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Journal articles on the topic 'Poets of the end of the XIX century'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

NIKČEVIĆ, Milorad. "LATE 19TH AND EARLY 20TH CENTURY POETRY." Lingua Montenegrina 5, no. 1 (2010): 175–224. https://doi.org/10.46584/lm.v5i1.143.

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This work gives an overview of Montenegrin poetry from the second half of 19th and early 20th century. The Author stresses key poetic, typological, and genre characteristics of an epoch that followed Petar II Petrović Njegoš. The period is characterized by a strong influence of people's literature, and dominated by poems of patriotic and didactic character, as well as epic heroic poems, verse drama and, at the end of the epoch, first indications of modernist trends. The most significant and influential poet of this period is Montenegrin king Nikola I Petrović, while other interesting poets inc

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Alashbayev, Yerlan. "Nazira Tradition and “Leyla and Majnun” Love Poem in the Kazakh Literature." Global Journal of Arts Education 6, no. 2 (2016): 39. http://dx.doi.org/10.18844/gjae.v6i2.556.

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Many works of the eastern poets were devoted to love theme. The most spread “Leyla and Majnun” is a love story originated in Arabic, later significantly expanded to Persian and got its fictional peak in Turkic literature. Poets frequently wrote on this theme. The actual reason is “nazira, nazirashylyk” tradition which is the source of love tradition. Poets wrote their poem lines in Arabic aruz style. That nazira tradition took its continuation in Kazakh steppes in the end of XIX century and in the beginning of the XX century but not exactly in its poem style . It is obvious from the Kazakh wri

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NIKČEVIĆ, Milorad. "BEGINNINGS OF MONTENEGRIN CHILDREN’S POETRY AT THE END OF XIX AND BEGINNING OF XX CENTURY." Lingua Montenegrina 7, no. 1 (2011): 151–65. https://doi.org/10.46584/lm.v7i1.212.

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While the Serbian children’s literature and other national literatures of contact nations had their own genealogy, continuity in development and renowned representatives of children’s literature, even back in the period of Romanticism, and while they had prominent children’s periodicals, in Montenegrin literature this literary genre could not develop for a long time. Al-though there have been attempts to create some forms of children’s literature, the results of those attempts were, on the aesthetic level and in terms of their contents, initially almost negligible, which is understandable when

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Panasenkova, Valentina V. "On the Issue of Odic Motives in the Poetry of B. Slutsky." Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 29, no. 1 (2023): 176–84. http://dx.doi.org/10.15826/izv1.2023.29.1.016.

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This paper studies the features of poetic texts of the famous Russian poet of the XX century B. Slutsky. The author attempts to identify the typological features of the ode genre in the poet’s lyrics. It is noted that this type of works is undergoing a certain transformation in the Russian literary tradition. In the XVIII century, the ode was the leading genre in Russian literature, but already at the end of the XVIII — early XIX centuries, a crisis of the ode type of works occurs, the genre is transformed. In the XX century, the ode ceases to exist in its canonical form, but we can say that c

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Kapranov, S. V. ""Isa Monogatari" and religious representations of "Hayan"." Ukrainian Religious Studies, no. 19 (October 2, 2001): 23–33. http://dx.doi.org/10.32420/2001.19.1160.

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"Ise monogatari" is a remarkable monument of Japanese classical literature, dated around the end of the XIX - the beginning of the tenth century. The author of this piece is not known, although the most common traditional version states that it is one of the leading poets of Heaven's (794-1192) years of Arrivar-Narihira (825-880). "Ise monogatari" occupies an important place in the classical hierarchy of texts - deep knowledge of it was obligatory for an educated person; in addition, this work includes a review of the life of the Heianan aristocrat, and therefore has the character of "encyclop

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NIKČEVIĆ, Milorad. "MONTENEGRIN POETRY AT THE END OF XIX AND BEGINNING OF XX CENTURY FOLLOWING THE WORK OF NIKOLA I PETROVIĆ. - FOLLOWERS AND EPIGONES -." Lingua Montenegrina 6, no. 2 (2010): 277–99. https://doi.org/10.46584/lm.v6i2.188.

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In this paper, the term followers and epigones of Nikola I PetrovićNjegoš refers to the extensive body of poetry created around and after Nikola’s period, i.e. from 80’s and 90’s of the nineteenth century, to the Balkan Wars and the First World War. Overshadowed by work of Nikola I Petrović Njegoš, after whom few poetic authors emerged, they all followed the poetic forms established by their biggest idol Nikola I, as well as by popular Serbian poets of Romanticism, and especially by the affirmed Slavistic poet Jovan Sundečić. They followed their poetry to that extent that, except for Marko Mil

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Кудрявцев, В. Ю. "ЭСТЕТИЧЕСКИЕ ПРИНЦИПЫ ФРАНЦУЗСКОГО ПОЭТИЧЕСКОГО ПАРНАСИЗМА И ИХ ОТОБРАЖЕНИЕ В ВОКАЛЬНОМ ЦИКЛЕ «ПАСТОРАЛЬНАЯ ПОЭМА» Ж. МАССНЕ". Традиції та новації у вищій архітерктурно-художній освіті, № 3 (3 жовтня 2018): 114–18. https://doi.org/10.5281/zenodo.1443125.

