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Books on the topic 'Post-9/11 novels'

Author: Grafiati

Published: 10 December 2022

Last updated: 31 July 2025

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1

Sawires-Masseli, Marie-Christin. Arab American novels post-9/11: Classical storytelling motifs against outsidership. Universitätsverlag Winter, 2018.

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2

McCarthy, Cormac. The Road. Picador, 2010.

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McCarthy, Cormac. The Road. Vintage International, 2006.

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4

McCarthy, Cormac. ha-Derekh. Modan, 2009.

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5

McCarthy, Cormac. The Road. Vintage International, 2008.

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6

McCarthy, Cormac. Chang lu. Mai tian chu ban, 2008.

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7

McCarthy, Cormac. The road. Center Point Pub., 2007.

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8

McCarthy, Cormac. The Road. Alfred A. Knopf, 2006.

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9

McCarthy, Cormac. The road. Vintage International, 2009.

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10

McCarthy, Cormac. The Road. 2nd ed. Vintage International, 2009.

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11

McCarthy, Cormac. La carretera. Random House Mondadori, 2007.

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12

McCarthy, Cormac. The Road. Knopf Doubleday Publishing Group, 2007.

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13

McCarthy, Cormac. Droga. Wydawn. Literackie, 2008.

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14

McCarthy, Cormac. La strada. Einaudi, 2007.

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15

McCarthy, Cormac. The Road. 3rd ed. Picador, 2007.

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16

McCarthy, Cormac. The Road. Vintage International, 2006.

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17

McCarthy, Cormac. La route. Éd. France loisirs, 2008.

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18

McCarthy, Cormac. The Road. Vintage International, 2009.

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19

Spiegelman, Art, Robert Cohen, Russell Banks, and Paul Auster. Post 9/11. Universe Publishing, 2011.

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20

Golimowska, Karolina. Post-9/11 City in Novels: Literary Remappings of New York and London. McFarland & Company, Incorporated Publishers, 2016.

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21

Golimowska, Karolina. Post-9/11 City in Novels: Literary Remappings of New York and London. McFarland & Company, Incorporated Publishers, 2016.

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22

Jain, Jayana. Thinking Past 'Post-9/11': Home, Nation and Transnational Desires in Pakistani English Novels and Hindi Films. Taylor & Francis Group, 2021.

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23

Jain, Jayana. Thinking Past 'Post-9/11': Home, Nation and Transnational Desires in Pakistani English Novels and Hindi Films. Taylor & Francis Group, 2021.

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24

Jain, Jayana. Thinking Past 'Post-9/11': Home, Nation and Transnational Desires in Pakistani English Novels and Hindi Films. Taylor & Francis Group, 2021.

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25

Jain, Jayana. Thinking Past Post-9/11: Home, Nation and Transnational Desires in Pakistani English Novels and Hindi Films. Routledge, 2021.

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26

Skulk: A post-9/11 comic novel. Progressive Press, 2008.

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27

Conte, Joseph M. Transnational Politics in the Post-9/11 Novel. Taylor & Francis Group, 2021.

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28

Conte, Joseph. Transnational Politics in the Post-9/11 Novel. Taylor & Francis Group, 2019.

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29

Conte, Joseph. Transnational Politics in the Post-9/11 Novel. Taylor & Francis Group, 2019.

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30

Conte, Joseph. Transnational Politics in the Post-9/11 Novel. Taylor & Francis Group, 2019.

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31

Conte, Joseph. Transnational Politics in the Post-9/11 Novel. Taylor & Francis Group, 2019.

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32

Gerlach, Nathalie. Falling Men in the Post-9/11 Novel. GRIN Verlag GmbH, 2015.

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33

Transnational Politics in the Post-9/11 Novel. Taylor & Francis Group, 2019.

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34

Ty, Eleanor. Gender, Post-9/11, and Ugly Feelings. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040887.003.0007.

