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Journal articles on the topic 'Post-9/11 novels'

Author: Grafiati

Published: 10 December 2022

Last updated: 31 July 2025

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1

Ingram, Callie. "Counter-Narrative Ethics: Don DeLillo’s Post-9/11 Novels." Critique: Studies in Contemporary Fiction 60, no. 5 (2019): 585–99. http://dx.doi.org/10.1080/00111619.2019.1631746.

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Dr., Ganesh Sarangdhar Kakade. "9/11 Incident and its Impacts: The Worst Portrayal in Selected Post 9/11 Literature." International Journal of Advance Study and Research Work 1, no. 8 (2018): 01–02. https://doi.org/10.5281/zenodo.1636125.

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<strong><em>This research discusses the present condition of the whole world portrayed in the novels ‘The Reluctant Fundamentalist’, ‘Falling Man’ and ‘Terrorist’ of prominent authors, respectively Mohsin Hamid, Delillo Don, and John Updike. These novels examine 9/11 incident and its effects all over the world as the question of ill-treatment given to Muslim in America, insecurity, rights, and freedom. It also focuses upon- how the situations occurred on one and all the non-America people. How they had to suffer from that condition? How did the thoughts chan

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3

Kanwal, Aroosa. "Post-9/11 Melancholic Identities: Memory, Mourning and National Consciousness." Psychology and Education Journal 58, no. 3 (2021): 2237–41. http://dx.doi.org/10.17762/pae.v58i3.4226.

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This paper discusses the ways in which Nadeem Aslam’s novels – Maps for Lost Lovers and The Wasted Vigil – highlight the need for a re-conceptualisation of immigrant identity, in post-9/11 world, by linking traumatic experiences of an individual to the collective memory of a community or nation. Taking cue from Sigmund Freud, Judith Butler, Nicolas Abraham and Maria Torok’s concepts of mourning and melancholia, an interface between transnational movement and mourning will be investigated in order to emphasise how private grief becomes a metaphor for public grief. With reference to Aslam’s nove

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Altwaiji, Mubarak. "Post 9/11 American Novel: Political Orientations in Representing Arabs." Khazar Journal of Humanities and Social Sciences 22, no. 1 (2019): 63–77. http://dx.doi.org/10.5782/2223-2621.2019.22.1.63.

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September 11, 2001 has been the most aggressive day in the history of modern America. The physical and psychological damages caused by the attacks left a unique experience of the day in the mind of American writers. Therefore, if literary and political orientations changed after the 9/11, novel's subject matter and themes changed too, because novel is a reflection of its social and political context. This study examines the assumption implicit in the dominant conceptions that novel serves the state's politics in its pursue of interests through representations and misrepresentations of other na

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Syed Mohsin Ali Bukhari and Dr.Rukhshanda Murad. "Post-9/11 Muslim Issues In The West and Urdu Novels (Taoos Faqat Rang, Main Dashat Gard Hon, Aik Love Story Aik Aitmi Qayaamat)." GUMAN 7, no. 4 (2024): 96–104. https://doi.org/10.63075/guman.v7i4.869.

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This research article examines the multifaceted challenges faced by Muslims living in the West after the 9/11 tragedy, as portrayed in Urdu literature. Through an in-depth analysis of three selected Urdu novels—Tauos Fqat Rang by Neelam Ahmed Basheer, Main Dehshat Gard Hoon by Mohsina Jilani, and Ek Love Story Ek Atomi Qayamat by M. Akhtar—the study highlights the cultural, social, and psychological issues endured by Muslims in the post-9/11 era.The article begins with an exploration of the global and individual impacts of the 9/11 attacks, establishing the socio-political context of the time.

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Wolfson, Roberta. "(Mis)Reading in the Age of Terror: Promoting Racial Literacy through Counter-Colonial Narrative Resistance in the Post-9/11 Muslim Novel." College Literature 50, no. 2-3 (2023): 237–67. http://dx.doi.org/10.1353/lit.2023.a902218.

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Abstract: In the aftermath of the World Trade Center and Pentagon attacks on September 11, 2001, a surge of literary works by Muslim and Arab authors emerged on the US literary scene, seeking to challenge Islamophobic rhetoric that misrepresents Muslim and Arab communities. This essay examines two such novels, Laila Halaby's Once in a Promised Land and Mohsin Hamid's The Reluctant Fundamentalist , both of which were published in 2007 at a critical time in history, when the Bush administration's fearmongering had already justified the dual invasions of Iraq and Afghanistan. These novels rewrite

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7

Bonisch, D. "Geopoetics of Terror(ism): Spatiality and Visuality in Two 'Post-9/11' Novels." Forum for Modern Language Studies 51, no. 1 (2014): 15–26. http://dx.doi.org/10.1093/fmls/cqu066.

