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Journal articles on the topic 'Poetic grammar'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Скоробогатова, Олена Олександрівна. "ПОЕТИКА ВІРШОВОГО ТЕКСТУ В ГРАМАТИЧНОМУ ВИМІРІ". Збірник наукових праць ХНПУ імені Г.С. Сковороди "Лінгвістичні дослідження", № 42 (5 квітня 2016): 78–84. https://doi.org/10.5281/zenodo.48996.

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The article deals with the current state of grammatical poetics of poetic speech. The reasons for the disbalance in the study of lexical and grammatical levels of the language of poetry were analysed. The grammaticalization of poetic language in the XX – XXI centuries was pointed out. The vectors of research directions in the field of interaction of grammar and poetics are offered: poetic morphology as a subarea of the functional grammar and morphological poetics as a general philological discipline that studies grammemes and grammatical categories in the poetic use, providing the eviden

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Buivytė, Giedrė. "The Manifestations of Fate in Medieval Germanic Poetry and Lithuanian Folk Songs." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 26/2 (March 11, 2021): 8–21. http://dx.doi.org/10.37384/aplkp.2021.26-2.008.

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Reflections of mythical worldview are embedded in traditional oral poetry, viz. Old Icelandic collection of poems Poetic Edda, Old English poem Beowulf, and Lithuanian folk songs. Archaic motifs and archetypal imagery are conveyed by means of poetic grammar (alliteration, kennings, epithets, etc.). Through interpretation, the hidden (symbolic) meaning of the poetic grammar is unveiled, and the connection between the two worlds, the sacred (the divine) and the profane (the human) (Eliade 1959), is exposed. To advance the analysis of poetic narrative, the methodology employed in the paper combin

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Yates, Christopher. "Grammar of the Uncanny." Religion and the Arts 14, no. 5 (2010): 616–24. http://dx.doi.org/10.1163/156852910x529377.

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AbstractInspired by the contemporary intersection between hermeneutics, phenomenology, and psychoanalysis on the one hand, and poetics on the other, this article is a study in the peculiar manifestation of strangeness that obtains within the self. It is a descriptive and autobiographical account of a disclosure that, though common, is irreducible to traditional categories of mimesis and ontology: the experience of displacement in self-consciousness and embodiment. Drawing upon insights by Sigmund Freud and Martin Heidegger, and in dialogue with the poetics of Jules Renard, the essay seeks to a

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Domínguez Rey, Antonio. "Language and Thought Convergence (Poetic Grammar)." International Journal of Language and Linguistics 3, no. 6 (2015): 109. http://dx.doi.org/10.11648/j.ijll.s.2015030601.24.

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Odysseos, Louiza. "Stolen Life’s Poetic Revolt." Millennium: Journal of International Studies 47, no. 3 (2019): 341–72. http://dx.doi.org/10.1177/0305829819860199.

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Joining the discussion of revolution and resistance in world politics, this article puts forward the idea of poetic revolt as a necessary companion to these terms, one which centres attention on the ongoing reverberations of transatlantic slavery – what have been called its ‘afterlives’ (Saidiya Hartman, Édouard Glissant). Engaging with contributions to poetics, black studies and black feminist thought, it first develops a theoretical orientation of the ongoingness of slavery as a ‘grammar of captivity’ (Hortense Spillers) that ‘wake work’, a term proposed by Christina Sharpe, aims to disrupt.

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Raheem SHamsadin, Omed, and Mohammed Majid Abdullah. "Aesthetics of Poetic Language in the Dewan of "Nawhi"." Journal of University of Raparin 10, no. 4 (2023): 567–92. http://dx.doi.org/10.26750/vol(10).no(4).paper26.

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This research, entitled "Aesthetics of Poetic Language in the Dewan of Nawhi", is an attempt to highlight the aesthetics of poetic language in general and the aesthetics of poetic language in particular in the poems of a little-known poet of Kurdish literature It is grammatically defined in the structure of Noah's poetic language, which includes both lexical and syntactic levels. Through examples of his poetic texts, the aesthetic aspects and levels of the poet's poetic language, ability and poetic experience have been identified and presented. To conduct this research, the method (analytical

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Dr. Baikunth Nath Shukla. "“Sanskrit poetic tradition and vocabulary”." Knowledgeable Research A Multidisciplinary Journal 4, no. 04 (2025): 77–82. https://doi.org/10.57067/23bbpr79.

