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Books on the topic 'Poets of the end of the XIX century'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Llanas, Sheila Griffin. Contemporary American poetry-"not the end, but the beginning". Enslow Publishers, 2010.

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2

Llanas, Sheila Griffin. Contemporary American poetry-"not the end, but the beginning". Enslow Publishers, 2010.

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3

Būčys, Žygintas. Masonai Lietuvoje: XVIII a. pabaiga - XIX a. pradžia = Freemasonry in Lithuania : end of 18th - beginning of 19th century. Lietuvos nacionalinis muziejus, 2009.

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4

Andreev, Anatoliy. Personocentrism in classical Russian literature of the XIX century. Dialectics of Artistic Consciousness. INFRA-M Academic Publishing LLC., 2021. http://dx.doi.org/10.12737/1095050.

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The monograph is devoted to the study of the brightest phenomenon of the world art culture — Russian literature of the "golden age", which was formed as an aristocratic, personocentric literature. Russian Russian literature began to realize its "cultural code", its purpose, which was close to it in spirit; moreover, it unconsciously formed a program for its development, immediately finding its "gold mine": elitist personocentrism as a highly promising vector of culture, which became a decisive factor in the world recognition of Russian literature. The end-to-end plot of the book was the spirit

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5

Lebedinskai︠a︡, M. P., та V. F. Plaude. T︠S︡arskoe Selo na starykh fotografii︠a︡kh: Konet︠s︡ XIX - nachalo XX veka : Alʹbom = Tsarskoe selo in old photos. The End of the 19th-Beginning of the 20th Century. Istoricheskai︠a︡ illi︠u︡strat︠s︡ii︠a︡, 2011.

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6

Chernyavskiy, Aleksandr. The genesis of the emergence and development of the theory of separation of powers until the end of the XIX century: the place of teaching in the science of state law. INFRA-M Academic Publishing LLC., 2023. http://dx.doi.org/10.12737/1891876.

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The monograph is devoted to the most significant, and at the same time controversial issue in the field of the theory of state law, namely, the theory of separation of powers. It presents, if possible, the full literary development of this issue in the XVII-XIX centuries. The importance of such an analysis is explained by the fact that every theory itself is the result of the circumstances preceding it and is connected with the events accompanying it. More than ever, the question now arises of how the internal content and application of this theory are filled in a particular state, whether the

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7

Emtylʹ, Z. I͡A. Zhernova istorii: Sot︠s︡ialʹno-politicheskai︠a︡ istorii︠a︡ adygov kont︠s︡a XIX v.-20-kh gg. XX v. v ocherkakh i dokumentakh = Millstones of history : the social-political history of the end of 19th century till the twenties of the 20th century of Adigs in essays and documents. Izdatelʹskiĭ dom I︠U︡g, 2016.

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8

Stošić, Jasminka Poklečki. Zagreb, grad umjetnica: Djela hrvatskih umjetnica od kraja 19. do 21. stoljeća = Zagabria, la città delle artiste : le opere delle artiste croate dalla fine del XIX al XXI secolo = City of female artists : the works of women artists from the end of the 19th to the 21st century. Umjetnički paviljon u Zagrebu, 2020.

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9

Golovacheva, Alla. "The Seagull” by A. P. Chekhov. Poetics. Problems. Literary and theatrical context. INFRA-M Academic Publishing LLC., 2021. http://dx.doi.org/10.12737/1816631.

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The monograph is devoted to A.P. Chekhov's play "The Seagull", which has remained mysterious and attractive to readers, viewers, directors and performers for 125 years. The poetics of The Seagull is analyzed in detail, the significance of the play in the evolution of Chekhov's creativity, its relationship with the Russian and world literary tradition is indicated. The material on the historical and theatrical situation of the end of the XIX century is involved. The structure of the book: introduction, three parts, a list of names and titles of works. It is intended for philologists, thea

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10

Kazakova, Gandalif. The problem of formation of romantic historicism and rehabilitation of medieval culture in the creative heritage of F. R. de Chateaubriand. INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1044190.

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The monograph is devoted to the literary and scientific heritage of the famous French writer, historian, philosopher, thinker, diplomat and statesman F. R. de Chateaubriand, whose scientific works were practically unknown to the Russian reader for many decades. Being the founder of French romanticism and laying the main elements of this direction of culture, F. R. de Chateaubriand nevertheless causes numerous disputes and questions. The monograph shows the process of formation of the writer's romantic worldview on the example of his early works, which still retain traces of the literature of t

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11

Kravecky, A. G., and A. A. Pletneva. The history of the Church Slavonic language in Russia. The end of the XIX-XX century. Book on Demand Ltd., 2018.

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12

Barrows, Charles H. The Poets And Poetry Of Springfield In Massachusetts: From Early Times To The End Of The Nineteenth Century. Kessinger Publishing, LLC, 2007.