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8

MORLEY, CATHERINE. "“How Do We Write about This?” The Domestic and the Global in the Post-9/11 Novel." Journal of American Studies 45, no. 4 (2011): 717–31. http://dx.doi.org/10.1017/s0021875811000922.

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This article argues that far from marking a break in recent literary development, the terrorist attacks of 9/11 made less of an impact on American fiction than we often think. Critics have often accused writers after 9/11 of “retreating” into the domestic; in fact, domestic and individual narratives, often set against sweeping historical backgrounds, already dominated American writing in the late 1990s. At first, therefore, novelists handling the events of 9/11 framed them within the personal and the small-scale. In the last two years, however, writers such as Adam Haslett and Jonathan Franzen

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9

Kiczkowski, Adriana. "'Glocalization' in post-9/11 literature. "Burnt shadows" by Kamila Shamsie." Journal of English Studies 14 (December 16, 2016): 125. http://dx.doi.org/10.18172/jes.2813.

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Global terrorism is a complex phenomenon, its roots going back to long before the terrorist attacks of 9/11, while its sequels are opening new paths in the fields of both fiction and literary and cultural studies. To better understand some of the global processes, and how they are represented in contemporary literature, I proposed the expression glocalization novels as a theoretical construct that permits the incorporation of the narrative’s differential characteristics about terrorism in a globalized society. In Burnt Shadows by Kamila Shamsie, the notion of glocalization appears articulating

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10

Meghani, Shamira A. "White gay men in two post-9/11 novels: “Cultural surveillance” and historical echoes." Journal of Postcolonial Writing 55, no. 3 (2019): 367–81. http://dx.doi.org/10.1080/17449855.2019.1617977.

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11

Kiczkowski, Adriana. "El tejido narrativo del terrorismo global en Falling Man de Don DeLillo." Epos : Revista de filología, no. 28 (January 1, 2012): 337. http://dx.doi.org/10.5944/epos.28.2012.12280.

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Entre la enorme producción literaria que tiene como tema principal los atentados del 11 de septiembre de 2001 o sus repercusiones posteriores, la obra de Don DeLillo, permite un acercamiento iluminador a la ficción que representa el mundo posterior a dicho acontecimiento, o literatura post-9/11, pero sobre todo habla de las emergentes condiciones sociales de la globalización. En este ensayo se propone un estudio sobre Falling Man en la línea de lo que se ha definido como «novelas de la globalización» (Annesley 2006), aquellas basadas no sólo en los cambios económicos y tecnológicos, sino en el

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12

Paul, David, and G. Alan. "The Global Catastrophic Impact of 9/11 Attack: Analyzing the Mental Condition in the Postmodern Novels and Media in the Post-Apocalyptic Context." Studies in Media and Communication 11, no. 1 (2023): 136. http://dx.doi.org/10.11114/smc.v11i1.5918.

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Post-Apocalyptic novels unveil the disasters that traumatize the psyche of the people. Apparently, such a catastrophe has an excruciating impact. This paper analyses the impact of the World Trade Centre (9/11) attack on American postmodern characters, it’s representation through Media and as a result, the reverberating references in Indian novels as well. Don DeLillo’s novel Falling Man presents the dreadful effects of the 9/11 attacks through the complex life of the Postmodern characters. The title, “Falling Man” is identical to the name given to a photograph released on The New York Times, “

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Iqra Raza. "I (Don’t) See You: Absence, Omissions, and Spectrality in the Works of Ishtiyaq Shukri." Thinker 87, no. 2 (2021): 13–21. http://dx.doi.org/10.36615/thethinker.v87i2.528.

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This paper studies the representation of the Muslim body (within the context of the War on Terror) as an instance of disembodied subjectivity that haunts through the remnants of its presence, via a close textual analysis of Ishtiyaq Shukri’s novels The Silent Minaret (2005) and I See You (2014). The paper examines the corporeal absence within the said texts as a template for understanding the modus operandi of the necropolitical regime and the extremities of state violence it implies. It explores the implications of spectrality within texts saturated by instances of taxonomical categorisations

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Joe, Chung Hwan. "Islamophobia and (Mis)profiling: American Muslims as a Non-model Minority in Post-9/11 Novels." Modern Studies in English Language & Literature 68, no. 2 (2024): 147–70. http://dx.doi.org/10.17754/mesk.68.2.147.