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Sanskrit poetic tradition and lexicography" This research paper presents an analysis of the interrelationship between the poetic tradition of Sanskrit literature and lexicography (linguistics). Meaning of words, figures of speech, rasa, chhand and grammatical structure have played an important role in Sanskrit poetics. In this study, theoretical and practical aspects of poetry and lexicography have been explained on the basis of the principles of acharyas like Bhamaha, Dandi, Anandvardhan, Kuntaka etc. Along with this, the influence of Panini grammar, Nirukta and Yaska's thoughts has also been

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Royle, Nicholas. "Going to Bits." Oxford Literary Review 35, no. 1 (2013): 65–77. http://dx.doi.org/10.3366/olr.2013.0057.

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Royle's essay explores ‘world’ and ‘fiction’ in the final session (26 March 2003) of Jacques Derrida's The Beast and the Sovereign with particular reference to notions of the poetic or poematic, war and non-world, wound and debridement, the mouth, non-human animals, the gothic, being born, grammar and aposiopesis.

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Goren-Arzony, Sivan. "Feels Like Our Language: Vernacular Poetics in Premodern Kerala." Journal of South Asian Intellectual History 4, no. 2 (2022): 117–45. http://dx.doi.org/10.1163/25425552-12340032.

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Abstract This paper deals with the Līlātilakam, a premodern work from Kerala that analyzes the grammar and poetics of “Rubies and Coral” (Maṇipravāḷam), Kerala’s main premodern literary form, which combines Sanskrit and the local language. By examining the poetic sections of the Līlātilakam, I show some of the ways in which they are used to demonstrate that Rubies and Coral is not only a fitting tool for writing poetry in the Sanskrit style but also an autonomous literature with an internal structure of its own. In my analysis I illustrate this through the use of three case studies focusing on

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Tverdokhleb, Olga G. "GRAMMAR OF PARTICIPIAL CONSTRUCTIONS, ATTRIBUTIVELY CHARACTERIZING AQUATIC VOCABULARY, IN POETIC TEXT OF JOSEPH BRODSKY." Yugra State University Bulletin 13, no. 1-2 (2017): 34–40. http://dx.doi.org/10.17816/byusu2017131-234-40.

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The article substantiates the idea that in the poetic language of Brodsky there is widespread use of names of objects of water elements, characterized by a temporary basis for action in the form of an agreed definition, expressed by different involved shapes. On a large illustrative material it is shown that in the poetic compositions of Brodsky realities of the watery world, often described as a pre-existing active and independent figures, are the elements most appropriate for the poet events that have already occurred. In the last part the author comes to the conclusion that associated with

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ILIESKU, Viktoriia. "GRAMMAR OF THE IDIOSTYLE IN POETRY (on the example of Georgy Ivanov`s poems)." Astraea 3, no. 1 (2022): 45–64. http://dx.doi.org/10.34142/astraea.2021.3.1.03.

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The article deals with the study of the grammar of idiostyle in poetry. Theoretical basis of the study of grammar of poetic idiostyle based on the material of poetry is the doctrine of the inner form of a word and language features, the theory of morphological field and achievements of functional grammar, modern developments in the field of linguistics, linguopoetics, and poetic aesthetics. In the structure of the poetic text, a unit of any of the levels is capable of possessing expressiveness, being an expressive unit, interacting with other levels. The semantic and functional enrichment of g

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Bonifazi, Anna. "KEINOΣ in Pindar: Between Grammar and Poetic Intention". Classical Philology 99, № 4 (2004): 283–99. http://dx.doi.org/10.1086/429938.

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Аrzamazov, A. A. "GRAMMAR OF TIME IN UDMURT SOCREALISTIC POETRY: GAI SABITOV’s CREATIVITY." Bulletin of Udmurt University. Series History and Philology 29, no. 5 (2019): 866–74. http://dx.doi.org/10.35634/2412-9534-2019-29-5-866-874.

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This article discusses the individual structural-semantic, grammatical and stylistic peculiarities of the poetic texts of Gui Sabitov, who is one of the brightest representatives of the Udmurt socialist realism. Udmurt socrealistic idiostyles as a national-specific variant of this artistic method has never been the object of interpretation. The relevance of the study is dictated by the insufficiency of the linguistic and poetic approach in considering the phenomenon of development of Udmurt literature, the lack of scientific works focused both on the grammar of poetry and on the temporality ca

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Beridze, Maka. "Vanler daiselis ena /ვანლერ დაისელის პოეზიის ენა [The Language of Vanler Daiseli’s Poetry]". Kartveluri Memk'vidreoba [Kartvelian Heritage] 25, № 25-1 (2021): 75–83. http://dx.doi.org/10.54635/tpks.2022.06putk.