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13

Barrows, Charles H. The Poets And Poetry Of Springfield In Massachusetts: From Early Times To The End Of The Nineteenth Century. Kessinger Publishing, LLC, 2007.

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14

Alonso Montero, Xesús. Rosalía de Castro traducida ó latín e cantada en latín e grego clásico. Centro de Estudios Rosalianos, 2003. http://dx.doi.org/10.32766/rag.173.

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O Centro de Estudios Rosalianos (da Fundación Rosalía de Castro) ofrecéulles esta obra aos asistentes ao XI Congreso da Sociedade Española de Estudios Clásicos, que tivo lugar na Universidade de Santiago de Compostela do 15 ao 20 de setembro de 2003. Para esta ocasión o noso Centro preparou un volume de tema rosaliano intimamente vencellado coas linguas que van ser estudiadas no magno Congreso compostelán. Deste xeito, Rosalía de Castro, que naceu en Santiago un 24 de febreiro, dálles, á súa maneira, a benvida aos congresistas. Neste modesto volume o Centro de Estudios Rosalianos tributa unha

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15

Warszawa u schyłku XIX wieku i na progu XXI wieku w dokumentacji statystycznej = Warsaw at the end of the 19th century and at the threshold of the 21st century in statistical documentation. Polskie Tow. Statystyczne, Oddział Warszawski, 2000.

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16

Gonnerman, Mark. Sense of the Whole: Reading Gary Snyder's Mountains and Rivers Without End. Counterpoint Press, 2015.

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17

Sense of the Whole: Reading Gary Snyder's Mountains and Rivers Without End. Counterpoint Press, 2015.

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18

Saravia de Grossi, María Inés, ed. Fronteras, marginalidad y rupturas. Editorial de la Universidad Nacional de La Plata (EDULP), 2023. http://dx.doi.org/10.35537/10915/148368.

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Desde las primeras composiciones literarias antiguas, ya sea en los versos épicos o en los testimonios de los poetas líricos, entre aquellos jirones de versos rescatados se encuentran los términos que expresan las poéticas de la exclusión. Los autores griegos estudiados: Homero, Mimnermo, Safo y Píndaro ejemplifican estas situaciones y continúan interpelando a las sociedades de todos los tiempos. Los capítulos de literatura inglesa, concretamente irlandesa, plantean el drama de los desterrados en las primeras décadas del siglo XX y cómo aquellas experiencias de despojos y distancias –nunca sal

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19

Japonia w kulturze i sztuce polskiej końca XIX i początków XX wieku: Japan in the Polish art and culture at the end of the 19th and the beginning of the 20th century. Polski Instytut Studiow nad Sztuka Swiata, 2016.

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20

Kashmeri, Sarwar A. China’s Grand Strategy. ABC-CLIO, LLC, 2019. http://dx.doi.org/10.5040/9798400625732.

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In the “Great Game” of the 21st century—gaining leadership and influence in Asia—the United States is rapidly being outflanked by China, which is investing in infrastructure, connectivity, and supply chains on an unprecedented global scale. In this first book to use China’s Belt and Road Initiative, previously known as China’s New Silk Road, as a point of departure to explain why and how China is about to supersede America with regard to influence in Asia, Sarwar Kashmeri argues that the United States has a narrow window of opportunity to find a way to fit into a world in which the rules of th

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21

Koncepcje rozumu w hiszpańskiej refleksji filozoficznej końca XIX i pierwszej połowy XX wieku: Concepciones de la razón en la reflexión filosófica española desde finales del siglo XIX hasta la primera mitad del siglo XX; Conceptions of Reason in Spanish Philosophical Reflection from the End of the 19th to the Middle of the 20th Century. Instytut Filozofii UWM w Olsztynie (Poland), 2013.

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22

Bogdanova, Olga A., ed. The phenomenon of the Russian literary estate: from Chekhov to Sorokin+. A.M. Gorky Institute of World literature of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.22455/978-5-9208-0627-7.

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The book offers panoramic and at the same time systemic coverage of the Russian literary estate and summer house from the end of the XIX to the beginning of the XXI century. The publication combines the articles of 24 authors, distributed in three sections. The first two are devoted to the estate- dacha theme in Russian literature at the turn of the XIX–XX centuries and divided into prose, poetry and drama. The third is devoted to aspects of the image of the estate in the literature of the Soviet decades and in the modern era. Inside the sections, the material is placed according to the chrono

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23

Nicholls, Simon. The Notebooks of Alexander Skryabin. Translated by Michael Pushkin. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190863661.001.0001.

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Skryabin’s life spanned the tumultuous political events and artistic developments of the end of the nineteenth century and the early years of the twentieth but was cut short before the end of the First World War. In an era when the Russian musical scene was relatively conservative, he aligned himself with the poets, philosophers, and dramatists of the Silver Age. Possessed by an apocalyptic vision, aspects of which he shared with other Russian thinkers and artists of the period, Skryabin transformed his Romantic musical style into a far-reaching, radical instrument for the expression of his id

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24

Stewart, Edmund. Conclusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198747260.003.0008.

