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Relevant bibliographies by topics / Point-To-Point (PtP)

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Academic literature on the topic 'Point-To-Point (PtP)'

Author: Grafiati

Published: 17 May 2025

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Books on the topic "Point-To-Point (PtP)"

1

Cannon, Gary. A technical approach to building electronics Product Recall Point (PRP). National University, 2013.

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2

Young, Rosemary. Consumer behaviour at the point-of-purchase: Is ambient POP an effective alternative to traditional POP in terms of inducing impulsive purchasing behaviour within the consumer?. LCP, 2000.

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3

Chu, Yiu-Wai. Hong Kong Pop Culture in the 1980s. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463728669.

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This book deals with the 1980s – the “golden decade” of Hong Kong pop culture – in which a cosmopolitan lifestyle of pop and chic emerged in the city. Bookended by two major historical incidents, the 1980s will probably enter the annals of Hong Kong history as the decade that defined its future after reversion to Mainland China. Having witnessed and experienced the rise of Hong Kong pop culture to unprecedented heights in this decade, the author enhances its context through a story about his own personal belongings. Examining popular genres including television, film, music, fashion, disco and

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4

Korolev, Vitaliy, Dmitriy Berdnikov, Aleksandr Geller, et al. Antimonopoly and tariff regulation in the system of state control of the Russian Federation. INFRA-M Academic Publishing LLC., 2023. http://dx.doi.org/10.12737/1862723.

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The textbook extensively covers the most pressing issues of antimonopoly and tariff regulation. The basics of antimonopoly and tariff regulation are outlined, the main activities of the Federal Antimonopoly Service as a state regulator, its functions, powers and responsibilities in the implementation of state antimonopoly control and tariff policy, as well as issues of sectoral tariff regulation and control over economic concentration are considered. Separate chapters are devoted to: types of unfair advertising and measures of responsibility for its placement; control of procuremen

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5

Milgrim, David. See Pip Point: Ready-To-Read Pre-Level 1. Simon & Schuster, Limited, 2016.

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6

See Pip Point: Ready-To-Read Pre-Level 1. Simon Spotlight, 2016.

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7

Comentale, Edward P. ( ). University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037399.003.0006.

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This chapter concerns the formal silence that pervades pop music in the late modern era, which both allows for greater experimentation in music and preserves, in the face of complete commercial appropriation, the utopian possibility of some more subtle form of engagement with modernity. It argues that Buddy Holly's music represents the moment when popular music became “pop music,” and moreover that both John Cage and Holly pursued silence to the point of freeing song (and specifically lyrical song) from the expressive demands of identity and tradition. The chapter then draws from Jacques Derri

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8

Sloan, Nate, and Charlie Harding. Switched On Pop. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190056650.001.0001.

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Switched On Pop: How Pop Music Works, and Why It Matters illuminates the essential musical concepts behind two decades of chart-topping songs. The book moves through close studies of sixteen modern pop classics by artists from Beyoncé to Zedd, each chapter bringing out key aspects of a particular song as well as introducing core concepts such as rhythm, melody, harmony, form, and timbre. As the book progresses, more complex concepts such as syncopation, counterpoint, rhyme, and modulation are covered, culminating in an examination of genre, identity, and musical meaning. Accessible prose and e

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9

Milgrim, David. Adventures of Otto Ready-To-Read Value Pack: Go, Otto, Go!; See Pip Point; Ride, Otto, Ride!; Swing, Otto, Swing!; See Otto; See Pip Flap. Simon Spotlight, 2022.

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10

Hansen, Kai Arne. Pop Masculinities. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190938796.001.0001.

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Pop Masculinities investigates the performance and policing of masculinity in pop music as a starting point for grasping the broad complexity of gender and its politics in the early twenty-first century. Drawing together perspectives from critical musicology, gender studies, and adjacent scholarly fields, the book presents extended case studies of five well-known artists: Zayn, Lil Nas X, Justin Bieber, The Weeknd, and Take That. By directing particular attention to the ambiguities and contradictions that arise from these artists’ representations of masculinity, author Kai Arne Hansen argues t

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