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Journal articles on the topic 'Polish Ballads'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Semeniuk, Larysa. "Narodni balady Volyni y Zakhidnoho Polissya v zapysakh Lesi Ukrayinky ta chleniv yiyi rodyny: ukrayinsʹko-polʹsʹki paraleli". Studia Polsko-Ukraińskie 8 (16 квітня 2021): 39–57. http://dx.doi.org/10.31338/2451-2958spu.8.3.

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The article highlights research findings of the ballad plots from the folklore repertoire of Volyn and Western Polissia of the end of the 19th century revealed in the records of Lesya Ukrainka and her family members (Mykhailo and Olha Kosach, Olena Pchilka) and also known in close Polish analogues of those days. The ballads, recorded by the Kosachs, are dominated by stories of family relationships and conflicts caused by marriage without love, long-term separation (the topic of incest), and the mother’s interference in a marital relationship that leads to murder, poisoning, and other tragic si

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Крупеньова, Тетяна. "Андресна функція топонімів в українських народних думах". Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe 7, № 4 (2022): 205–13. http://dx.doi.org/10.15804/ppusn.2022.04.19.

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The article analyzes the peculiarities of the functioning of toponyms in Ukrainian folk ballads. It is noted that toponyms as organic components of ballad lyrics are a source that helps to establish the time and place of the event. Ukrainian ballads appeared in the XV–XVI centuries and were created by kobza players up to and including the XX century. Ballads have always reflected reality, important social events, heroic deeds carried out in the name of the people, and therefore it is in this genre that the most reliable information about the fate of Ukraine is concentrated. Toponyms used in th

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3

Krupenyova, Tetiana. "Андресна функція топонімів в українських народних думах". Copernicus. De Musica 1, № 1 (2022): 85–92. http://dx.doi.org/10.15804/cdm.2022.1.09.

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The article analyzes the peculiarities of the functioning of toponyms in Ukrainian folk ballads. It is noted that toponyms as organic components of ballad lyrics are a source that helps to establish the time and place of the event. Ukrainian ballads appeared in the XV–XVI centuries and were created by kobza players up to and including the XX century. Ballads have always reflected reality, important social events, heroic deeds carried out in the name of the people, and therefore it is in this genre that the most reliable information about the fate of Ukraine is concentrated. Toponyms used in th

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Westermark, Katarzyna. "Wacław Aleksander Maciejowski as a Comparatist: His Supplements to Frédéric Gustav Eichhoff’s The Literature of Medieval Peoples: Slavs and Germans." Tekstualia 1, no. 68 (2022): 59–76. http://dx.doi.org/10.5604/01.3001.0015.9074.

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The dissertation Obraz literatury średniowiekowych ludów, a mianowicie Słowian i Niemców [The Literature of Medieval Peoples: Slavs and Germans] was published in Warsaw in 1856. It was a translation of a study by the French philologist and comparatist Frédéric Gustave Eichhoff. The original text was signifi cantly modifi ed and supplemented by Wacław Aleksander Maciejowski, a Polish historian of law and specialist on Slavic culture. The article identifi es the parts of the text that Maciejowski added, as this allows for a reconstruction of his general views on Slavic poetry, including the diff

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5

Mykhed, T. "WILLIAM MAKEPEACE THACKERAY: IRONIC CONTEXT OF HIS “KYIV TEXT”." PROBLEMS OF SEMANTICS, PRAGMATICS AND COGNITIVE LINGUISTICS, no. 33 (2018): 72–81. http://dx.doi.org/10.17721/2663-6530.2018.33.05.

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The article is devoted to the analysis of the parody ballad by W. M. Thackeray "The Legend of St. Sophia of Kioff" (1839). An attempt was made to indicate the source of information about Kyiv, which could be found in Jane Porter’s historical novel "Thaddeus of Warsaw", written according to the testimonies of Polish emigrants. The ballad is interpreted as a traditional for English oral and written literature genre, which has acquired formal signs of printed text. All these signs are present in Thackeray's ballad, including the division into chapters, a functionally significant paratext, topical

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6

Shirokova, Aleksandra. "The Image of a Primula in Adam Mickiewicz’s Poem “Pierwiosnek” and Its Translations into East Slavic Languages." Stephanos Peer reviewed multilanguage scientific journal 57, no. 1 (2023): 95–106. http://dx.doi.org/10.24249/2309-9917-2023-57-1-95-106.

