Relevant bibliographies by topics / Popular music – social aspects – california

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Popular music – social aspects – california'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Popular music – social aspects – california.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Popular music – social aspects – california"

1

Handayani, Diah. "Political Identity, Popular Culture, and Ideological Coercion: The Discourses of Feminist Movement in the Report of Ummi Magazine." Jurnal Pemberdayaan Masyarakat: Media Pemikiran dan Dakwah Pembangunan 5, no. 1 (2021): 185–210. http://dx.doi.org/10.14421/jpm.2021.051-08.

Full text
Abstract:
This research examines the rise of Islamic populism in Indonesia and understands it as an instrument to clear a new pathway for populism movement into popular culture. Ummi magazine is one of the religious media used to be political vehicles of stablishing constituencies, especially for the Tarbiyah movement in the Soeharto era to the current tendency to popularize the Tarbiyah identity as a new lifestyle. Historically, The Tarbiyah movement in Indonesia is a social and political movement among Indonesian Muslimah students, especially activists in the Suharto period. Muslim middle class entrep
APA, Harvard, Vancouver, ISO, and other styles
2

Junko, Kitagawa. "Some aspects of Japanese popular music." Popular Music 10, no. 3 (1991): 305–15. http://dx.doi.org/10.1017/s0261143000004669.

Full text
Abstract:
In 1959, the Conlon report, a presentation of United States government policies in relation to Asian cultures, stated the following about Japanese culture (in a section titled ‘Social change’):Developments within and among the various Japanese social classes suggest the dynamic, changing quality of modern Japan … No area of Japan, moreover, is beyond the range of the national publications, radio, and even TV. New ideas can be quickly and thoroughly disseminated; it is in this sense that Japanese culture can become more standardised even as it is changing. Many of the changes look in the direct
APA, Harvard, Vancouver, ISO, and other styles
3

Yasiuk, Tamara. "Ritualism in Ethnic and Popular Culture: Social and Historical Aspects." Folk art and ethnology, no. 4 (December 30, 2022): 89–94. http://dx.doi.org/10.15407/nte2022.04.089.

Full text
Abstract:
The symbiosis of popular and ethnic culture from the point of view of ritualism is considered in the article. The regularities of spread of various influences of ritualism on modern Ukrainian popular culture are pointed out. The system-functional method is used in the work to analyze the balance of ritualism in modern popular music. The peculiarities of its implementation are followed. The purpose of the article is to consider the symbiosis of popular and ethnic culture from the point of view of ritualism, to analyze the stylization of musical archaism in modern variety art, which is the origi
APA, Harvard, Vancouver, ISO, and other styles
4

FAIRCHILD, CHARLES. "The medium and materials of popular music: ‘Hound Dog’, turntablism and muzak as situated musical practices." Popular Music 27, no. 1 (2007): 99–116. http://dx.doi.org/10.1017/s0261143008001499.

Full text
Abstract:
AbstractPopular music studies has rarely exhibited the kinds of disciplinary coherence found in closely related disciplines mostly due to the field’s adoption and adaptation of methodological and theoretical innovations from a variety of disciplines, notably sociology, cultural studies, anthropology, media studies and musicology. However, many commentators continue to seek disciplinary coherence without making any critical aesthetic distinctions between the medium and materials of popular music. Distinctions and interrelationships between the literal or material aspects of popular music and th
APA, Harvard, Vancouver, ISO, and other styles
5

Powell, Bryan. "Community music interventions, popular music education and eudaimonia." International Journal of Community Music 00, no. 00 (2021): 1–23. http://dx.doi.org/10.1386/ijcm_00031_1.

Full text
Abstract:
The fields of community music and popular music education have expanded rapidly over the past few decades. While there are many similarities between these two fields, there are aspects that set these two areas of practice apart. This article seeks to explore the intersections of community music interventions and popular music education to explain how they are similar and in which ways they are unique. This discussion centres on examinations of facilitation, ownership of music, training and certification, inclusivity, life-long music making, amateur engagement, informal learning and non-formal
APA, Harvard, Vancouver, ISO, and other styles
6

Junior, Jeder. "Música popular massiva e gêneros musicais: produção e consumo da canção na mídia." Comunicação Mídia e Consumo 3, no. 7 (2008): 31–47. http://dx.doi.org/10.18568/cmc.v3i7.69.

