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Books on the topic 'Point-To-Point (PtP)'

Author: Grafiati
Published: 17 May 2025

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1

Cannon, Gary. A technical approach to building electronics Product Recall Point (PRP). National University, 2013.

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2

Young, Rosemary. Consumer behaviour at the point-of-purchase: Is ambient POP an effective alternative to traditional POP in terms of inducing impulsive purchasing behaviour within the consumer?. LCP, 2000.

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3

Chu, Yiu-Wai. Hong Kong Pop Culture in the 1980s. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463728669.

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This book deals with the 1980s – the “golden decade” of Hong Kong pop culture – in which a cosmopolitan lifestyle of pop and chic emerged in the city. Bookended by two major historical incidents, the 1980s will probably enter the annals of Hong Kong history as the decade that defined its future after reversion to Mainland China. Having witnessed and experienced the rise of Hong Kong pop culture to unprecedented heights in this decade, the author enhances its context through a story about his own personal belongings. Examining popular genres including television, film, music, fashion, disco and
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4

Korolev, Vitaliy, Dmitriy Berdnikov, Aleksandr Geller, et al. Antimonopoly and tariff regulation in the system of state control of the Russian Federation. INFRA-M Academic Publishing LLC., 2023. http://dx.doi.org/10.12737/1862723.

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The textbook extensively covers the most pressing issues of antimonopoly and tariff regulation.
 The basics of antimonopoly and tariff regulation are outlined, the main activities of the Federal Antimonopoly Service as a state regulator, its functions, powers and responsibilities in the implementation of state antimonopoly control and tariff policy, as well as issues of sectoral tariff regulation and control over economic concentration are considered.
 Separate chapters are devoted to: types of unfair advertising and measures of responsibility for its placement; control of procuremen
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5

Milgrim, David. See Pip Point: Ready-To-Read Pre-Level 1. Simon & Schuster, Limited, 2016.

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6

See Pip Point: Ready-To-Read Pre-Level 1. Simon Spotlight, 2016.

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7

Comentale, Edward P. ( ). University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037399.003.0006.

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This chapter concerns the formal silence that pervades pop music in the late modern era, which both allows for greater experimentation in music and preserves, in the face of complete commercial appropriation, the utopian possibility of some more subtle form of engagement with modernity. It argues that Buddy Holly's music represents the moment when popular music became “pop music,” and moreover that both John Cage and Holly pursued silence to the point of freeing song (and specifically lyrical song) from the expressive demands of identity and tradition. The chapter then draws from Jacques Derri
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8

Sloan, Nate, and Charlie Harding. Switched On Pop. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190056650.001.0001.

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Switched On Pop: How Pop Music Works, and Why It Matters illuminates the essential musical concepts behind two decades of chart-topping songs. The book moves through close studies of sixteen modern pop classics by artists from Beyoncé to Zedd, each chapter bringing out key aspects of a particular song as well as introducing core concepts such as rhythm, melody, harmony, form, and timbre. As the book progresses, more complex concepts such as syncopation, counterpoint, rhyme, and modulation are covered, culminating in an examination of genre, identity, and musical meaning. Accessible prose and e
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9

Milgrim, David. Adventures of Otto Ready-To-Read Value Pack: Go, Otto, Go!; See Pip Point; Ride, Otto, Ride!; Swing, Otto, Swing!; See Otto; See Pip Flap. Simon Spotlight, 2022.

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10

Hansen, Kai Arne. Pop Masculinities. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190938796.001.0001.

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Pop Masculinities investigates the performance and policing of masculinity in pop music as a starting point for grasping the broad complexity of gender and its politics in the early twenty-first century. Drawing together perspectives from critical musicology, gender studies, and adjacent scholarly fields, the book presents extended case studies of five well-known artists: Zayn, Lil Nas X, Justin Bieber, The Weeknd, and Take That. By directing particular attention to the ambiguities and contradictions that arise from these artists’ representations of masculinity, author Kai Arne Hansen argues t
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11

Hawkins, Stan. Aesthetics and Hyperembodiment in Pop Videos. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.002.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. This chapter uses textual analysis of the music video “Umbrella,” featuring Rihanna, to demonstrate the intricacies of sound and image synchronization. It argues that music highlights subject positions according to the viewer’s expectations, assessment, and understanding of the displayed subject. Rihanna’s erotic imagery forms a critical point for contemplating the pop artist’s physical responses to music. One central ingredient of most video performances is
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12

Liu, Chih-Chieh. Denaturalizing Coco’s “Sexy” Hips. Edited by Melissa Blanco Borelli. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199897827.013.018.