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The article explores the linguistic features of Vanler Daiseli’s poetry and reveals linguistic specificities to the extent that the language of poetry, in general, differs from the language of other genres of literature, as well as from ordinary spoken language. The poet’s work is unknown to Georgian readers, just as no extensive research has been done on the literary group of the early 20th century called the “Somnambulebi”. The young Vanler Daiseli was one of the members of the group. In the course of the research, the descriptive method and the analysis and comparison method have been appli

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D, Karthikeyan. "'Parable' Tellers in The Tolkapiyam Theory of Statements." International Research Journal of Tamil 4, S-13 (2022): 187–92. http://dx.doi.org/10.34256/irjt224s1326.

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Tolkappiyam, which is an ancient grammar book of Tamil, is not only a grammar book, but it also has the nature of presenting the theory of poetics and can present the theory of poetry in detail. The Tolkappiyam, which has mainly described the Thinai literary tradition, the ancient literary tradition of Tamil, as a theory, has effectively documented the literary heritage of Tamil, i.e., the Thinai literary tradition, by describing it as a poetic theory of how the Agatthinai-Puratthinai literature, which are the components of the Thinai tradition, should be fabricated. In this way, the word "Par

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Satkenova, Zhayna, Gulmira Madiyeva, and Lyazzat Alimtayeva. "Learning Abai’s Poems with Corpus Technology." Eurasian Journal of Philology: Science and Education 194, no. 2 (2024): 102–11. http://dx.doi.org/10.26577/ejph.2024.v194.i2.ph010.

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The article discusses the features of studying Abai's poetics using corpus technology. The research and creation of corpora of Kazakh poetic texts is important not only for industry specialists, but also relevant as a social task. In the works of foreign and Russian scientists there is information that after the creation of the corpus, academic dictionaries and grammars were revised and rewritten. Thus, there is a need to create a small corpus of the Abai language, consider the possibilities of using language corpora based on the texts of the Kazakh literary language and develop a scientific a

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Iglesias-Crespo, Carlos. "A Cognitive Poetics of Wonder: The Synthesis of Aristotelian Rhetoric, Grammar, and Psychology in Fernando de Herrera’s Anotaciones." Journal for the History of Rhetoric 27, no. 1 (2024): 47–69. http://dx.doi.org/10.5325/jhistrhetoric.27.1.0047.

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Abstract This article argues that Fernando de Herrera, Renaissance Spain’s foremost poetic theorist, blended classical poetics and rhetoric with facultative psychology to craft a revolutionary framework of poetic thought in his most important work, the Anotaciones (1580). Drawing on James J. Murphy’s concept of metarhetoric, the analysis foregrounds how in the Anotaciones Herrera intertwined semantics, cognitive processes involving perception, imagination, and memory, and key rhetorical and stylistic doctrines to theorize the pursuit of wonder as poetry’s normative goal. This complex framework

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Goatly, Andrew. "Metaphor and Grammar in the Poetic Representation of Nature." Russian Journal of Linguistics 21, no. 1 (2017): 48–72. http://dx.doi.org/10.22363/2312-9182-2017-21-1-48-72.

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Rafi’ Ghazi Al-Sulami, Rafi’ Ghazi Al-Sulami. "The Silk: The Poetic system of The Morphology Prose of lbn Asfur (by an Unknown Scholar from the Eighth Century AH) Studied and edited by." journal of king abdulaziz university arts and humanities 25, no. 1 (2017): 95–122. http://dx.doi.org/10.4197/art.25-1.4.

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This book is written in poetic structure. It adopts the poetry as a style to write down the subjects of morphology. The author of the book is an unknown scholar (he belongs to the eighth century AH). The most important results of this research include the following: 1) The silk book has a scientific value among grammarians. 2) The author of this manuscript has a specific opinions in the topics of morphology. 3) The same author was acquainted with the knowledge of Arabic. 4) The science of grammar stayed active in Arabic Islamic culture through out ages. 5) Writing grammar and morphology in a p

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D’Avella, Victor B. "Recreating Daṇḍin’s Styles in Tamil". Cracow Indological Studies 22, № 2 (2020): 17–41. http://dx.doi.org/10.12797/cis.22.2020.02.02.