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The article presents an analysis of Adam Mickiewicz’s poem “Pierwiosnek”, which is a part of the romantic cycle “Ballads and Romances”, and its translations into Russian, Belarusian and Ukrainian. The nominations of the primula which function in the title, in the speech of the lyrical subject, and as the self-designation of the hero-plant in the Polish original and East Slavic translations are analyzed. A comparative analysis of the Polish original and the East Slavic translations is carried out in the designation of such attributes of the plant as its size, the color of the inflorescences, th

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Nalewajk, Żaneta. "Translations of Bolesław Leśmian’s ballads in the context of comparison between the Polish and the Ukrainian versification." Tekstualia 1, no. 5 (2019): 167–84. http://dx.doi.org/10.5604/01.3001.0014.4109.

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The main goal of this article is to analyze translations of Bolesław Leśmian’s ballads in the context of comparison between the Polish and the Ukrainian versifi cation. This author examines the text of Świdryga i Midryga (Hopster and Bobster/ Whirlus and Twirlus) translated by Yuriy Bedryk, Marianna Kiyanovska, Yulia Lyskun, Viktor Koptylov, Vasyl Borovy, because its original rhythm is evidence that the Ukrainian culture inspired the poet in terms of sound. She also compares translations of the poem Żołnierz (Soldier) made by Rostyslav Radyshevski and Yulia Lyskun.

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8

Jedličková, Alice, and Matěj Kos. "Ballads and Legends: Media Transformations of Canonical Narratives in Polish and Czech Culture." Poznańskie Studia Slawistyczne, no. 23 (February 10, 2023): 167–92. http://dx.doi.org/10.14746/pss.2022.23.8.

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The paper presents a comparative interpretation of recent Czech and Polish transmediations of canonical literary texts and architexts: ballads by K. J. Erben and Polish legends and folk tales, which are generally regarded as representations of both timeless and historical national values. The theoretical framework is built upon the theory of intermediality introduced by W. Wolf and I. O. Rajewsky, the concept of media modalities developed by L. Elleström, and current multimodal research represented by J. Bruhn and others. The transmediations (a film, a crowdfunded comic book, a series of short

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Sobakina, O. V. "The Poetry of A. Mickiewicz in the Chamber-Vocal Works by S. Moniuszko." Art & Culture Studies, no. 4 (December 2023): 556–77. http://dx.doi.org/10.51678/2226-0072-2023-4-556-577.

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Adam Mickiewicz’s poetry attracted many composers, but it left the most noticeable trace in the work of Stanisław Moniuszko, who turned to lyrical poems, ballads, sonnets, as well as excerpts from the poems Konrad Wallenrod and Dziady. Fragments of them were also used by the composer in romances included in various issues of his Home Songbooks (Śpiewnik domowy), and as a result, the texts of Mickiewicz accompanied Moniuszko from the very first works to those published posthumously. The composer’s works based on Mickiewicz’s poems, like the original source itself, represent completely different

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Gorczyńska, Małgorzata. "BOLESŁAW LEŚMIAN’S STRÓJ: BEYOND INTERPRETATION." Polish Studies of Kyiv, no. 36 (2020): 409–23. http://dx.doi.org/10.17721/psk.2020.36.409-423.

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Bolesław Leśmian is considered to be one of the greatest philosophical poets of the Polish language. In his own view, however, it was not the meaning, but the rhythm that played the fundamental role in poetry. My paper attempts to follow the poet’s intuition and to establish a mode of reading that both takes into account Leśmian’s aesthetic standpoint and is consistent with his literary praxis. In this attempt, I follow the ideas expressed by Hans Urlich Gumbrecht in his book Production of Presence: What Meaning Cannot Convey and in his more recent essay How to Approach „Poetry as a Mode of At

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11

Kumer, Zmaga, and Elzbieta Jaworska. "Katalog polskiej ballady ludowej. An Inventory of Polish Folk Ballad." Jahrbuch für Volksliedforschung 36 (1991): 187. http://dx.doi.org/10.2307/847690.

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Dziedzic, Stanisław. "„Zapowiada się nadzwyczajny aktor”. Karol Wojtyła w podziemnym Teatrze Rapsodycznym." Roczniki Humanistyczne 68, no. 1 Zeszyt specjalny (2020): 153–71. http://dx.doi.org/10.18290/rh.2068s-11.