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15

Waheed, Ahmad Khan Shaukat Ali Iftikhar Ali Sadeed Ahmad Khan. "The Role of Native Informers in Representation of 9/11: A Critical Study of Khaled Hosseini's Selected Novels." Multicultural Education 7, no. 1 (2021): 321. https://doi.org/10.5281/zenodo.5079841.

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<em>The event of 9/11 has changed not only the political scenario of Afghanistan but also the mode of literature written about Afghanistan, its people and culture.The attack on Afghanistan is portrayed in English novels and their writers are acclaimed for their knowledge production especially after 9/11. This kind of knowledge production mainly represents the Third World countries and legitimises domination of the U.S.The paramount concern of this paper is to analyse the role of native informers in representation of the U.S-led war in Afghanistan. Native informers rely on the imperium of the U

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16

Udasmoro, Wening. "Toxic Masculinities in Post-9/11 Islam-Themed French Novels: Plateforme and Syngué Sabour. Pierre de Patience." k@ta 24, no. 1 (2022): 40–48. http://dx.doi.org/10.9744/kata.24.1.40-48.

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ABSTRACT This article aims to explore the concept of toxic masculinities in two French literary works, namely Plateforme by Michel Houellebecq and Syngué Sabour. Pierre de Patience by Atiq Rahimi, whose stories are related to Islam after the September 11, 2001 tragedy. Toxic masculinities are suspected to be present in both works, namely by placing women in the position of objects of sexual gaze and symbolic violence. This article dredges the concept of toxic masculinities, which is a derivation of the concept of hegemonic masculinities introduced by Raewyn Connell. This paper employs a

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ATAR, Özlem. "MASCULINITIES IN MUSLIM WOMEN`S POST-9/11 NOVELS: MEN IN THE NIGHT COUNTER AND SAFFRON DREAMS." Moment Journal 8, no. 2 (2021): 480–95. http://dx.doi.org/10.17572/mj2021.2.480495.

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18

Siebert, Monika. "The Post-9/11 City in Novels: Literary Remappings of New York and London KarolinaGolimowska. McFarland, 2016." Journal of American Culture 41, no. 1 (2018): 106–7. http://dx.doi.org/10.1111/jacc.12863.

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Khalifa, Mahmoud. "Intimate Others: Utopia and Heterotopia in the Reluctant Fundamentalist and the Submission." British Journal of Translation, Linguistics and Literature 2, no. 4 (2022): 13–22. http://dx.doi.org/10.54848/bjtll.v2i4.43.

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The Submission and The Reluctant Fundamentalist invest in the strategic ambivalence that characterizes heterotopias. Steering away from trauma studies I concentrated on the possibilities the concept of heterotopia offers to understanding the multilayered content and symbolism of the two post 9/11 novels. Heterotopia as a Foucauldian concept established spaces that are ‘other’ in relation to a normal space. I extend that other space to include Muslims as belonging to a heterotopic garden from which they challenge an Islamophobic and divisive discourse that is affiliated to power and uses the po

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20

Roy, Pathik. "The Islamic Other in Post-9/11 America: Reading Resistance in Hamid and Halaby." IAFOR Journal of Arts & Humanities 9, no. 1 (2022): 117–30. http://dx.doi.org/10.22492/ijah.9.1.09.

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The terrorist attacks on the World Trade Center in New York on 11th September, 2001, left behind 2977 dead, an altered Manhattan skyline and a changed world order marked by a formidable upsurge of global discourses pertaining to terrorism, multiculturalism, xenophobia, collective memory, and so forth. Indeed, 9/11 inhabits a discursive field of narratives/counter-narratives defying closure. Taking into cognizance this inevitability of myriad discourses, the present paper engages with the politics of the emergence of the discursively constructed Islamic Other in the post-9/11 national imaginary

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21

Sánchez-Arce, Ana María. "Performing innocence: Violence and the nation in Ian McEwan’s Saturday and Sunjeev Sahota’s Ours Are the Streets." Journal of Commonwealth Literature 53, no. 2 (2017): 194–210. http://dx.doi.org/10.1177/0021989416686648.

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Mainstream British society and post-9/11 fiction borrow from the discourse of American exceptionalism (including the fall from innocence to experience, the desire to create or preserve a better world, a “Messianic consciousness” reflecting the arrogance of virtue, the development of narratives of heroism and goodness tied to nation-building, and the use of the above to justify “exemptionalism”) to expose and query the entitlement of those within the narrative home of Britishness and the outsider status of those used to define its borders. This article discusses Ian McEwan’s Saturday and Sunjee

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22

Naeem, Ayesha, and Nailah Riaz. "Unveiling the Post-9/11 Milieu: A Comparative Analysis of DeLillo’s Falling Man, and Hamid’s Exit West." Wah Academia Journal of Social Sciences 4, no. 1 (2025): 314–50. https://doi.org/10.63954/wajss.4.1.18.2025.