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In Sanskrit poetics, the defining characteristics of poetry, its very life breath, are the guṇas, ‘qualities’. They make up the phonetic and syntactic fabric of poetic language without which there would be nothing to further to ornament. Many of these intimate features are by necessity specific to the Sanskrit language and defined in terms of its peculiar grammar including phonology and morphology. In the present article, I will describe what happens to four of these guṇas when they are transferred to the Tamil language in the Taṇṭiyalaṅkāram, a close adaptation of Daṇḍin’s Kāvyādarśa. I wish

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Sugunan, Dhusyanthy. "Multifarious nature in Bharathy’s Lyrical Literature." International Research Journal of Tamil 4, SPL 2 (2022): 1–7. http://dx.doi.org/10.34256/irjt22s21.

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This article, entitled as 'Multifarious nature in Bharathy’s Lyrical Literature', serves as a research paper for the seminar organized with the aim of exploring the diversity of Tamil grammar and literature and exposing the multifarious nature of Tamil. There are a lot of rich literatures in Tamil that express diversity in the field of Grammar and Literature. However, in the field of Tamil grammatical literature, Bharathiyar's poetic literature excel in simplicity, sweetness, novelty and revolution which are conceptual and multifarious. In that respect, this article is designed to examine the

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Graciel Jane B. Aljas, Ailene N. Ermac, Lessie Mae L. Dela Cruz-Mata, Ethel Theresa E. Obedientes-Alvia, and Mychol C. Maghamil. "Assessing the Mastery Level of Identifying Parts of Speech in Poetries." Journal of English Language Teaching and Applied Linguistics 7, no. 3 (2025): 90–101. https://doi.org/10.32996/jeltal.2025.7.3.10.

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This study assessed the mastery level of first-year college students at Mindanao State University – Lanao del Norte Agricultural College in identifying the parts of speech within poetic compositions. The researchers examined the students' prior knowledge, learning styles, and the challenges they faced in identifying parts of speech, specifically nouns, pronouns, verbs, adjectives, adverbs, prepositions, and interjections. Using a descriptive-correlational research design, data were gathered from 80 respondents through questionnaires, parsing tests, and learning style assessments. Findings reve

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Viain, Marie. "Les savoirs linguistiques dans deux classifications des sciences du Xe siècle : l’émergence de la notion de « discipline »." Histoire Épistémologie Langage 36, no. 2 (2014): 45–56. http://dx.doi.org/10.3406/hel.2014.3495.

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Grammatization of Arabic has been made as early as the 7th c. from the analysis of Koranic text and a poetic corpus. The interactions that occur between grammar, religious studies and poetic art invite us to question the concept of “ discipline” at this time. Two reviews of the 10th c. which present the various areas of knowledge tell us about the construction of this notion. The purely enumerative approach Ibn al-Nadīm (m. 987) adopts in his Fihrist in order to name personalities and works related to each knowledge contrasts with the logical approach of al-Fārābī (m. 950), who defines with pr

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Moradi, Ayoob, Mahmoud Kamali, Sara Chalak, and Hooshang Izedi. "The Meanings of Letter "V" in the Poems of Sa'adi." International Letters of Social and Humanistic Sciences 24 (March 2014): 32–51. http://dx.doi.org/10.18052/www.scipress.com/ilshs.24.32.

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Letters is one of the basic topics of Persian Grammar and divided to three general groups: Preposition, Conjunction, and Sign. Most important and valuable letter in the grammar is "V" ("and" in English). We find better the importance of this letter when we study its grammar roles. In the first part of this research, we mention the meanings of the letter V that the Grammar researchers have written before, by the poetic example from Sa'adi. In the Second part, we introduce and mention some new and exquisite meanings that nobody has mentioned before. Consequence is that letter V in Sa'adis poems

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Sveshnikova, Marina Ilinichna, and Elena Igorevna Sernova. "Punctuation grammar in the translation of a French poetic text." Filologičeskie nauki. Voprosy teorii i praktiki, no. 5 (May 2023): 1597–601. http://dx.doi.org/10.30853/phil20230224.

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Milyutina, Marina G. "Functional grammar in the service of poetry (infinitive writing in poetical texts by B. Akhmadulina, I. Brodsky, A. Kushner)." Sibirskiy filologicheskiy zhurnal, no. 4 (2021): 276–88. http://dx.doi.org/10.17223/18137083/77/21.

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This paper discusses the issues of the poetic grammar of the infinitive. The author suggests that grammar is no less involved in the formation of the poetic text artistic peculiarities than lexis. Linguistic analysis of the poetical texts is based on the methodological apparatus of functional grammar becoming increasingly important for studying poetical structures. Poetical texts by B. Akhmadulina, I. Brodsky, and A. Kushner devoted to the dream theme were analyzed for typical features of the “infinitive writing” (A. K. Zholkovsky), a special poetical technique. The author assumes that the ana

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Blomqvist, Jim. "Kurragömmasyntaxen." Tidskrift för litteraturvetenskap 46, no. 3-4 (2016): 109–18. http://dx.doi.org/10.54797/tfl.v46i3-4.8734.