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This chapter, starting from a seemingly standardized dance promotion in Mandarin pop, one of the dominant music genres in East Asia, attempts to reveal the cultural logics and to denaturalize the corporeal discourses behind what is commonly perceived as the “naturally” spectacular hip movement of a Chinese-American superstar, Coco Lee, whose dance is, in Taiwan, often linked with the idea of “sexiness” and “American-ness.” Calling upon Judith Butler’s idea of performativity (1990) in tandem with Richard Dyer’s notion of star image (1979) and the concept of the dancing body (Thomas 1995; Foster
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13

Prisztóka, Gyöngyvér, and Bendegúz Kertai, eds. XX. Szentágothai János Mutidiszciplináris Konferencia és Hallgatói Verseny Absztrakt kötet. Szentágothai János Szakkollégium, Tehetségpont, és Egyesület, 2022. http://dx.doi.org/10.15170/pte-ttk-xx.szjmkhv.

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Dear Participants of the 20th János Szentágothai International Multidisciplinary Scientific Conference and Student Competition! It is a great honor and an overwhelming joy to announce the 20th János Szentágothai International Student Conference and Competition in 2022 and welcome all those who have volunteered to engage in the joint endeavor either by presenting their papers, undertaking the blind-reviewing, functioning as session moderators or carrying out academic and organizing tasks. The success of the conference is warranted by the joint efforts from all of you. A dream has come true! The
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14

Spiers, Emily. Postmodern Literature in North America. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198820871.003.0003.

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Chapter 2 establishes the departure point for a genealogy of pop-feminist writing across North America, Britain, and Germany, which informs the author’s reading of the literary texts in the subsequent chapters. She examines key texts by American authors Kathy Acker and Mary Gaitskill, showing how their influence has filtered down to the works of a group of North American and European women writers who were born post-1970. Acker and Gaitskill engage with the feminist and critical theories of their time in order to intervene in broader political debates in North America concerning social, racial
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15

Pinn, Anthony B. Interplay of Things. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021766.

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In Interplay of Things Anthony B. Pinn theorizes religion as a technology for interrogating human experiences and the boundaries between people and other things. Rather than considering religion in terms of institutions, doctrines, and creeds, Pinn shows how religion exposes the openness and porousness of all things and how they are always involved in processes of exchange and interplay. Pinn examines work by Nella Larsen and Richard Wright that illustrates an openness between things, and he traces how pop art and readymades point to the multidirectional nature of influence. He also shows how
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16

de Groot, Kees, ed. Comics, Culture, and Religion. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350321618.

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This open access book offers a systematic overview of the relations between comics and religion from the perspective of cultural sociology. How do comics function in religions? How does religion appear in comics? How does the reading of comics relate to rituals, ethics, and worldviews? And how do graphic narratives inform us about contemporary society and the changing role of religion? Contributing authors, use examples from across the globe to explore a diversity of religions, spirituality and dispersed notions of the sacred – including Christianity, Judaism, Islam, Zoroastrianism, Indian and
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17

Konerding, Peter, Felix Wiedemann, and Lale Behzadi, eds. Approaches to Arabic popular culture. University of Bamberg Press, 2021. http://dx.doi.org/10.20378/irb-49890.

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Over recent years, Arabic popular culture has become a focal point of West Asian and North African studies. Most of the new research dealing with it concentrates on the ‘popular’ as opposed to an intellectual ‘high’ culture far from the harsh and hierarchically organized reality many Arabic-speaking societies face today. Popular cultural practices are thus seen as a rejection of the elite and a stance against those who have ‘something to loose’ within paralyzed and conservative communities. Albeit not denying the subversive political potential associated with these practices, this volume inten
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18

Ungar, Steven. Cléo de 5 à 7. 2nd ed. Bloomsbury Publishing Plc, 2020. https://doi.org/10.5040/9781838719371.

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Cléo de 5 à 7 (Cléo from 5 to 7), Agnes Varda's classic 1962 work depicts, in near real-time, 90 minutes in the life of Cléo, a young woman in Paris awaiting the results of medical tests that she fears will confirm a fatal condition. The film, whose visual beauty matches its evocation of early-Fifth Republic Paris, was a major point of reference for the French New Wave despite the fact that Varda never considered herself a member of the core Cahiers du cinéma group of critics-turned- film-makers. Ungar provides a close reading of the film and situates it in its social, political and cinematic
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19

Beaster-Jones, Jayson. Dil Chahta Hai Soundtrack. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9781501388699.

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The2001 buddy filmDil Chahta Hai(dir. Farhan Akhtar), hadarguably the first rock soundtrack in Bollywood. The award-winning soundtrack is an entry point into the relationship between Bollywood film songs, Hindi language music, and the Indi-pop movement of the '80s and '90s. Beaster-Jones draws from reviews by music critics and fans, industry interviews, and his own close analysis of the music and the film to trace the role of theDil Chahta Haisoundtrack in transforming both the sound and production practices of Bollywood cinema in the new millennium. These songs emerged from the rock band and
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20

Vernallis, Carol. Music Video’s Second Aesthetic? Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0016.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. MTV’s launch happened thirty years ago. Since then music video has undergone shifts in technologies and platforms, financial booms and busts, and changing levels of audience engagement. While music videos hit a low point at the start of the millennium, they have reemerged as a key driver of popular culture. This resurgence resembles MTV’s first moment: it’s again worth asking what music video can do and where it fits. A variety of styles, genres, and tropes m
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21

Kardos, Leah. Kate Bush's Hounds Of Love. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9798765107027.

