Relevant bibliographies by topics / Polychromic cultures

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Polychromic cultures'

Author: Grafiati
Published: 28 May 2022
Last updated: 31 July 2025

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Journal articles on the topic "Polychromic cultures"

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Korolkova, E. F. "ABOUT STYLES AND METAMORPHOSES (the Issue of Definitions in the Study of Sarmatian Animal Style)." Archaeology and Early History of Ukraine 36, no. 3 (2020): 150–56. http://dx.doi.org/10.37445/adiu.2020.03.07.

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This paper is devoted to the problems of scientific definitions concerning the study of the Sarmatian animal style art. This art is represented with the gold decorative objects which often ornamented with colour inlays of different shapes, mostly made of turquoise often used together with other minerals. This art shows the specific features to distinct it from the phenomenon of the Scythian animal style. Decoration of the artistic wares with colour inlays reflects a specific aesthetic tastes and typical method of jewelry of the Sarmatian era. This polychromic effect used to be considered as a
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Heidemann, Stefan, Jean-François de Lapérouse, and Vicki Parry. "The Large Audience: Life-sized Stucco Figures of Royal Princes from the Seljuq Period." Muqarnas Online 31, no. 1 (2014): 35–71. http://dx.doi.org/10.1163/22118993-00311p03.

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A pair of almost life-sized polychrome stucco sculptures attributed to the Seljuq period in Iran was closely examined prior to the reinstallation of the Islamic galleries at the Metropolitan Museum of Art in 2011. Iconographical analysis of their crowns and other accoutrements suggests that they represent a pair of royal figures that were once part of a larger decorative program dated to 1050–1150. Given the itinerant nature of the Seljuq court, it is proposed that this stucco decoration was created for a temporary reception structure, or kūshk, probably in western Iran. While scientific analy
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Guseinov, Vagif Nariman oglu, and Jiang Jianghao. "POLYCHROME PAINTING IN THE ARCHITECTURE OF THE FORBIDDEN CITY IN SHENYANG (1625–1636): IMAGES AND ORNAMENTAL MOTIFS." Scientific and analytical journal Burganov House. The space of culture 21, no. 1 (2025): 99–113. https://doi.org/10.36340/2071-6818-2025-21-1-99-113.

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In addition to being one of China's two remaining ensembles of imperial palaces, the Forbidden City in Shenyang is the only architectural complex that provides a sense of the characteristics of early Manchu Qing Dynasty architecture and decor. Shenyang's architectural polychrome decor, which showcases the variety of polychrome painting, reflects how many cultures (such as Manchu and Tibetan) influenced the development and evolution of Qing-era polychrome painting. Moreover, it offers valuable resources for researching the development and typology of ornamentation as well as the painting style
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Rose, Gregory M., Carina DeVilliers, and Detmar W. Straub. "Chronism Theory, Culture, and System Delay." Journal of Global Information Management 17, no. 4 (2009): 1–28. http://dx.doi.org/10.4018/jgim.2009070901.

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System response delay has been cited as the single most frustrating aspect of using the Internet and the most worrisomeaspect of Web application design. System response time (SRT) research generally concludes that delay should be eliminated where possible to as little as a few seconds, even though delay reduction is costly. Unfortunately, it is not clear if these conclusions are appropriate outside of the developed world where nearly all of the SRT research has taken place. Cultural effects have been, hence, generally missing from SRT research. The one SRT study to date outside of the develope
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Fine, Steven. "Menorahs in Color: Polychromy in Jewish Visual Culture of Roman Antiquity." Images 6, no. 1 (2012): 3–25. http://dx.doi.org/10.1163/18718000-12340001.

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Abstract In recent years, polychromy has developed as a significant area of research in the study of classical art. This essay explores the significance of this work for interpreting Jewish visual culture during Roman antiquity, through the focal lens of the Arch of Titus Digital Restoration Project. In July 2012, this project discovered that the Arch of Titus menorah was originally colored with yellow ochre paint. The article begins by presenting the general field of polychromy research, which has developed in recent years and resulted in significant museum exhibitions in Europe and the US. I
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Lewis, Rhodri. "Polychronic Macbeth." Modern Philology 117, no. 3 (2020): 323–46. http://dx.doi.org/10.1086/707083.

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BAICU, MARIANA. "EUROPEAN CROSS CULTURAL DIFFERENCIES VS. GERMAN AND ROMANIAN STYLE NEGOTIATIONS." International Journal for Innovation Education and Research 2, no. 5 (2014): 51–57. http://dx.doi.org/10.31686/ijier.vol2.iss5.184.