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Hide-and-Seek Syntax: The Grammar of Poetic Language in Ann Jäderlund’s Poetry In the initial stage of the so-called ”Jäderlund debate” of the late 1980s, literary critic Tommy Olofsson essentially characterized Ann Jäderlund’s poetry as meaningless. In response, Åsa Beckman claimed that Olofsson’s inability to understand Jäderlund’s poetry was due to his utter lack of insight into female experience. This difference of opinion proves the necessity of distinguishing between the poem as part of a literary convention and the poem as part of a sociocultural ontology: how a poem makes meaning

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Sacayan, Godwin Q., Caresty P. Aliod, Denelyn E. Buladaco., Angelene B. De Felipe, Jezanne S. Poralan, and Jose G. Tan. "The Grammar of Poetry: Analyzing the Language of Literature." International Journal of Research and Innovation in Social Science IX, no. V (2025): 6733–40. https://doi.org/10.47772/ijriss.2025.905000521.

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Poetry is a literary genre that uses a unique way of writing an expressive composition and manipulating language structure by applying various stylistic features to evoke readers' emotions and feelings. Archaic Words, Inverted Syntax, Colloquialism, Parallelism, and Tense Shift are the stylistic features added to poems to produce an emphatic effect. To further explore these features, this study utilizes an In-depth Textual approach, which analyzes not just the surface level of the selected poems but also delves deeper into the meanings. This method focuses on discussing how the aforementioned

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Martínez Gavilán, María Dolores. "La gramática castellana de Caramuel (1663)." Estudios Humanísticos. Filología, no. 11 (December 1, 1990): 95. http://dx.doi.org/10.18002/ehf.v0i11.4328.

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<p>Juan Caramuel y Lobkowitz (Madrid, 1606-Vigevano, 1682), autor de una gramática filosófica de corte medieval en la que se resucitan muchos de los postulados de la gramática especulativa, Grammatica audax (1654) -hecho que se debe conectar con su posición claramente escolástica en el terreno de la filosofía y de la teología-, ha sido considerado uno de los antecedentes de la Grammaire généle et raisonnée de Port-Royal. Sus aportaciones en el terreno de la gramática general o universal han sido puestas de relieve por varios estudiosos (V. Salmon, H.E. Brekle, G. A. Padley, F. Delgado),

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Milyutina, Marina G. "“Grammar poetry” in the poem O. Sedakova “Alatyr”." Philological Sciences. Scientific Essays of Higher Education, no. 5 (September 2022): 47–53. http://dx.doi.org/10.20339/phs.5-22.047.

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It is known that grammar is a link between the meanings of lexical and figurative-symbolic. The article proposes one of the possible options for interpreting O. Sedakova’s poem “Alatyr”, based mainly on his poetic grammar. Attention is focused on the change of temporal plans, infinitive series and the subject sphere of the poem. It has been shown that grammatical semantics, reinforced by lexical indicators, helps the poet to more accurately and deeply reveal the symbolic image of Alatyr through the image of the “cross of time” connecting the past with the future, to come to sleep, life with de

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HARBUS, ANTONINA. "A cognitive approach to alliteration and conceptualization in medieval English literature." English Language and Linguistics 21, no. 2 (2017): 203–19. http://dx.doi.org/10.1017/s1360674317000089.

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This article investigates alliteration in Old and Middle English poetry as a particular type of discourse-structuring device. It explores the use of this device in the context of a mainly anonymous and oral-formulaic tradition, and – in Construction Grammar terms – as a type of fragment chunker for both local conceptualization at the phrasal level and also one that permits (even encourages) a counterpoint conceptualization across syntactic structures, with an impact on literary meaning. The discussion will encompass the metrical aspects of this device, its role in the proliferation of poetic-o

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Sharp, Zachary Daniel. "“Fitter to Please the Court Than the School”: Courtly and Paideutic Rhetoric in Elizabethan Poetics." Rhetorica 38, no. 1 (2020): 57–83. http://dx.doi.org/10.1525/rh.2020.38.1.57.