Full text
Abstract:
Este artigo parte do pressuposto de que a análise midiática da música popular massiva é uma contribuição importante para a compreensão do papel que as canções ocupam na cultura e comunicação contemporâneas. Nesse sentido, acredita-se que as dimensões plásticas e materiais da música massiva, como a performance, a voz, o corpo e o ritmo, estão diretamente ligadas às definições de canção popular massiva e gêneros musicais, bem como às estratégias de produção de sentido desses formatos. Desse modo, a canção é considerada ponto de partida para a abordagem dos aspectos sociais e culturais inscritos
APA, Harvard, Vancouver, ISO, and other styles
7

Zmudzińska, Kamila, and Roman Matykowski. "Spatial and social aspects of the impact of Pol’and’Rock Festival and Jarocin Festival in Poland." Journal of Geography, Politics and Society 13, no. 2 (2023): 46–66. http://dx.doi.org/10.26881/jpgs.2023.2.05.

Full text
Abstract:
Among the popular music festivals operating in Poland in the last forty years, two of them played a special role, especially for their young recipients of amplified music. The first of them was the Rock Festival in Jarocin (it had different names) functioning in the years 1980–1994, so still in the period of communist authorities. Reactivated in 2005, it recently operates under the name Jarocin Festival and uses the legend of the event from the 1980s. In the new socio-political conditions, the second important event, the Pol’and’Rock Festival (called Woodstock Station in 1995–2017), began to f
APA, Harvard, Vancouver, ISO, and other styles
8

Temperley, David. "Syncopation in rock: a perceptual perspective." Popular Music 18, no. 1 (1999): 19–40. http://dx.doi.org/10.1017/s0261143000008710.

Full text
Abstract:
While study of the social and cultural aspects of popular music has been flourishing for some time, it is only in the last few years that serious efforts have been made to analyse the music itself: what Allan Moore has called ‘the primary text’ (1993, p. 1). These efforts include general studies of styles and genres (Moore, 1993; Bowman, 1995); studies of specific aspects of popular styles such as harmony and improvisation (Winkler 1978; Moore 1992, 1995; Walser 1992), as well as more intensive analyses of individual songs (Tagg 1982; Hawkins 1992). In this paper I will investigate syncopation
APA, Harvard, Vancouver, ISO, and other styles
9

Alvarenga, Claudia Helena Azevedo, and Tarso Bonilha Mazzotti. "Samba as Representation of Brazilianness in the Popular Songs Rhetoric." Per Musi, no. 39 (September 12, 2019): 1–12. http://dx.doi.org/10.35699/2317-6377.2019.15152.

Full text
Abstract:
This article aims to examine the hegemonic representations of what is said “to be Brazilian”. It proposes the rhetorical analysis of the lyrics of a couple of Brazilian popular songs in order to present the psychosocial aspects that bring to light the representations of social identity. The statement of identity and symbolic bonds through musicality exposes the desirable of the groups who share their value. The construct of social identity linked to nationality is a belief reinforced by social practices which relies on the metaphor that defines Music as the “people’s soul”.
APA, Harvard, Vancouver, ISO, and other styles
10

Anantia, Alviana Aslama, Yolanda Masnita, and Kurniawati Kurniawati. "Effectiveness of Digital Music Platforms’ Social Media Interaction on Advertising Trust Using Cognitive Aspects." Manajemen dan Bisnis 22, no. 1 (2023): 1. http://dx.doi.org/10.24123/jmb.v22i1.624.

Full text
Abstract:
The COVID-19 pandemic-related economic crisis made many firms to switch their advertising strategy to digital media, with social media being one of the most popular choices due to its lower cost. As a business with rapid growth and being the most popular form of entertainment among internet users, digital music platforms is no exception. Regarding the current phenomenon, it is unknown at this time whether social media marketing is one of the numerous crucial variables causing this service's expansion. Therefore, this research seek to reveal the impact of social media interaction towards advert
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Popular music – social aspects – california"

1

Gautier, Alba. "Producing a popular music : the emergence and development of rap as an industry." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79768.

