Relevant bibliographies by topics / Populisme au cinéma

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Populisme au cinéma'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Populisme au cinéma"

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Marshall, Bill. "Le choc des remakes. Questions urbaines dans Louis 19, le roi des ondes et EdTV." Globe 5, no. 1 (2011): 65–74. http://dx.doi.org/10.7202/1000665ar.

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L’auteur compare ici deux films mettant en scène un choc des cultures : Louis 19 et son remake américain, EdTV. D’une part, il propose une réflexion sur le traitement de la modernité et de l’urbanité montréalaises dans le cinéma québécois et, d’autre part, s’applique à démontrer comment populisme et réalité audiovisuelle sont déclinées dans chacun des deux films suivant les particularismes de la culture dont ils sont issus.
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Coy, Jean-Louis. "Cinéma : populaire ou populiste ?" Humanisme N° 317, no. 4 (2017): 43–47. http://dx.doi.org/10.3917/huma.317.0043.

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Fantoni, Gianluca, Marco Paoli, and Armando Rotondi. "Representations of ‘Italian populism’ in film." Modern Italy 27, no. 1 (2022): 49–60. http://dx.doi.org/10.1017/mit.2021.64.

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AbstractThe aim of this article is to illustrate some key points that will hopefully encourage further reflection on the cinematic representations and meanings of populism in both an Italian and international context. Firstly, we attempt a definition of populism as applied to cinema, drawing on both political science and the literature on film history. Secondly, we turn to film critics and directors, discussing the views some of them hold on populism and film in relation to the Italian cinema of recent years. Thirdly, we discuss how the star system provides a useful point of convergence for ou
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Warren, Paul. "Imitation et récupération d'Eisenstein." Analyses 20, no. 3 (2005): 27–49. http://dx.doi.org/10.7202/500813ar.

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L'approche révolutionnnaire d'Eisenstein a influencé le cinéma commercial occidental: des créateurs de formes comme Hitchcock, De Palma, Coppola et Godard l'ont imitée, et le cinéaste populiste américain Frank Capra l'a reprise et transformée.
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Bittinger, Nathalie. "Poussières d’Amérique à l’écran." Esprit Juillet-Août, no. 7 (2024): 103–9. http://dx.doi.org/10.3917/espri.2407.0103.

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Le cinéma américain est aussi divisé que le pays entre les films qui donnent une meilleure visibilité aux marges, comme Nomadland de Chloé Zhao, et ceux qui alimentent la défiance populiste envers le système, comme les derniers films de Clint Eastwood.
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Cody, Francis. "Millennial Turbulence: The Networking of Tamil Media Politics." Television & New Media 21, no. 4 (2019): 392–406. http://dx.doi.org/10.1177/1527476419869128.

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With the arrival of the satellite television news channel Puthiya Thalaimurai (New Generation) in 2011 and the contemporaneous proliferation of smartphone-enabled social media, a democratic politics long dominated by the world of popular cinema has found it difficult to reproduce itself in the southern Indian state of Tamil Nadu. Focusing on digitally targeted caste violence and mass protests in the name of the Tamil nation, this article argues that the networked publicity of satellite television and new media have layered themselves over existing infrastructures of mass-mediated populism. Man
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Lafuente, Pablo. "For a Populist Cinema: On Hito Steyerl's November and Lovely Andrea." Afterall: A Journal of Art, Context and Enquiry 19 (October 2008): 64–70. http://dx.doi.org/10.1086/aft.19.20711714.

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Leggott, James. "Come to Daddy? Claiming Chris Cunningham for British Art Cinema." Journal of British Cinema and Television 13, no. 2 (2016): 243–61. http://dx.doi.org/10.3366/jbctv.2016.0311.

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Twenty years after he came to prominence via a series of provocative, ground-breaking music videos, Chris Cunningham remains a troubling, elusive figure within British visual culture. His output – which includes short films, advertisements, art gallery commissions, installations, music production and a touring multi-screen live performance – is relatively slim, and his seemingly slow work rate (and tendency to leave projects uncompleted or unreleased) has been a frustration for fans and commentators, particularly those who hoped he would channel his interests and talents into a full-length ‘fe
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Baracco, Alberto. "Narratives of Mediterranean migrants in Italian cinema: The camera angle and close-up in Terraferma and Fuocoammare." Journal of Italian Cinema & Media Studies 12, no. 1 (2024): 25–40. http://dx.doi.org/10.1386/jicms_00237_1.

