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Journal articles on the topic 'Pottery vessels'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Sharma, Shikha, and Pavel R. Kholoshin. "New Data on Traditional Pottery in India (Pune, Maharashtra)." Archaeology and Ethnography 20, no. 5 (2021): 154–65. http://dx.doi.org/10.25205/1818-7919-2021-20-5-154-165.

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Purpose. A brief survey of the pottery community in the Mundhwa area was conducted in March 2019 and February 2020 as part of the Russian-Indian anthropological expedition organized by the Paleoethnology Research Center, State Museum of Biology (Moscow, Russia) and Savitribai Phule Pune University (Pune, India). The purpose of the study was to provide an initial insight into how traditional pottery functions in these urbanized environments. Results. Various forms of pottery production have been identified. The most widespread was men’s pottery using a potter’s wheel. Only men are engaged in th

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Meanwell, Jennifer L. "Technical Requirements and Technical Choices in Pottery Production: A View From the Middle Balsas Region of Guerrero, Mexico." American Antiquity 80, no. 2 (2015): 312–31. http://dx.doi.org/10.7183/0002-7316.80.2.312.

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This article evaluates current models of the influence of functionality and materials properties on pottery production as practiced by potters in the Middle Balsas Region of Guerrero, Mexico, during the Classic period (A.D. 300-900). The research was designed specifically to look for evidence of the influence of materials properties on pottery production in an archaeological context. Research results suggest that a specific clay deposit was selected deliberately by ancient Middle Balsas potters only when producing a subset of restricted vessels that were used for water storage. All other domes

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Žibrat Gašparič, Andreja, Manca Vinazza, and Matija Črešnar. "Characteristics of Early Iron Age pottery from northeastern Slovenia through the prism of ceramic technology and petrography." Documenta Praehistorica 45 (January 3, 2019): 180–202. http://dx.doi.org/10.4312/dp.45-14.

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Pottery technology in the Early Iron Age remains understudied in Slovenian archaeology, especially in the combined use of description on a macroscopic level with the addition of petrographic thin sections analysis. In this study we focused on pottery technology of vessels from two Early Iron Age sites in north-eastern Slovenia, Poštela near Maribor and Novine above Šentilj (NE Slovenia). We analysed the clay pastes, inclusions in the clay, as well as surface treatment, firing properties, vessels shape, and decoration techniques using macroscopic description and ceramic petrography. Within the

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Žibrat Gašparič, Andreja, Manca Vinazza, and Matija Črešnar. "Characteristics of Early Iron Age pottery from northeastern Slovenia through the prism of ceramic technology and petrography." Documenta Praehistorica 45 (December 29, 2018): 180–202. http://dx.doi.org/10.4312/dp.45.14.

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Pottery technology in the Early Iron Age remains understudied in Slovenian archaeology, especially in the combined use of description on a macroscopic level with the addition of petrographic thin sections analysis. In this study we focused on pottery technology of vessels from two Early Iron Age sites in north-eastern Slovenia, Poštela near Maribor and Novine above Šentilj (NE Slovenia). We analysed the clay pastes, inclusions in the clay, as well as surface treatment, firing properties, vessels shape, and decoration techniques using macroscopic description and ceramic petrography. Within the

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Iserlis, M. "Insight into Ceramic Technologies at the Maikop Site of Ust-Dzheguta, Karachay-Cherkessia." Archaeology, Ethnology & Anthropology of Eurasia 47, no. 2 (2019): 13–23. http://dx.doi.org/10.17746/1563-0110.2019.47.2.013-023.

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The Maikop culture of the 4th millennium BC has long been recognized as one of the most intriguing phenomena in the archaeology and history of Eurasia. A pottery assemblage of Ust-Dzheguta, located on the northern slope of the Greater Caucasus, should provide an insight into Maikop society and its technological and social choices. The article provides information on geographical location and geological settings of the Maikop site. Based on optical mineralogy analysis, potential raw materials and geological maps, fabrics and their possible geological sources were defi ned. The pottery assemblag

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Japp, Sarah. "The local pottery production of Kibyra." Anatolian Studies 59 (December 2009): 95–128. http://dx.doi.org/10.1017/s0066154600000910.