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Negotiation is a kind of communication between contractual partners having a target, a consensual objective to achieve. In an international negotiation, the businessmen have to know the culture of their partner in order to approach him according to his language, habits, traditions, moral and religious customs. In Europe we know two kinds of cultures: monochronic and polychronic cultures and some authors describe the cultural trinity (Northern, Central and Southern geographical oriented cultures). In the European Union the trend is to have UNITY IN DIVERSITY, proper to the prospective European
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Moskaliuk, Marina V. "Polychromy in Modern Russian Sculpture." Journal of Siberian Federal University. Humanities & Social Sciences 15, no. 1 (2022): 61–74. http://dx.doi.org/10.17516/1997-1370-0876.

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This publication analyzes the possibilities of using polychromy in the creative practice of Russian sculptors. The emphasis is on highlighting the main criteria for the use of color. Hermeneutical and analytical approaches are used in combination with induction and comparison. In general, formal stylistic analysis prevails in the research methodology. The novelty of the study is due to the low level of study of the work of Russian sculptors and the weak elaboration of the problem of polychromy in the theory of sculpture as a whole. Having briefly demonstrated the experience of using polychromy
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Rostain, Stéphen. "WHERE THE AMAZON RIVER MEETS THE ORINOCO RIVER. ARCHAEOLOGY OF THE GUIANAS." Amazônica - Revista de Antropologia 4, no. 1 (2012): 10. http://dx.doi.org/10.18542/amazonica.v4i1.880.

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Archaeological and interdisciplinary investigations conducted in the Guianas during these last 35 years offer a new picture of the pre-Co­lumbian Guianas. Although archaeology still is relatively incipient in the Guianas, it is possible to draw up a panorama of the prehistory of this huge region. During the last millennium before the European Conquest, Guianas coast was divided into two main territories dominated by two different cultural entities. Cayenne Island in French Guiana was the key-area marking the boundary between two cultural traditions. Western coast up to the Guyana was dominated
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Amoah, Kenneth, Esther Gyamfi, and Ronald Osei Mensah. "A Study on the Elasticity of Time in a Perceived Polychronic Culture." Mediterranean Journal of Social Sciences 14, no. 2 (2022): 1. http://dx.doi.org/10.36941/mjss-2023-0009.

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This study sought to measure polychronicity in the Ghanaian public sector. A qualitative approach was applied to the data collection. An improved polychronic attitude scale was used as the overall measure of monochronic/polychronic tendencies. This scale had been developed, tested and modified for the management setting to be utilized in measuring departmental or organizational polychronicity. A convenience selection of 30 participants from the Takoradi Technical University was done, and those selected were interviewed, using a semi-structured interview guide. Creswell and Poth’s (2018) Analys
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Dissertations / Theses on the topic "Polychromic cultures"

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Ущаповска, Ірина Василівна, Ирина Васильевна Ущаповская та Iryna Vasylivna Ushchapovska. "Етнозорієнтованість проксеміки та хронеміки як невербальних кодів кроскультурної комунікації". Thesis, Український гуманітарний інститут (Київ-Буча, Україна), 2016. http://essuir.sumdu.edu.ua/handle/123456789/45073.

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У статті розглянуто проксеміку та хронеміку як етногзорієнтовані невербальні коди кроскультурної комунікації. Виявлені деякі специфічні властивості та вербалізація цих невербальних засобів комунікації в різних лінгвокультурних спільнотах. Вивчені особливості національно-культурного сприйняття проксеміки та хронеміки як невербальних крос культурних кодів.<br>В статье рассматриваются проксемика и хронемика как этноориентированные невербальные коды кросскультурной коммуникации. Показаны некоторые специфические качества и вербализация этих невербальных способов коммуникации в разных лингвокульту
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André, Laury Nuria. "Formes et fonctions du paysage dans l'épopée hellénistique et tardive." Thesis, Lyon, École normale supérieure, 2012. http://www.theses.fr/2012ENSL0779.

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Notre travail se propose d'analyser les formes et les fonctions que peut revêtir le paysage dans un corpus de textes épiques posthomériques. Les Argonautiques d'Apollonios de Rhodes et leur réécriture tardive anonyme, les Argonautiques Orphiques, les Posthomériques de Quintus de Smyrne, la Prise d'Ilion de Triphiodore et les Dionysiaques de Nonnos de Panopolis nous offrent un champ d’investigation fructueux pour analyser les représentations littéraires du paysage de manière transhistorique. Nos textes opèrent une première transformation du paysage épique archaïque qui est d'abord l'image du mo
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LONGO, SVEVA. "New frontiers in cultural heritage for polychrome wooden diagnostics: CT, MRI and micro-Raman imaging investigations." Doctoral thesis, 2020. http://hdl.handle.net/11570/3180436.