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Karol Wojtyła’s decision to start Polish Philology at the Jagiellonian University after graduating from the State Marcin Wadowita Secondary School was no surprise to those who knew him in Wadowice. His theatrical interests and talents, mainly acting and directing, were widely known. He helped found a high school theatrical group, acted in the Amateur Universal Theatre run by Mieczysław Kotlarczyk, and on the stage of the Catholic House. His mentor in the field of the theatre was Mieczysław Kotlarczyk. As a secondary school student, Wojtyła had already started writing poetry, and possibly his B

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Blažić, Milena Mileva, and Jani Kovačič. "ORPHEUS FROM HELL - A selection of songs from the concentration camps performed by Aleksander Kulisiewicz." Angloamericanae Journal (AAJ) 8, no. 1 (2023): 9–49. http://dx.doi.org/10.58885/aaj.v8i1.09.mb.

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Jani Kovačič, singer-song writer and prof. of philosophy in Gimnasium Ljubljana, have selected 23 songs by Aleksander Kulisiewicz: 15 songs from the CD Songs from the Depths of Hell (1979), 7 songs from the record Ballads and Broadsides: Songs from Sachsenhausen Concentration Camp 1940–1945 (2008), one song from the record Chants de la deportation (Songs of the Deportation, 1975) and one from the book Adresse: Sachsenhausen, Literarische Momentaufnamen aus den KZ (Address: Sachsenhausen, Literary Records of Moments from the Concentration Camp, 1997). Simona Klemenčič and I translated them from

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14

Mazurkiewicz, Adam. "U źródeł gotycyzmu." Literatura i Kultura Popularna 25 (July 28, 2020): 533–36. http://dx.doi.org/10.19195/0867-7441.25.31.

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Polska ballada gotycka [The Polish Gothic Ballad] by Paweł Pluta, is one of a few, and one of the first complete case studies in Polish humanities whose reminiscence has had a huge impact on the shape of modern culture (not only popular culture).Pluta focuses on works created between 1771–1830. The author argues that the gothic ballad has its roots in literary communication, when the translations of Phillippe Habert’s Le Temple de la Mort (1633) (pp. 36–37) by Adam Stanisław Naruszewicz and Mateusz Czarnek were published. Pluta treats these first translations as the “beginning of literary Goth

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Gubaeva, Alina Alisherovna, and Olga Valerievna Guseva. "Traditions of Polish literary cabaret as reflected in literature and folk culture." Philology. Theory & Practice 17, no. 12 (2024): 4473–79. https://doi.org/10.30853/phil20240634.

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This study aims to ascertain the national identity of Polish literary cabaret texts and their connection to traditional Polish culture. The article examines traditional genres of Polish literature and folk culture, which have been reflected in Polish literary cabaret from the early 20th century to the present day. The novelty of the work lies in its being the first in Polish studies to provide a scientific description of Polish literary cabaret, to trace the literary origins of cabaret genres, and to demonstrate a correlation with Polish folk culture. Analysis of cabaret texts has revealed tha

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Occheli, Vera. "Романтизм в польской и грузинской литературе. К вопросу сходства и отличия". Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 55, № 2 (2022): 251–64. http://dx.doi.org/10.36770/bp.704.

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The paper addresses the issue of similarities and differences in Polish and Georgian Romanticism. The analysis shows that Romanticism in Georgian literature, in contrast to Polish Romanticism, which developed in stark opposition to classicism and sentimentalism, was developed as a result of a quick and smooth process.At the early stage of Polish Romanticism, the leading genre of this literary trend was the ballad, whereas in Georgian Romanticism, it was the elegy. In Polish and Georgian Romanticism, an important genre is also the poetic novel, which is due to the socio-historical situation of

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Kaźmierczak, Marta. "Polish Modernism in a Double Transfer: Bolesław Leśmian in Russian and the Illustrative and Editorial Choices of Andrei Bazilevsky." Przekłady Literatur Słowiańskich 13 (September 14, 2023): 1–24. http://dx.doi.org/10.31261/pls.2023.13.03.

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Bezludnaya ballada (2006) is a comprehensive collection of Russian translations of the major Polish modernist author Bolesław Leśmian. The book is equipped with graphic works by important Polish artists who were Leśmian’s contemporaries. However, the potential connected to such a double cultural transfer is underplayed by the editor and publisher, Andrei Bazilevsky. The aim of the article is thus to examine whether the volume is indeed composed as a meaningful bi-semiotic complex, among other things, whether particular illustrative choices are felicitous, and to what extent the recipients have

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Szczeglacka-Pawłowska, Ewa. "ROMANTYCZNE ODKRYCIE MANUSKRYPTU JANA CHRYZOSTOMA PASKA (1821). TRZECI POCZĄTEK POLSKIEGO ROMANTYZMU." Colloquia Litteraria 20, no. 1 (2017): 123. http://dx.doi.org/10.21697/cl.2016.1.9.

