hay muchos estudiantes afroamericanos que están en clases de lengua extranjera que piensan que no existen atributos de conexión --como tradiciones y costumbres-- que tienen aspectos en común con sus propias culturas. Po

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29

Stout, Julien. "L’auteur au temps du recueil : repenser l’autorité et la singularité poétiques dans les premiers manuscrits à collections auctoriales de langue d’oïl (1100-1340)." Thesis, 2020. http://hdl.handle.net/1866/25398.

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Cette thèse entend proposer une analyse originale du phénomène connu mais polémique que constitue l’introduction de la notion d’auteur dans la littérature de langue française au Moyen Âge. Il s’agira d’essayer de contribuer à repenser la signification poétique, culturelle et historique de ce moment particulier où l’auteur – c’est-à-dire l’attribution d’un texte ou d’une série de textes à un nom propre donné – s’est imposé pour la première fois comme un critère structurant et primordial dans la production et surtout la transmission des textes de langue française dans les manuscrits médiévaux. U

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