Academic literature on the topic 'Poetic morphology'

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Journal articles on the topic "Poetic morphology"

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Скоробогатова, Олена Олександрівна. "ПОЕТИКА ВІРШОВОГО ТЕКСТУ В ГРАМАТИЧНОМУ ВИМІРІ". Збірник наукових праць ХНПУ імені Г.С. Сковороди "Лінгвістичні дослідження", № 42 (5 квітня 2016): 78–84. https://doi.org/10.5281/zenodo.48996.

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The article deals with the current state of grammatical poetics of poetic speech. The reasons for the disbalance in the study of lexical and grammatical levels of the language of poetry were analysed. The grammaticalization of poetic language in the XX – XXI centuries was pointed out. The vectors of research directions in the field of interaction of grammar and poetics are offered: poetic morphology as a subarea of the functional grammar and morphological poetics as a general philological discipline that studies grammemes and grammatical categories in the poetic use, providing the eviden
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Hasanova, S. "POETICAL MORPHOLOGY OF THE AZERBAIJAN LANGUAGE." Sciences of Europe, no. 158 (February 10, 2025): 54–58. https://doi.org/10.5281/zenodo.14846834.

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The article discusses the poetic morphology of the Azerbaijani language. All areas of the language play a certain role in poetry. In this sense, morphology has great potential. The article analyzes the topic of poetic morphology in detail, refers to the work of various poets, reveals linguistic facts relevant to the topic, and involves scientific and theoretical analysis. Poetic morphology, as a field that studies the poetic forms of the language, examines both the morphological structure of the language and the aesthetic and poetic functions of parts of speech in the literary language. The ar
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Е.А., Скоробогатова. "ПОЭТИЧЕСКАЯ МОРФОЛОГИЯ КАК НАПРАВЛЕНИЕ ЛИНГВОПОЭТИКИ И ЛИНГВОКРЕАТИВНАЯ ПРАКТИКА ФИЛОЛОГИЧЕСКОГО ЭКСПЕРИМЕНТА". Русская филология: Вестник Харьковского национального педагогического университета имени Г.С. Сковороды 4, № 66 (2018): 3–10. https://doi.org/10.5281/zenodo.1494848.

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<em>The article considers the history of the formation of poetic morphology as a section of linguistic poetics, the tasks that this direction faces today. Research axioms have been formulated, which became the basis for solving the problem of creating a systematic poetic morphology of the Russian language: the axiom of expressiveness, the axiom of expressiveness of breaking the morphological norm, the axiom of integrity and compositionality, the axiom of the transition of the individual to the stable, and the stable to the general poetical. It is assumed that these axioms can be used in the de
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Mohamad, Abdulqadir Hamaameen, and Sarhad Hussain Mustafa. "Deviation of simile in Qubadi Jalilzadas poetry." JOURNAL OF LANGUAGE STUDIES 6, no. 2 (2023): 299–318. http://dx.doi.org/10.25130/jls.6.2.25.

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Poets in all literary schools utilize the poetic and rhetorical technique of simile in their works. QubadiJalilzada is on of the contemporary poets with a distinctive style. So because poet innovates with poetic imagination and style rather than adhering to a predetermined poetic form, the researcher in this study emphasizes the presence of many simile forms and techniques in his poems. Thus, the present study pinpoints poetic simile, according to its types, forms, morphology and place.
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Rafi’ Ghazi Al-Sulami, Rafi’ Ghazi Al-Sulami. "The Silk: The Poetic system of The Morphology Prose of lbn Asfur (by an Unknown Scholar from the Eighth Century AH) Studied and edited by." journal of king abdulaziz university arts and humanities 25, no. 1 (2017): 95–122. http://dx.doi.org/10.4197/art.25-1.4.

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This book is written in poetic structure. It adopts the poetry as a style to write down the subjects of morphology. The author of the book is an unknown scholar (he belongs to the eighth century AH). The most important results of this research include the following: 1) The silk book has a scientific value among grammarians. 2) The author of this manuscript has a specific opinions in the topics of morphology. 3) The same author was acquainted with the knowledge of Arabic. 4) The science of grammar stayed active in Arabic Islamic culture through out ages. 5) Writing grammar and morphology in a p
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Menninghaus, Winfried. "„Wo er vorbei dir glänzt“." Poetica 53, no. 3-4 (2022): 253–89. http://dx.doi.org/10.30965/25890530-05301011.