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Jan Chryzostom Pasek’s seventeenth-century Pamiętniki [Diaries] has to be regarded an important manuscript for Polish Romanticism. The significance of this text can only be rivalled by Macpherson’s songs of Ossian, the Dvůr Králové Manuscript, or the Poetic Edda, which is attested by a considerable number of editions of this Old-Polish ‘epic work’. The first printing of a substantial part of the text appeared in 1821 in Warsaw in the Astrea magazine. This publication contributed to the complex phenomenon of the Romantic turning point. Pasek’s Pamiętniki should be counted as the third beginning

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Samsel, Karol. "Joseph Conrad’s Independence Journalism and its “Post‑romantic Entanglement”." Perspektywy Kultury 24, no. 1 (2020): 39–50. http://dx.doi.org/10.35765/pk.2019.2401.05.

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The following study of a small collection of Conrad’s journalism related to Polish independence distinguishes The Crime of Partition as the final and most mature voicing of the Polish-Romantic, tyrtaean, and balladic intertextuality of Lord Jim’s author. Conrad, however, while referring to Adam Mickiewicz’s Lilie and The Books and the Pilgrimage of the Polish Nation, does maintain some distance from his allusions and reminiscences. Rather, the romanticizing that saturates the sketch integrates the entire argument, and what is more, it also promotes intriguing intellectualization: the Polis

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Socha, Magdalena. "Jak dotrzeć do zrozumienia tekstu literackiego? Kilka refleksji na temat Ballady Pani Twardowska Adama Mickiewicza w odbiorze uczniów Polskich I Cudzoziemskich." Slavia Occidentalis, no. 81 (December 31, 2024): 129–40. https://doi.org/10.14746/so.2024.81.10.

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The aim of my thesis is to reflect on Pani Twardowska, a literary text written by Adam Mickiewicz, and how Polish and foreign students receive and understand this text by. Its language and interpretation pose a challenge to students and teachers. An analysis of the ballad which is assigned reading, shows difficult fragments because of failure to recognize the various aspects of the language. It also leads to considering a practice of working with an old literary text that serves as a representative of an old era language and an exponent of culture. The considerations are accompanied by a quest

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Gelbart, M. "Chopin's Polish Ballade: Op. 38 as Narrative of National Martyrdom. By Jonathan D. Bellman." Music and Letters 92, no. 4 (2011): 661–65. http://dx.doi.org/10.1093/ml/gcr093.

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Poborca, Tomasz. "Ballada o adaptacji — gdzie kryje się sens kolejnej pieśni o Narayamie?" Studia Filmoznawcze 42 (August 1, 2022): 53–68. http://dx.doi.org/10.19195/0860-116x.42.4.

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The main purpose of this article is to analyze the text of Shichiro Fukazawa’s The Ballad of Narayama, its two Japanese film adaptations by Keisuke Kinoshita and Shohei Imamura, and to explain the idea behind another attempt by cinema and cinema audiences to assimilate the story into the changing film discourse. Referring both to classical and postmodern theories of adaptation of literature represented in the works of Alicja Helman and Marek Hendrykowski, and to current film studies strategies, the author deconstructs the movies, describes the differences in adaptation processes, and looks for

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23

Janiszkiewicz, Marcin. "Wymiar intertekstualny w twórczości bardów na przykładzie piosenek Pawła Wójcika." Białostockie Studia Literaturoznawcze, no. 21 (2022): 155–74. http://dx.doi.org/10.15290/bsl.2022.21.09.

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The article discusses representative examples of intertextuality in the works of Paweł Wójcik, a contemporary Polish bard. The analysis demonstrates that the author draws, among other things, upon songs thatbelong to the tradition of balladry. Apart from references to the songs of Andrzej Garczarek or Jacek Kaczmarski, there are also references to the poetry of Władysław Broniewski, Zbigniew Herbert or Sergiusz Jesienin. The diversity of intertextual forms begins with quotations and allusions and ends with realisations of self-intertextuality in several variants.

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Balandina, Nadiya, and Alla Bolotnikova. "Polish-Ukrainian song “Hej, sokoły!” (“Hey, Eagles!”) as an intercultural communicative phenomenon." Przegląd Wschodnioeuropejski 11, no. 1 (2020): 231–40. http://dx.doi.org/10.31648/pw.5983.