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This research explores the psychological impact of the 9/11 incident on the minds of people. It explores trauma, fear and identity crisis. This study includes the tragedy of 9/11 driving the unconscious minds of people enhancing societal upheaval. It investigates the sufferings of people after this calamity. The purpose of this research is to highlight the outcomes of this misfortune on the psyche and emotions of the people. The research has been delimited to DeLillo’s Falling Man and Hamid’s Exit West. It involves the psychological sufferings of people i.e., alienation, suicide, depression, p

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23

Ramanan, Mohan G. "The West and its Other: Literary Responses to 9/11." Miscelánea: A Journal of English and American Studies 42 (April 1, 2010): 125–36. http://dx.doi.org/10.26754/ojs_misc/mj.20109419.

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 This paper initially considers Don de Lillo’s Faiing Man, John Updike’s Terrorist, Ian McEwan’s Saturday and shows how in spite of considerable fictional dexterity all three fail in various ways to respond to the trauma of 9/11. The paper argues that mainstream American and British responses are variously blighted by the Huntington thesis of the clash of civilizations, Baudrillardian hyper reality and pseudo-Islamic scholarship, and a pull away from the large events of our world into domesticity. If one wants a more satisfying response one must perhaps turn to an ethnic writer like Mohs

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Yasmin Khan, Mamona, and Umme Farwa. "Exploration of Re-Oriental Tendencies in Shamsie’s Burnt Shadows and Home Fire: Re-Orientalization of the Orient." Journal of English Language, Literature and Education 4, no. 3 (2023): 1–16. http://dx.doi.org/10.54692/jelle.2023.0501149.

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Re-orientalization of the modern orient has become a new phenomenon in South Asian Literature. This research tended to analyze the re-oriental tendencies in Shamsie’s critically acclaimed novels Burnt Shadows and Home Fire. Lau’s (2009) framework of Re-Orientalism was selected for the analysis along with the basic concepts of Said’s (1979) Orientalism. Within this framework, the researcher selected ten random samples from both novels for textual analysis. The analysis reveals that the modern orient encounters more hate and prejudice in the host country for being an orient and a diaspora Muslim

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Bolaño Quintero, Jesús. "Paul Auster’s Transcendentalism: Shifting Postmodern Sensibility in the New Millennium." Journal of English Studies 19 (December 22, 2021): 3–21. http://dx.doi.org/10.18172/jes.4750.

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This article traces Paul Auster’s shift in sensibility after the 2001 attacks on the World Trade Center. While his earlier novels where paradigmatic of postmodern self-referentiality, several critics have argued that his post-9/11 production turned towards realism. This might be interpreted as subsidiary evidence in favor of the polemic debate around the death of postmodernism. However, the aim of this article is to outline the transformation of the writer and offer explanations as to why that change in sensibility does not respond to a divestiture of postmodernism, but to an intensification o

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Ramin, Zohreh, and Ilham Ward. "Expatriatism in Khaled Hosseini's The Kite Runner and Mohsin Hamid's The Reluctant Fundamentalist." k@ta 26, no. 1 (2024): 25–37. http://dx.doi.org/10.9744/kata.26.1.25-37.

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The September 11 attacks were world-changing events. Contemporary historians divide the history of the modern world into pre- and post-9/11. The metropolitan reaction was controversial. The Metropolis united against what is dubbed "the axis of evil." It attacked an array of Islamic nations. Mohsin Hamid's The Reluctant Fundamentalist (2007) and Khaled Hosseini’s The Kite Runner (2003) portrayed two Muslim expatriates from Pakistan and Afghanistan who experienced post-9/11 America firsthand. The protagonists presented two distinct understandings of extremism and fundamentalism. This article emp

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Alblooshi, Fatima, and Alaa Alasfour. "The Translation Flow of Arabic Novels into English Over Time." Ars & Humanitas 17, no. 1 (2023): 59–75. http://dx.doi.org/10.4312/ars.17.1.59-75.