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The penetration of properties of the principles formed in one of the art forms of one or another aesthetic-style trend into adjacent species – one of the laws governing the development of artistic culture. Similar processes in the history of French art in the last third of the nineteenth and early twentieth centuries are observed, for example, in the fi eld of impressionism, symbolism. However, if the named style trends have received a fairly wide interpretation in musicology, then the infl uence of French Parnasism on its contemporary musical art and, above all, the chamber-vocal work o

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Кобринець, Ольга Станіславівна. "САТИРИЧЕСКАЯ МАСКА МИХАИЛА БУРБОНОВА В ТВОРЧЕСТВЕ ДМИТРИЯ МИНАЕВА". Наукові записки Харківського національного педагогічного університету імені Г.С. Сковороди "Літературознавство" 2, № 84 (2017): 32–47. https://doi.org/10.5281/zenodo.268962.

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The article deals with a study of Mikhail Burbonov’s literary mask in parody works of D.D. Minaev, namely in his parodies on falsely accusative and pseudo-patriotic poetry of the second part of the XIX century. The article studies six parodies («Литературные ополченцы», «Демократов с давних пор…», «Ви-льяму Шекспиру от Михайла Бурбонова», «Дуэт», «Жизнь наша вроде плац-парада…», «Литературные попытки Михаила Бурбонова»), means of creation of parody effect, among which a special place was devoted to the literary mask of the retired major Burbonov. The fictional officer-writer is a collective ch

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Ashrafli, Nazifa. "The gender problem in the 19th century summary." Scientific Bulletin 1, no. 1 (2021): 40–47. http://dx.doi.org/10.54414/porv2035.

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This article addresses the gender issue of the 19th century. XIX century in England. This century is generally considered Victorian, although this is not quite the correct idea. The Victorian era refers to the period from 1837 to 1901, when Great Britain was ruled by Queen Victoria. So Queen Victoria began her reign only in 1837. In the Victorian era (1837-1901), it was the novel that became the leading literary genre in English. Women played an important role in this growth in the popularity of both authors and readers. Circulating libraries that allowed books to be borrowed for annual subscr

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Kobuta, Stepan, and Svitlana Kobuta. "LITERARY WORK OF THE UKRAINIAN GALICIAN LAWYERS AT THE END OF THE XIX – BEGINNING OF THE XX CENTURY." Problems of humanities. History, no. 6/48 (April 27, 2021): 160–79. http://dx.doi.org/10.24919/2312-2595.6/48.228477.

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Summary. The purpose of the article is to analyse literary heritage of the Ukrainian lawyers who dealt with literature, to present an overview of its sense and essence with their professional work as a background. The paper aims at disclosing different genres of their literary activity, as well as their creative authenticity. The paper sheds light on the personalities whose literary works were long forgotten due to the Soviet propaganda of the former era. The methodology of the research relies on the historic and objective principles. It includes the historical, historical-comparative, biograp

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Kamitova, A. V. "The history of recording the fragment of the Udmurt epic narrative “The Kalmez Knights”." BULLETIN OF UGRIC STUDIES 14, no. 1 (2024): 34–42. http://dx.doi.org/10.30624/2220-4156-2024-14-1-34-42.

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fragmentary information about early epic forms and their samples has been preserved in monographs and articles by foreign and Russian scholars, collectors from the XIX – early XX centuries. These are the epic narrative “Kalmez Bakatyryos” (The Kalmez Knights), recorded by the Hungarian scholar Bernát Munkácsi in 1885. There is scant and scattered information about the informant from whom this text was recorded and about the history of its recording. Generalizations of these data are made in this work, as well as the role of the analyzed epic narrative and other similar texts in the creation of

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Кобринець, Ольга Станіславівна. "М.П. РОЗЕНГЕЙМ В ПАРОДИЯХ Д.Д. МИНАЕВА". Наукові записки Харківського національного педагогічного університету імені Г.С. Сковороди "Літературознавство" 3, № 82 (2015): 38–47. https://doi.org/10.5281/zenodo.45535.