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Abstract This study focuses – by way of a close reading – on (1) the multiple subtleties in the poetic diction and word morphology of Hölderlin‘s ode „Heidelberg“, (2) its metonymic macro-structure, (3) the oscillations between an aesthetics of the lovely („lieblich“) and the sublime, (4) the instances of blissful self-mirroring that depart from Narcissus‘ unhappy fate, and (5) the explicit poetics of the „image“ („Bild“) in this ode. A special emphasis is placed on Hölderlin’s creation of a series of novel German words that combine two words into new compounds.
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Obruchnykova, Olena. "METAPHONY AS ANTIPODE OF THE EQUIPHONIC SOUND REPETITION (based on the Spanish language)." PROBLEMS OF SEMANTICS, PRAGMATICS AND COGNITIVE LINGUISTICS 32 (2017): 99–108. http://dx.doi.org/10.17721/2663-6530.2017.32.10.

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The article considers the points of view of modern researchers of the poetic text on the phenomenon of metaphony, reflecting a new perspective of studying the phonetics of the verse. The metaphony as a sound association of separate invertible heterorhythmic sound groups, united around a single syllabic apex – vowel, is considered on the example of the Spanish poetic and folklore text. Metaphonical sound correspondences in repetition create the prospect of using syllable sound groups and complexes to form an alternative, poetic morphology of the word. A prospective research of metaphonical soun
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Скоробогатова, Олена Олександрівна. "ОСОБЕННОСТИ МОРФОЛОГИЧЕСКОГО СОПОЛОЖЕНИЯ В СТИХОТВОРЕНИИ ВАРЛАМА ШАЛАМОВА «ШАГАЙ, ВЕСЕЛЫЙ НИЩИЙ…» В СВЕТЕ ПУШКИНСКОЙ ГРАММАТИЧЕСКОЙ ТРАДИЦИИ". ЗБІРНИК НАУКОВИХ ПРАЦЬ ХНПУ ІМЕНІ Г.С. СКОВОРОДИ "ЛІНГВІСТИЧНІ ДОСЛІДЖЕННЯ", № 40 (28 жовтня 2015): 42–46. https://doi.org/10.5281/zenodo.32820.

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<em>In some cases the grammar of a poem is closely coupled with its imagery and those poetical senses which form its artistic space. Grammatical juxtaposition serves as an active means of creation of poetical senses. The paper deals with intracategorial juxtapositions of word forms of a single word in different cases. The examples of morphological juxtaposition realization of case word forms of a lexeme in A. Pushkin&rsquo;s and V. Shalamov&rsquo;s poems are considered. The artistic senses formed by the juxtaposition under study are analyzed. We claim that the use of word forms of a single wor
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Shakhov, Pavel S. "On the morphology of oral song culture in the context of inter-discourse and interlanguage interaction (based on the Siberian-Mordovian material)." Sibirskiy filologicheskiy zhurnal, no. 1 (2025): 41–60. https://doi.org/10.17223/18137083/90/3.

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The paper analyzes musical and poetic texts adopted by folk singers based on Erzya-Mordovian material recorded in the villages of Altai Krai and Kemerovo Oblast from 2007 to 2017. The texts have been systematized in terms of three levels of their attribution: text form (oral, printed, media), text type (folklore, authors’), and text language (own, other). A consistent description is provided of the identified adaptation forms of oral, printed, and media texts to the oral song practice. The examination of the unique musical and poetic adaptations of borrowed texts by performers illuminates the
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Menezes, Flo. "For a morphology of interaction." Organised Sound 7, no. 3 (2002): 305–11. http://dx.doi.org/10.1017/s1355771802003102.

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In mixed electroacoustic music it is common to find the erroneous conception according to which interaction should base itself exclusively on the fusion between instrumental writing and electronic devices, whereas the contrast between these sound spheres is as significant as the fusional states. Although fusion may be seen as the most important ingredient for an efficacious compositional strategy concerning interaction, it is actually through contrast that the identities of spectral transfers in mixed composition can be evaluated by the listener. This text intends to introduce a discussion abo
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Dissertations / Theses on the topic "Poetic morphology"

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Musau, John M. "Gudrun Miehe, Die Sprache der älteren Swahili Dichtung (Phonologie und Morphologie)." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-95401.