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AbstractSince 1995, the ancient city of Kibyra, situated in southwestern Turkey, has been investigated through historical, epigraphic and archaeological surveys. During the ceramic survey, an area inside the city was found where vessels with identical characteristics of surface and fabric were observed. This area is located in the northwestern part of the city close to the theatre. Together with numerous misfired pieces, these vessel fragments are suggestive of a potters' quarter. Based on historical evidence and ceramic comparisons, pottery production in Kibyra can be dated between the late H

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Towers, Roy, and Nick Card. "Technological adaptation in Grooved Ware pottery from the Ness of Brodgar, Orkney, or how to make your cordons stick." Scottish Archaeological Journal 36-37, no. 1 (2015): 51–63. http://dx.doi.org/10.3366/saj.2014.0050.

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This paper describes a hitherto unidentified adaptation in Grooved Ware pottery at the Ness of Brodgar, Orkney ( Fig. 1 ). The technological technique adopted appears designed to cope with a common problem of Grooved Ware potters at the Ness: that of detached cordons, where applied decorative cordons on the exterior surface of the vessels are knocked off or simply fall off. The evidence shows that, in the case of one large pottery deposit from the site, some vessel exteriors were specially prepared in order to ensure cordon adhesion. The Ness of Brodgar site is introduced, issues surrounding p

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Ilyushina, Virnjria Vladimirovna. "THE TECHNOLOGY OF POTTERY PRODUCTION OF THE POPULATION OF THE ALAKUL CULTURE OF THE SETTLEMENT NIJNEINGALSKOE-3 IN THE LOWER TOBOL REGION." Samara Journal of Science 4, no. 4 (2015): 47–59. http://dx.doi.org/10.17816/snv20154205.

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The article is devoted to the analysis of the technology of pottery production of the population of alakul culture of the settlement nijneingalskoe-3 in the lower tobol region. the analysis is made within the framework of historical and cultural approach and the structure of the pottery industry, developed by a.a. Bobrinsky. as a result of the study of the pottery revealed that the potters of alakul culture selected natural iron- enriched clay and silty clay containing natural admixture of rivers shell. during compiling of molding masses most often the potters used a fire clay and various orga

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Pashentsev, P. A. "Pottery of the Nabil Archaeological Culture from Sakhalin Island." Bulletin of the Irkutsk State University. Geoarchaeology, Ethnology, and Anthropology Series 35 (2021): 52–71. http://dx.doi.org/10.26516/2227-2380.2021.35.52.

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The article considers the results of multidisciplinary analysis of the Nabil archaeological culture pottery identified in 2005 by results of the archaeological researches in North Sakhalin. The Nabil archaeological culture includes the ceramics complex consisted of pointed shape pottery decorated by comb stamps. The sources of the study are the archaeological studies of the settlements (the collections and reports) organized by the research team of Sakhalin Archaeological and Ethnography Laboratory of IAET SB RAS and SakhGU in 2004–2015 and additional archaeological material from other collect

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Sassaman, Kenneth E. "Dating and Explaining Soapstone Vessels: A Comment on Truncer." American Antiquity 71, no. 1 (2006): 141–56. http://dx.doi.org/10.2307/40035325.

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A recent paper by Truncer (2004) perpetuates the recalcitrant misconception that soapstone vessel technology uniformly predates the inception of pottery across eastern North America. Whereas soapstone vessels indeed preceded the local adoption of pottery in limited areas, the bulk of stratigraphic and independent radiometric data supports the conclusion that soapstone vessels either accompanied or postdated the inception of pottery in many parts of the Eastern Woodlands. I reiterate here my criticism of benchmark studies that have been uncritically accepted to support the greater antiquity of

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Kraeva, Liudmila Anatolyevna. "HOUSEHOLD AND SACRED USE OF THE POTTERY BY THE SARMATIAN TRIBES OF THE SOUTHERN URALS AND WESTERN KAZAKHSTAN." Samara Journal of Science 4, no. 3 (2015): 90–100. http://dx.doi.org/10.17816/snv20153207.