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This paper argues that Elizabethan handbooks on poetics enact two coevolving traditions in the history of rhetoric and poetics: one sees poetry as a rhetorical art of stylistic invention, while the other sees it as an object of study, analysis, and ethical training. To show this, I examine George Puttenham's Art of English Poesy and contrast it with William Scott's recently discovered Model of Poesy. Puttenham demonstrates how poetic style works as a tool of rhetorical invention; Scott, on the other hand, treats poetics as a method of literary critical analysis. Scott's poetics, I argue, is de

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Gumar, Maitham Tariq, and Haider Saddam Sahan. "LITERARY-PRAGMATIC IMPACT DIMENSIONED IN HOLY QURAN OATH TECHNIQUES." INTERNATIONAL JOURNAL OF RESEARCH IN SOCIAL SCIENCES & HUMANITIES 12, no. 02 (2022): 619–27. http://dx.doi.org/10.37648/ijrssh.v12i02.040.

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Holy Quran, according to Arab grammarians, presents a linguistic menu from which Arabic grammar orders structures with variable ingredients and flavors. Oath techniques fly with Holy Quran colorful wings manipulated pragmatically to achieve certain aims. For its poetic language and attitude, Holy Quran mixes use of linguistic techniques and poetic style, especially in reciting verses, to convey its message with clarity. This research surveys Quranic oath structures concentrating on their pragmatic meanings with an aid of poetry- like discourse. The research, through discussing verses relevant

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Luo, Jun, and Qing Yin. "On the Theoretical Construction of the Structural System of Semiotic Atoms in the Semantic Signs of Poetic Narrative Texts." Asian Journal of Social Science Studies 1, no. 1 (2016): 39. http://dx.doi.org/10.20849/ajsss.v1i1.16.

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<p>The studies of poetic narratology has been extended to the macro-studies of the narrative language of poetic narrative texts ranging from narrative grammar to narrative model with a special attention paid to the exploration of the semiotic atoms of its semantic narration and the semiotic atoms of its pragmatic narration in poetic narrative texts as well as their interrelationships. What hasn’t been paid attention to in this area is the atomic structural system of the semiotic atoms of the narrative signs in poetic narrative texts. Grounded on the absence of studies in this regard, thi

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Donskikh, Oleg. "Linguistic studies as a condition for the development of science." Philosophy of Science and Technology 29, no. 2 (2024): 112. https://doi.org/10.21146/2413-9084-2024-29-2-112-124.

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The paper considers the role which is played by the attention to language in the formation of functional scientific style on the basis of four cultural traditions. Reflexion upon language appears in ancient poetry already in the times of Homer, when individual words begin to reach the level of abstractions. The Sophists develop a conscious attitude towards linguistic phenomena, teaching the free and correct use of words, the construction of persuasive discourse, the use of writing, and also they present the first grammatical categories. The Alexandrian collection of texts required tremendous p

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Скоробогатова, Олена Олександрівна. "ОСОБЕННОСТИ МОРФОЛОГИЧЕСКОГО СОПОЛОЖЕНИЯ В СТИХОТВОРЕНИИ ВАРЛАМА ШАЛАМОВА «ШАГАЙ, ВЕСЕЛЫЙ НИЩИЙ…» В СВЕТЕ ПУШКИНСКОЙ ГРАММАТИЧЕСКОЙ ТРАДИЦИИ". ЗБІРНИК НАУКОВИХ ПРАЦЬ ХНПУ ІМЕНІ Г.С. СКОВОРОДИ "ЛІНГВІСТИЧНІ ДОСЛІДЖЕННЯ", № 40 (28 жовтня 2015): 42–46. https://doi.org/10.5281/zenodo.32820.

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<em>In some cases the grammar of a poem is closely coupled with its imagery and those poetical senses which form its artistic space. Grammatical juxtaposition serves as an active means of creation of poetical senses. The paper deals with intracategorial juxtapositions of word forms of a single word in different cases. The examples of morphological juxtaposition realization of case word forms of a lexeme in A. Pushkin’s and V. Shalamov’s poems are considered. The artistic senses formed by the juxtaposition under study are analyzed. We claim that the use of word forms of a single wor

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CHETTOUH, Khadra. "THE EFFECTIVENESS OF TRANSFORMATIVE GENERATIVE RULES IN POETIC DISCOURSE ANTARAH BIN SHADDAD AS A MODEL." RIMAK International Journal of Humanities and Social Sciences 4, no. 6 (2022): 514–35. http://dx.doi.org/10.47832/2717-8293.20.30.