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For the students of Swahili poetry that predates the twentieth century (e.g. Muyaka, Alinkishafi, Mwana Kupona, Hamzivva and others) there has always been a dire need for a book which could aid in the understanding of this poetry. This need is made acute by two main reasons: Firstly, classical Swahili poetry is written partly in what is known as Kingozi, an archaic form of language believed by many to be some kind of proto-Swahili. Secondly, the language of old Swahili poetry also incorprates a lot of features from the northern dialects of Swahili (e.g. Kiarnu, Kip ate, Kisiu etc) This combina
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Musau, John M. "Gudrun Miehe, Die Sprache der älteren Swahili Dichtung (Phonologie und Morphologie)." Swahili Forum; 2 (1995), S. 216-217, 1995. https://ul.qucosa.de/id/qucosa%3A11632.

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For the students of Swahili poetry that predates the twentieth century (e.g. Muyaka, Alinkishafi, Mwana Kupona, Hamzivva and others) there has always been a dire need for a book which could aid in the understanding of this poetry. This need is made acute by two main reasons: Firstly, classical Swahili poetry is written partly in what is known as Kingozi, an archaic form of language believed by many to be some kind of proto-Swahili. Secondly, the language of old Swahili poetry also incorprates a lot of features from the northern dialects of Swahili (e.g. Kiarnu, Kip ate, Kisiu etc) This combina
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Mathys, Audrey. "Le neutre adverbial en grec ancien : morphologie, syntaxe et sémantique." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040126.

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Cette étude porte sur l'emploi d'adjectifs neutres en fonction adverbiale en grec ancien, sur un corpus constitué de l'ensemble de la poésie archaïque, d'Homère à Pindare. Les données recueillies ont été, autant que possible, confrontées aux données des auteurs classiques et des poètes alexandrins, et replacées dans la perspective de la linguistique indo-européenne. Une étude morphologique montre le caractère récent des adverbes en ως en grec homérique, alors que le neutre adverbial semble constituer un procédé d'adverbialisation ancien et courant. Un examen sémantique des neutres adverbiaux e
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Malfait-Dohet, Monique. "Morphologie du héros épique des chansons de geste de langue d'oïl "écrites" au XIVe siècle." Doctoral thesis, Universite Libre de Bruxelles, 1998. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212000.

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Mansour, Karim. "Poétismes et poétique de la prose d’Hérodote : étude linguistique et philologique." Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040252/document.

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En composant avec l’Enquête la première grande œuvre en prose de la littérature grecque, Hérodote marque un moment crucial de l’histoire des formes littéraires : il donne à la prose grecque ses lettres de noblesse, tout en se situant dans un rapport de filiation, sinon d’émulation, vis-à-vis de l’héritage poétique. L’auteur du traité Du Sublime ne le qualifie-t-il pas d’homêrikôtatos, tandis qu’Hermogène de Tarse évoque sa langue et son style comme étant des plus poétiques ? Il s’agit alors de comprendre comment cette prose, reconnue dès longtemps comme une prose d’art, se nourrit des éléments
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Books on the topic "Poetic morphology"

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Elia, Annibale. Dalla grammatica al testo poetico: Lezioni di linguistica. Loffredo, 2003.

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Ionova, I. A. Ėsteticheskai͡a︡ produktivnostʹ morfologicheskikh sredstv i͡a︡zyka v poėzii. "Shtiint͡s︡a", 1989.

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Ionova, I. A. Morfologii͡a︡ poėticheskoĭ rechi. "Shtiint͡s︡a", 1988.

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Miṣrī, ʻAbd al-Fattāḥ. al- Muʻallaqāt fī kutub al-turāth. Muʾassasat al-Risālah, 1986.

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Thomas, Lindner. Lateinische Komposita: Ein Glossar vornehmlich zum Wortschatz der Dichtersprache. Institut für Sprachwissenschaft der Universität Innsbruck, 1996.

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Vrakas, Antōnios. Hē morphē tou Neoptolemou stēn archaia Hellēnikē poiēsē hōs ta telē tou 5ou ai. p.Ch., me emphasē ston Pindaro kai stēn tragōdia: Diatrivē epi didaktoria. Ethniko kai Kapodistriako Panepistēmio Athēnōn, Philosophikē Scholē, 2008.

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Alighieri, Dante. Inferno: Edizione critica alla luce del più antico codice di sicura fiorentinità : Laurenziano Pluteo XL 12. Il melangolo, 2020.

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Herliany, Dorothea Rosa, and Harry Aveling. Morphology of Desire. The Lontar Foundation, 2013.

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Deutsche Morphologie. Walter de Gruyter, 2009.