Full text
Abstract:
In this thesis, I trace the evolution of the rap market from its emergence in 1979 in New York City to its development into a national industry in 1990. I analyze the motivations of the producers of rap and the mechanisms that led to their current organization. Independent labels were the primary producers of rap records until they made distribution deals with major record companies in the second half of the eighties. I argue that the division of labor between production and distribution, which became the most common context for the production of the music, is both the result of an orga
APA, Harvard, Vancouver, ISO, and other styles
2

Wong, Chi-chung Elvin, and 黃志淙. "Making and using pop music in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B29872583.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Polychronakis, Ioannis. "Song odyssey : negotiating identities in Greek popular music." Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669839.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Straw, Will 1954. "Popular music as cultural commodity : the American recorded music industries 1976-1985." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39241.

Full text
Abstract:
This dissertation is an analysis of historical change within those cultural industries involved in the production and dissemination of popular music. Through an analysis of the relationship between the recording and radio industries within the United States, during the period 1976-1985, the manner in which crises within these industries arise and are resolved is traced. The emergence of such musical forms as "disco" and "New Wave", and the manner in which these forms have been integrated within the functioning of the music-related industries, are central concerns of the dissertation. At the sa
APA, Harvard, Vancouver, ISO, and other styles
5

Moore, Christopher Lee. "Music in France and the Popular front (1934-1938) : politics, aesthetics and reception." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102813.

Full text
Abstract:
The French Popular Front was a coalition of left-wing political parties (Communists, Socialists, and Radicals) united through a common desire to combat fascism and improve the living conditions of France's workers. Between 1935 and 1938, the ideology of the Popular Front, largely informed by that of the Parti Communiste Francais (PCF), exerted tremendous influence on the cultural life of the French nation. Many cultural and musical organizations heeded the Popular Front's call for broad-based anti-fascist solidarity among intellectuals, artists, and the working class. In the realm of culture,
APA, Harvard, Vancouver, ISO, and other styles
6

Man, Oi-kuen Ivy. "Cantonese popular song in Hong Kong in the 1970s: an examination of musical content and social context inselected case studies." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31221476.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Wong, Chi-chung Elvin, and 黃志淙. "The working of pop music culture in the age of digital reproduction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44140101.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Jeppie, Shamil. "Aspects of popular culture and class expression in inner Cape Town, circa 1939-1959." Thesis, University of Cape Town, 1990. http://hdl.handle.net/11427/24109.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

CHINCOLI, Veronica. "Black North American and Caribbean music in European metropolises : a transnational perspective of Paris and London music scenes (1920s-1950s)." Doctoral thesis, European University Institute, 2019. http://hdl.handle.net/1814/62230.

Full text
Abstract:
Defence date: 15 April 2019<br>Examining Board: Professor Stéphane Van Damme, European University Institute; Professor Laura Downs, European University Institute; Professor Catherine Tackley, University of Liverpool; Professor Pap Ndiaye, SciencesPo<br>This thesis examines black music circulation in the urban spaces of London and Paris. It shows the complexity of the evolutionary processes of black musical genres, which occurred during the late imperial period (1920s-1950s) within the urban music scenes of two imperial metropolises, and how they played an important role on the entertainmen
APA, Harvard, Vancouver, ISO, and other styles
10

Gitonga, Priscilla Nyawira. "Music as social discourse : the contribution of popular music to the awareness and prevention of HIV/AIDS in Nairobi, Kenya." Thesis, Nelson Mandela Metropolitan University, 2009. http://hdl.handle.net/10948/962.

Full text
Abstract:
This dissertation is a critical, theoretical study focussing is on the contribution that popular music makes towards raising awareness and promoting the prevention of HIV/Aids in Nairobi, Kenya. Towards this end, an analysis of the lyrics and musical gestures of four Kenyan pop music songs is undertaken in order to highlight their communicative capabilities in this regard. These songs, namely, are Lulumbe by Wasike wa Musungu, Juala by Circute and Jo-el, Vuta Pumz by The Longombas, and Dunia Mbaya Chunguze by Princess Jully. The context in which these musical analyses occur is provided in: - A
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Popular music – social aspects – california"

1

Yang, Mina. California polyphony: Ethnic voices, musical crossroads. University of Illinois Press, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Yang, Mina. California polyphony: Ethnic voices, musical crossroads. University of Illinois Press, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Yang, Mina. California polyphony: Ethnic voices, musical crossroads. University of Illinois Press, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Michael, Ochs, ed. Waiting for the sun: The story of the Los Angeles music scene. Viking, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Kortaba, Joseph. Popular music and society. Routledge, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Council, Scottish Arts. Contemporary popular music. Scottish Arts Council, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