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Poetry and prose are the binary that have been created by man and coincided with the The manifestations of his life and its potentials. The characteristics of each have varied, Poetry, in the perspective of scholars took the greater part of the celebration, because it embraced the confusion of the human soul and its transformations through time. It is not feasible for scholars to focus on the issues of poetry, its components and characteristics, examine and scrutinize them. Added to this, codify thier manifestations, and derive their laws according to many different visions and models. However

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Pritula, Anton D. "“Grammar is the bridge to all knowledge”: short poems on the flyleaves in a manuscript of the metrical grammar." Письменные памятники Востока 18, no. 1 (2021): 44–52. http://dx.doi.org/10.17816/wmo59206.

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The article examines short poems written in the hand of ʿAbdīōʿ of Gāzartā, East Syrian patriarch (15551570), poet and scribe, in his own copy of Bar ʿEbrōyōs Metrical Grammar (12261286). The short works in question were added by the scribe himself between the larger texts, as well as on the flyleaves. The question of the relation of these poems, as regards their contents, to the main text of the Metrical Grammar is essential. This paper discusses the poetic features of these short texts, mainly quatrains, which illustrate the complex processes in the literary life of Christian communities dur

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Luján Atienza, Ángel. "Elements for a Cognitive Analysis of Poetic Discourse." Verba Hispanica 26, no. 1 (2019): 213–32. http://dx.doi.org/10.4312/vh.26.1.213-232.

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This paper proposes the application of some of the analytical instruments developed in cognitive studies to poetic discourse as a preliminary step for a global treatment of poetry based on the principle of relevance. The lack of contributions of this type in the Hispanic field makes this exploration more important. This application has been structured according to the three levels of discourse analysis: the sentence level to which the principles of cognitive grammar are applied; the textual level, where the viability of the theory of textual worlds in poetry is shown; and the discursive level,

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Tsvigun, Tatiana V., and Alexey N. Chernyakov. "Poetical reduplications in Alexander Vvedensky’s fiction." Slovo.ru: Baltic accent 12, no. 4 (2021): 51–64. http://dx.doi.org/10.5922/2225-5346-2021-4-3.

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The article is devoted to the study of the poetics of reduplication in Alexander Vvedensky's fiction texts. The aim of this research is to analyse the functional range of reduplications at different textual levels, from the lexical to the thematic. Reduplication is understood as one of the most important tools of Vvedensky's linguopoetic experiment, aimed at the 'revision' of the ability of language to signify and represent the world and its basic semiotic principles. For Vvedensky, the non-normative punctuation of contact lexical reduplications creates prerequisites for perceiving repeated

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Samostienko (Suslova), Evgenia V. "POETIC THEORY OF COMMUNICATION BY ELIZAVETA MNATSAKANOVA." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 7, no. 3 (2022): 98–110. http://dx.doi.org/10.18522/2415-8852-2022-3-98-110.

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This article is devoted to the study of communication strategies in the poetry of Elizaveta Mnatsakanova, one of the main Russian-speaking poets of the second half of the 20th century. Using the principles of working with sound and experimental musical composition, the author creates a very special poetic language that is typologically close to the so-called spectromorphology, an approach developed by the composer Denis Smalley in the 1980s. The author of this concept made a great contribution to the development of the theory of sound art, as he proposed a kind of grammar for electro-acoustic

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Stanley, E. G. "Old English Poetic Superlatives." Anglia 135, no. 2 (2017): 241–73. http://dx.doi.org/10.1515/ang-2017-0025.

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AbstractThis paper is designed to show how difficult it is for us in the twenty-first century to establish a valid response to the superlative of adjectives as used in Old English verse. In contradistinction to the monochromatically excessive use of superlatives in modern advertising, the distribution of superlatives is very varied in the English verse of more than a thousand years ago. The first part of the paper consists of a general survey of Old English superlatives, chiefly in the vernacular verse of the Anglo-Saxons, but their prose has not been wholly neglected. The study is evaluative,

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Kareva, N. V., and N. A. Kuznetsova. "Poetic and grammatical figures in “Materials for Russian Grammar” by Mikhail Lomonosov." Indo-European Linguistics and Classical Philology XXIV (June 2020): 768–84. http://dx.doi.org/10.30842/ielcp230690152423.

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왈쉬켈리. "Strange Rhetoric, Enigmatical Grammar, Poetic Logic: Wallace Stevens’s The Auroras of Autumn." Journal of English Language and Literature 61, no. 2 (2015): 231–49. http://dx.doi.org/10.15794/jell.2015.61.2.004.

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Д., В. Колода. "ИСПОЛЬЗОВАНИЕ РЯДОВ РАЗНЫХ ТИПОВ ДЛЯ СОЗДАНИЯ СТАТИЧЕСКИХ И ДИНАМИЧЕСКИХ КАРТИН В ПОЭТИЧЕСКИХ ТЕКСТАХ ЮРИЯ ЛЕВИТАНСКОГО". Російська філологія. Вісник Харківського національного педагогічного університету імені Г.С. Сковороди, № 3(58) (8 листопада 2016): 17–20. https://doi.org/10.5281/zenodo.165207.