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The subject of the study is the Polish version of the song “Hej, sokoły!” regarded as a multi-dimensional intercultural communicative phenomenon from the point of view of the external and internal contexts and correlations of its individual and social aspects. The analysis has been undertaken using the method of sociocultural interpretation of the external context, the method of information decoding for identifying the author’s intentions and functions of textual symbols. For the systemic and incremental study of the song the author uses the modeling method, in particular, the linear model of

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Kurska, Anna. "Venice According to Odyniec (and Mickiewicz?) in Romantic Contexts." Czytanie Literatury. Łódzkie Studia Literaturoznawcze, no. 9 (December 30, 2020): 65–100. http://dx.doi.org/10.18778/2299-7458.09.04.

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This text is a reconstruction of the image of Venice offered in Listy z podróży by Antoni Edward Odyniec. Against the background of Romantic traditions (Byron, Chateaubriand, Shelley, and Radcliffe), I present how the author shaped the portrait of Venice suspended between the Romantic vision of the city/monster (Leviathan) and the ballad-based vision of the city/Siren. I indicate not only the fact that the image of Venice was rooted in the sentimental/Romantic stereotype, but I also define to what extent it was formed by the imagined world of Polish nobility, i.e. szlachta. Most of all, howeve

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Lukaniuk, Bohdan. "Notes to biography of Clyment Kvitka: So when Clyment Kvitka visited Cucavets?" Ethnomusic 16, no. 1 (2020): 63–92. http://dx.doi.org/10.33398/2523-4846-2020-16-1-63-92.

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The second part of the proposed papers (the first part was published in the previous issue of “Ethnomusic”) covers detailed history of the ethnographic and folk music col- lection activity of ethnomusicologist Clyment Kvitka and dialectologist Olena Kurylo in 1924th–1926th based on historical information from printed and archival sources. In 1924 the geographical orientation of the corporate expeditions of K. Kvitka and O. Kurylo changed from the Polissya to the Podillya region. In the spring of 1924 they traveled to the Vinnytsia oblast by train to observe live performance of the Easter ritua

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Ismagilova, Ekaterina I., Natalya V. Leonova, and Elena V. Fedotova. "In the Footsteps of one Chuvash Text: From the Irkutsk Region to the Danube." Critique and Semiotics, no. 1 (2024): 398–414. http://dx.doi.org/10.25205/2307-1753-2024-1-398-414.

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In 2023, in the Ziminsky district of the Irkutsk region, a story was recorded from the descendants of Chuvash settlers about a girl who left with a soldier who had invited her to marry with all her goods (dowry) and was abandoned by him on the bank of the river. Not wanting to return home in shame, the girl drowns herself. On the mother territory of the tradition – in the Volga region – four variants of this text were discovered. They are quite close to the Siberian version; they are distinguished by individual details and different lengths of text. In two versions, a different ending appears,

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Goldberg, Halina. "Jonathan Bellman, Chopin's Polish Ballade: Op. 38 as Narrative of National Martyrdom (Oxford: Oxford University Press, 2009). xvi+197 pp. $40.00." Nineteenth-Century Music Review 8, no. 02 (2011): 284–88. http://dx.doi.org/10.1017/s1479409811000309.

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Yang, Fuyin. "“Passatempi musicali” by GuillaumeLouis Cottrau as the way Neapolitan song actualization in 19th century music." Aspects of Historical Musicology 19, no. 19 (2020): 268–84. http://dx.doi.org/10.34064/khnum2-19.15.

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Background. In 19th century European music has been enriched by national phenomena, such as Polish mazurka, Austrian waltz, Hungarian czardas, which went into the academic genres system, expanded the boundaries of its intonational fund and audience perceptions. The Neapolitan song participated in this process. It was a real discovery for music lovers in different countries. Canzone Napoletana conquered the music salons area in France, from where it spread in all the Europe, and was reflected in the work of many composers. This genre phenomenon is not fully unraveled, probably due to the distor

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Jacobson, Ruth. "Marcella Ballara. Women and Literacy, London: Zed Press, 1991, 144 pp. Price £29.95." International Journal of Health Planning and Management 8, no. 1 (1993): 83–84. http://dx.doi.org/10.1002/hpm.4740080111.

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Siepmann, Jeremy. "Chopin's Polish Ballade: Op. 38 as Narrative of National Martyrdom. By Jonathan D. Bellman. Oxford: Oxford University Press, 2010. xvi, 197 pp. Appendix. Notes. Bibliography. Index. Musical Examples. $40.00, hard bound." Slavic Review 69, no. 4 (2010): 992–93. http://dx.doi.org/10.1017/s0037677900010068.

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Sokólska, Urszula. "Język opisów natury w "Balladach i romansach" Adama Mickiewicza (obrazy wody, nieba, księżyca, nocy i dnia)." Białostockie Archiwum Językowe, no. 6 (2006): 111–24. http://dx.doi.org/10.15290/baj.2006.06.09.