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The article deals with the pottery from the Sarmatian burial grounds of the Southern Urals and Western Kazakhstan. Pottery was placed in the graves of the representatives of all social stratums of the nomadic population. In more expensive imported dishes were usually placed. Sarmatian ceramics was actively used both in household and in religious ceremonies. Specially produced vessels for burial rites are found in the graves, as well as utensils already used in the household, including those repaired. The author points out the signs which prove that the pottery had been in household use before

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Hofman, Corinne L., and Alistair J. Bright. "From Suazoid to folk pottery: pottery manufacturing traditions in a changing social and cultural environment on St. Lucia." New West Indian Guide / Nieuwe West-Indische Gids 78, no. 1-2 (2004): 73–104. http://dx.doi.org/10.1163/13822373-90002518.

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Overview of pottery manufacturing traditions in St Lucia, placed within the island's cultural history from pre-Columbian times up to present Afro-Caribbean folk pottery. Authors focus on manufacturing processes in different cultural traditions through history, looking at raw materials used, the shaping and finishing, decoration, and firing process. First, they sketch St Lucia's habitation history since the first Amerindian settlers in 200 AD, and evidence of pottery, which climaxed in the later Suazoid period pottery since about 1150 AD, and discuss how later European colonization and arrival

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Burrow, Steve. "The Ronaldsway Pottery of the Isle of Man: a Study of Production, Decoration, and Use." Proceedings of the Prehistoric Society 65 (1999): 125–43. http://dx.doi.org/10.1017/s0079497x00001961.

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The Late Neolithic pottery of the Isle of Man falls into two types: Ronaldsway and Grooved Ware. This paper focuses on the former style which is markedly different from other contemporaneous pottery styles in use in Britain and Ireland. The discussion draws upon the biographical history of Ronaldsway vessels from the choice of raw materials to the deposition of the finished pots. At each stage in this biographical history the approach adopted by Manx potters and pottery users is compared with that employed in surrounding parts of the British Isles.

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Gruszka, Bartłomiej, and Aleksandra Pankiewicz. "O pewnych wspólnych cechach IX-wiecznej ceramiki z obszaru północnej i południowej części obecnego Dolnego Śląska." Slavia Antiqua. Rocznik poświęcony starożytnościom słowiańskim, no. 57 (January 1, 2016): 169–98. http://dx.doi.org/10.14746/sa.2016.57.8.

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This article presents the results of comparative research into 9th century vessels discovered in numerous archaeological sites in Lower Silesia. The research was underpinned with petrographic analyses of ceramics representing a progressive trend in pottery. The reason why this issue is discussed is the occurrence of vessels with similar technological and stylistic attributes in both the south and the north of the region under scrutiny. The research leads to a conclusion that the common features shared by the ceramics artefacts may result from foreign influences in the north and the south of th

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Kukawka, Stanisław. "Archeologiczna struktura zbiorów ceramiki z osad neolitycznych." Folia Praehistorica Posnaniensia 13 (November 1, 2018): 311–21. http://dx.doi.org/10.14746/fpp.2005.13.22.

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The article is intended to address an essence of pottery assemblages from Neolithic settlements. Three aspects have been analysed: relationships between complete vessels and fragments resulted from their breakage; relationship between composition of pottery vessels used at any given moment and composition of deposited ceramics; and relationship between deposited pottery and its excavated fraction. It is argued that pottery assemblages excavated and analysed by archaeologists are result of refuse practices. Consequently, they distinctive traits reflect neither a deposited assemblage nor a compo

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Daszkiewicz, Małgorzata, Piotr Łuczkiewicz, Jörg Kleemann, and Aneta Kuzioła. "What shall we put in the grave? Archaeometric analyses of ceramics from a late Pre-Roman, Roman and Migration period cemetery in Malbork-Wielbark, northern Poland." Praehistorische Zeitschrift 94, no. 2 (2020): 414–53. http://dx.doi.org/10.1515/pz-2019-0018.

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AbstractThe necropolis at Malbork-Wielbark was excavated from 1927 to 1936 and 2008 to 2019. This burial ground is the eponymous site of the Wielbark culture. To date, over 2000 burials, both inhumation and cremation (pit and urn graves), have been recorded at this site, attesting to its continuous use from the Early Pre-Roman Iron Age (phase A1) to the early Migration Period (phase D1), with particular emphasis on the Roman Period. The cemetery site partially overlies and damages an earlier Iron Age settlement of the Pomeranian culture.Laboratory analyses were carried out on 113 pottery sherd

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De La Fuente, Guillermo A. "Urns, Bowls, and Ollas: Pottery-Making Practices and Technical Identity in the Southern Andes During the Late Period (ca. A.D. 900—A.D. 1450) (Catamarca, Northwestern Argentine Region, Argentina)." Latin American Antiquity 22, no. 2 (2011): 224–52. http://dx.doi.org/10.7183/1045-6635.22.2.224.

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AbstractThis paper presents studies and discussions of pottery-making practices during the Late period (ca. A.D. 900—1450) in Northwestern Argentina. It stems from an extensive archaeological research project carried out in the middle sector of the Abaucán Valley, Province of Catamarca, Argentina. Pottery production during this period is evaluated through the study of technological choices and technical identity, as well as its relationship to the technical behaviors developed by potters. The analysis of a large sample of ceramic sherds, complete vessels, and overfired sherds indicates that th

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Ilyushina, V. V., I. P. Alaeva, and N. B. Vinogradov. "Pottery complex of the Bronze Age burial ground of Kulevchi VI: typology and technical-technological analysis." VESTNIK ARHEOLOGII, ANTROPOLOGII I ETNOGRAFII, no. 3 (50) (August 28, 2020): 35–47. http://dx.doi.org/10.20874/2071-0437-2020-50-3-3.

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This paper presents the results of the typological study and technical-technological analysis of the pottery complex from the Late Bronze Age burial ground of Kulevchi VI (Southern Ural, Russia). The typological analysis of 107 objects yielded 10 types of the vessels correlated with four cultural and chronological groups: Petrovka; Early Alakul; Alakul and Alakul-Fedorov. The presence of all designated groups and types of vessels in the burial ground indicates functioning of the necropolis during the whole period of existence of the Alakul Culture: types IА, IБ and IВ — the formation stage of

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Fowler, Kent D., Örjan Sandred, and Autumn Whiteway. "Acoustic perceptions of vessel fitness in southern Africa." Journal of Material Culture 22, no. 3 (2017): 261–80. http://dx.doi.org/10.1177/1359183517701301.

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The acoustic properties of objects found in archaeological contexts have seen little attention because they are seldom found intact. Nevertheless, sound is quality of objects that is of tremendous significance during both their manufacture and use. In this article, the authors examine how the acoustic properties of ceramic vessels influence the perception of their fitness for use. Grounded in how sound cues correlate to visual, tactile and olfactory measures of vessel fitness in an ethnographic context, they focus on detecting perceptible sonic differences between damaged and undamaged vessels

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Williams, John, and David Jenkins. "A Petrographic Investigation of a Corpus of Bronze Age Cinerary Urns from the Isle of Anglesey." Proceedings of the Prehistoric Society 65 (1999): 189–230. http://dx.doi.org/10.1017/s0079497x00001997.

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The results are presented of a comprehensive petrographic study of 82 Bronze Age cinerary vessels from the Isle of Anglesey, Wales. Petrographic analysis is particularly appropriate when applied to this island location with its diverse and well defined geology. The pottery is characterised by a distinctive range of clasts, of which the most characteristic are varieties of igneous rocks and sandstone. The clasts can be matched to outcrops on the island with one exception which could have been derived from a known mainland source. The particular rock types seen in the pottery are not common in t

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King, Adam, Terry G. Powis, Kong F. Cheong, et al. "Absorbed Residue Evidence for PrehistoricDaturaUse in the American Southeast and Western Mexico." Advances in Archaeological Practice 6, no. 4 (2018): 312–27. http://dx.doi.org/10.1017/aap.2018.30.