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Hampe, Michael, Andreas Hetzel, Eva Schürmann, et al., eds. Morphologie als Paradigma in den Wissenschaften. frommann-holzboog Verlag, 2022. http://dx.doi.org/10.5771/9783772834905.

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What status can be attributed to morphology today? Is it a doctrine or a method? This AZP supplement explores the various uses of morphology through exemplary studies. The underlying hypothesis is that morphology serves as a paradigm in the sciences. The contributions show that even in the present day, morphology can gain an integrative function for seemingly heterogeneous dimensions and fields across the sciences – just as it was already able to serve Goethe as a unifying bond between his supposedly separate practices as poet, artist and scientist.
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Book chapters on the topic "Poetic morphology"

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Morey, Stephen. "A study of the poetics of Tai Ahom." In Expressive Morphology in the Languages of South Asia. Routledge, 2020. http://dx.doi.org/10.4324/9781315265629-9.

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Ballesteros, Bernardo. "Morphology." In Divine Assemblies in Early Greek and Babylonian Epic. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780198924623.003.0005.

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Abstract The chapter offers a detailed analysis of the formal structure (morphology) of divine assembly scenes in Sumero-Akkadian and early Greek epic. It argues that both corpora, taken as a whole, lend themselves to systematic treatment under the same critical lenses, since the poetic technique overlaps to a considerable degree. In both traditions, similar formal patterns frequently relate to similar narrative and characterization effects. The analysis brings together more than seventy scenes and examines patterns of beginning (§1), central speech (§2), and resolutions (§3). It also discusse
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Pulleyn, Simon. "The Morphology and Syntax of the Imperative in Homeric Prayers." In Language Change in Epic Greek and Other Poetic Traditions. BRILL, 2025. https://doi.org/10.1163/9789004721807_009.

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Corbeill, Anthony. "Roman Poets on Grammatical Gender." In Sexing the World. Princeton University Press, 2015. http://dx.doi.org/10.23943/princeton/9780691163222.003.0003.

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This chapter examines eight different explanations that scholars have put forward since antiquity for the literary phenomenon of the non-standard gender. More specifically, it investigates why some poets were thought to have greater access to literary authority than others. The explanations range from semantic distinctions to morphology and analogy, metrical convenience, sound, and Greek intertextuality. Informing these various ancient explanations is an assumption that the desire and ability of the most highly respected poets to transform grammatical gender provides tangible evidence of the s
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Jackendoff, Ray, and Jenny Audring. "Applying the tools to other domains." In The Texture of the Lexicon. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198827900.003.0008.

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This chapter shows how the constructs of the Parallel Architecture and Relational Morphology can be applied outside morphology. Some extensions fall within the larger linguistic system: nonproductive schemas and sister schemas in syntax; the encoding of speech register, bilingualism, and dialect; orthography; and the mapping of phonology to meter in poetry. More speculatively, it shows that memory in other cognitive domains shares some of the character of Relational Morphology’s lexicon. The domains briefly explored are music; the understanding of the form and function of physical objects; kno
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"CHAPTER 2. MORPHOLOGY." In Introduction to the Grammar of Hebrew Poetry in Byzantine Palestine. Gorgias Press, 2006. http://dx.doi.org/10.31826/9781463210724-006.

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"Chapter 2 – Morphology." In Introduction to the Grammar of Hebrew Poetry in Byzantine Palestine. Gorgias Press, 2014. http://dx.doi.org/10.31826/9781463236458-006.

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"Paytanic Morphology and Neologisms." In Hebrew Style in the Liturgical Poetry of Shmuel HaShlishi. BRILL, 2003. http://dx.doi.org/10.1163/9789004495555_006.

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Pellizer, Ezio. "Outlines of a Morphology of Sympotic Entertainment." In Sympotica. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780198148616.003.0012.

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Abstract From the point, more than twenty years ago, when Bruno Gentili led me to reflect, during lively discussion amongst friends, on the importance of the symposion as a privileged occasion for the expression and communication of a considerable part of Archaic and Classical lyric poetry, much time has elapsed, and it would appear not to have been wasted time. In the course of the 1970s, slowly at first, then with growing momentum, in Italy and elsewhere, numerous scholars have turned their attention to the Archaic and Classical symposion, and the results have not been slow to materialize. T
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Regina, Sachers. "1827: Defining a Morphology of Poetry." In Goethe’s Poetry and the Philosophy of Nature. Routledge, 2017. http://dx.doi.org/10.4324/9781315093505-5.