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This chapter studies two texts that use humor and irony to deal with broken dreams and with ugly feelings caused by the inability to perform the dominant culture's expectations of race and gender. The protagonists in Alex Gilvarry's postmodern novel From the Memoirs of a Non-Enemy Combatant and in Keshni Kashyap and Mari Araki's Tina's Mouth: An Existential Comic Diary struggle to dissolve rigid categories of masculinity, femininity, and race. They both want to lead the lives of ordinary Americans but are misrecognized, and have to work through cultural expectations generated by their brown bo

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35

Danel, Olson. 9/11 Gothic. The Rowman & Littlefield Publishing Group, 2021. https://doi.org/10.5040/9781666982350.

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Published to coincide with the twentieth anniversary of the World Trade Center attacks, 9/11 Gothic: Decrypting Ghosts and Trauma in New York City’s Terrorism Novels returns to the ruins and anguish of 9/11 to pose a question not yet addressed by scholarship. Two time World Fantasy Award-winning writer Danel Olson asks how, why, and where New York City novels capture the terror of the Al-Qaeda mass murders through a supernatural lens. This book explores ghostly presences from the world’s largest crime scene in novels by Don DeLillo, Jonathan Safran Foer, Lynne Sharon Schwartz, Griffin Hansbury

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36

Basu, Lopamudra. Ayad Akhtar, the American Nation, and Its Others after 9/11. The Rowman & Littlefield Publishing Group, 2018. https://doi.org/10.5040/9781666986365.

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Ayad Akhtar, the American Nation, and Its Others After 9/11: Homeland Insecurity examines playwright and novelist Ayad Akhtar’s contributions to multiple genres including film and theatre. This book situates Akhtar’s oeuvre within the social and political context of post-9/11 American culture, marked by the creation of the Homeland Security State and the racialization of Muslims, Arabs, and South Asians. It departs from many traditional studies of 9/11 literature by challenging the binary of victim and perpetrator and examining the continuing impact of the event on questions of American nation

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37

Visconsi, Elliott. Pluralism, Religion, and Democratic Culture. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190456368.003.0017.

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This article locates Nadeem Aslam’s 2004 novel Maps for Lost Lovers within a European politico-legal argument about religious free expression under Article 9 of the European Convention on Human Rights, demonstrating the novel’s engagement with the norms and lived experience of democratic pluralism under pressure. Maps for Lost Lovers is an intervention into the public argument about pluralism and assimilation in the United Kingdom, a narrative that illuminates the prescriptive regimes and structuring epiphenomena of law in post-9/11 Britain. Maps is an agenda-setting narrativization of a legal

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38

Kong, Belinda. Xiaolu Guo and the Contemporary Chinese Anglophone Novel. Edited by Carlos Rojas and Andrea Bachner. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199383313.013.24.

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This chapter examines Xiaolu Guo as a paradigmatic writer of geopolitics, biopolitics, and capitalism in contemporary Chinese Anglophone fiction. The chapter first focuses onA Concise Chinese-English Dictionary for Loversto rethink models of Anglophone writing. Against utopian conceptions of English as a privileged language of heterogeneity or hybridity,Dictionaryis analyzed in terms of biocapital and geopolitics, as a narrative of the Chinese migrant’s absorption into the Anglophone publishing industry and the Anglophone empire. The chapter then analyzesUFO in Her Eyesas representative of a r

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39

Lurie, Peter. Conclusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199797318.003.0006.

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This book concludes by relating its discussion of visualizing history to the media and the public response to the 9/11 terrorist attacks. It shows their overly mediated depiction to have a precedent in Civil War photography, and it avers the shared impulse to visualize attending each of these epochal historical events. The Conclusion reads Toni Morrison’s Beloved as offering a salutary “forgetful remembrance” of history in the novel’s model of “rememory” and as an alternative to historicist criticism, as well as to U.S. culture’s visual archiving of a supposedly accessible and remediable past.

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40

Image-Event in the Early Post-9/11 Novel: Literary Representations of Terror after September 11 2001. Jagiellonian University, 2013.

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41

Quinan, Christine. Gender (in)securities: surveillance and transgender bodies in a post-9/11 era of neoliberalism. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781526107459.003.0009.