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The article is devoted to the study of creativity of D.D. Minaev’s parody, namely to those of M.P. Rozengeim – a contemporary poet of the late XIX century. Seven parodies are considered in this article, one of which is analyzed for the first time (“Date”). Four parodies are dedicated to false patriotic topic (“Duet”, “Our life is like a parade ground ...”, “On the occasion of entering the house governess of Englishwomen,” “To our pessimists”), and the other three ridicule the vulgarity of love poetry in the works of M.P. R

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BOTTESCHI, C. "AN EARTHLY PARADISE: NAPLES IN THE ACCOUNTS OF RUSSIAN TRAVELLERS AT THE TURN OF THE 20TH CENTURY." Imagologiya i komparativistika, no. 22 (2024): 220–45. https://doi.org/10.17223/24099554/22/13.

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The impressions of Russian travellers regarding the Italian region of Campania, the russkaya "neapolitana ”, are the subject of several studies that not only systematically catalogue the works of Russian intellectuals, artists and aristocrats, starting from the eighteenth century onwards, but also present an indepth critical examination aimed at incorporating Russian diaries, memoirs, short stories and poems into the extensive literature about travelling around Italy. In the panorama of literature regarding travelling around Italy, Naples undoubtedly occupies a central position, being the high

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14

Salikhov, Akhat G. "About the collection of Arabic manuscripts and books by Sadyk Isyangulov." Proceedings of the UFRC RAS. Series: History. Philology. Culture 2, no. 1 (2025): 67–77. https://doi.org/10.31833/sifk/2025.2.1.08.

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The study of Arabic manuscripts and old printed books collected during archaeological expeditions reveals new information on history, literature and language. Written monuments contain information about the life of the population, biographical information about the owners and scribes, information about Muslim education, historical events and lists of famous literary monuments in Oriental languages. In the end of 2024 the Manuscripts Fund of the Institute of History, Language and Literature of the Ufa Federal Research Center of the Russian Academy of Sciences received the manuscripts and books

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15

Gwóźdź-Szewczenko, Ilona. "Od emblematycznej alegorii do symbolicznej hypotypozy — z przemian obrazowania śmierci w liryce czeskiej końca XIX wieku." Slavica Wratislaviensia 168 (April 18, 2019): 263–74. http://dx.doi.org/10.19195/0137-1150.168.22.

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From emblematic allegory to symbolic hypotyposis: On the changes of depicting death in Czech poetry at the close of the 19th centuryThe paper is devoted to the analysis of depictions of death in Czech poetry created at the end of the 19th century. The author starts her deliberations from the poetry of the 1890s which was created in the spirit of realism. Then, she moves on to the deliberations about modernist poetry which — in this paper — is not considered as a homogenous whole. Starting from decadence, chronologically the earliest, through impressionism to mature modernism manifesting itself

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Chirkin, Sergey А. "The image of a Russian noble lady in the poetry of Charles de Lin." Philological Sciences. Scientific Essays of Higher Education, no. 4 (July 2021): 100–105. http://dx.doi.org/10.20339/phs.4-21.100.

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The article considers a series of poems by Prince Charles de Lin (1735–1814), dedicated to Russian women of the Catherine era. The novelty of the research is that these poems have not yet been studied and published in Russian. A description of the Prince de Lin’s relations with Russia is presented. The list of poetic messages of the “Russian cycle”is given. Information is given about the personalities of the addressees-representatives of the highest (titled) Russian aristocracy of the second half of the XVIII and early XIX centuries. The circumstances of the creation of individual poems, which

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Gushchina, Ksenia Nikolaevna. "The existential semantics of the somatic metaphor in the poetic picture of the world in the early 20th century." Philology. Theory & Practice 17, no. 9 (2024): 3370–75. http://dx.doi.org/10.30853/phil20240477.

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The article is devoted to the analysis of the specifics of constructing a bodily metaphor as one of the key features of the poetic model of the world in the early 20th century and the ways to endow it with an ontological status. Therefore, the research aims to analyze the structure of the bodily metaphor, shedding light on its existential semantics in the poetic context. The object of scientific reflection is two leading trends in the poetic culture of the Silver Age – acmeism and the avant-garde. The choice of literary schools is determined by the commonality of the cultural field and aesthet

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Alzate, Carolina. "Viajes forzados y otras tensiones del adentro y el afuera: Agripina Samper de Ancízar e Inés Ancízar Samper, dos mujeres liberales del fin de siglo XIX." Revista de Estudios Hispánicos 58, no. 3 (2024): 605–28. https://doi.org/10.1353/rvs.2024.a952102.

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Abstract: This paper examines the exile resulting from the preeminence of the ultraconservative political movement led in Colombia by Rafael Núñez (1825–1894) known as the Regeneración, in a selection of poems, letters, and diaries written by two Colombian women authors at the end of the nineteenth century: Agripina Samper de Ancízar and her daughter, Inés Ancízar Samper. In its apparently domestic theme, Agripina's poetry, specifically the pieces dedicated to her late husband and absent children published in periodicals, constitute clear and stark incursions into the political scene of the mo

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Volkova, Anna Andreevna. "The "Religion of Love" in the poetry of Guruzada Apparao as an educational philosophy." Филология: научные исследования, no. 9 (September 2024): 107–14. http://dx.doi.org/10.7256/2454-0749.2024.9.71618.