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Over the last two decades, Italian cinema has turned its gaze towards the Mediterranean Sea to dismantle the narratives constructed by populist political parties and mainstream European media, which have emphasized the rhetoric of border protection, security and legality through the systematic depersonalization of migrants. Film counter-narratives to this have been effectively developed, and cinema has responded to the materiality and fixity of migrants’ bodies by composing stories in which these migrants recover their sociopolitical agency. This article provides a close analysis of the charac
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Galpin, Shelley Anne. "Harry Potter and the Hidden Heritage Films: Genre Hybridity and the Power of the Past in the Harry Potter Film Cycle." Journal of British Cinema and Television 13, no. 3 (2016): 430–49. http://dx.doi.org/10.3366/jbctv.2016.0328.

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The heritage film is generally considered to be a less commercial form of film-making, one which eschews populism for ‘quality’. This article seeks to question the distinctions drawn between the heritage film and more commercial film franchises by examining the links between the conventions of heritage cinema and the Harry Potter films. Bringing together scholarship on the heritage film, the Harry Potter series and film genre, the article considers these productions in the light of their themes, with the political or class-centred aspects of the narrative examined in relation both to the visua
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Dissertations / Theses on the topic "Populisme au cinéma"

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Da, Silva David. "Avatars du héros populiste hollywoodien, de D. W. Griffith à C. Eastwood." Caen, 2015. http://www.theses.fr/2015CAEN1006.

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L’objectif de cette thèse est de présenter la pensée populiste dans la culture américaine. Si on estime son apparition dès la guerre d’indépendance des colons britanniques d’Amérique du Nord contre la Grande-Bretagne de 1775 à 1783, le populisme américain a surtout connu son heure de gloire avec The People’s Party en 1892. De fait, ce parti populiste a cristallisé la colère des fermiers américains (dont des Afro-américains) très endettés de la fin du XIXe siècle. Ce mouvement agraire était très attaché aux idéaux pionniers et se méfiait du développement économique et du salariat (qu’il jugeait
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Carvalho, Noel dos Santos 1962. "Cinema novo : imagens do populismo." [s.n.], 1999. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284206.

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Orientador: Adilson Jose Ruiz<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-07-26T15:57:19Z (GMT). No. of bitstreams: 1 Carvalho_NoeldosSantos_M.pdf: 6124623 bytes, checksum: 143290dd86c27212e8902d069fa8bd94 (MD5) Previous issue date: 1999<br>Resumo: Essa dissertação é a análise de três filmes do Cinema Novo realizados após o golpe militar de 1964. São eles: O desafio (Saraceni, P. c., 1965), Terra em transe (Rocha, G., 1967) e O bravo guerreiro (Dahl, G., 1968). Seu objetivo é destacar as representações de ordem polític
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Archangelo, Rodrigo. "Um bandeirante nas telas de São Paulo: o discurso adhemarista em cinejornais (1947-1956)." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-03032008-140811/.

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A democratização da participação política a partir de 1946 caminhou por estratégias que visaram, sobretudo, um maior alcance da mensagem ao eleitorado. Dentre elas, tomamos como exemplo a visualidade das campanhas políticas de Adhemar de Barros em São Paulo, trabalhadas no formato de um veículo inspirado e testado numa experiência ditatorial (então recente) e capaz de \"dar vida\" ao seu o discurso: o cinejornal. Neste caso, o cinejornal Bandeirante da Tela, da Divulgação Cinematográfica Bandeirante. Seu conteúdo propagandístico - apresentado em meios a notícias de \"atualidades\" - carrega si
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Books on the topic "Populisme au cinéma"

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Le populisme américain au cinéma, de D.W. Griffith à Clint Eastwood: Un héros populiste pour unir ou diviser le peuple. LettMotif, 2015.

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Pandemics Authoritarian Populism and Science Fiction. Taylor & Francis Group, 2021.

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Pandemics, Authoritarian Populism, and Science Fiction: Medicine, Military, and Morality in American Film. Taylor & Francis Group, 2023.

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Morelock, Jeremiah. Pandemics, Authoritarian Populism, and Science Fiction: Medicine, Military, and Morality in American Film. Taylor & Francis Group, 2021.

