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Journal articles on the topic 'Postmodernisme – Origines'

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Published: 7 July 2024

Last updated: 31 July 2025

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1

Nattiez, Jean-Jacques. "La fondation de Circuit et sa première décennie : un coup d’oeil rétrospectif et autocritique." I. Hier : il y a 20 ans 20, no. 1-2 (2010): 13–23. http://dx.doi.org/10.7202/039639ar.

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Le cofondateur de la revue raconte les origines et l’essor subséquent de Circuit durant la décennie (les années 1990) où il l’a pilotée. Se penchant sur le contexte intellectuel qui a vu la naissance de la revue, l’auteur souligne l’importance de Circuit en tant que forum de débats esthétiques importants. Sont discutés notamment les numéros consacrés au postmodernisme, à la musique actuelle et à l’électroacoustique.

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Remete, George. "The origins of postmodernism." Altarul Reîntregirii, no. 3 (2017): 7–24. http://dx.doi.org/10.29302/ar.2017.3.1.

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Shaukat, Fakhr ul Munir, and Muhammad Hamza. "Anarchism: A Legacy of Postmodernism." Global Political Review VI, no. IV (2021): 14–20. http://dx.doi.org/10.31703/gpr.2021(vi-iv).02.

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This study has made the implicit links betweenpostmodernism and anarchism explicit in order to uncoverthe philosophical origins of terrorism in the postmodern society. This studydeals with the Anarchists' philosophical background and howPostmodernism fanned it. Anarchists' approach mainly whirls around asingle point agenda, and that is, they are against the state or existence ofstates' borders. I mention again what Researcher has already mentioned,the state and all other international institutions emerged after a rationalapproach as stated by Hegel. Postmodernism denied that reality in everyco

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Gilmour, John C. "Original Representation and Anselm Kiefer's Postmodernism." Journal of Aesthetics and Art Criticism 46, no. 3 (1988): 341. http://dx.doi.org/10.2307/431105.

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GILMOUR, JOHN C. "Original Representation and Anselm Kiefer's Postmodernism." Journal of Aesthetics and Art Criticism 46, no. 3 (1988): 341–50. http://dx.doi.org/10.1111/1540_6245.jaac46.3.0341.

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Bochkarev, Sergey A. "The origins of postmodernism about the true meaning and purpose of post-law." Gosudarstvo i pravo, no. 11 (2021): 24. http://dx.doi.org/10.31857/s102694520016773-1.

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The article examines the cultural origins of postmodernism in order to establish the true meaning and purpose of the post-law developed on its basis. According to the results of the study, there is no evidence that postmodernism belongs to the general cultural phenomena of modernity, the argument about which is often used as a strong argument for the development of post-law and its introduction into scientific and practical circulation. The attitude of postmodernism to the subculture of protest is revealed. The analysis of the prerequisites that form postmodernism convinced him that he does no

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Tarasov, Aleksei Nikolaevich. "The origins of postmodernism as a sociocultural transformation: counterculture of the 1960s – early 1970s." Философская мысль, no. 2 (February 2021): 53–62. http://dx.doi.org/10.25136/2409-8728.2021.2.32871.

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This article reviews postmodernism as a transitional stage in the dynamics of modern culture in the countries of Euro-Atlantic civilization. Such transitional stages the author defines as sociocultural transformations. Postmodernism is the finale of the current stage of sociocultural transformation, which according to the author started in the last third XIX century with the avant-garde culture. The article traces the impact of counterculture of the 1960s &ndash; early 1970s upon establishment of the postmodern paradigm. It is demonstrated that counterculture manifested as the sociocultura

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Holt, Robert R. "Postmodernism: Its Origins and its Threat to Psychoanalysis." International Forum of Psychoanalysis 11, no. 4 (2002): 264–74. http://dx.doi.org/10.1080/080370602321124740.

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Bowden, Bradley G. "Empiricism, epistemology and modern postmodernism: a critique." Qualitative Research in Organizations and Management: An International Journal 14, no. 4 (2019): 481–97. http://dx.doi.org/10.1108/qrom-02-2019-1726.

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Purpose The purpose of this paper is twofold: first, it seeks to trace the origins of the various strands of postmodernism within German philosophic idealism; traditions of thought which placed emphasis – like postmodernism – on a subjective understanding of evidence and a supposed capacity of human consciousness to continually move beyond the bounds imposed by social convention and being; second, this paper states that postmodernism, rooted as it is in philosophic idealism, is methodologically and conceptually constrained. Its emphasis on consciousness and will marginalize its capacity to mak

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Deng, Gang. "The origins of postmodern moral relativism." Filozofia Publiczna i Edukacja Demokratyczna 8, no. 1 (2019): 77–94. http://dx.doi.org/10.14746/fped.2018.7.2.2019.8.1.5.

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Postmodernism, which emerged in the 1960s, involves a wide range of fields and carries out all-round critical reflections on the foundation, tradition and other aspects of the development of modern civilization. Postmodern morality came into being with the popularity of postmodernism in western countries. It features obvious “de-universality” and provides a new mirror for reflections on modern morality. Its progressive significance cannot be ignored. However, some postmodern moral concepts are becoming increasingly relativistic, even going to extremes, bringing about disturbances to society.

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Morera, Lucía. "THE LESBIAN BILDUNGSROMAN: THE PROCESS OF SELF-DISCOVERY IN JEANETTE WINTERSON’S ORANGES ARE NOT THE ONLY FRUIT (1985)." RAUDEM. Revista de Estudios de las Mujeres 2 (May 22, 2017): 256. http://dx.doi.org/10.25115/raudem.v2i0.601.

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Debido a la proliferación de editoriales de carácter feminista, a finales de los años ochenta muchos colectivos de mujeres lograron finalmente visibilidad gracias a la literatura postmoderna. Autoras feministas y lesbianas como Jeanette Winterson utilizaron la escritura como un marco artístico donde exponer sus propios procesos de identificación e individualización al rebelarse contra la feminidad heterosexual y normativa impuesta por la sociedad. El objetivo de este artículo es ilustrar como la novela de Winterson Oranges Are Not the Only Fruit (1985) reelabora el concepto original de la nove

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Ovodova, Svetlana P. "Global in the discourse of metamodernism: The problem of origins." Izvestiya of Saratov University. Philosophy. Psychology. Pedagogy 22, no. 1 (2022): 29–33. http://dx.doi.org/10.18500/1819-7671-2022-22-1-29-33.

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The article examines the representation of the global phenomenon in the discourses of modernity and metamodernity. In the domestic reception, metamodernism is often represented as post-postmodernism. A significant discrepancy in assessments of a fairly integral phenomenon of modern philosophy of culture, which is metamodernism, can be explained. The methodological guidelines of metamodernism are still in development. Theorists of metamodernism continue their search, the establishment of interaction between postirony, authenticity, new sincerity, depth, historicity, affect, selfhood, and superh

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ETARYAN, Yelena. "The German View on Modernism and Postmodernism." WISDOM 15, no. 2 (2020): 211–19. http://dx.doi.org/10.24234/wisdom.v15i2.336.

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This article examines the origins of modernism/postmodernism and their presentation in the light of aesthetic and philosophical treatises or literary works of Friedrich Schlegel, Heinrich Kleist, Friedrich Schiller, as well as in the triad model of the world history and the biblical story of the fall of the man. The common idea which lies at the basis of the works presented is the contrast between the principles of nature and reason and the search for opportunities for their synthesis. The main thesis of the article is to present the commonality between the maxims of modernism/ postmodernism a

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Zhang, Qianyu. "The Study of Postmodernism Tendency in Flowers for Algernon." Journal of Education and Educational Research 6, no. 1 (2023): 175–80. http://dx.doi.org/10.54097/jeer.v6i1.14246.

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Flowers for Algernon is a story about Charlie Gordon, a 32-year-old mentally challenged, who happens to have the opportunity to undergo a surgical procedure that will increase his mental capabilities. After the surgery, he has to face many great changes, like getting used to his high IQ. At the end of the story, the surgery reverses, and Charlie’s intelligence returns to its original level. Though it’s science fiction by Daniel Keyes, it has some postmodernism tendencies if judged from this perspective. To analyze the postmodernism tendencies in this book, the basic information of the book and

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Peters, Helen. "Towards Canadian Postmodernism." Canadian Theatre Review 76 (September 1993): 13–17. http://dx.doi.org/10.3138/ctr.76.003.

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Canadians today recognize ourselves as descendants of French and English colonists, immigrants, and North American Aboriginal peoples. We are becoming more aware of complex issues in the history of our country and increasingly sensitive to the interrelationship between the Aboriginal population and European settlers from the earliest stages of colonization through the process of achieving nationhood. In Canada as in other countries of colony-based origins, colonization furthered the interests of the colonizer, not the native, and subsequent historical development has paid little attention to r

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Fredman, Stephen. "Form and Experience: Williams, Dewey, and the Origins of American Postmodernism." William Carlos Williams Review 32, no. 1-2 (2016): 33–52. http://dx.doi.org/10.1353/wcw.2016.0003.

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Sağıroğlu, Rana. "A Compact Embodiment of Pluralities and Denial of Origins: Atwood’s The Year of The Flood." European Journal of Multidisciplinary Studies 1, no. 3 (2016): 141. http://dx.doi.org/10.26417/ejms.v1i3.p141-146.

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Margaret Atwood, one of the most spectacular authors of postmodern movement, achieved to unite debatable and in demand critical points of 21st century such as science fiction, postmodernism and ecocriticism in the novel The Year of The Flood written in 2009. The novel could be regarded as an ecocritical manifesto and a dystopic mirror against today’s degenerated world, tending to a superficial base to keep the already order in use, by moving away from the fundamental solution of all humanity: nature. Although Atwood does not want her works to be called science fiction, it is obvious that scien

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Wöll, Steffen. "Shuffling Narratives: Apocalypticism, Postmodernism, and Zombies." Anglica. An International Journal of English Studies, no. 29/1 (2020): 87–107. http://dx.doi.org/10.7311/0860-5734.29.1.06.

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Zombies and the tropes that surround them have become a staple of popular culture and a familiar presence in movies, television series, graphic novels, and video games. From their Caribbean folklore origins, the undead are palimpsestic metaphors for social issues and cultural anxieties. This article examines the rarely studied tensions between apocalyptic desires to resurrect narrative stability through monstrous bodies and postmodern voices that utilize zombies to decompose societal conventions. Despite this supposed antagonism, the article suggests that zombies amalgamate these contrasting m

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Lushnikova, Galina I., and Tatiana Yu Osadchaia. "CONTAMINATION OF POSTMODERNIST AND POST-POSTMODERNIST TENDENCIES IN THE WORKS BY J. FRANZEN." Philological Class 26, no. 2 (2021): 200–211. http://dx.doi.org/10.51762/1fk-2021-26-02-17.

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The study focuses on the manifestation of the main literary trends – postmodernism and post-postmodernism – in the novels of the contemporary American writer J. Franzen, which has determined the purpose of the paper – to identify, characterize and analyze the leading features of the new literary tendencies that have obtained original interpretation in the writer’s literary creative activity. The article gives a brief overview of philosophical, cultural and literary criticism studies of both home and foreign scholars, which describe the vectors of development of the literary process at the pres

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Johnson, James, and Dana R. Villa. "Public Sphere, Postmodernism and Polemic." American Political Science Review 88, no. 2 (1994): 427–33. http://dx.doi.org/10.2307/2944714.

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Theories of the public sphere, as standardly formulated, aim to specify the minimal, necessary conditions for a discursive realm free of coercion or manipulation. In his article in this Review in September 1992, Dana Villa urged us to reconsider this standard account. He argued that when read in light of postmodernist theory, Hannah Arendt provides the basis for a revised conception of the public sphere that privileges plurality and difference over consensus. Jim Johnson suggests that Villa's analysis is a thinly veiled polemic against critical theory. Johnson argues that, as critique, Villa's

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Klotz, Günther. "Howard Barker: Paradigm of Postmodernism." New Theatre Quarterly 7, no. 25 (1991): 20–26. http://dx.doi.org/10.1017/s0266464x00005157.

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The plays of Howard Barker are probably more fervently admired and resolutely disliked than those of any other British dramatist of his generation. Although we have twice published interviews with the playwright about his life and work – first in the original Theatre Quarterly, TQ40 (1981), and more recently in NTQ8 (1986) – subsequent articles in NTQ have tended to be critical of his achievements: we are therefore pleased to present here a view of two of his latest plays, The Last Supper and The Bite of the Night, which, while recognizing precisely those qualities for which Barker has often b

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Hu, Yanfang. "Research on the Social Influence of Postmodernism Ideological Trend." Journal of Social Science and Humanities 6, no. 12 (2024): 1–3. https://doi.org/10.53469/jssh.2024.6(12).01.

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Postmodernism Ideological Trend opposes the wholeness and identity put forward by the western traditional philosophy and liberates people's individuality to some extent. However, with the development of postmodernism, its nature of only doubting but not constructing gradually emerges, which is difficult to guide the progress of the society and loses its original practical significance. Therefore, we should have a correct view of the post-modernism trend of thought and adhere to marxism as the guiding ideology to guide the development of China at any time.

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Martynov, Artem A. "POSTMODERNISM AS THE “SENSE OF AN ENDING” IN THE SAME NAME NOVEL BY J. BARNES." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 3 (2024): 236–45. http://dx.doi.org/10.28995/2686-7249-2024-3-236-245.

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The article deals with the identification and study of postmodernist features in the novel by J. Barnes “The Sense of an Ending”. The article provides a detailed analysis of the features of postmodernism in modern literature, explaining the conditions of their formation. Special attention is given to the discussion of such phenomena as the unreliable narrator and distrust of the truth, as well as the reconstruction of memories and moral relativism. The original article contributes to the formation of a comprehensive understanding in postmodernism as a literary movement.

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Filina, Irina. "Schelling – Classic, Postmodernist and Contemporary." Sententiae 3, no. 1 (2001): 141–58. http://dx.doi.org/10.31649/sent03.01.141.

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The author considers Schelling`s personality: German philosophy classic and its first historian. She demonstrates postmodern nature of Schelling`s philosophy. As she think, Schelling has been affirming nature`s autonomy and its perpetual interaction with history of philosophy. By criticizing Hegel`s panlogism Schelling has stimulated development of postclassic philosophy core ideas: accidental, auto-important, original, unique, irrational, genius. The author demonstrates, that Schelling`s concept of open system, which perpetually changes, makes him our contemporary.

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Cunningham, Andrew, and Perry Williams. "De-centring the ‘big picture’: The Origins of Modern Science and the modern origins of science." British Journal for the History of Science 26, no. 4 (1993): 407–32. http://dx.doi.org/10.1017/s0007087400031447.

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Like it or not, a big picture of the history of science is something which we cannot avoid. Big pictures are, of course, thoroughly out of fashion at the moment; those committed to specialist research find them simplistic and insufficiently complex and nuanced, while postmodernists regard them as simply impossible. But however specialist we may be in our research, however scornful of the immaturity of grand narratives, it is not so easy to escape from dependence – acknowledged or not – on a big picture. When we define our research as part of the history of science, we implicitly invoke a big p

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Ishutin, A. "Postmodernism vs wholeness: socio-political discourse." Journal of Political Research 4, no. 3 (2020): 70–79. http://dx.doi.org/10.12737/2587-6295-2020-70-79.

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The purpose of the article is to examine the ideological origins and political consequences of postmodernism in the contemporary world. The article uses such methods of scientific research as the comparative method, the retrospective method, and the hermeneutical method. The author of the article claims that in the context of the collapse of the project «Modern» and the idea of a mechanistic man, postmodernism becomes the ideology of Western civilization. At first, postmodernism identified itself only in the narrow world of philosophical circles, but even then it declared itself as a worldview

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Gunawan, Elizabeth, Helena Calista, and Alfiansyah Zulkarnain. "ADAPTASI TANPA ISI: PENGARUH DESAIN “UNTITLED - I SHOP THEREFORE I AM” KARYA BARBARA KRUGER TERHADAP DESAIN LOGO BRAND SUPREME." Jurnal Dimensi Seni Rupa dan Desain 18, no. 1 (2021): 1–12. http://dx.doi.org/10.25105/dim.v18i1.10599.

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AbstractOne of the conceptual artists of postmodernism, Barbara Kruger, is known for her work that combines visual images with text to convey criticism of social issues directly to society. One of the most famous works that she has is "Untitled - I Shop Therefore I am (1987)" which is a form of criticism of the issue of consumerism. In 1994, Supreme arrived, which had a logo in the exact same style as Kruger. Ironically, the brand actually had ideas that ran counter to the original purpose of Kruger's work. Therefore, this paper aims to deepen the knowledge of how to properly adapt a reference

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Pillay, G. J. "Postmodernism and the hermeneutical challenge: some theological reflections." Verbum et Ecclesia 20, no. 2 (1999): 399–413. http://dx.doi.org/10.4102/ve.v20i2.609.

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How can one achieve the critical tension between contextual relevance in a post-modem world and "responsibility before history"? What is the justification for theological method as critical reflection within a tradition? What is the relation between ground texts that have historical authority (Scripture), the infonning tradition of interpretation of these texts (Church History), and the interpretive communities that read them (context)? Raising these questions, the article argues that for all its useful insights, postmodemism fundamentally challenges theological (and historical) reflection. Th

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Ross, Reuben Connolly. "Learning from Lisbon Or, how postmodernism conquered Portugal." Interações: Sociedade e as novas modernidades, no. 40 (June 30, 2021): 107–15. http://dx.doi.org/10.31211/interacoes.n40.2021.a5.

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The Amoreiras shopping centre in Lisbon is an icon of Portuguese postmodernism. When it first opened in 1985, its kitsch design stood out conspicuously amidst a landscape of smart Pombaline shopping streets, social housing tower blocks and tourist-friendly houses clad in “traditional” azulejo tiles. But it also reflected a pivotal moment in Portuguese history and still stands today as a reminder of the consumerist aspirations of post-revolutionary Portugal, the neoliberal policies that have come to dominate life in many Western nations and the stark contradictions of global capitalism. Departi

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Ciobanu, Liliana. "POSTMODERNIST PRACTICES IN CONTEMPORARY OPERA." Studiul artelor şi culturologie: istorie, teorie, practică, no. 1(42) (September 2022): 158–63. http://dx.doi.org/10.55383/amtap.2022.1.29.

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Opera, an important link of contemporary culture, has a considerable influence on the individual and society, directing and enriching the cognitive, affective and attitudinal universe of the audience. Postmodernist ideology projects opera into a crisis, stimulating the development of controversial artistic forms. But, at the same time, the information environment gives Opera the possibility of transiting the closed spaces of the halls, propagating and broadcasting the lyrical performances in front of an impressive audience. The social and cultural-artistic context of the last decades has favor

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Costea, Ionuț. "Medievalism. Historiographic Markers." Studia Universitatis Babeș-Bolyai Historia 68, no. 1 (2023): 131–60. http://dx.doi.org/10.24193/subbhist.2023.1.07.

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The present study aims to shed light on the intellectual origins of medievalism studies, on the evolution of this historical research approach and the primary directions of inquiry employed in this field at the end of the 20th century and over the first two decades of the 21st century. The main focus of the present article is placed on the institutionalization of the research on medievalism (conferences, journals, editorial collections, university courses) and on the formation of several scholarly groups around the special research programs in this field (Kalamazoo, Yale, Medieval Electronic M

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Asimakopoulos, John. "Postmodernism: The Evolution of Symbolic Interactionism and Critical Theory." Theory in Action 15, no. 3 (2022): 50–71. http://dx.doi.org/10.3798/tia.1937-0237.2217.

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Symbolic interactionism has not stalled with the works of major figures such as Goffman. Rather, there is a continuity from symbolic interactionism to post-structuralism / postmodern theory and sociological conflict theory. The paper shows that there has always been an overlap between micro and macro theory, often by intellectuals considered early founders of theoretical approaches at both levels. Furthermore, this evolution demonstrates the viability of symbolic interactionism as critical theory and its applicability for the analysis of inequality from its origins in interactions to the macro

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Новосадова, Анна, and Наталія Задачина. "Olexandr Kozarenko's creativity in the context of postmodernism." Мистецтво в культурі сучасності: теорія та практика навчання, no. 1 (October 30, 2023): 69–74. http://dx.doi.org/10.31652/3041-1009-2023(1)-09.

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The article is devoted to the issue of the peculiarities of the embodiment of postmodern features in the musical space of Ukraine in the late twentieth and early twenty-first centuries. This period is characterized by the rejection of the generally accepted laws of musical art in favor of individualization of composers' creativity. The synthesis of styles, genres, and techniques becomes postmodern poetics and a new cultural tradition. Among the well-known national artists of the late twentieth and early twenty-first centuries, a prominent place belongs to the figure of O. Kozarenko. The rel

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Manzoor, Fahmida, Hina Naz, and Shamim Ara Shams. "Challenging the Archetypes: Re-visitation of Fairy Tales." Global Language Review V, no. III (2020): 232–43. http://dx.doi.org/10.31703/glr.2020(v-iii).24.

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This study aims to highlight how the revisited American fairytale movies shun the archetypal symbols, characters and situations of the previous fairy tales. The researcher analyzes the new set of norms that are proposed by the postmodernists, which are positioned to shun the metanarratives and work against totality by waging war against it (Lyotard 71-82). The perspective in doing so is to find out the changes in the original stories which have challenged the collective unconsciousness. Collective Unconscious, according to Jung, are the unconscious feelings present among human beings as specie

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Gaczoł, Tomasz. "The promise of a new cultural periodization: Realism, Modernism, Postmodernism." Studia Philosophica Wratislaviensia 13, no. 4 (2019): 55–69. http://dx.doi.org/10.19195/1895-8001.13.4.4.

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The promise of a new cultural periodization:Realism, Modernism, PostmodernismThis article discusses the problem of a possibility of finding a comprehensive narrative encompassing the entire course of history and forming an interpretive framework for cultural studies. The author presents Fredric Jameson’s original concept of the history of aesthetic forms: realism, modernism, postmodernism and argues that if offers a promising interpretative framework for Polish studies.

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Shorkend, D. "ART & LIFE: Towards a New Post Modernism." ISSRA Journal of Arts, Humanities, and Social Studies 2, no. 5 (2023): 14–17. https://doi.org/10.5281/zenodo.10118902.

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<strong>Abstract: </strong>In this essay I outline a brief sweep of history in the context of art and the basic aesthetics and extra-aesthetic modalities during the premodern, modern, and postmodern eras or paradigms. In this way, art is seen to be of rather recent origins with the rise of the modern world. Nevertheless, this ran its course and postmodernism not only railed against the fatalism of the premodern, but also the narrative of the modern and the artistic achievements of this new aesthetic. Pop art overshadowed abstract expressionism and "deep" ontology gave way to the superfici

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Eldin, Mikhail A., and Anastasia A. Raslova. "The Specifics of the Economic Tradition of Russian Society: from Byzantine Origins to Postindustrialism and Postmodernism." Economic History 19, no. 2 (2023): 177–87. http://dx.doi.org/10.15507/2409-630x.061.019.202302.177-187.

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Introduction. In the history of Russian public thought, the issues of human economic activity have been considered from time immemorial through the prism of ethics of justice. Many things have been borrowed from the practice of Byzantine religious morality of economic taxonomism. In the Byzantine patristic paradigm, economy-house-building was analyzed as a field for spiritual growth in the field of Orthodox obedience. Wealth and success were not condemned, but evaluated as a challenge to the test. At the same time, from John Chrysostom to the thinkers of Moscow Russia, the theme of economic ac

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Turbin, Carole. "Introduction to Roundtable." Social Science History 22, no. 1 (1998): 1–6. http://dx.doi.org/10.1017/s0145553200021659.

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Like many other social science historians, since the late 1980s I have reflected on how postmodernist thinkers like Foucault and Derrida are useful for historians. In 1995 I taught a graduate course on the history of social history, and I looked back on the origins of the field through the eyes of my students who were intrigued with postmodernism. I realized that time has crept up on me. I barely noticed that this field that we developed over the years is no longer young but has come of age and is now part of the accepted canon, one of many subdisciplines. Indeed, my students thought of social

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Oleinic, Svetlana. "Architectural shaping in the epoch of modernism and postmodernism." Arta 33, no. 1(AV) (2024): 133–39. https://doi.org/10.52603/arta.2024.32-1.15.

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Modern practice of architectural design, being part of the progressive development of modern architecture, is based on the difference in concepts and principles of architectural shaping of the two main movements of modernism and postmodernism. In accordance with the essence of the philosophical law of unity and struggle of opposites, they form two poles - rational and decorative. The concepts of rationality and decorativeness are present to one degree or another in all modern styles and directions of architecture, turning this division into a conditional category. Currently, the concept of arc

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Ershova, Iuliia. "The technique of postmodernist simulation game in the novel “Supernova: The Knight, The Princess, and The Falling Star” by Indonesian writer Dewi Lestari (2001)." Litera, no. 5 (May 2021): 88–96. http://dx.doi.org/10.25136/2409-8698.2021.5.35544.

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This article examines the modern Indonesian women&rsquo;s prose and its interaction with the elements of postmodernist paradigm. The object of this research is the novelistic writing of the prominent Indonesian author Dewi Lestari on the example of the novel "&ldquo;Supernova: The Knight, The Princess, and The Falling Star&rdquo; (Supernova: Ksatria, Puteri, dan Bintang Jatuh, 2001), which is part of the series &ldquo;Supernova&rdquo; (2001-2016). Fiction, as the &ldquo;median&rdquo; field in literature, embraces various codes of language art. Relying on the tested

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Philatova, M. "Potential Infinity as the Paradigmatic Core of Postmodernism." Contemporary Philosophical Research, no. 2 (July 1, 2023): 57–70. https://doi.org/10.18384/2310-7227-2023-2-57-70.

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Aim. To clarify the prospects for the development of European philosophy in connection with the postmodern rejection of modernity, classics in general. To show that behind this postmodern negative gesture the assertion of the problem of actual infinity lies.Methodology. The research methodology is based on general scientific methods (analysis, synthesis, deduction), hermeneutical method, analogy. It is established that the philosophical and metaphysical aspect, which is rooted in the pre-philosophical tradition of the search for the transformation of nature, i1s generic for the problem of actu

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Rusin, R. M. "POSTMODERNISM: AESTHETICS AND THE ART OF VIRTUALITY." UKRAINIAN CULTURAL STUDIES, no. 1 (4) (2019): 67–69. http://dx.doi.org/10.17721/ucs.2019.1(4).13.

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At the end of the 20 and the beginning of the 21 century as a result of the changes that took place in art, there was a need for a theoretical re- thinking of artistic practices. This task was assumed by artists, art critics, art critics and other agents of the artistic world, trying to clarify the pos- sibility of a new vision of art, give it an objective assessment. Obviously, understanding the specifics of contemporary art is not so much in the assessment itself, but in clarifying the fundamentals of a different understanding of such concepts as "classical art", "contemporary art," "virtual

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Erney, Hans-Georg. "Some of the Dhwani: Translating Geetanjali Shree's Ret-Samādhi/Tomb of Sand." Translation and Literature 34, no. 1 (2025): 56–77. https://doi.org/10.3366/tal.2025.0614.

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Following its 2022 Booker International Prize, Geetanjali Shree's Tomb of Sand has enjoyed considerable scholarly attention, but not always for the best reasons. While critics have discussed the novel through a variety of familiar lenses (feminism, postmodernism, Partition studies), surprisingly few have paid attention to its Hindi original रेत समािध ( Ret-Samādhi). This paper undertakes to correct this imbalance by reading the novel's original version against its French and English translations. By analysing how, and to what extent, two translators have succeeded in rendering Shree's unique d

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Bilyk, Nataliia L. "CONTEXTUAL DIMENSIONS OF M. PRODANOVYCH`S NOVELS POETICS." Alfred Nobel University Journal of Philology 2, no. 22 (2021): 69–81. http://dx.doi.org/10.32342/2523-4463-2021-2-22-6.

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One of the most original figures in modern Serbian literature is Mileta Prodanovic ‒ an artist, art critic, writer, winner of international awards in the field of literature. The expressive diversity of M. Prodanovich`s works draws special attention to all effective indicative aspects. The context of the activity of creative figures is traditionally considered to be a separate inalienable fruitful plan of their coverage. The contextual cultural process of the last quarter of the twentieth century, in line with which M. Prodanovich`s work developed, has acquired the definition of the postmodern

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Kasparova, Armine Vladimirovna. "Postmodernism in the Literature of the North Caucasus: Based on Dina Damian’s Novel “In your World I am a Passer-by”." Polylinguality and Transcultural Practices 19, no. 2 (2022): 237–51. http://dx.doi.org/10.22363/2618-897x-2022-19-2-237-251.

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The Russian academician G.D. Gachev in the middle of the 20th century put forward the theory of “accelerated development”, according to which the literary systems of minority peoples, which for a number of different reasons were delayed in their development, are able at one moment to join in a single world process and in a short time to catch up and overtake highly developed literature. In the presented article, the legitimacy of the Gachev theory is proved on the example of the North Caucasian postmodern literature, which has developed into a single school. Based on the novel by Dina Damian (

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Miller, Malcolm. "From Liszt to Adams: the ‘Wiegenlied’ transcription." Tempo, no. 175 (December 1990): 23–26. http://dx.doi.org/10.1017/s0040298200012584.

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Modernism and postmodernism are characterized by their heightened consciousness of the influence of the past on the present. Modernist arrangements of older music, such as those by Schoenberg, Webern, Berg and Stravinsky, frequently display an unconscious tension between composer and arranger in the often veiled interpretation of the past in the light of the present. Postmodern arrangements, on the other hand, are often more overt in their allusiveness to the original: hence it is possible clearly to discern, within arrangements by such composers as Henze and Berio, Maxwell Davies and Birtwist

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Худин, Алексей Александрович, Нина Анатольевна Коновалова, and Игорь Андреевич Бондаренко. "PROBLEMATICS OF «TRANSLATION» IN POSTMODERNIST ARCHITECTURE THEORY." СОВРЕМЕННАЯ АРХИТЕКТУРА МИРА, no. 1(12) (June 22, 2020): 23–33. http://dx.doi.org/10.25995/niitiag.2019.12.1.017.

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Статья содержит изложение семиотических теорий в применении к теории архитектуры, а именно концепцию «перевода» как коммуникативного процесса в рамках межкультурного и межисторического процесса, проявленного в условиях эпохи постмодерна. Рассматривается взаимосоотнесение между архитектурой и языком в рамках теорий М. Фуко с акцентом на логику познания, сформированную в период 1970-1980-х годов. Затрагиваются вопросы концепта, текста, цитирования в архитектуре, адресования, интерпретаций, отношений между оригиналом и переводом, нового эклектизма, соотнесений между структурализмом и постструктур

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PECHERSKYH, Lubov. "THE ORIGINS OF THE CINEMATIC NATURE OF THE UKRAINIAN POSTMODERN NOVEL." Astraea 4, no. 2 (2024): 45–69. http://dx.doi.org/10.34142/astraea.2023.4.2.03.

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The article is devoted to the search for the origins of cinematicity as one of the components of the postmodern novel’s poetics. Intermediality is recognised as one of the mechanisms of genre originality of the postmodern novel, and the influence of cinema and cinematic poetics is the most powerful. The cinematic perception of reality is identified as characteristic of Ukrainian postmodernists. The article puts forward a hypothesis about the rootedness of the experimental nature of the postmodern novel as one of the important aspects of poetics in the plane of futurism aesthetics. The author r

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Petruş, Raluca-Andreea. "A Postmodernist Rewriting Of Homer’s Penelope: Margaret Atwood’s The Penelopiad." Romanian Journal of English Studies 21, no. 1 (2024): 89–97. https://doi.org/10.2478/rjes-2024-0008.

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Abstract The article analyses Margaret Atwood’s reinterpretation of the Ithacan queen, Penelope, the wife of Odysseus, taking into consideration the silence-voice interplay between the original female character and her postmodernist re-representation, Penelope 2.0, the protagonist of The Penelopiad. In the Canadian writer’s novel, Penelope’s voice gets empowered through narrative means. Her voice reaches its peak or highest degree of expression in Atwood’s The Penelopiad, namely due to its main character and narrator, Penelope 2.0. Considering that a female first-person narrator elaborates the

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Nikolenko, R. V. "M.-A. Hamelin’s composing and performing style in the context of postmodern aesthetics." Aspects of Historical Musicology 14, no. 14 (2018): 168–80. http://dx.doi.org/10.34064/khnum2-14.12.

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Background. The peculiarities of the worldview and philosophy of modern contradictory era put forward before the art new requirements and benchmarks, which the Postmodern aesthetics embodies. The phenomenon of «Postmodernism» covers different levels of contemporary life. In philosophy, this concept was first introduced by J.-F. Lyotard in his report «The status of postmodernism». The French philosopher revealed the essence of Postmodernism consisting in «awareness of diversity and pluralism of forms of rationality, activity of life, as well as the recognition of this diversity as a natural pos

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