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The discipline of Translation Studies has been criticized for being limited to only Euro-American perspectives and cultures, and thus scholars have called for expanding the scope of study beyond the Western conceptualizations of translation. This paper attempts to fill that void in the knowledge of the translation archaeology of Arabic novels translated into English. It creates an up-to-date bibliography of Arabic novels translated into English published worldwide across three decades (1988–2018) by consulting the US Library of Congress global union library catalogue and Goodreads. The collec

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Alghaberi, Jameel. "Identity and Representational Dilemmas: Attempts to De-Orientalize the Arab." Postcolonial Interventions: An Interdisciplinary Journal of Postcolonial Studies ISSN 2455 6564 Vol. V, Issue 1 (January 31, 2020): 140–69. https://doi.org/10.5281/zenodo.3633272.

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The article explores the representational dilemmas reflected in post-9/11 Anglophone Arab fiction. The aim is to move beyond the Orientalist paradigm and provide fresh perspectives on the possible strategies employed to de-orientalize the Arab. Most Arab American writers address the problems associated with Orientalism. However, their approach to tackle such problems varies depending on their political and social make-up. Some subscribe to the Western discourse and rhetoric. Other writers advocate the Eastern culture, while some other writers remain in-between. This article examines Lailya Hal

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Javed, Mubarra, Naushaba Haq, and Shahzad Karim. "The Misrepresentation of Muslim Community in Post 9/11 English Fiction: A Political Analysis of The Reluctant Fundamentalist and Terrorist." Pakistan Journal of Humanities and Social Sciences 12, no. 2 (2024): 2189–96. http://dx.doi.org/10.52131/pjhss.2024.v12i2.1526.

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This study shows that Muslims tend to be negatively framed, and Islam is portrayed as a violent religion in the context of the 9\11 incident. The researchers have highlighted the issue of misrepresentation of Muslims and Islam in John Updike’s Terrorist and Mohsin Hamid’s The Reluctant Fundamentalist. After 9/11, there came a transformation in the image of Muslims as they have been labelled as fundamentalists, fanatics, and terrorists. The study attempts to explore the politics of Western fiction after 9\11. The Muslims were held responsible for the happenings of 9/11, and this allegation was

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Rickel, Jennifer. "The Fear of Foreign Violence and the Narrative of American Victimization: Lessons From Three Post-9/11 Coming-of-Age Novels." Studies in the Novel 52, no. 2 (2020): 172–90. http://dx.doi.org/10.1353/sdn.2020.0021.

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Oravițan, Alexandru. "Historic(al) New York as Fictional Object." Papers in Arts and Humanities 3, no. 2 (2024): 48–58. http://dx.doi.org/10.52885/pah.v3i2.142.

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This paper aims to investigate the portrayal of New York City in prominent American literary works, ranging from Washington Irving’s (1809) A History of New York to contemporary post-9/11 novels through an analysis of how evolving depictions of the city have been transformed into potent and revealing fictional objects that enrich the literary works into which they have been integrated. By employing the classification of fictional objects into native, immigrant, and surrogate set forth by Terrence Parsons (1980) in his landmark work Nonexistent Objects, this applied study on New York posits tha

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Rabouli, Mohammed. "Prospects from Subordinate Unprivileged in Joseph O’Neill’s Novel Netherland." Arab World English Journal For Translation and Literary Studies 9, no. 1 (2025): 169–79. https://doi.org/10.24093/awejtls/vol9no1.12.

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Many immigrants, nonwhite residents and incomers in the post-9/11 period have found both American and British societies turning out to be less than welcoming hosts. Shedding light on this theme through close reading of the novel Netherland by Joseph O’Neill is the focus of this article. The main aim is to foreground the physical and psychological damages of the 9/11 attacks and how they have put immigrants in the international spotlight. The impact of the attacks explored in several novels ranges from politics and the economy to culture and the media. Because both the architects and committers

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Naz, Bushra. "Postcolonialism, Liberal Internationalism, 9/11 and Pakistani English Fiction." University of Chitral Journal of Linguistics and Literature 5, no. II (2021): 219–36. http://dx.doi.org/10.33195/jll.v5iii.339.

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In this article, I argue that Momo, Chengaze, and Daanish’s quest of political liberty and identity in Red Birds, The Reluctant Fundamentalist, and Trespassing respectively manifests that liberal-internationalism is a colonial agenda. Focussing on the development of liberal internationalism because of the transformation of the colonial to a neo-colonial strategy of the powerful countries, I argue that Pakistani fiction demonstrates these policies influencing and affecting the everyday life of ordinary Muslims living in refugee camps, diaspora, or in Pakistan. The focal point would be the exami

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Abubakar, Sadiya, and Md Salleh Yaapar. "ORIENTAL MIMICRY:." Al-Shajarah: Journal of the International Institute of Islamic Thought and Civilization (ISTAC) 26, no. 2 (2021): 141–58. http://dx.doi.org/10.31436/shajarah.v26i2.1069.