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Conference papers on the topic "Poetic morphology"

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MEHMETALI, Doç Dr Bekir. "THE FEELING OF PRESENCE IN THE POEM THE SMALL STONE BY ELIA ABI MADI." In I. International Trabzon Congress of Humanities and Social Sciences. Rimar Academy, 2024. https://doi.org/10.47832/trabzon.con1-6.

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Diaspora literature is a type of modern Arabic literature that originated at the hands of Arab writers in non-Arab countries who immigrated to it at the beginning of the twentieth century for several reasons. Many poets emerged from them and left a clear mark on modern Arabic literature, especially poetry, and Elijah Abu Madi was one of them. This poet gained great fame and a high position in modern Arabic literature, and more than one researcher addressed him, whether by introducing him and his poetry or by explaining his importance and literary status in the modern era. This poet was disting
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Tikhonov, Aleksey, and Ivan Yamshchikov. "Sounds Wilde. Phonetically Extended Embeddings for Author-Stylized Poetry Generation." In Proceedings of the Fifteenth Workshop on Computational Research in Phonetics, Phonology, and Morphology. Association for Computational Linguistics, 2018. http://dx.doi.org/10.18653/v1/w18-5813.

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Lyashevskaya, O. N., T. O. Shavrina, I. V. Trofimov, and N. A. Vlasova. "GRAMEVAL 2020 SHARED TASK: RUSSIAN FULL MORPHOLOGY AND UNIVERSAL DEPENDENCIES PARSING." In International Conference on Computational Linguistics and Intellectual Technologies "Dialogue". Russian State University for the Humanities, 2020. http://dx.doi.org/10.28995/2075-7182-2020-19-553-569.

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The paper presents the results of GramEval 2020, a shared task on Russian morphological and syntactic processing. The objective is to process Russian texts starting from provided tokens to parts of speech (pos), grammatical features, lemmas, and labeled dependency trees. To encourage the multi-domain processing, five genres of Modern Russian are selected as test data: news, social media and electronic communication, wiki-texts, fiction, poetry; Middle Russian texts are used as the sixth test set. The data annotation follows the Universal Dependencies scheme. Unlike in many similar tasks, the c
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Sakamoto, Ryo, Ryo Sakamoto, Satoquo Seino, Satoquo Seino, Hirokazu Suzaki, and Hirokazu Suzaki. "COASTAL ALTERATION AND CHANGES IN SHORELINE MORPHOLOGY DUE TO ARTIFICIAL STRUCTURES IN MIIRAKU TOWN ON FUKUE IS. IN THE GOTO ARCHIPELAGO." In Managing risks to coastal regions and communities in a changing world. Academus Publishing, 2017. http://dx.doi.org/10.31519/conferencearticle_5b1b9405463da4.93038143.

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A construction of breakwaters and other shoreline structures on part of a coast influences drift sand transport in the bay, and causes comprehensive topographic changes on the beach. This study investigated shoreline and coastal changes, taking as an example of Shiraragahama Beach in Miiraku on the northwestern end of Fukue Island, Nagasaki Prefecture (Kyushu, Japan). Miiraku, adjacent to Saikai National Park, appears in the revered 8th century poetry collection “Manyoshu” and served as a port for a ship taken by the Japanese envoy to China during the Tang Dynasty (618-709). Because of the rec
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Sakamoto, Ryo, Ryo Sakamoto, Satoquo Seino, Satoquo Seino, Hirokazu Suzaki, and Hirokazu Suzaki. "COASTAL ALTERATION AND CHANGES IN SHORELINE MORPHOLOGY DUE TO ARTIFICIAL STRUCTURES IN MIIRAKU TOWN ON FUKUE IS. IN THE GOTO ARCHIPELAGO." In Managing risks to coastal regions and communities in a changing world. Academus Publishing, 2017. http://dx.doi.org/10.21610/conferencearticle_58b4315256b56.

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A construction of breakwaters and other shoreline structures on part of a coast influences drift sand transport in the bay, and causes comprehensive topographic changes on the beach. This study investigated shoreline and coastal changes, taking as an example of Shiraragahama Beach in Miiraku on the northwestern end of Fukue Island, Nagasaki Prefecture (Kyushu, Japan). Miiraku, adjacent to Saikai National Park, appears in the revered 8th century poetry collection “Manyoshu” and served as a port for a ship taken by the Japanese envoy to China during the Tang Dynasty (618-709). Because of the rec
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