International Conference on Popular Music Studies (7th 1993 Stockton, California). Popular music--style and identity: International Association for the Study of Popular Music Seventh International Conference on Popular Music Studies. Centre for Research on Canadian Cultural Industries and Institutions, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Bennett, Andy. Popular music and youth culture: Music, identity, and place. Palgrave, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

James, Lull, ed. Popular music and communication. 2nd ed. Sage Publications, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Hamm, Charles. Putting popular music in its place. Cambridge University Press, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Popular music – social aspects – california"

1

Chow, Yiu Fai, Jeroen de Kloet, and Leonie Schmidt. "Documenting the Past, Sustaining the Present, Making the Future." In Contemporary East Asian Visual Cultures, Societies and Politics. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-6710-0_1.

Full text
Abstract:
AbstractThis introductory chapter positions Hong Kong as a unique case to rethink the intricate relationships between politics and popular music in the wider context of the globalised times where collective collection and creative practices are increasingly connected and mutually constitutive. It does so by first presenting to the readers Tat Ming Pair, an electronic duo formed in 1980s, during the so-called Golden Era of Cantopop in colonial Hong Kong. Commercially successful and critically acclaimed—thus regularly and currently censored in mainland China—for their engagements with social and
APA, Harvard, Vancouver, ISO, and other styles
2

Brackett, David. "The Newness of Old-Time Music." In Categorizing Sound. University of California Press, 2016. http://dx.doi.org/10.1525/california/9780520248717.003.0004.

Full text
Abstract:
The early history of what would eventually be called “country music” drew on many of the same ideas about genre and audience that had been developed in the marketing of foreign music and race music. The idea that rural, white people from the South constituted a distinct audience led to a rapid formation of the category some three years after the initial interest in “race” music. The ambiguous social position of southern, rural white people led to difficulties in finding a convenient label for the category, although “Old-Time Music” came closest to achieving official status, and “Hillbilly Musi
APA, Harvard, Vancouver, ISO, and other styles
3

Lelwica, Michelle M. "Losing Their Way to Salvation." In Religion and Popular Culture in America, Third Edition. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520291447.003.0014.

Full text
Abstract:
This chapter considers the ways in which religion can be a form of social control. In particular, it looks at the societal pressures which encourage women to embrace a so-called religion of thinness. This concept is not meant to suggest that the pursuit of slenderness is, in fact, a religion. Rather, it aims to illuminate how this pursuit has become a profound source of meaning for many people today—especially women. The idea of the religion of thinness brings into focus aspects of our culture's devotion to slenderness that functionally resemble certain features of traditional religion, especi
APA, Harvard, Vancouver, ISO, and other styles
4

North, Adrian C., and David J. Hargreaves. "Experimental aesthetics and everyday music listening." In The Social Psychology of Music. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198523840.003.0005.

Full text
Abstract:
Abstract We suggested in Chapter 1 that one important feature of the social psychology of music should be the reciprocity of the individual and the social world. The present chapter addresses this reciprocity directly by describing a small but growing number of studies which concern how theories of musical preference might be applied to and be mediated by the everyday environments in which people usually listen to music. Whilst the majority of research on the music-situation relationship has concerned various aspects of consumer behaviour (see Chapter 14), several studies conducted mainly by V
APA, Harvard, Vancouver, ISO, and other styles
5

Cohen, Annabel J. "Music As A Source Of Emotion In Film." In Music And Emotion. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780192631886.003.0011.

Full text
Abstract:
Abstract Emotion characterizes the experience of film, as it does the experience of music. Because music almost always accompanies film, we may well ask what contributionmusic makes to the emotional aspects of film. The present chapter addresses this question. It should be said at the outset that in spite of the integral role of music for film, film music has been largely neglected by the disciplines of both musicology and music psychology until the last decade (e.g. Cohen 1994;Marks 1998; Prendergast 1991). The reasons for the neglect are complex, arising from social, technological, economic,
APA, Harvard, Vancouver, ISO, and other styles
6

Geoffroy-Schwinden, Rebecca Dowd. "Social Privilège and Musician-Masons." In From Servant to Savant. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197511510.003.0003.