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The subject of this article is the poetry of the Indian educator of the XIX – early XX century Guruzada Apparao. The poet's work reveals his program of the "religion of love", which has become an expression of the educational philosophy of Guruzada. Coming from the circles of the Indian intelligentsia formed under the colonial influence, Guruzada Apparao believed that in relations with the colonialists – the British – one should adhere to "practical patriotism", which assumed effective assistance to the people of the country, and not verbal strife. Guruzada Apparao's poetry is based on civic l

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Tkachenko, A. "LESYA UKRAINIKA’S UNRHYMIED POEMS: VERSIFICATION FEATURES." Literary Studies, no. 61 (2021): 184–203. http://dx.doi.org/10.17721/2520-6346.2(61).184-203.

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The researches of Ukrainian vers libre mostly associate its origination with Lesya Ukrainka’s poetical heritage. Not denying the statement about the poetess’s attempts to move away from the rigid rhythmic-metric canons of classical syllabic tonic and explore new ways of modern versification, the author of the article, however, proceeds from the conviction of this artistic speech type’s deep rootedness in rhythmic folk genres (magical formulas, wishes, lamentations, curses, benevolence), as well as in a variety of ritual pre-Christian, double faith and Christian prayer-centric texts (prayers, c

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Camacho, Jorge. "¿Adónde se fueron?: Modernidad e indianismo en "Sab" de Gertrudis Gómez de Avellaneda." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 15-17 (February 26, 2011): 29. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.200415-17501.

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Al inicio del siglo XIX, los países hispanoamericanos obtuvieron su independencia de España. Cuba y Puerto Rico, no obstante, se mantuvieron como parte de la “madre patria” hasta finalizado el siglo XIX. Esto no impidió, sin embargo, que la elite intelectual de estos países repensara la historia y las tradiciones que unían a ambos países con la metrópolis. Aspiraban a encontrar algo que pudiera diferenciarlos de los otros. Como resultado, apareció una literatura étnica importante, altamente contextualizada y muchas veces de naturaleza alegórica que reflejaba la vida de los descendientes de los

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Мастяница-Станкевич [Mastianica-Stankevič], Ольга [Olga]. "Вопрос дворянства в литовском национальном дискурсе: на примере периодического издания «Litwa» (1908–1914)". Acta Baltico-Slavica 41 (29 грудня 2017): 58–76. http://dx.doi.org/10.11649/abs.2017.004.

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The question of gentry and the Lithuanian national project: the example of the newspaper Litwa (1908–1914)At the end of the 19th and beginning of 20th centuries some national movements in the Eastern and Central Europe actualized the question of how to include the gentry into the process of the formation of modern nations. Similar initiatives were taken in Lithuania. During 1908–1914 in Vilnius, a highborn poet and publicist Mečislovas Davainis‑Silvestraitis (Mieczysław Dowojna-Sylwestrowicz, 1849–1919) also edited a periodical Litwa in Polish, which was aimed to welcome gentry into the Lithua

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Donskikh, Oleg. "To the Iron Age of Progress (The Image of Economic Life of the Country in Russian Poetry of the XVIII – XIX Centuries)." Ideas and Ideals 12, no. 3-2 (2020): 231–59. http://dx.doi.org/10.17212/2075-0862-2020-12.3.2-231-259.

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The author presents the attitude of Russian poets of the XVIII–XIX centuries to different aspects of economic life based on their works. The poetry of the XVIII century was rigidly differentiated by genre, and it was not supposed to reflect the specifics of economic relations in general. The only exceptions were satirical works whose authors criticized, primarily from the moral side, certain aspects of everyday life, and in particular, the practice of tax collectors. Nevertheless, poets did not do without comments about the socio-economic division of society into separate groups, the significa

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van Nieukerken, Arent. "Powrót poezji mistycznej na przełomie XIX i XX wieku." Przegląd Humanistyczny 61, no. 4 (459) (2018): 9–17. http://dx.doi.org/10.5604/01.3001.0012.0642.

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The article discusses the issue of the return of the forgotten poets as a function of the literary paradigm subjected to changes at the turn of the 19th and 20th centuries. In the light of such a view, the crisis in the development of poetry would be one of the factors letting the forgotten poets’ voice be heard. Another one seems to be the alienation of late 19th-century authors seeking or involuntarily finding partners for a dialogue in tradition, not in contemporary times. The text raises the subject of the sacredness of the poetic word, referring it both to the socio-literary realities of

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Yashina, Tatiana A., and Dmitry N. Zhatkin. "Reception of peri's image in Russian poetry of the XIX century (the second article)." LAPLAGE EM REVISTA 7, no. 3 (2021): 560–66. http://dx.doi.org/10.24115/s2446-62202021731342p.560-566.