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Most post-9/11 novels are full of Orientalism of the Muslims as terrorists, misogynists or backward and intolerant murderers. Following the uproar after the unfortunate attacks of 9/11, Islam and Muslims have since become the centre of academic discourse, literature, media and even entertainment. The paper contextualises Ayaan Hirsi Ali’s exemplification of the Muslims in her enlightenment stance as Colonial Mimicry, her dehumanisation of Muslims as Orientalism. As post-9/11 works have been very much examined under the colonial, oriental, cultural, religious or political lens, this study merge

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Rehman, Ali, Muhammad Sabboor Hussain, Shehroz Mukhtar, and Muhammad Aqeel. "Reflection of Immigrants’ Identity Crises in Kamila Shamsie Home Fire vs. Mohsin Hamid Exit West: A Gender-Based Thematic Exploration." Journal of Policy Research 10, no. 2 (2024): 422–28. http://dx.doi.org/10.61506/02.00251.

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Kamila Shamsie's "Home Fire" and Mohsin Hamid's "Exit West" both discover the displacement and acknowledgement in a world that is becoming a global village. "Home Fire" throws light on the crucial integration of a loyal family member as a Muslim in a post-9/11 Western society scenario. It finds out the social and political identities that can cause conflicts. Migrants from the Western world, in contrast to "Exit West", have suffered emotional and physical suffering in the journey of refugees. It shares the love and barriers through the borders of countries. Both have different approaches to na

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Noji, Jennifer. "The Implicated Reader: Second-Person Address in Novels of US Imperialism." Narrative 32, no. 1 (2024): 21–40. http://dx.doi.org/10.1353/nar.2024.a916603.

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ABSTRACT: This essay explores how literature can help reckon with past and present political violence by employing formal and rhetorical techniques to implicate readers in such violence. Bringing Michael Rothberg’s concept of “the implicated subject” (2019)—a figure who is neither a victim nor perpetrator but rather enables or benefits from regimes of violence—into conversation with narrative theory and formalist criticism, the essay conceptualizes what I call an implicated reader , a term that designates an implied reader who is implicated in the violent events and structures represented in t

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Cormier, Matthew. "The Destruction of Nationalism in Twenty-First Century Canadian Apocalyptic Fiction." American, British and Canadian Studies 35, no. 1 (2020): 5–22. http://dx.doi.org/10.2478/abcsj-2020-0014.

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Abstract This article argues that, since the turn of the twenty-first century, fiction in Canada – whether by English-Canadian, Québécois, or Indigenous writers – has seen a re-emergence in the apocalyptic genre. While apocalyptic fiction also gained critical attention during the twentieth century, this initial wave was tied to disenfranchised, marginalized figures, excluded as failures in their attempts to reach a promised land. As a result, fiction at that time – and perhaps equally so in the divided English-Canadian and Québécois canons – was chiefly a (post)colonial, nationalist project. Y

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Jaff, Daban Q., and Yasir A. Al-Jumaili. "Conceptualizing Trauma in Don DeLillo’s Falling Man." Koya University Journal of Humanities and Social Sciences 3, no. 1 (2020): 123–31. http://dx.doi.org/10.14500/kujhss.v3n1y2020.pp123-131.

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This paper explores the mapping process which is used to conceptualize trauma in one of the post-9/11 novels, namely DeLillo’s Falling Man. The paper focuses on how the traumatic experiences are represented through metaphors. Although many previous studies have attempted stylistic investigations to DeLillo’s novel, very little research approached its metaphorical language. As far as trauma experience is concerned, most of the previous studies discussed these experiences thematically (Kensiton and Quinn, 2008; Gray, 2012; Pozorski, 2014; Keeble, 2014). This study, therefore, offers a stylistic

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VERSLUYS, KRISTIAAN. "9/11 as a European Event: the Novels." European Review 15, no. 1 (2007): 65–79. http://dx.doi.org/10.1017/s1062798707000063.

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At the time of writing, more than 20 novels have been written that deal directly or indirectly with the events of 9/11. In broad outlines, they fall under four categories: the novel of recuperation, the novel of first-hand witnessing, the great New York novel, and the novel of the outsider. It is the last category of novels – written by non-Americans – that demonstrates the extent to which 11 September has penetrated deep into the European psyche and thus has become a European event. What is surprising is that the gap between the continents seems smaller in fiction than in politics. Even Luc L

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Al-Aghberi, Munir Ahmed, and Hussein Saleh Ali Albahji. "Antiheroes in Mock-heroic Battles: Post 9/11 Alternatives in Jess Walter’s Novel The Zero." International Journal of Language and Literary Studies 5, no. 2 (2023): 24–36. http://dx.doi.org/10.36892/ijlls.v5i2.1268.