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To understand what has happened to a historic object, it is important to know the structure of the original wood. All this must be done through non-destructive techniques without compromising the integrity of the observed object. In recent years, it emerged the importance of defining the relationship between the morphological characteristics and the micro- and ultrastructure of wood tissues, as expressed by the thickness of tracheid walls, lignin content and crystallinity of cellulose as well as by its hydrophobic capacity. On the overall, it is essential a profound knowledge of the compositi
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Books on the topic "Polychromic cultures"

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Wharton, David, ed. A Cultural History Of Color in Antiquity. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781474206198.

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Volume 1 A Cultural History of Color in Antiquity covers the period 3000 BCE to 500 CE. Although the smooth, white marbles of Classical sculpture and architecture lull us into thinking that the color world of the ancient Greeks and Romans was restrained and monochromatic, nothing could be further from the truth. Classical archaeologists are rapidly uncovering and restoring the vivid, polychrome nature of the ancient built environment. At the same time, new understandings of ancient color cognition and language have unlocked insights into the ways – often unfamiliar and strange to us – that anc
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Biggam, Carole P., and Kirsten Wolf, eds. A Cultural History of Color in the Medieval Age. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781474206228.

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Volume 2 A Cultural History of Color in the Medieval Age covers the period 500 to 1400. The medieval age saw an extraordinary burst of color - from illuminated manuscripts and polychrome sculpture to architecture and interiors, and from enamelled and jewelled metalwork to colored glass and the exquisite decoration of artefacts. Color was used to denote affiliation in heraldry and social status in medieval clothes. Color names were created in various languages and their resonance explored in poems, romances, epics, and plays. And, whilst medieval philosophers began to explain the rainbow, theol
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Sears, Erin L. Mesoamerica—Maya. Edited by Timothy Insoll. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199675616.013.011.

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This chapter reviews attempts to derive meaning from Late Classic Maya ceramic figurines. Early concerns with classificatory procedures have evolved beyond an often site-specific viewpoint to include more regional perspectives that incorporate technological characteristics and an awareness of manufacturing practices. Recent studies have gained inspiration from the content analysis of figural painted polychrome vessels or other relief renderings to permit interpretative forays into the meaning of the represented figurine imagery. Rather than discussing figurines as an isolated body of material
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Flesh, Gold and Wood : The Saint-Denis Altarpiece in Liege and the Question of Partial Paint Practices in the 16th Century: Proceedings of the Conference Held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015. Brepols Publishers, 2021.

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Two houses, one street, one city. Ajuntament de Barcelona, 2015.

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Book chapters on the topic "Polychromic cultures"

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Fine, Steven. "Polychromy and Jewish Visual Culture of Roman Antiquity." In A Companion to the Archaeology of Religion in the Ancient World. John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118886809.ch10.

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Juanes, David, and Livio Ferrazza. "Computed Tomography Studies Applied to Polychromed Sculpture: The Making Process in Three Different Times." In Progress in Cultural Heritage Preservation. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-34234-9_95.

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Męczyńska, Katarzyna, and Anna Michnikowska. "Conservation and Technological Research of a Polychrome Sculpture of Christ on a Donkey from the Workshop of Michel and Gregor Erhart." In Cultural Heritage Science. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-11054-3_10.

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Kovács Mravik, Petronella, Éva Galambos, Zsuzsanna Márton, et al. "A Polychrome Wooden Interior from Damascus: A Multi-method Approach for the Identification of Manufacturing Techniques, Materials and Art Historical Background." In Cultural Heritage Science. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-11054-3_7.

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Yang, Ping. "Intercultural Nonverbal Communication Competence as Intercultural Responsiveness in the Second Language Learning Classroom." In Multicultural Instructional Design. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-5225-9279-2.ch042.

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This chapter examines the important role intercultural nonverbal communication competence plays as intercultural responsiveness in the second language learning classroom. The researcher reviewed relevant theory about intercultural nonverbal communication competence and focused on the research question. First, nonverbal communication styles are part of a culture, and the differences between low-context culture and high-context culture are represented in direct and indirect communication style in classroom communication activities. Second, speakers from different cultures use different nonverbal
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Yang, Ping. "Intercultural Nonverbal Communication Competence as Intercultural Responsiveness in the Second Language Learning Classroom." In Language Learning and Literacy. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-5225-9618-9.ch018.

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This chapter examines the important role intercultural nonverbal communication competence plays as intercultural responsiveness in the second language learning classroom. The researcher reviewed relevant theory about intercultural nonverbal communication competence and focused on the research question. First, nonverbal communication styles are part of a culture, and the differences between low-context culture and high-context culture are represented in direct and indirect communication style in classroom communication activities. Second, speakers from different cultures use different nonverbal
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Yang, Ping. "Intercultural Nonverbal Communication Competence as Intercultural Responsiveness in the Second Language Learning Classroom." In Intercultural Responsiveness in the Second Language Learning Classroom. IGI Global, 2017. http://dx.doi.org/10.4018/978-1-5225-2069-6.ch008.

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This chapter examines the important role intercultural nonverbal communication competence plays as intercultural responsiveness in the second language learning classroom. The researcher reviewed relevant theory about intercultural nonverbal communication competence and focused on the research question. First, nonverbal communication styles are part of a culture, and the differences between low-context culture and high-context culture are represented in direct and indirect communication style in classroom communication activities. Second, speakers from different cultures use different nonverbal
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Lazzarini, L. "Ancient Mediterranean polychrome stones." In The contribution of mineralogy to cultural heritage. Mineralogical Society of Great Britain & Ireland, 2019. http://dx.doi.org/10.1180/emu-notes.20.10.

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Zink, Stephan. "Reconstructions of Roman Polychrome Architecture." In Building the Classical World. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190690526.003.0014.

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Efforts to understand polychromy in Roman architecture must address two inherent challenges: first, documenting surface finishes for Roman monuments is difficult when that evidence is scarce and scientific methods of evaluation are continually developing. Second, interpreting and presenting that evidence is far from straightforward. This chapter examines how the presentation of evidence for polychromy was deeply shaped by both the ideology and ideals of the 19th and early 20th centuries. Scholars today still hew to paradigms set decades earlier, often without any awareness of the cultural and
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Roosevelt, A. C. "Animism in the Polychrome Tradition of Amazonia." In Archaeology in a Living Landscape. University Press of Florida, 2024. https://doi.org/10.5744/florida/9780813079196.003.0010.

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The myths and arts of native Amazonians today and the iconography of their ancient art suggest that animism as a philosophy of being has long pervaded thinking and action in the basin. Its central characteristic is belief in the interconnectedness of life-force, landscape, power, and personhood among humans, deities, spirits, plants, and animals in Amazonia. Whether it be the coherence of the Woman-Shaman creator with her anaconda spirit animal, her trees and vines, the living Amazon, and the otherworldly Milky Way Amazon, or that of her suitor the Sun with his jaguars, birds of prey, deer, an
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Conference papers on the topic "Polychromic cultures"

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Pirlog, Angela. "Concept Of “Time”: Cross-Cultural Approach." In 27th International Scientific Conference “Competitiveness and Innovation in the Knowledge Economy”. Academy of Economic Studies of Moldova, 2024. http://dx.doi.org/10.53486/cike2023.28.

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The present paper aims to describe the importance of time notion in today’s globalized world. Understanding over the time orientation and also time perception within of a specific culture is critical to the successful handling of social, diplomatic and business situations. Misunderstandings of chronemics (science about the time, its perception and attitude) can lead to a failure to understand intentions, especially in social business communication. Knowing the temporal profile of the representative of a specific culture will help to solve time-related issues and avoid problems. Time orientatio
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Leopaci, Juliana Do Amaral, Mariah Boelsums, and Fernanda Bredariol. "Restoration of polychrome wood sculpture: a case study with highly weakened polychrome." In RECH6 - 6th International Meeting on Retouching of Cultural Heritage. Editorial Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/rech6.2021.13579.

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This article presents a case study of a polychrome wood carving sculpture representing Jesus Christ crucified. The piece belongs to the Chapel of Nossa Senhora da Glória, located in the district of Ressaca/Carandaí, Minas Gerais, Brazil. It was in a poor state of conservation, especially the very fragile polychrome, impairing the work. legibility. From the analysis of the state of conservation of the object, four important points were considered to support the proposed treatment: stability, reversibility, aesthetic legibility, and the potential oneness conceptualized by Cesare Brandi, which ai
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Lenzi, Sara, Marta Novello, Monica Salvadori, Ivana Angelini, Alfonso Zoleo, and Rita Deiana. "Traces of Polychromies in Roman sculpture: a multi-analytical approach." In 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. IMEKO, 2023. http://dx.doi.org/10.21014/10.21014/tc4-arc-2023.026.

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Lenzi, Sara, Marta Novello, Monica Salvadori, Ivana Angelini, Alfonso Zoleo, and Rita Deiana. "Traces of Polychromies in Roman sculpture: a multi-analytical approach." In 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. IMEKO, 2023. http://dx.doi.org/10.21014/tc4-arc-2023.026.

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Fribus, Alexei, Nadezhda Dubova, and Muhametnazar Begliev. "A first find of the polychromic painting at gonur Depe (Turkmenistan)." In Antiquities of East Europe, South Asia and South Siberia in the context of connections and interactions within the Eurasian cultural space (new data and concepts). Institute for the History of Material Culture Russian Academy of Sciences, 2019. http://dx.doi.org/10.31600/978-5-907053-34-2-59-61.

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Vuga, Martina. "Skin matters. Conservation-restoration treatment of a 16th Century polychrome wooden sculpture." In RECH6 - 6th International Meeting on Retouching of Cultural Heritage. Editorial Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/rech6.2021.13509.

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This paper presents results of the preliminary examination and conservation-restoration treatment of polychrome wooden sculpture, Madonna and Child, dated around 1520 from the National Gallery of Slovenia. Extensive areas of paint loss, discoloration of old retouches and darkened coating on gildings disrupted the sculpture’s visual unity and balance. Overpaints have progressively and significantly changed its appearance. Prior to the intervention we conducted detailed technical examination. Treatment included surface cleaning and partial removal of materials. Decisions, methods, and materials
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ARDELEAN, Elena. "30 years of artistic education in “Alexandru Ioan Cuza” University of Iași." In "Ştiință și educație: noi abordări și perspective", conferinţă ştiinţifică internaţională. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.v3.21-22-03-2024.p298-301.

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Founded in 1993 within the "Alexandru Ioan Cuza" University in Iași, the section of Cultural Heritage (later called Sacred Art) will become the first accredited section of university education in Romania, with the aim of training specialists in the field of conservation and restoration of mobile cultural heritage (old book icon and polychrome wood). In 1999, a new specialization appeared, Painting, and in 2017 the study program was accredited according to the standards in the field of Visual Arts. During the 30 years, the Sacred Art section carried out an intense didactic, artistic creation an
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Rode, Lisa, Blaz Šeme, and Janja Slabe. "ASSESSMENT OF CHROMATIC REINTEGRATION TECHNIQUES AND MATERIALS WITH SIMULATIONS ON MOCK-UPS: THE EXAMPLE OF A POLYCHROME GLAZED CERAMIC PITCHER FROM THE COLLECTION OF THE NATIONAL MUSEUM OF SLOVENIA." In RECH6 - 6th International Meeting on Retouching of Cultural Heritage. Editorial Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/rech6.2021.13538.

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The glazed ceramic pitcher no. N11519 from the National Museum of Slovenia collection presents empirical research and approaches to conserving damaged paintings by testing conservation materials and various reintegration techniques. Studies of specific pigmented retouching paints describe the retouching practice of glaze-like retouching paints. They have been a part of the diploma thesis entitled Ways of reintegration the missing polychrome painting on ceramic pitcher at the Academy of Fine Arts and Design, University of Ljubljana, majoring in Conservation and Restoration of Fine Arts. The rei
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De Panfilis, Elena. "Revealing and unveiling the polychromy of the Camponeschi Monument in L\'Aquila." In 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. IMEKO, 2023. http://dx.doi.org/10.21014/10.21014/tc4-arc-2023.154.

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De Panfilis, Elena. "Revealing and unveiling the polychromy of the Camponeschi Monument in L\'Aquila." In 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. IMEKO, 2023. http://dx.doi.org/10.21014/tc4-arc-2023.154.

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Reports on the topic "Polychromic cultures"

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Expressions of the Americas. Inter-American Development Bank, 2010. http://dx.doi.org/10.18235/0005911.

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Thirty-seven objects, representing a variety of expressions from the Americas, drawn from the Collection of the Inter-American Development Bank (IDB), will be on display. The selection includes works in polychrome clay and wood, stone, and papier maché from Bolivia, Brazil, Canada, Dominican Republic, Guatemala, Haiti, Honduras, Mexico, Nicaragua, Paraguay, and Peru. The exhibition is part of the celebrations surrounding the 18th Anniversary of the IDB Cultural Center.
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