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The article is devoted to methods of constructing images of water, the sky, the moon, night and day in a poetical cycle which is now counted as the beginning of Polish Romanticism. It should be noticed that Mickiewicz’s descriptions of nature refer to common knowledge of the world, triggering specific archetypes and sets of imaginings in reader’s consciousness. I mean here associating water with transparent sparkling/glossy objects or skilful reconstruction of emotions accompanying the observation of the night sky, which in consequence gives, for instance, artistic description of illusionary b

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Pradeep, Pooja, Arunkumar T., and Sundari S. "Comparative study of cord blood lipid profile in preterm and post term neonates." International Journal of Contemporary Pediatrics 6, no. 6 (2019): 2273. http://dx.doi.org/10.18203/2349-3291.ijcp20194626.

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Background: The fetal-origin hypothesis and fetal programming emphasize the profound and sustained impact of factors related to fetal health on the development of chronic disease in adulthood. Several studies suggested that low birth weight and preterm birth linked to abnormalities in cord lipid profile and higher prevalence of atherosclerotic cardiovascular disease. Authors objectives was to estimate and compare cord lipid profile in term, pre-term, and post-term neonates.Methods: In the study group, there were 200 healthy Polish newborns. Newborn characteristics included sex, gestational age

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Kotva, Simone. "Cosmopolitical Spiritualities of Deep Time." Worldviews: Global Religions, Culture, and Ecology 26, no. 3 (2022): 228–41. http://dx.doi.org/10.1163/15685357-02603010.

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Abstract This article considers J. G. Ballard’s account of deep time in The Drowned World (1962) from a religious perspective. I situate Ballard’s account of deep time in the context of Mircea Eliade’s influential work on the “Real Time” of ecstasy—a time in which humans recognize their indistinctness from the animal and undergo an experience of self-annihilation. But Eliade’s is not the only interpretation of ecstatic temporality that is relevant to Drowned World. I argue that Ballard also narrates a constructive response to deep time that issues not in self-annihilation but in communal actio

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Singla, Manish Kumar, Jyoti Gupta, Beant Singh, Parag Nijhawan, Almoataz Y. Abdelaziz, and Adel El-Shahat. "Parameter Estimation of Fuel Cells Using a Hybrid Optimization Algorithm." Sustainability 15, no. 8 (2023): 6676. http://dx.doi.org/10.3390/su15086676.

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Because of the current increase in energy requirement, reduction in fossil fuels, and global warming, as well as pollution, a suitable and promising alternative to the non-renewable energy sources is proton exchange membrane fuel cells. Hence, the efficiency of the renewable energy source can be increased by extracting the precise values for each of the parameters of the renewable mathematical model. Various optimization algorithms have been proposed and developed in order to estimate the parameters of proton exchange membrane fuel cells. In this manuscript, a novel hybrid algorithm, i.e., Hyb

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Orengo, Jean-Noël. "James-Graham Ballard , Nouvelles complètes 1956/1962 , Tristram, 2008, 695 pages, 29 €, Sauvagerie , Tristram, 2008, 120 pages, 13 €." Études Tome 410, no. 4 (2009): IX. http://dx.doi.org/10.3917/etu.104.0549i.

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Alsaidan, Ibrahim, Mohamed A. M. Shaheen, Hany M. Hasanien, Muhannad Alaraj, and Abrar S. Alnafisah. "Proton Exchange Membrane Fuel Cells Modeling Using Chaos Game Optimization Technique." Sustainability 13, no. 14 (2021): 7911. http://dx.doi.org/10.3390/su13147911.

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For the precise simulation performance, the accuracy of fuel cell modeling is important. Therefore, this paper presents a developed optimization method called Chaos Game Optimization Algorithm (CGO). The developed method provides the ability to accurately model the proton exchange membrane fuel cell (PEMFC). The accuracy of the model is tested by comparing the simulation results with the practical measurements of several standard PEMFCs such as Ballard Mark V, AVISTA SR-12.5 kW, and 6 kW of the Nedstack PS6 stacks. The complexity of the studied problem stems from the nonlinearity of the PEMFC

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Riad, Andrew J., Hany M. Hasanien, Rania A. Turky, and Ahmed H. Yakout. "Identifying the PEM Fuel Cell Parameters Using Artificial Rabbits Optimization Algorithm." Sustainability 15, no. 5 (2023): 4625. http://dx.doi.org/10.3390/su15054625.