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Placing Jess Walter's The Zero within a post 9/11 counter discourse, the present study examines the novel as a modern mock-heroic fictional work. The novel is critically analyzed as a parody of both the detective fiction genre as well as the early post 9/11 fiction adopting the American official narrative. The argument proceeds through three sub-headings. The first part queries the novel's representation of antiheroism in response to the discourse of heroism prevalent in American culture. The second part ponders on the mock-heroic battles and situations taking place as part of the US war again

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Alzayadi, Ali Dakhil Naem. "The Portrait of Arab Characters in Layla Halaby's Once in a Promised Land." مجلة واسط للعلوم الانسانية 20, no. 4 (2024): 609–589. http://dx.doi.org/10.31185/wjfh.vol20.iss4.715.

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This article aims to examine the portrait of Arab characters in Layla Halaby's Once in a Promised Land. This study focuses on the situation of the Arab Muslim protagonist of Once in Promised Land by Halaby, a postcolonial literary masterpiece addressing the topic of Muslim Arabs in the United States following the horrific terrorist assault of 9/11, the portrait that the researcher intends to show in this article. The study attempts to shed light on how Muslim Arabs were seen in America following the event. It provides insight into the main protagonists, Salwa and Jassim from Jordan, who stand

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Hussein, Saman Abdulqadir, and Sirwan Abdulkarim Ali. "Memory, Trauma, and Compromised Identities in Nadeem Aslam's Post-9/11 novel The Wasted Vigil (2008)." JOURNAL OF LANGUAGE STUDIES 9, no. 1 (2025): 227–36. https://doi.org/10.25130/lang.9.1.12.

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The Wasted Vigil (2008) by Nadeem Aslam portrays the complicated interplay of memory, trauma, and identity in post-9/11 Afghanistan. This paper examines the impact of historical and political factors on the characters' experiences and their identities, using postcolonialism and trauma studies as its theoretical framework. It analyzes the interactions between memory and trauma as reflected in the characters' lives, as well as their views of their positions in the world, through a close reading of the novel's exquisite language and sophisticated narrative structure. The novel depicts trauma as i

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Satinem, Satinem, Juwati Juwati, Noermanzah Noermanzah, and Sumiharti Sumiharti. "Study of Tourism Literature in Novel through a Genetic Structuralism Approach." Journal of English Education and Teaching 8, no. 2 (2024): 495–507. http://dx.doi.org/10.33369/jeet.8.2.495-507.

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Amanda, A. P., Syamsina, A. N., & Pratiwi, I. I. (2024). Strukturalisme genetik Lucien Goldmann dalam novel Supernova 2: Akar karya Dee Lestari (Lucien Goldmann's genetic structuralism in the novel Supernova 2: Akar by Dee Lestari). Aksarabaca Jurnal Bahasa, Sastra, dan Budaya, 1(1), 1–11. https://doi.org/10.47313/aksarabaca.v1i1.3138 Anoegrajekti, D. (2020). Sastra pariwisata (Tourism literature). Yogyakarta: Kanisius. Arnas, B. (2021). Ethile-Ethile. Yogyakarta: Diva Press. Artawan, G. (2020). Aku cinta lovina: Peran sastra dalam mempromosikan pariwisata Bali Utara (I love Lovina: The ro

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Niama, Haidyr Hashim. "ORIENTALISM IN JOHN UPDIKE’S TERRORIST." International journal of language, literature and culture 04, no. 02 (2024): 13–19. http://dx.doi.org/10.55640/ijllc-04-05-03.

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The goal of this research is to look at John Updike's "Terrorist" as a Neo-Orientalist depiction of Muslims, particularly Arabs. Indeed, since the Crusades, there has been a centuries-long conflict between the West and Islam. The crusaders' philosophy was centered on the duality of "we" versus "them.". Western monarchs, clergy, missionaries, businessmen, and authors tended to see Islam and Muslims through myopic lenses, creating an exotic, weird, and distorted image of Islam and Muslims in their stories. These tales had a profound impact on how the Muslim and Islamic worlds were portrayed in t

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Шарма Сушіл Кумар. "Indo-Anglian: Connotations and Denotations." East European Journal of Psycholinguistics 5, no. 1 (2018): 45–69. http://dx.doi.org/10.29038/eejpl.2018.5.1.sha.