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This chapter addresses questions of neoliberalism and gender surveillance in a post-9/11 era. Working through an account of the situation of trans people in the USA provided by Leslie Feinberg’s novel “Drag King Dreams”, the chapter discusses the boundaries of citizenship in a system that actively attempts to exclude, alienate, and violate certain identities, particularly transgender individuals and racialized or religious ‘others’. The chapter highlights aspects of non-conformity and the governmental practices that are triggered by deviances from mainstream norms. It critically engages the ha

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42

Masters, Ben. Twenty-First-Century Excess. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198766148.003.0005.

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This chapter evaluates the legacy of Burgess, Carter, and Amis by examining the work of a new generation of excessive English stylists, including Zadie Smith, Nicola Barker, and David Mitchell. It begins by showing how arguments similar to those made against stylistic prolixity in the aftermath of World War Two have resurfaced post-9/11. It goes on, through close readings of three novels (NW, Darkmans, Cloud Atlas), to show how this newer generation of writers has adapted and expanded the methods of the earlier stylists of excess by staging a return to ideas of character, interiority, and empa

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43

The "Image-Event" in the Early Post-9 11 Novel: Literary Representations of Terror After September 11 2001. Jagiellonian University, 2012.

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44

Hijzen, Constant Willem. Roots of Counterterrorism. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197786031.001.0001.

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Abstract It seems beyond doubt, since 9/11, that the main responsibility of intelligence and security services is to prevent ticking bombs from going off. The thing is, though, that the West has been confronted with international terrorism and domestic political violence throughout the 1970s as well. And although intelligence organizations countered terrorism, prevention did not become the name of the game. In a case study of the Netherlands, this book explores—based on unique primary sources and from a novel conceptual approach—how the threat of terrorism was looked upon and what kind of inte

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45

Post-9/11 Novel As a Political and Literary Trauma. Fact and Fiction in Mohsin Hamid's Novel the Reluctant Fundamentalist. GRIN Verlag GmbH, 2016.

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46

Freedman, Leonard. The Offensive Art. Praeger, 2008. http://dx.doi.org/10.5040/9798400692765.

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The Offensive Artis an arch and sometimes caustic look at the art of political satire as practiced in democratic, monarchical, and authoritarian societies around the world over the past century-together with the efforts by governmental, religious, and corporate authorities to suppress it by censorship, intimidation, policy, and fatwa. Examples are drawn from the full spectrum of satiric genres, including novels, plays, verse, songs, essays, cartoons, cabarets and revues, movies, television, and the Internet. The multicultural and multimedia breadth and historical depth of Freedman's comparativ

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47

Mandel, Robert. Global Threat. Greenwood Publishing Group, Inc., 2008. http://dx.doi.org/10.5040/9798400657863.

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This book provides a fresh perspective on causes, consequences, and cures surrounding today's most pressing global security challenges. After explaining the changes in post-Cold War threat, it develops a novel target-centered approach to assessment and management that is more useful in coping with current foreign dangers than current best practices. After explaining the challenge in coping with current global threat, this book begins by analyzing the distinctiveness of post-Cold War threat and of the nature of enemies prevalent in today's world. Then it considers prevailing threat analysis def

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48

Raustiala, Kal. Does the Constitution Follow the Flag? Oxford University Press, 2009. http://dx.doi.org/10.1093/oso/9780195304596.001.0001.

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The Bush Administration has notoriously argued that detainees at Guantanamo do not enjoy constitutional rights because they are held outside American borders. But where do rules about territorial legal limits such as this one come from? Why does geography make a difference for what legal rules apply? Most people intuitively understand that location affects constitutional rights, but the legal and political basis for territorial jurisdiction is poorly understood. In this novel and accessible treatment of territoriality in American law and foreign policy, Kal Raustiala begins by tracing the hist

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49

Pinchevski, Amit. Transmitted Wounds. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190625580.001.0001.

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In Transmitted Wounds, Amit Pinchevski explores the ways media technology and logic shape the social life of trauma both clinically and culturally. Bringing media theory to bear on trauma theory, Pinchevski reveals the technical operations that inform the conception and experience of traumatic impact and memory. He offers a bold thesis about the deep association of media and trauma: media bear witness to the human failure to bear witness, making the traumatic technologically transmissible and reproducible. Taking up a number of case studies--the radio broadcasts of the Eichmann trial; the vide

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50

Droga. Wydawnictwo Literackie, 2014.

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