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The article presents additions to the scientific research of D.N. Zhatkin and A.P. Dolgov «Peri in Russian poetry», published in 2007 in the magazine «Russian speech» and comprehending the facts that influenced on the process of assimilation of the symbolic image of Peri, who came from Eastern mythology and appeared in the works of Russian writers and translators thanks to the reception of the works of Thomas Moore, namely one of his frame tales of the eastern story «Lalla Rookh» «Paradise and Peri». This article is the first to systematize materials on the topic related to the literary work o

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Ruiz Pérez, Ángel. "Tradición clásica y mitos en la poesía cubana del siglo XIX." Fortunatae. Revista Canaria de Filología, Cultura y Humanidades Clásicas, no. 32 (2020): 683–94. http://dx.doi.org/10.25145/j.fortunat.2020.32.44.

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Study of myths and motifs of classical antiquity in the poetry of some important Cuban poets of the 19th century (José María Heredia, Juan Clemente Zenea, Enrique José Varona Julián del Casal and especially José Martí). The importance of art as a subject and as a way of connecting with the ancient world and above all, the centrality of political issues are key aspects that explain the repeated presence of Prometheus and Laocoon

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Velilaeva, L. R. "Scottish emigrational poetic discourse of the USA of the XIXth century: “poets about poets” cycle." Science of the Person: Humanitarian Researches 14, no. 4 (2020): 37–42. http://dx.doi.org/10.17238/issn1998-5320.2020.14.4.4.

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Martos, Josep Lluís. "La Glossa sobre l’Ave Maria molt devota del Natzaré: Transmissió textual, collatio subjacent i edició crítica." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 19, no. 19 (2022): 241. http://dx.doi.org/10.7203/scripta.19.24475.

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Resum: Els textos llatins cantats de la litúrgia i les pròpies oracions o pregàries acaben generant una tipologia diversa de poemes en llengua romanç que en depenen, bé amb certa literalitat o bé a través del mecanisme de la glossa. En una certa simbiosi, de benefici mutu, hem d’entendre la necessitat de considerar en paral·lel l’estudi del text original i del poema resultant. D’una banda, l’oració llatina és el text subjacent d’un poema que la glossa i que, per tant, funciona com a hipotext i té valor ecdòtic en la reflexió filològica: aquest treball defineix aquest mecanisme crítico-textual

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Sheveleva, I. "The founders of the education system in the Russian Empire of the late XIX – early XX century: current ideas and personalities." Journal of Pedagogical Studies 10, no. 1 (2025): 4–12. https://doi.org/10.12737/2500-3305-2025-10-1-4-12.

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The main postulates of the education system in the Russian Empire, which were conditioned by the social ideologies of the late XIX – early XX century, laid the foundations for the further development of the educational process in Russia. The pedagogical heritage of the founders of the education system of the specified period retains its importance when considering the issues of forming a holistic worldview of the younger generation, which determines the rethinking of the pedagogical process. The ideas of pedagogical education of the late XIX - early XX century suggest the interconnection of th

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Dzhyndzholiia, Gigla. "Образное поле "сердце/душа" в поэтическом тексте (на материале русской поэзии XIX–XX веков)". Новая русистика, № 1 (2024): 5–21. http://dx.doi.org/10.5817/nr2024-1-1.

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The article is devoted to the study of the figurative designations heart and soul. For analysis, the author uses metaphors, comparisons and nominal periphrases taken from the works of Russian poets of the 19th–20th centuries. The concept of a figurative field is substantiated, its composition is established, and its system relationships are described. The article considers stable images and ways of their reinterpretation in a number of idiostyles and traces the evolution of tropes. The continuity of some images (fire; water bodies; birds etc.), the weakening and fading of traditional semantic

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Barysyuk, T. P. "The specifics of rubai in Belarusian poetry end of XX – beginning of XXI century." Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 69, no. 3 (2024): 230–40. http://dx.doi.org/10.29235/2524-2369-2024-69-3-230-240.

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In the ideological and genre key, the current state of the rubaies of Belarusian poets Yauhen Miklasheusky, Uladzimir Lebedzeu, Halina Zahurskaya, Vera Bulanda, Ihar Prakapovich, Ales’ Palynsky, Eduard Dubianetsky, Serge Minskevich, Aleh Hrushetsky, Artem Arashonak, Ganad Charkazian (chargavi), Ryhor Baradulin and Zmitrok Marozau, as well as rubai-like works by Ryhor Baradulin and Zmitrok Marozau (quatrains) have been studied. The works of these authors are dominated by philosophical themes and aphoristic way of speaking. This oriental form organically took root on Belarusian soil and is of gr

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Koval, Lyubov Viktorovna, Tatyana Gennadyevna Chekmeneva, Aleksey Aleksandrovich Pribytkov, and Olga Ivanovna Marar. "TRADE ACTIVITY IN THE LIFE OF POETS OF THE FIRST HALF OF THE XIXTH CENTURY A.V. KOLTSOVA AND I.S. NIKITINA: A HISTORICAL EXCURSION." Bulletin Social-Economic and Humanitarian Research 25 (27) (March 5, 2025): 73–82. https://doi.org/10.5281/zenodo.14975976.

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A poetic gift is not a guarantee of a steady income and often cannot feed a poet. A poet, especially a beginner, has to combine poetic creativity with other occupations, sometimes having nothing to do with literature. Poets are not neglected and trade. The question of whether a poet and a merchant can coexist in one person does not have an unequivocal answer. Everything depends on the personality of the person, on the concrete-historical conditions, on the circumstances in which the poet lives and creates. Within the framework of this article we will consider the question of how the trade acti

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Grinenko, Nikita Igorevich Terehina Ekaterina Alekseevna. "THE RUSSIAN PEASANTRY IN THE XIX CENTURY: LIFE AND HOUSEHOLD." Journal «Bulletin Social-Economic and Humanitarian Research» 2, 2018, (December 9, 2018): 69–77. https://doi.org/10.5281/zenodo.2529566.

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The article discusses the peculiarities of the life of peasants in the XIX century. During this period, the peasantry played a significant role in the life of Russian society. At the end of the XIX century, peasants accounted for more than 85 percent of the population of the Empire. The population of the peasants from the end of the XVII-th century to the beginning of the XX-th century increased significantly due to natural growth and the acquisition of new territories. The XIX century in the history of the development of the Russian peasantry is a time of great changes and hopes for a br

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Dyachenko, Tatyana Anatolevna. "The Oriental context of the topos of the garden in Russian "Fin de siècle" poetry." Филология: научные исследования, no. 10 (October 2023): 94–100. http://dx.doi.org/10.7256/2454-0749.2023.10.68772.

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The purpose of the study is to identify the features of the functioning of the topos of the garden in the subject–spatial organization of Russian poetic texts of the 1880s-1890s with a vector to the exoticism of the East. The subject of the study is a garden in the oriental context of poems of the designated period. The object is lyrical works of Russian poets of the last two decades of the XIX century, focused on the eastern context. Particular attention is paid to oriental imagery, which is transferred to the sphere of the universal language of poetry, into which poets translate the subjecti

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Mammadova, N. "REFLECTION OF SOCIAL AND POLITICAL LIFE OF NORTHERN AZERBAIJAN IN THE END OF XIX AND BEGINNING OF XX CENTURY IN SOURCES AND HISTORIOGRAPHY." Sciences of Europe, no. 114 (April 10, 2023): 40–43. https://doi.org/10.5281/zenodo.7811508.

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The reactionary policy of the ruling circles of the Russian Empire, the development of capitalist relations after the bourgeois reforms gave impetus to the formation of the Azerbaijani nation and the beginning of the national movement in Northern Azerbaijan, at the end of the XIX century. At the end of the XIX century - the beginning of the XX century, the period of the rise of national thinking in Northern Azerbaijan is the period when a number of public organizations, charitable societies, press agencies and the development of art and dramaturgy were established. The period of the XIX-early

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Sinitsyna, Mariya V. "I. A. Kovanko’s Odes: Poetics in the Literary Context." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 20, no. 4 (2020): 429–33. http://dx.doi.org/10.18500/1817-7115-2020-20-4-429-433.

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The paper considers the peculiarities of I. A. Kovanko’s odes written at the end of the 18th century and the beginning of the 19th century. The reminiscences from G. R. Derzhavin’s and M. V. Lomonosov’s poetry are revealed. The article focuses on the influence of classicism and sentimentalism on Kovanko’s work and the synthesis of heterogeneous elements that trace back to the 18th century poets.

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Nasrullayeva, Zilola Shavkatjon qizi. "PERCEPTION OF ROMANTICISM AND TRANSCENDENTALISM IN EMILY DICKINSON'S POETRY." SCHOLAR 1, no. 35 (2023): 202–6. https://doi.org/10.5281/zenodo.10444978.

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<em>Romanticism, the special term in literature has been used to refer to certain artists, poets, writers, musicians, as well as political, philosophical, and social thinkers of the XVIII and early to mid XIX centuries. It has equally been used to refer to various artistic, intellectual, and social trend of the era. A precise characterization and specific definition of Romanticism has been the subject of debate in the fields of intellectual history and literary history throughout the XX century, without any great measure of consensus emerging. The romantic impulse played a major role in the mi

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Carvounis, Katerina. "Transforming the Homeric Models: Quintus' Battle among the Gods in the Posthomerica." Ramus 37, no. 1-2 (2008): 60–78. http://dx.doi.org/10.1017/s0048671x00004902.