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A different name than English literature, ‘Anglo-Indian Literature’, was given to the body of literature in English that emerged on account of the British interaction with India unlike the case with their interaction with America or Australia or New Zealand. Even the Indians’ contributions (translations as well as creative pieces in English) were classed under the caption ‘Anglo-Indian’ initially but later a different name, ‘Indo-Anglian’, was conceived for the growing variety and volume of writings in English by the Indians. However, unlike the former the latter has not found a favour with th

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Zamith Cruz, Judite. "Marina. Lucchesi, Marco. Santo André (SP): Rua do Sabão, 2023." EccoS – Revista Científica, no. 67 (December 18, 2023): e25392. http://dx.doi.org/10.5585/eccos.n67.25392.

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Jogo de espelhos e palavras Analogias duma beleza transitiva Foi entre “formigas e cupins”[1] que descobri e inventei por “ver” o que lia. Do jardim a casa, numa aprazível “distração”, li Marina (do latim, marinus, “marinho”). Se ia em busca de cupins, absorvi-me logo numa bela atividade intrínseca de “ler” a natureza humana. Os estados/processos emocionais deram-se ao meu sonho acordado, frente à lua cheia. Por contraste mínimo, o que acontece no sonho propriamente dito é antes uma não narrativa, uma dissociação não controlada, exibida a superfície de fundo inacessível[2], graciosa alternativ

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Kar, Angshuman. "Post-9/11 Indian English Diaspora Fiction: Contexts and Concerns." Asiatic: IIUM Journal of English Language and Literature 11, no. 1 (2017). http://dx.doi.org/10.31436/asiatic.v11i1.967.

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Authenticity of the representations of the â€œrealâ€ problems of the Indian diasporans in Indian diaspora fiction has often been questioned by the critics as some ten or twelve years back, in the hands of most of the Indian diasporic writers, the problems of acculturation often got reduced only to the difficulty in mastering native manners and customs. Eminent Indian diaspora writers such as Jhumpa Lahiri and Kiran Desai, were, indeed, silent on religious, ethnic and racial problems that the Indian diasporic communities encounter in the host countries. Post 9/11 developments, mainly in the US

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Henriksson, Helena Wahlström. "Tillfällighetsmodrande och föräldralösa barn i amerikanska post-9/11-romaner." Kvinder, Køn & Forskning, no. 1-2 (November 30, 2015). http://dx.doi.org/10.7146/kkf.v0i1-2.28500.

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This article explores how ideas about national identity are staged and critiqued through representations of family relations in two American post-9/11 novels, focusing more specifically on mothering and the orphan child. Michael Cunningham’s Specimen Days (2005) and Lynne Sharon Schwartz’s The Writing on the Wall (2005) feature orphan children and women who take on the task of mothering them, if only temporarily, in the aftermath of the terrorist attacks. These orphans, as well as the women who mother them, serve to destabilize the “naturalness” of motherhood as well as the naturalization of t

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Hazboun Taşyakan, Reem. "The Arab American Polyphonic Novel and Its Indictment of the Post-9/11 Political Agenda." Arab Studies Quarterly 46, no. 2 (2024). http://dx.doi.org/10.13169/arabstudquar.46.2.0119.

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Following 9/11, the United States, led at the time by the George W. Bush administration, formulated and disseminated a political narrative replete with falsehoods and rigid binaries intended to justify changes to its domestic and foreign policy. That narrative was based on Orientalist tropes and American exceptionalism – ideas which have been part of American political discourse for more than a century. Two post-9/11 multi-narrator novels – Laila Halaby’s Once in a Promised Land (2007) and Laila Lalami’s The Other Americans (2019) – respond to the dominant political narrative by deconstructing

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Raza, Iqra. "I (can’t) See You: Politics of in/visibility in the Writings of Ishtiyaq Shukri." Language, Literature, and Interdisciplinary Studies 4, no. 2 (2021). https://doi.org/10.71106/zkzf5805.

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This paper seeks to study the shift in representation of the Muslim body (within the context of War on Terror) from figuration of an embodied autonomous subjectivity to a disembodied one haunting through the remnants of its presence, via a close textual analysis of Ishtiyaq Shukri’s novels The Silent Minaret (2005) and I See You (2014). The paper seeks to explore the notions of power and resistance that inform Shukri’s concerns wherein spectrality operates both as a mode of resistance against surveillance mechanisms and as the culmination of the neo-colonial Empire’s necropolitics. It will par

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