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The artificial rabbits optimization (ARO) algorithm is proposed in this article to find the optimum values for uncertain parameters for the proton exchange membrane fuel cell (PEMFC) model. The voltage–current polarization curve of the PEMFC is nonlinear, and the model used in this paper to describe it is Mann’s model, which has seven uncertain parameters. The sum of square errors (SSE) between the ARO-based estimated voltages of the model and the measured voltages of the fuel cell defines the objective function. The simulation results show that the ARO technique has the best SSE compared to o

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Mishra, Virendra Kumar, Alka Rani Upadhyay, Sudhir Kumar Pandey, and B. D. Tripathi. "Concentrations of heavy metals and aquatic macrophytes of Govind Ballabh Pant Sagar an anthropogenic lake affected by coal mining effluent." Environmental Monitoring and Assessment 141, no. 1-3 (2007): 49–58. http://dx.doi.org/10.1007/s10661-007-9877-x.

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Louzazni, Mohamed, Sameer Al-Dahidi, and Marco Mussetta. "Fuel Cell Characteristic Curve Approximation Using the Bézier Curve Technique." Sustainability 12, no. 19 (2020): 8127. http://dx.doi.org/10.3390/su12198127.

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Accurate modelling of the fuel cell characteristics curve is essential for the simulation analysis, control management, performance evaluation, and fault detection of fuel cell power systems. However, the big challenge in fuel cell modelling is the multi-variable complexity of the characteristic curves. In this paper, we propose the implementation of a computer graphic technique called Bézier curve to approximate the characteristics curves of the fuel cell. Four different case studies are examined as follows: Ballard Systems, Horizon H-12 W stack, NedStackPS6, and 250 W proton exchange membran

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Vail, Mark I. "The better part of valour: The politics of French welfare reform." Journal of European Social Policy 9, no. 4 (1999): 311–29. http://dx.doi.org/10.1177/a010294.

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This article uses the French statist model as a test case for Paul Pierson's notion of 'blame avoidance' in retrenchment politics. In a comparative analysis of Prime Minister Edouard Balladur's health and pension reforms with those of his successor Alain Juppé, the article concludes that state strength creates both institutional 'assets' and 'liabilities' for elites undertaking retrenchment. In particular, it argues that, due to the political liabilities created by state autonomy in France, successful reform has depended upon judicious choice of policy substance and policy-making style on the

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Alageel, N. A., C. M. Hughes, M. Alwhaibi, W. Alkeridy, and H. E. Barry. "438 Patterns and appropriateness of prescribing for people with dementia in ambulatory care in Saudi Arabia: A cross-sectional study." International Journal of Pharmacy Practice 31, Supplement_1 (2023): i2—i3. http://dx.doi.org/10.1093/ijpp/riad021.002.

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Abstract Introduction People with dementia (PwD) often have several comorbidities for which medications are prescribed. Consequently, polypharmacy and potentially inappropriate prescribing (PIP) are highly prevalent amongst PwD and have been linked with negative health outcomes (1). To date, no studies have been conducted in Saudi Arabia which describe current prescribing practices, polypharmacy or appropriateness of medications prescribed for PwD. Aim To explore prescribing trends, estimate the prevalence of polypharmacy and PIP, and investigate associations between PIP and polypharmacy, age

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Sukhareva, Svitlana, and Olga Yaruchyk. "August Belovsky and Features of Slavophile Translation of the First Half of the XIX century in Galicia." Volyn phylologigal: text and context. 2020. 29, March 5, 2020, 153–63. https://doi.org/10.5281/zenodo.4247931.

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The article presents the role of A. Belovsky’s work in the formation of the translation heritage of Galician Slavophiles of the first half of the XIX century. Attention is drawn to its connection with oral folk works of various genres – thoughts, carols, historical songs and ballads. The stylistic transformations of the originals, the peculiarities of their adaptation to the Polish language environment are pointed out. Most of Belovsky’s translations from the Ukrainian language are known, although examples of Serbian, Czech, Slovak, German, and Russian literature were eq

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Cieśliński, Marek Kosma. "Destrukcja jako tworzywo. Ikonografia ruin Warszawy w polskim kinie dokumentalnym po II wojnie światowej." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 27, no. 36 (2020). http://dx.doi.org/10.14746/i.2020.36.11.

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The image of Warsaw in ruins after World War II is an important motif in Polish documentary and feature cinema in the years 1944–1956. In the text, I discuss the images of the city captured by the first chroniclers as ‘basic’, which then became archetypical icons of the city’s destruction. I point out that the aesthetics of destruction, recorded in Andrzej Panufnik’s early film Ballada f-moll [Ballade in f minor], Jerzy Bossak’s Most [Bridge] and Tadeusz Makarczyński’s Suita warszawska [Warsaw Suite] proved to be exemplary for other artists. I show that the destruction of urban and architectur

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Pańkowa, Olga, and Herman Pańkow. "Tangibility of Time in the Prose of Aleksander Jurewicz." Studi Slavistici, January 29, 2024, 97–114. http://dx.doi.org/10.36253/studi_slavis-14574.

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The article is focused on the model of artistic time in the works of Polish writer Alexander Jurewicz: Lida (1990), The Lord Does Not Hear the Deaf (Pan Bóg nie słyszy głuchych, 1995), The True Ballad of Love (Prawdziwa ballada o miłości, 2002), Ashes and Wind (Popiół i wiatr, 2005), and The Day Before the End of the World (Dzień przed końcem świata, 2008). Novel-collage Ashes and Wind is considered as a key work that sums up the writer’s reflections. Jurewicz crosses temporal layers, memories of the past, and refracts vignettes from childhood onto artistic reality. Replicating the past contri

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"ACTUAL EXISTENTIAL ISSUES OF BAROQUE PERIOD IN FOLK-SONGS LEGACY (BASED ON COLLECTION “SONGS OF PEOPLE OF GALICIA” BY Z. PAULI)." Journal of V. N. Karazin Kharkiv National University, Series "Philosophy. Philosophical Peripeteias", no. 60 (2019). http://dx.doi.org/10.26565/2226-0994-2019-60-5.

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The article is devoted to context specific of folk songs from the collection “Songs of people of Galicia” by polish folklorist Z. Pauli. General and subjective problems and issues of Ukrainian society in 17th and 18th centuries were revealed. Song’s lyrics were analyzed and actual problems of baroque Ukrainian’s life were highlighted. Each of these problems and issues has it’s specific worldview expression. This worldview response to society and subjective problems of Baroque was presented in folk songs. Thus, the problems of Ukrainian community and personal issues was considered in terms of w

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"Chopin's Polish ballade: op. 38 as narrative of national martyrdom." Choice Reviews Online 47, no. 08 (2010): 47–4316. http://dx.doi.org/10.5860/choice.47-4316.

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Jastrzębska, Agnieszka Agata. "Czy Tadeusz Miciński znał taoizm? O "Romansie Siedmiu Braci Śpiących w Chinach"." Przegląd Humanistyczny, no. 2 (2024). http://dx.doi.org/10.31338/2657-599x.ph.2024-2.7.

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The aim of this article is to examine how elements of Taoist philosophy are incorporated into Tadeusz Miciński’s one-act drama "The Ballad of the Seven Sleeping Brothers in China". Despite culturally syncretic references to Eastern philosophical systems, the author rarely referred to Chinese traditions of thought in his works. Published posthumously from manuscript, the ballad is therefore original in the context of Miciński’s oeuvre, both in terms of these references and its dramatic construction. It is interesting to note that the drama was written around 1910, the year when Polish translati

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Yates, Michael D. "'Ballad of an American'." Monthly Review, November 1, 2023, 56–62. http://dx.doi.org/10.14452/mr-075-06-2023-10_5.

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Michael Yates reviews Ballad of an American, a newly released graphic biography of Black actor, singer, and activist Paul Robeson. The book gives an uncompromising look at a complicated, passionate man, wholly dedicated to the cause of liberation.

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NAZLI, MUSTAFAYEVA. "SÜLEYMAN ƏLƏSGƏROVUN "MİLYONÇUNUN DİLƏNÇİ OĞLU" MUSİQİLİ KOMEDİYASI." Sənət Akademiya. Beynəlxalq elmi-nəzəri jurnal 10, no. 2 (27),2024 (2024). https://doi.org/10.5281/zenodo.11304994.

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<em> </em><em>Süleyman Ələsgərovun yaradıcılığının böyük bir hissəsini musiqili-səhnə əsərləri təşkil edir, bəstəkarın yaradıcılığında ən aparıcı janr musiqili komediya-operetta janrı olmuşdur. “Milyonçunun dilənçi oğlu” 3 pərdəli maraqlı komediya olmaqla yanaşı Şərq ölkələrindən birində baş verən hadisəni əks etdirir. Komediya -  Giriş ilə açılır. Giriş üçhissəli formadadır: birinci hissə marşsayağı üslubdadır, “Çahargah” məqamına əsaslanır. Onun orta bölməsi rəqsvaridir, “Segah&rdquo

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