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Quintus' Posthomerica in fourteen books covers events from the Trojan saga that take place between the funeral of Hector, which marks the end of the Iliad, and the homeward journey of the victorious Greeks after the sack of Troy. Various hints in the text help us place the epic within the Roman Empire but do not allow much scope for further speculation on a more specific date. Relative chronology with other hexameter poets in the Roman period sets the composition of the Posthomerica in the third century, which saw a floruit of mythological poetry. For material shared between Quintus' Posthomer

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Brusilovskaya, Liliya B. "The image of the cat as the Other in Russian poetry: from the 19th century classics to the « thaw» of the 20th century." Verhnevolzhski Philological Bulletin 2, no. 29 (2022): 238–43. http://dx.doi.org/10.20323/2499-9679-2022-2-29-238-243.

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The article is devoted to the culturological comprehension of the cat as a character and image of the XIX-XX century Russian poetry. It is noted that the most famous and firmly established in the Russian mentality cats enter the reading and, accordingly, the cultural experience of Russians in their childhood when they are introduced to classical Russian literature (A.S. Pushkin, the learned cat from the introduction to the poem Ruslan and Lyudmila» and the Russian liter-ary fairy tale (K. Chukovsky). The author specifies that even in the 19th century these animals were an inseparable part of t

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Papenko, Evgen. "Dіjalnіst polskikh ta ukraїnskikh cokіlskikh tovaristv u Skhіdnіjj Galichinі naprikіncі XIX – na pochatku XX st." Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe 2, № 1 (2016): 143–56. http://dx.doi.org/10.15804/pomi201609.

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Activity of Polish and Ukrainian Sokil societies in Eastern Galicia at the end of XIX – at the beginning of XX centuries. Th e article analyses diff erent activities of Polish and Ukrainian Sokil societies in Eastern Galicia at the end of XIX – at the beginning of XX centuries. In the article it is discovered the infl uence of socio-political process, which happened on West Ukrainian lands at the end of XIX century, upon the birth and development of Sokil movement. Th e main expansion ways of Sokil gymnastic and sport activity are determined. It is insisted that Ukrainian Sokil, being created

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Classen, Albrecht. "Boethius and No End in Sight." Daphnis 46, no. 3 (2018): 448–66. http://dx.doi.org/10.1163/18796583-04601010.

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Previous scholarship has not considered the continued interest in the philosophical teachings by Boethius (d. 525) by early modern thinkers and poets. This article traces the continued flood of translations and editions of Boethius’s De consolatione philosophiae in Germany far into the seventeenth century and then unearths links between his philosophy and the sonnets by Andreas Gryphius and the epigrams by Johann Scheffler (Angelus Silesius). At first sight, we might not even recognize Boethian ideas in their poems, but the close analysis of images and concepts formulated in these German Baroq

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Rajani, Shayan. "Regionalization without Vernacularization: The Place of Persian in Eighteenth-Century Sindh." Journal of the Economic and Social History of the Orient 63, no. 5-6 (2020): 788–819. http://dx.doi.org/10.1163/15685209-12341527.

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Abstract This article examines a turn towards the region in two genres related to Persian poetry in eighteenth-century Sindh, the bayāẓ or poetic anthology and taẕkira or biographical dictionary. I argue that poets in Sindh’s premier city, Thatta, established Sindh as an organizing principle for poetry and the poetic community, initiating a process of regionalization in Persian after the end of Mughal rule. Notably, this was done without the patronage or encouragement of the regional successors to the Mughals in Sindh. These poets neither sought out vernaculars, nor predicated regionalization

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Mustafayeva, Nailya B. "Stanza form of mukhammas in Azerbaijan lyrics in 20th century." Neophilology, no. 21 (2020): 76–84. http://dx.doi.org/10.20310/2587-6953-2020-6-21-76-84.

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In Azerbaijan literature of the early 20th century mukhammas were created, they were distinguished by the search for new forms and the problematic range. For example, Sabir began mukhammas with beit (couplets) of tarji, repeated it at the end of each stanza. Many other poets repeated a similar technique afterwards. There are other features of the mukhammas of the specified period; the topic in general covered lyric and poetic, patriotic, social and political, philosophical, and religious issues. The patriotic mukhammas included a description of the nature beauties, the motherland defenders cou

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Kosyakov, G. V. "Artistic Reception of the Gospel Parable of the Sower in Russian Poetry of the 19th Century." Russian Studies in Philology, no. 1 (October 28, 2024): 91–100. https://doi.org/10.18384/2949-5008-2025-1-91-100.

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Aim. To reveal the typology of the poetic reception of the Parable of the Sower in Russian poetry of the XIX century. This goal determined the following tasks: to identify the paradigmatic religious code of the Parable of the Sower, to analyze the artistic forms of its reception, to clarify the individual genre and stylistic solutions of Russian poets in the development of motives and images of the gospel parable.Methodology. An analysis of lyrical corpus of A. S. Pushkin, E. A. Borotynsky, A. S. Khomyakov, N. G. Ogarev, N. A. Nekrasov is presented. The choice of these diverse poets helps to r

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Iskakova, Galiya. "PERLUSTRATION IN THE SEMIRECHENSK REGION (END OF XIX CENTURY-BEGINNING OF XX CENTURY)." Journal of history 114, no. 3 (2024): 66–74. http://dx.doi.org/10.26577/jh.2024.v114i3-06.

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During the empire, the main purpose of surveillance was to find out what the majority thinks, supports, and keep the people under control. In other words, to influence the people and completely own their minds. Therefore, whether in Nazi Germany, the Soviet Union or in the Russian Empire the main goal of surveillance and collection of information about public opinion was the transformation of the masses. Censorship considered surveillance mechanisms in the Russian Empire, were carried out with the help of employees of postal and telegraph institutions. There were no perlustration centers in th

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Mahmood, Fazil Majid, and Shoxan Ramazan Qadir. "Khana Qubadi's Invention in the Field of Thought and the Art of Poetry Epic." Halabja University Journal 8, no. 1 (2023): 1–18. http://dx.doi.org/10.32410/huj-10445.

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Khana Qubadi was one of the great poets of classical Kurdish literature. He lived at the end of seventeenth century and the beginning of eighteenth century. He always seeked freedom and he was against oppression and violence. He was proud of Kurdish language. Qubadi has the greatest collection of poems. In some genres, he was the role model for other Kurdish poets such as: translation of the Holy Quran, Epics, Repetition, Satire. Despite that his era was full of wars and conflicts, he could skilfully use his artistic abilities and he brought many literary innovations into Kurdish literature. T

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Staszewska, Dorota. "O sonetach polskich romantyków." Acta Universitatis Lodziensis. Folia Litteraria Polonica 7, no. 1 (2005): 233–53. https://doi.org/10.18778/1505-9057.07.13.

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This article treats of sonnets in works of Polish romantics, conciders the popularity of sonnet in Romantiscism and tries to define the consciousness of poets’ genre form first half of XIX century. It also includes the catalogue of Polish romantic sonnets. Remarkable may seem, that the genre of such rigorous structure turn to be the most popular form of expression in the epoch which broke very scheme. Undoubtedly, this is due to Adam Mickiewicz who published two series of sonnets in 1826 in Moscow, under the title Sonety. Mickiewicz introduced sonnetmania among many less known poets of this ep

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Nikonov, Vadim V., and Ivan V. Sidorov. "Teaching of the law of god in the zemstvo primary schools in Gzhel folk craft in the 1880s." Problems of Modern Education (Problemy Sovremennogo Obrazovaniya), no. 2, 2020 (2020): 118–26. http://dx.doi.org/10.31862/2218-8711-2020-2-118-126.

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The article deals with the teaching of the Law of God (Religious Education) in the primary schools of Gzhel traditional folk craft at the end of the XIX century, located on the territory of Bogorodsky district of Moscow province. The Law of God was a compulsory subject in all primary and secondary schools of pre-revolutionary Russia, and the process of developing the most effective methods of its teaching in primary rural schools took place at the end of XIX century. The article shows how Bogorodskaya Zemstvo Council participated in the development of primary education in the County, and what

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Udris, I. "THE CONCEPT OF THE HISTORY OF ANCIENT UKRAINIAN ART IN THE CONTEXT OF DEVELOPMENT ARCHAEOLOGICAL SCIENCE LATE XIX - EARLY XX CENTURY." Educational Dimension 13 (May 26, 2022): 242–54. http://dx.doi.org/10.31812/educdim.5771.

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Becoming of conception of history of ancient Kiev's art in the context of elaboration of archaeological science at end of the XIX and beginning of the XX century. In the article is explained the problem of becoming of scientific conception of history of domestic art. The publications are examined on the indicated problem of leading specialists of that epoch in Labours o f archaeological conventions at end of the XIX and beginning of the XX century as an information base for explaining of historiogyraphy questions in researches of different aspects of history o f the Ukrainian art.

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Kuhnheim, Jill S. "Verbal Society: Poetry and Poets at the End of the Twentieth Century." Latin American Research Review 38, no. 3 (2003): 200–209. http://dx.doi.org/10.1353/lar.2003.0037.

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