Full text
Abstract:
Drawing on the archives of Parisian masonic lodges, this chapter tracks the elevation of professional musicians’ social status during the last two decades of the Old Regime and demonstrates the varied ways in which musicians participated in lodge sociability even as chasms widened in the world of professional musical production. In some lodges musicians acted as servants while in others they earned prestige as virtuosos and fellow men of letters. Instrumental music became a popular form of entertainment in lodges, placing composers and performers at center stage. As masons, musicians gained op
APA, Harvard, Vancouver, ISO, and other styles
7

Agawu, Kofi. "Rethinking Music Theory, with African Aid." In On African Music. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197664063.003.0005.

Full text
Abstract:
Abstract While research into music theory and analysis in the Western academy has traditionally focused on Western “Classical” music, recent globalizing and post-globalizing trends have engendered a broadening of repertories to include non-canonical music (including popular music), non-Western music (from Southeast Asia, India, China, and Africa), and miscellaneous sound sources (including ringtones, protest songs, and urban soundscapes). Welcoming these new developments, this chapter suggests that the quotidian practices of music theory stand to be enriched by greater contact with Black Afric
APA, Harvard, Vancouver, ISO, and other styles
8

Fletcher, Stella. "Religion." In The Oxford History of the Renaissance. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192886699.003.0003.

Full text
Abstract:
Abstract This chapter begins with those aspects of religious experience which were shared by the inhabitants of Christian Europe and ends with minority interests and experiences, whether in the elite or popular ranges of the social and cultural spectrum. The spirituality of the period is explored with reference to concepts of holiness and sanctity, including cults such as that of Mary, the choice of candidates for canonisation, and the understanding of contemporary events through the prism of religious belief. Liturgy was part of the lives of all Christians, so patterns of changes and continui
APA, Harvard, Vancouver, ISO, and other styles
9

Hansen, Kai Arne. "A Different Country?" In Pop Masculinities. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190938796.003.0004.

Full text
Abstract:
The chapter focuses on Lil Nas X and his record-breaking hit “Old Town Road” (2018), which combines stylistic elements from country and trap music. The song received immense attention in early 2019 after Billboard discreetly removed it from its Hot Country Songs chart, a decision that was interpreted by some as racially motivated. The chapter investigates how Lil Nas X’s musical eclecticism and queer cowboy iconography raises questions pertaining to the boundaries of inclusion and exclusion in the country and hip hop genres. First, it critiques the popular narrative that his widespread success
APA, Harvard, Vancouver, ISO, and other styles
10

Silvanto, Satu. "How to Flow." In Focus On Festivals. Goodfellow Publishers, 2015. http://dx.doi.org/10.23912/978-1-910158-15-9-2647.

Full text
Abstract:
The Flow Festival, which began in 2004, is a rhythm music festival that takes place every August in Helsinki, the Finnish capital. It started out as a small event organised by a group of friends. Ten years later its audience figures have multiplied, the festival organisation has professionalised and the Flow Festival is now one of the biggest arts festivals in Finland. In this paper, I describe the development of the festival, how it uses/plays with urban space and why it is especially popular with well-educated young and early-middle-aged local audiences. Furthermore, I discuss key factors th
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Popular music – social aspects – california"

1

Jucu, Ioan Sebastian. "WHEN LIVE PERFORMANCES, SHOWS AND CONCERTS OF LEGENDARY ICONIC ARTISTS MARK THE HISTORY OF THE CITIES." In 9th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscss.2022/s14.126.

Full text
Abstract:
Some cities are frequently important venues for various spectacles, live performances, concerts and residency shows performed by the greatest artists of the world, therefore they contribute to the music tourism development and to the local economic development of the cities themselves through tourism and cultural events. A plenty of cities remain emblematic in this regard, but research on their cultural events are peripheral in the present geographical analysis. This paper discusses about an emblematic residency show of a legendary music icon held in Las Vegas as a major input both in the cult
APA, Harvard, Vancouver, ISO, and other styles
2

ROMAN, Diana. "The Actor, Between the Self from Theatre and the Other from Music." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0021.

Full text
Abstract:
The worlds of music and theatre have been brought together under the sign of scenic creation since the origins of the appearance of the theatre, the interdisciplinary artistic dialogue between the two arts sharing common aesthetic, psychological, psycho-social landmarks. The interactions between these worlds gave birth, finally, going through different forms and long searches, to the most original and popular theatre genre, the Musical. At the same time with technology and the digital revolution, live music, the orchestra, the musicians present on the stage of the theatre, were replaced with r
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Popular music – social aspects – california' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography