Relevant bibliographies by topics / Pottery vessels

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  1. Journal articles
  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Pottery vessels'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "Pottery vessels"

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Sharma, Shikha, and Pavel R. Kholoshin. "New Data on Traditional Pottery in India (Pune, Maharashtra)." Archaeology and Ethnography 20, no. 5 (2021): 154–65. http://dx.doi.org/10.25205/1818-7919-2021-20-5-154-165.

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Purpose. A brief survey of the pottery community in the Mundhwa area was conducted in March 2019 and February 2020 as part of the Russian-Indian anthropological expedition organized by the Paleoethnology Research Center, State Museum of Biology (Moscow, Russia) and Savitribai Phule Pune University (Pune, India). The purpose of the study was to provide an initial insight into how traditional pottery functions in these urbanized environments. Results. Various forms of pottery production have been identified. The most widespread was men’s pottery using a potter’s wheel. Only men are engaged in th
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Meanwell, Jennifer L. "Technical Requirements and Technical Choices in Pottery Production: A View From the Middle Balsas Region of Guerrero, Mexico." American Antiquity 80, no. 2 (2015): 312–31. http://dx.doi.org/10.7183/0002-7316.80.2.312.

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This article evaluates current models of the influence of functionality and materials properties on pottery production as practiced by potters in the Middle Balsas Region of Guerrero, Mexico, during the Classic period (A.D. 300-900). The research was designed specifically to look for evidence of the influence of materials properties on pottery production in an archaeological context. Research results suggest that a specific clay deposit was selected deliberately by ancient Middle Balsas potters only when producing a subset of restricted vessels that were used for water storage. All other domes
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Žibrat Gašparič, Andreja, Manca Vinazza, and Matija Črešnar. "Characteristics of Early Iron Age pottery from northeastern Slovenia through the prism of ceramic technology and petrography." Documenta Praehistorica 45 (January 3, 2019): 180–202. http://dx.doi.org/10.4312/dp.45-14.

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Pottery technology in the Early Iron Age remains understudied in Slovenian archaeology, especially in the combined use of description on a macroscopic level with the addition of petrographic thin sections analysis. In this study we focused on pottery technology of vessels from two Early Iron Age sites in north-eastern Slovenia, Poštela near Maribor and Novine above Šentilj (NE Slovenia). We analysed the clay pastes, inclusions in the clay, as well as surface treatment, firing properties, vessels shape, and decoration techniques using macroscopic description and ceramic petrography. Within the
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Žibrat Gašparič, Andreja, Manca Vinazza, and Matija Črešnar. "Characteristics of Early Iron Age pottery from northeastern Slovenia through the prism of ceramic technology and petrography." Documenta Praehistorica 45 (December 29, 2018): 180–202. http://dx.doi.org/10.4312/dp.45.14.

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Pottery technology in the Early Iron Age remains understudied in Slovenian archaeology, especially in the combined use of description on a macroscopic level with the addition of petrographic thin sections analysis. In this study we focused on pottery technology of vessels from two Early Iron Age sites in north-eastern Slovenia, Poštela near Maribor and Novine above Šentilj (NE Slovenia). We analysed the clay pastes, inclusions in the clay, as well as surface treatment, firing properties, vessels shape, and decoration techniques using macroscopic description and ceramic petrography. Within the
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Iserlis, M. "Insight into Ceramic Technologies at the Maikop Site of Ust-Dzheguta, Karachay-Cherkessia." Archaeology, Ethnology & Anthropology of Eurasia 47, no. 2 (2019): 13–23. http://dx.doi.org/10.17746/1563-0110.2019.47.2.013-023.

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The Maikop culture of the 4th millennium BC has long been recognized as one of the most intriguing phenomena in the archaeology and history of Eurasia. A pottery assemblage of Ust-Dzheguta, located on the northern slope of the Greater Caucasus, should provide an insight into Maikop society and its technological and social choices. The article provides information on geographical location and geological settings of the Maikop site. Based on optical mineralogy analysis, potential raw materials and geological maps, fabrics and their possible geological sources were defi ned. The pottery assemblag
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Japp, Sarah. "The local pottery production of Kibyra." Anatolian Studies 59 (December 2009): 95–128. http://dx.doi.org/10.1017/s0066154600000910.

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AbstractSince 1995, the ancient city of Kibyra, situated in southwestern Turkey, has been investigated through historical, epigraphic and archaeological surveys. During the ceramic survey, an area inside the city was found where vessels with identical characteristics of surface and fabric were observed. This area is located in the northwestern part of the city close to the theatre. Together with numerous misfired pieces, these vessel fragments are suggestive of a potters' quarter. Based on historical evidence and ceramic comparisons, pottery production in Kibyra can be dated between the late H
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Towers, Roy, and Nick Card. "Technological adaptation in Grooved Ware pottery from the Ness of Brodgar, Orkney, or how to make your cordons stick." Scottish Archaeological Journal 36-37, no. 1 (2015): 51–63. http://dx.doi.org/10.3366/saj.2014.0050.

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This paper describes a hitherto unidentified adaptation in Grooved Ware pottery at the Ness of Brodgar, Orkney ( Fig. 1 ). The technological technique adopted appears designed to cope with a common problem of Grooved Ware potters at the Ness: that of detached cordons, where applied decorative cordons on the exterior surface of the vessels are knocked off or simply fall off. The evidence shows that, in the case of one large pottery deposit from the site, some vessel exteriors were specially prepared in order to ensure cordon adhesion. The Ness of Brodgar site is introduced, issues surrounding p
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Ilyushina, Virnjria Vladimirovna. "THE TECHNOLOGY OF POTTERY PRODUCTION OF THE POPULATION OF THE ALAKUL CULTURE OF THE SETTLEMENT NIJNEINGALSKOE-3 IN THE LOWER TOBOL REGION." Samara Journal of Science 4, no. 4 (2015): 47–59. http://dx.doi.org/10.17816/snv20154205.

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The article is devoted to the analysis of the technology of pottery production of the population of alakul culture of the settlement nijneingalskoe-3 in the lower tobol region. the analysis is made within the framework of historical and cultural approach and the structure of the pottery industry, developed by a.a. Bobrinsky. as a result of the study of the pottery revealed that the potters of alakul culture selected natural iron- enriched clay and silty clay containing natural admixture of rivers shell. during compiling of molding masses most often the potters used a fire clay and various orga
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Pashentsev, P. A. "Pottery of the Nabil Archaeological Culture from Sakhalin Island." Bulletin of the Irkutsk State University. Geoarchaeology, Ethnology, and Anthropology Series 35 (2021): 52–71. http://dx.doi.org/10.26516/2227-2380.2021.35.52.

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The article considers the results of multidisciplinary analysis of the Nabil archaeological culture pottery identified in 2005 by results of the archaeological researches in North Sakhalin. The Nabil archaeological culture includes the ceramics complex consisted of pointed shape pottery decorated by comb stamps. The sources of the study are the archaeological studies of the settlements (the collections and reports) organized by the research team of Sakhalin Archaeological and Ethnography Laboratory of IAET SB RAS and SakhGU in 2004–2015 and additional archaeological material from other collect
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Sassaman, Kenneth E. "Dating and Explaining Soapstone Vessels: A Comment on Truncer." American Antiquity 71, no. 1 (2006): 141–56. http://dx.doi.org/10.2307/40035325.

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A recent paper by Truncer (2004) perpetuates the recalcitrant misconception that soapstone vessel technology uniformly predates the inception of pottery across eastern North America. Whereas soapstone vessels indeed preceded the local adoption of pottery in limited areas, the bulk of stratigraphic and independent radiometric data supports the conclusion that soapstone vessels either accompanied or postdated the inception of pottery in many parts of the Eastern Woodlands. I reiterate here my criticism of benchmark studies that have been uncritically accepted to support the greater antiquity of
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Dissertations / Theses on the topic "Pottery vessels"

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Combs, Jasen Paul-Robert. "Altered clay vessels." Virtual Press, 2002. http://liblink.bsu.edu/uhtbin/catkey/1233190.

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The focus of the creative project was the artist exploration of altered forms and ash glaze techniques, as well as developing a new aesthetic of breaking free of old approaches, thus allowing him to express his emotions through the ceramic vessels. He developed and refined his technique of surface treatment on the vessels as he progressed through this project. His exploration into this new world of freedom helped him grow as an artist and emotionally.The artist desired to become a utilitarian potter at the beginning of his undergraduate studies but when he was introduced to the works of Paul S
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Hall, Wendy E. "Ceramic handbuilt vessels." Virtual Press, 1988. http://liblink.bsu.edu/uhtbin/catkey/725080.

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The creative project involved the exploration and to cone 06 in an development of eight large handbuilt ceramic vessels. False bottoms, double walls, and amorphous forms were constructed inside the vessels and textured with various implements. To create contrast on the exterior of the forms, a variety of experimental glazes, porcelain slips, and stains were applied. The pieces were then fired electric kiln. After this process, the outer surfaces were manipulated again with the use of a sandblaster and sandpaper.Each piece created for this project had a particular character and life of its own.
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Gast, Jason A. "Ceramic vessels as metaphor." Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1318612.

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This project has shown how a ceramic vessel can be used as a metaphor for human emotion and feeling. People are like ceramic vessels because they hold in emotion how vessels hold liquids or solids. Artists that are reviewed in the project are Peter Voulkos, David Leach and Bob Witt. The body of work is made up of a series of teapots that are built of a base, body, spout, lid and handle. Changing the position of any one of these parts can give the teapot a different feeling.<br>Department of Art
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Murphy, Eric. "Five earthenware vessels with mixed media for reflection and contemplation." Virtual Press, 1995. http://liblink.bsu.edu/uhtbin/catkey/941719.

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As humans and society have evolved, living has become more abstract and individualized. This report on the creative project discusses the artistic process and how each of the five works personalized or called attention to the abstractness of a beholder's existence. Each of the mixed-media works centered around a hand-built ceramic granary form which referenced the human drive to store resources. During exhibition at Ball State University, beholders would construct an association to storage by resolving the disparities caused by the mix of images and materials in each artwork.The artistic proce
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Drown, Ashley L. "More than Just a Pot: An In-Depth Look into the Invention, Technology, Use and Social Functions of Prehistoric Pottery Vessels." University of Toledo / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1273803801.

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Aillaud, Sophie. "Field and laboratory studies of diagenetic reactions affecting lipid residues absorbed in unglazed archaeological pottery vessels." Thesis, University of Bristol, 2002. http://hdl.handle.net/1983/730c5079-8756-44f8-9696-8e5d8e2e8485.

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Merriman, Kristine Roberta. "The context of organic residues in archaeological vessels of ceramic and Bronze." Thesis, University of Oxford, 2014. https://ora.ox.ac.uk/objects/uuid:40bef755-49f0-4c51-ad13-41bf7bec55df.

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Since the 1970s, the study of molecular organics preserved in archaeological ceramics, commonly referred to as organic residue analysis, has been used to infer vessel use and study dietary, economic, and ritual activities in the past. The purpose of this project is to analyse organic residues from a variety of ancient vessels and attempt to understand further the relationship between molecular organic preservation and vessel characteristics. It has been previously assumed that the absorption of these organics in the ceramic matrix is predominantly responsible for their preservation. The clarif
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Debono, Spiteri Cynthianne. "Pottery use at the transition to agriculture in the western Mediterranean : evidence from biomolecular and isotopic characterisation of organic residues in Impressed/Cardial Ware vessels." Thesis, University of York, 2012. http://etheses.whiterose.ac.uk/3391/.

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Recent research has attributed the introduction of agriculture in the western Mediterranean to several rapid waves of ‘maritime pioneer colonisation’, followed by indigenous adoption. Impressed/Cardial Wares are thought to have spread simultaneously with domesticates through this region, and are hypothesised to have been used to process domestic plant and animal products. To test this hypothesis, organic residue analysis (ORA) has been applied to 301 Impressed/Cardial Ware vessels recovered from 14 Early and Middle Neolithic sites in the western Mediterranean, to determine their content and fu
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Calvo, Peña Silvia. "Aproximación y caracterización de la tecnología de fabricación de los recipientes cerámicos en las minas prehistóricas de Gavà." Doctoral thesis, Universitat Autònoma de Barcelona, 2019. http://hdl.handle.net/10803/667796.

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El objetivo fijado se centra en el estudio de las técnicas de fabricación de los recipientes cerámicos recuperados en las Minas Prehistòricas de Gavà durante el Neolítico Medio, planteando el desarrollo de un trabajo en el cual incluimos el concepto de Chaîne Opératoire y, por lo tanto, su implicación en los estudios tecnológicos. Esto permitirá fijar una nueva metodología analítica de trabajo que se puede aplicar al registro arqueológico cerámico que permitirá validar una serie de hipótesis resultantes mediante los datos obtenidos, que nos aproximará al conocimiento de las producciones cerá
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Taylor, Glenda. "A study of clay handles on ceramic vessel forms." Thesis, Kansas State University, 1985. http://hdl.handle.net/2097/16048.

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Books on the topic "Pottery vessels"

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Vincentelli, Moira. Women and ceramics: Gendered vessels. Manchester University Press, 1999.

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McKinnon, Jean. Vessels of life: Lombok earthenware. Saritaksu, 1996.

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Vessels and variety: New aspects of ancient pottery. Museum Tusculanum Press, 2013.

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Mallory, Leanne May. Predynastic and First Dynasty Egyptian basalt vessels. The Author, 2000.

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Archambeau, Robert. Robert Archambeau, vessels: Winnipeg Art Gallery, September 20-November 2, 1986. The Gallery, 1986.

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Romano, Irene Bald. The terracotta figurines and related vessels. University Museum, 1995.

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Pithoi: Technology and history of storage vessels through the ages. Archaeopress, 2010.

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Chʻatchan iyagi. Ire Dijain, 2003.

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Hill, Edwin K. Unique vessels: How do you make these things? Wheatmark, 2009.

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Telmini, Boutheina Maraoui. Les vases-biberons puniques du bassin occidental de la Méditerranée: Monographie d'une forme. Centre de publication universitaire, 2009.

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Book chapters on the topic "Pottery vessels"

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Scaro, Agustina. "Esquina de Huajra Vessels. A Morphological and Decorative Study of Humahuaca-Inca Pottery." In The Latin American Studies Book Series. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50574-9_6.

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Negrelli, Claudio. "Towards a definition of early medieval pottery: amphorae and other vessels in the northern Adriatic between the 7th and the 8th centuries." In Seminari del Centro interuniversitario per la storia e l’archeologia dell’alto medioevo. Brepols Publishers, 2012. http://dx.doi.org/10.1484/m.scisam-eb.1.101100.

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Notarstefano, F., M. Lettieri, G. Semeraro, and L. Troisi. "Food Habits and Social Identity During the Archaic Age: Chemical Analyses of Organic Residues Found on Pottery Vessels from the Messapian Settlement of San Vito dei Normanni (South-Eastern Italy)." In Proceedings of the 37th International Symposium on Archaeometry, 13th - 16th May 2008, Siena, Italy. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-14678-7_68.

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Nyrup, Rune. "Mortar and Pestle or Cooking Vessel? When Archaeology Makes Progress Through Failed Analogies." In Synthese Library. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-61052-4_3.

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AbstractMost optimistic accounts of analogies in archaeology focus on cases where analogies lead to accurate or well-supported interpretations of the past. This chapter offers a complementary argument: analogies can also provide a valuable form of understanding of cultural and social phenomena when they fail, in the sense of either being shown inaccurate or the evidence being insufficient to determine their accuracy. This type of situation is illustrated through a case study involving the mortarium, a characteristic type of Roman pottery, and its relation to the so-called Romanization debate in Romano-British archaeology. I develop an account of comparative understanding, based on the idea that humans have a natural desire to understand ourselves comparatively, i.e., in terms of how we resemble and differ from societies at other times and places. Pursuing analogies can provide this type of understanding regardless of whether they turn out to be accurate. Furthermore, analogies can provide a similar form of understanding even when the evidence turns out to be insufficient to determine their accuracy.
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Wells, Peter S. "Pottery." In How Ancient Europeans Saw the World. Princeton University Press, 2012. http://dx.doi.org/10.23943/princeton/9780691143385.003.0005.

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This chapter analyzes the pottery of late prehistoric Europe. Jars, bowls, and cups were the three main categories of pottery vessels that were in use in the Early Bronze Age. Bowls and cups were decorated differently from jars, and their surfaces were finished differently. Jars are the only category that had a purposely roughened surface. Bowls and cups were polished smooth. And jars are the only category within which each individual vessel was distinguished from every other by the pattern of its ornament. From the latter fact, it is argued that jars in the Early and Middle Bronze Age were individualized in a way that bowls and cups were not; each was deliberately made different from all others in order that the household that owned it could mark it as its own, and perhaps even use it to display to others in the community that it had abundant stores of grain.
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"Pottery Vessels as Commodities." In Early Bronze Age Goods Exchange in the Southern Levant. Routledge, 2016. http://dx.doi.org/10.4324/9781315478494-13.

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Rosenthal-Heginbottom, Renate. "IMPORTED POTTERY AND SELECTED LOCALLY MADE VESSELS." In Excavations at Maresha Subterranean Complex 169. Hebrew Union College Press, 2019. http://dx.doi.org/10.2307/j.ctvpmw45x.7.

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Brittenham, Claudia. "When Pots Had Legs: Body Metaphors on Maya Vessels." In Vessels. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198832577.003.0009.

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A body is a vessel. A vessel is a body. This metaphor frequently proved irresistible to ancient artisans, yet the conceptual work that it did varied greatly across time and space. A Moche stirrup-spouted vessel in the shape of a human head, perhaps a portrait of a specific individual, is by no means the same as a Protocorinthian aryballos where an elaborately coiffed female head tops the swelling curves of the oil flask beneath (for more on body metaphors in Greek ceramics, see Richard Neer’s essay in this volume). Neither is like a ritual wine beaker in the shape of a fantastical bird, every inch of its cast bronze surface patterned with symmetrical masks.3 But morphology is not meaning. Saying that a vessel is shaped like a body is where the inquiry must begin, not where it ends. In this chapter, I trace the shifting meanings associated with the body metaphor in Maya pottery from the city of Tikal, located in modern Guatemala. Between 300 and 800 CE, there were at least three moments when lids adorned with human heads caused vessels to be read as bodies. Vessels became a medium of fruitful dialogue with the past, as each iteration of the theme clearly drew on previous precedent, but used it to radically different ends. What began as a relatively unpopular adjunct to a predominant world of animal body metaphors on clay serving dishes before 400 CE became a satisfying way to integrate foreign forms in succeeding decades and the key touchstone in a pair of archaizing vessels made out of precious jade centuries later. Within this chain of associations, the bodies invoked became increasingly specific, their meanings more and more politically charged. It is surprisingly difficult to write about an individual vessel in isolation. Bound by the constraints of function and tradition, each vessel is an entry into a series of similar objects. Much of the interest—and what makes the examples here so distinctive—is in the way that they play on the existing constraints and conventions of their genre, eking new meaning out of small but conceptually significant changes in decorative program. Getting at how this is accomplished means paying close attention to each individual vessel, while also thinking about series, context, assemblage, interaction, and intended contents.
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Hung, Wu. "Practice and Discourse: Ritual Vessels in a Fourth-Century BCE Chinese Tomb." In Vessels. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198832577.003.0010.

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Supposedly articulated by Confucius himself (ca. 551&amp;#x2013;ca. 479 BCE), this tightly knit political rhetoric provides a logical context for understanding the intrinsic relationship between qi (vessel, insignia, instrument) and li (ritual, rite, propriety), a central concern of Rujia 儒家—the School of Confucians—in the second half of the Eastern Zhou, from the fifth to third century BCE. The idea that vessels store essential ritual codes is stated more plainly in the Book of Rites: “The round and square food containers fu 簠 and gui 簋, the stand zu 俎, and the tall dish dou &amp;#x8C46;, with their regulated forms and decoration, are the vessels (qi) embodying ritual propriety (li).” One of the major intellectual forces at the time, Rujia developed the notion of li on two fronts: as a principal concept in its political, moral, and aesthetic teachings, and as specific rules governing different kinds of ritual performances, including the use of ritual vessels and other ritual paraphernalia on special occasions. Accordingly li is applied to two major aspects of human lives: ceremonies and related practices; and social conventions—primarily those of law, human relations, and morality—that govern the working of society at large. These two aspects overlap. In the idealized society envisioned by Eastern Zhou Confucians, ceremonies and ritual vessels reflect and regulate human relationships and thus determine legal and moral standards. In this sense a bronze or pottery vessel can embody ritual codes and social principles. Whereas the Confucian theory of li has been a central subject in modern scholarship on traditional Chinese philosophy, the Confucian discourse on qi has received much less attention. To those who study Eastern Zhou material and visual culture, this lack is related to another overlooked issue concerning the relationship between discourses and practice: In what way were Confucian ritual writings, especially those on ritual vessels and procedures, connected to actual ritual performance? This question is not general but specific and historical because the predecessors of Rujia arose from ritual specialists, and many of its members carried on this profession in the late Eastern Zhou and even the Han. This is why Confucian ritual texts are often practical guides to conducting ritual affairs. How can we connect these writings to contemporary ritual objects, tombs, and other ritual structures found through archaeological excavations?
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Smyth, Jessica, and Richard P. Evershed. "Pottery, Archaeology and Chemistry." In Early Farmers. British Academy, 2014. http://dx.doi.org/10.5871/bacad/9780197265758.003.0018.

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This chapter reflects on the collaboration on a recent interdisciplinary project, SCHERD (a Study of Cuisine and animal husbandry among Early farmers via Residue analysis and radiocarbon Dating), which involved undertaking systematic molecular and compound-specific stable isotope analyses, alongside radiocarbon dating, on lipid residues from c.450 Irish Neolithic pottery vessels. Somewhat unusually, analyses were carried out by an archaeologist, who was trained ‘on the job’. The project thus provided an ideal opportunity to combine different research perspectives and to engage in two-way communication between archaeology and science. The authors explore how this dialogue developed and its implications for the study of early farming societies, as well as for the role of pottery in future research.
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