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Morelock, Jeremiah. Pandemics, Authoritarian Populism, and Science Fiction: Medicine, Military, and Morality in American Film. Taylor & Francis Group, 2021.

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Morelock, Jeremiah. Pandemics, Authoritarian Populism, and Science Fiction: Medicine, Military, and Morality in American Film. Taylor & Francis Group, 2021.

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Morelock, Jeremiah. Pandemics, Authoritarian Populism, and Science Fiction: Medicine, Military, and Morality in American Film. Taylor & Francis Group, 2021.

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8

Zulato, Federico. Non Solo Football...: L'invasione Populista Nel Calcio, Nella Politica e Nel Cinema Italiano. Independently Published, 2022.

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Lee, Vivian. Ghostly Returns: the Politics of Horror in Hong Kong Cinema. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424592.003.0013.

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This chapter examines the trend towards Hong Kong-China co-productions, during which Hong Kong horror films have been in decline due to censorship restrictions in Mainland China. While this mega-market direction is likely to continue in the foreseeable future, Hong Kong filmmakers have made fresh attempts to revitalize this popular genre and inject it with new meanings in the changed and changing context of cultural production and cultural politics in the city. Between 2012-2014, several low to medium budget horror films were released. Local audiences responded enthusiastically and many saw th
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Church, David. Post-Horror. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474475884.001.0001.

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Horror’s longstanding reputation as a popular but culturally denigrated genre has been challenged by a new wave of films mixing arthouse minimalism with established genre conventions. Variously dubbed “elevated horror” and “post-horror” in popular film criticism, texts such as The Babadook, It Follows, The Witch, It Comes at Night, Get Out, The Invitation, Hereditary, Midsommar, A Ghost Story, and mother! represent an emerging nexus of taste, politics, and style that has often earned outsized acclaim from high-minded critics and populist rejection by wider audiences. Post-Horror is the first f
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Book chapters on the topic "Populisme au cinéma"

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Nishant, Vaidyanath. "Populism and South Indian Cinema." In Encyclopedia of New Populism and Responses in the 21st Century. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-16-9859-0_325-1.

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Nishant, Vaidyanath. "Populism and South Indian Cinema." In Encyclopedia of New Populism and Responses in the 21st Century. Springer Nature Singapore, 2024. https://doi.org/10.1007/978-981-99-7802-1_325.

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Mudaliar, Meghna Christina, and Paromita Bhattacharyya. "Populism, Mainstream Cinema, and Misogynistic Fatphobia." In Encyclopedia of New Populism and Responses in the 21st Century. Springer Nature Singapore, 2024. https://doi.org/10.1007/978-981-99-7802-1_438.

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Mudaliar, Meghna Christina, and Paromita Bhattacharyya. "Populism, Mainstream Cinema, and Misogynistic Fatphobia." In Encyclopedia of New Populism and Responses in the 21st Century. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-16-9859-0_438-1.

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Akser, Murat. "Locating Turkish Cinema Between Populist Tendencies and Art Cinema." In The Palgrave Handbook of Asian Cinema. Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95822-1_8.

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P T, Yadukrishnan, and Vidya Sasikumar. "Populist Imaginations in Contemporary Malayalam Cinema." In Encyclopedia of New Populism and Responses in the 21st Century. Springer Nature Singapore, 2024. https://doi.org/10.1007/978-981-99-7802-1_384.

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P T, Yadukrishnan, and Vidya Sasikumar. "Populist Imaginations in Contemporary Malayalam Cinema." In Encyclopedia of New Populism and Responses in the 21st Century. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-16-9859-0_384-1.

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Cobb, Thomas J. "Stasis: The Continuation of Contradiction in the Age of Malaise and Populism." In American Cinema and Cultural Diplomacy. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42678-1_7.

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Wang, Xiaoping. "Elitism or Populism? The Problematic of Imagining the Other." In Ideology and Utopia in China's New Wave Cinema. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91140-3_6.

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Jehoson Jiresh, J. "Dravidian and Dalit Populist Cinema: Democratizing the Tamil Film Space Using Convictional Aestheticism." In Encyclopedia of New Populism and Responses in the 21st Century. Springer Nature Singapore, 2024. https://doi.org/10.1007/978-981-99-7802-1_348.

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