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Tragedy’s dissemination may be said to be, in its nature, a complex and continuous process brought about through performance and re-performance at Panhellenic gatherings. Tragedy as a genre emerged from, and was part of, a Panhellenic song culture shaped by frequent travel, competition, and exchange. By the time something that could be termed tragedy appeared at the end of the sixth century, the Greeks were already connected by a complex system of overlapping networks. Despite the prominence of particular cities, such as Athens and Sparta, the Greeks possessed no one political or cultural cent

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25

Fischer-Lichte, Erika. Prologue. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199651634.003.0001.

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The Prologue proceeds from the common understanding that Philhellenism was constitutive of the cultural identity of the German Bildungsbürgertum since the end of the 18th century until the 1970s or even the 1980s – i.e. between the times of the French Revolution (1789) and the reunification of the two German states in 1989. This common understanding usually is connected to German poets and writers from Winckelmann to Stefan George (Eliza Butler) or explained with regard to the development of Altertumswissenschaften (Martin Bernal and Suzanne Marchand), albeit with different emphases. The link

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26

Narang, Gopi Chand. The Urdu Ghazal. Translated by Surinder Deol. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190120795.001.0001.

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The Urdu ghazal is a marvel of the magnetic dynamism of husn o i’shq filled with innovative imagery. It is a celebration of life and love in an ambiance of pure ecstasy. It has a profound capacity for joy as well as pain. It is the soul of Urdu verse and the play of creativity at its peak. No other poetic genre is as innately musical as the ghazal. The book presents unique flowering of the Urdu ghazal as a by-product of India’s composite culture that evolved from intermixing of Indian and foreign value systems. This never-before narrated story of the evolution of the Urdu ghazal is documented

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27

Hammond, Marlé. The Tale of al-Barrāq Son of Rawḥān and Laylā the Chaste. British Academy, 2020. http://dx.doi.org/10.5871/bacad/9780197266687.001.0001.

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This book is a bilingual edition and study of a lengthy specimen of pre-modern Arabic storytelling. The tale’s origins are unknown but it probably dates from the seventeenth century. As a sustained fairy tale of the knight-in-shining-armour-rescues-damsel-in-distress variety, it reads as fiction and was probably intended as such. However, scholars in the Arab renaissance or Nahḍa received the text as history. Its pre-Islamic protagonists, ever emoting in verse, were thus celebrated as some of the earliest Arabic poets. The Arabic text featured in the monograph is sourced from five manuscripts

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28

Watkins, John. After Lavinia. Cornell University Press, 2018. http://dx.doi.org/10.7591/cornell/9781501707575.001.0001.

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The Renaissance jurist Alberico Gentili once quipped that, just like comedies, all wars end in a marriage. In medieval and early modern Europe, marriage treaties were a perennial feature of the diplomatic landscape. When one ruler decided to make peace with his enemy, the two parties often sealed their settlement with marriages between their respective families. This book traces the history of the practice, focusing on the unusually close relationship between diplomacy and literary production in Western Europe from antiquity through the seventeenth century, when marriage began to lose its effe

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29

Rosenmeyer, Patricia A. The Language of Ruins. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190626310.001.0001.

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A colossal statue, originally built to honor an ancient pharaoh, still stands in Egyptian Thebes. Damaged by an earthquake, and re-identified as the Homeric hero Memnon, it was believed to “speak” regularly at daybreak. By the middle of the first century CE, the colossus had become a popular site for sacred tourism; visitors flocked to hear the miraculous sound, leaving behind over one hundred Greek and Latin inscriptions. These inscriptions are varied and diverse: brief acknowledgments of having heard Memnon’s voice; longer lists by Roman administrators including details of personal accomplis

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30

Stewart, Dustin D. Futures of Enlightenment Poetry. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198857792.001.0001.

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This book offers a revisionist account of poetry and embodiment from Milton to Romanticism. Scholars have made much of the period's theories of matter, with some studies equating the eighteenth century's modernity with its materialism. Yet the Enlightenment in Britain also brought bold new arguments for the immateriality of spirit and evocative claims about a coming spirit realm. Protestant religious writing was of two minds about futurity, swinging back and forth between patience for the resurrected body and desire for the released soul. This ancient pattern carried over, the book argues, int

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31

Keymer, Thomas. Poetics of the Pillory. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198744498.001.0001.

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On the lapse of the Licensing Act in 1695, Thomas Macaulay wrote in his History of England, ‘English literature was emancipated, and emancipated for ever, from the control of the government’. It’s certainly true that the system of prior restraint enshrined in this Restoration measure was now at an end, at least for print. Yet the same cannot be said of government control, which came to operate instead by means of post-publication retribution, not pre-publication licensing, notably for the common-law offence of seditious libel. For many of the authors affected, from Defoe to Cobbett, this new r

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