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Hounds Of Loveinvites you to not only listen, but to cross the boundaries of sensory experience into realms of imagination and possibility. Side A spawned four Top 40 hit singles in the UK, ‘Running Up That Hill (A Deal with God)’, ‘Cloudbusting’, ‘Hounds of Love’ and ‘The Big Sky’, some of the best-loved and most enduring compositions in Bush’s catalogue. On side B, a hallucinatory seven-part song cycle calledThe Ninth Wavebroke away from the pop conventions of the era by using strange and vivid production techniques that plunge the listener into the psychological centre of a near-death exper
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22

Schmelz, Peter J. Alfred Schnittke's Concerto Grosso no. 1. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190653712.001.0001.

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This book provides for the first time an accessible, comprehensive study of Alfred Schnittke’s Concerto Grosso no. 1 (1977). One of Schnittke’s best-known and most compelling works, the Concerto Grosso no. 1 sounds the surface of late Soviet life, resonating as well with contemporary compositional currents around the world. This innovative monograph builds on existing publications about the Concerto Grosso no. 1 in English, Russian, and German, augmenting and complicating them. It adds new information from underused primary sources, including Schnittke’s unpublished correspondence and his many
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23

Packer, Sharon, and Jody Pennington, eds. A History of Evil in Popular Culture. Praeger, 2014. http://dx.doi.org/10.5040/9798216972648.

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Evil isn't simply an abstract theological or philosophical talking point. In our society, the idea of evil feeds entertainment, manifests in all sorts of media, and is a root concept in our collective psyche. This accessible and appealing book examines what evil means to us. Evil has been with us since the Garden of Eden, when Eve unleashed evil by biting the apple. Outside of theology, evil remains a highly relevant concept in contemporary times: evil villains in films and literature make these stories entertaining; our criminal justice system decides the fate of convicted criminals based on
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24

Packer, Sharon, and Jody Pennington, eds. A History of Evil in Popular Culture. Praeger, 2014. http://dx.doi.org/10.5040/9798216972631.

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Evil isn't simply an abstract theological or philosophical talking point. In our society, the idea of evil feeds entertainment, manifests in all sorts of media, and is a root concept in our collective psyche. This accessible and appealing book examines what evil means to us. Evil has been with us since the Garden of Eden, when Eve unleashed evil by biting the apple. Outside of theology, evil remains a highly relevant concept in contemporary times: evil villains in films and literature make these stories entertaining; our criminal justice system decides the fate of convicted criminals based on
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25

Chiara Oltolini, Maria. Rediscovered Classics of Japanese Animation. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781501389863.

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Rediscovered Classics of Japanese Animation is the first academic work to examine World Masterpiece Theater (Sekai Meisaku Gekijô, 1969-2009), which popularized the practice of adapting foreign children's books into long-running animated series and laid the groundwork for powerhouses like Studio Ghibli. World Masterpiece Theater (Sekai Meisaku Gekijô, 1969-2009) is a TV staple created by the Japanese studio Nippon Animation, which popularized the practice of adapting foreign children's books into long-running animated series. Once generally dismissed by critics, the series is now frequently in
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26

Atkins, Ruth. Koffman, Macdonald & Atkins' Law of Contract. 10th ed. Oxford University Press, 2022. http://dx.doi.org/10.1093/he/9780198860907.001.0001.

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Koffman, Macdonald & Atkins’ Law of Contract provides a clear, academically rigorous, account of the contract law which is written in a style which makes it highly accessible to university students new to legal study. It works from extensive consideration of the significant cases, to provide students with a firm grounding in the way the common law functions. There are chapters on formation, certainty, consideration, promissory estoppel, intention to create legal relations, express and implied terms, classification of terms, exemption clauses, the Unfair Contract Terms Act 1977, unfair term
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27

Rousell, Michael A. Sudden Influence. Praeger, 2007. http://dx.doi.org/10.5040/9798216021216.

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All of us, writes psychologist Michael Rousell, are subject to Spontaneous Influence Events, (SIEs), when seemingly minor moments have truly life-changing effects. Rousell, who has studied such events across decades, shows us how SIEs—which occur when we are emotionally charged—trigger an intense response and activate a mental state of extreme suggestibility. He explains how SIEs disarm our instinctive defense mechanisms and rational thinking processes, leaving us open to instant adoption of new beliefs. In this unique book, he looks at the neurobiology of this spontaneous change. He details h
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