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The article is devoted to grammar row usage for statics and dynamics in the poetic texts of Yuri Levitanskij. Having analyzed the rows of different types in the lyric poetry of the author, we educed verbal and nominative rows. We consider important to mark that the last group prevails. Speculating syntactic rows, it turns out that their usage can create dynamic and static effects. In most cases the row of nominatives and row of verbal units show dynamics in the texts. Statics can be presented only with a nominative row, but these examples are very rare in the author’s poetic texts. There singl

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Denisova, Nataliya, and Dinara Yusipova. "A Comparative Analysis of Temporal Structure of English Poetic Texts for Adults and Children." Journal of Language and Education 2, no. 2 (2016): 6–13. http://dx.doi.org/10.17323/2411-7390-2016-2-2-6-13.

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Poetry has always been under the focus of scholars’ attention, though the problem of performing a comparative analysis of children’s and adults’ poetry has not received enough attention yet. The study undertaken is aimed to fill in this gap and provide the analysis of English poetry for adults and children with the attempt to identify some grammatical peculiarities of the corresponding poetic texts. The scope of the texts for examination is limited to English poetry of the nineteenth – twentieth centuries focused on the animal theme. The analysis of the temporal structure of the texts selected

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Sulthon, Athian, Ubaid Ridlo, and Alek. "A Peircean Semiotic Analysis of Elegiac Symbolism in Rithā’ al-Andalus by Abū al-Baqā’al-Rundī." Journal of Literature Review 1, no. 2 (2025): 316–24. https://doi.org/10.63822/mwbpwj16.

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ABSTRACT This study investigates Rithā’ al-Andalus by Abū al-Baqā’ al-Rundī through the semiotic lens of Charles Sanders Peirce to examine how poetic language communicates historical grief, spiritual identity, and collective memory. Composed in 1267 CE, the elegy laments the fall of Muslim Andalusia following the Christian reconquest. Beyond a personal outcry, the poem serves as a layered cultural document, encoding ideological resistance and loss through complex sign systems rooted in Islamic tradition and Andalusian history. The primary objective of this research is to analyze how Rithā’ al-

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Ramalho, Maria Irene. "Writing and Merriment. Gertrude Stein’s Erotics of Language." Elyra, no. 16 (2020): 13–22. http://dx.doi.org/10.21747/21828954/ely16a1.

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As it revisits Gertrude Stein’s relationship with Alice B. Toklas – lifetime companion, collaborator, and lover – the paper shows how Stein’s writing is at the forefront of Modernism’s poetic innovation by dismantling grammar and syntax, calling into question the referentiality of language, and dealing with words as if they were sensuous objects. It concludes that Stein’s creative writing is as erotic as her love life.

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Utanbayeva, Dildora Abdixadirovna, and Durdona Nazar qizi Sa'dullayeva. "CONTENT OF TEACHING ELEMENTARY STUDENTS TO ANALYZE THE TEXT IN THE LESSONS OF "READING LITERACY"." MODERN SCIENCE AND RESEARCH 3, no. 5 (2024): 759–62. https://doi.org/10.5281/zenodo.11222934.

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<em>This article covers the content of primary education mother tongue literacy and reading literacy lessons to teach students to read and understand the text and analyze it. The importance of foiling from innovative techniques such as the method of working on poetic texts, the method of grammar syntactic, the method of growing informative approaches is also stated when working on the text.</em>

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Mecacci, Andrea. "Principio di irrealtà. Estetica e modernismo in Ortega y Gasset." DILEF. Rivista digitale del Dipartimento di Lettere e Filosofia, no. 1 (February 28, 2022): 52–65. http://dx.doi.org/10.35948/dilef/2022.3287.

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AbstractL'estetica di Ortega y Gasset si inserisce con originalità nel dibattito modernista della prima metà del Novecento. Il paper segue lo sviluppo del pensiero di Ortega Y Gasset avendo come focus il saggio del 1925 La deshumanización del arte, in cui il filosofo spagnolo cerca di fornire una sintesi concettuale dell'arte dell'avanguardie attraverso una precisa grammatica teorica: la metafora poetica, l’oggetto estetico, l’arte come principio di irrealtà. The aesthetics of Ortega y Gasset is part, with originality, of the modernist debate of the first half of the twentieth century. The pap

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