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ABSTRACTAbsorbed residue studies have been used in subsistence research for decades. Only more recently have the chemical methods employed been used to explore the consumption of ritual concoctions such as those including cacao, yaupon holly, and alcohol. In this article we use mass spectrometry to identifyDaturaresidues in prehistoric contexts from western Mexico and the American Southeast.Daturais a genus of flowering plants that contain hallucinogenic alkaloids. Their use in both regions is known historically and still continues today. This study sampled 55 pottery vessels and 18 shell vess

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Nikolic, Dubravka, and Jasna Vukovic. "Vinca ritual vessels: Archaeological context and possible meaning." Starinar, no. 58 (2008): 51–69. http://dx.doi.org/10.2298/sta0858051n.

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The Hyde-vase and anthropomorphic vessel found at Vinca within two sets of pottery vessels are vessels of cult the meaning of which has never been examined. The authors highlight the significance of their archaeological contexts and positions in the settlement, reconstructed based on the preserved documents. The cult character of both pottery sets is confirmed and they are thought to have been used for a ritual important to the whole Vinca community. Considering that they come from the horizon associated with the beginning of the Gradac phase of the Vinca culture, the performed ritual may be s

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Salugina, Natalya Petrovna, Nina Leonidovna Morgunova, and Mihail Aleksandrovich Turetskii. "Large tare vessels of the bronze age Turganic settlement in Orenburg Region." Samara Journal of Science 5, no. 4 (2016): 91–98. http://dx.doi.org/10.17816/snv20164204.

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In the ceramic collection of Turganic settlement in the Orenburg region there is a group of bronze age pottery, which by its morphological and technological indicators stands out sharply from the main group of dishes. They are large size vessels with massive aureoles and distended body. The authors called these vessels hums. The aim of this study is to identify cultural-chronological position of the specified group of dishes in the system of the antiquities of the early - middle bronze age. Within this group the authors distinguish two types. The basis for type selection was the particular des

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Taché, Karine, and John P. Hart. "Chronometric Hygiene of Radiocarbon Databases for Early Durable Cooking Vessel Technologies in Northeastern North America." American Antiquity 78, no. 2 (2013): 359–72. http://dx.doi.org/10.7183/0002-7316.78.2.359.

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AbstractThe earliest widespread pottery in northeastern North America is known as Vinette 1, a designation made by Ritchie and MacNeish (1949) over 60 years ago. While variation exists within this type (Taché 2005), external and internal cordmarked surfaces, thick walls, and large crushed-rock temper generally characterize this pottery. The history of this pottery, including its inception, geographical spread, temporal overlap with steatite vessels, and eventual replacement by other pottery technologies, is far from clear. In this article, we examine the existing database of radiocarbon assays

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Nagy, Alexandra. "Dünnwandige Keramik, Keramik Mit Marmorierter Verzierung Und Gestempelte Keramik in Lágymányos." Acta Archaeologica Academiae Scientiarum Hungaricae 71, no. 2 (2020): 639–50. http://dx.doi.org/10.1556/072.2020.00017.

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The vessel types of the Lágymányos potter’s workshop highlighted in this present paper shed new light on our knowledge of the Roman Age pottery production of the Aquincum district. Thin-walled ceramics draw attention to the significance of South-Pannonian import and the production of its imitations. Dating and design of stamped ceramics, the operation and hundreds of linked motifs of Resatus represent a significant advance. The local variant of marbled ceramics also belongs to the new ceramic types of the period, which, besides vessels of Celtic tradition, became an important product of the wo

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Volkova, Yelena Vitalievna. "OVEN OR FIREPLACE? (EXPERIMENTAL FIRINGS OF THE VESSELS)." Samara Journal of Science 4, no. 3 (2015): 37–55. http://dx.doi.org/10.17816/snv20153203.

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The paper contains the results of the field experimental firings in fireplaces and in ovens made on the basis of Samara pottery experimental expedition (Dr N.P. Salugina is the leader of the expedition) in 2013. The author put forward two goals: one is to discover the basic knowledge on firing process with various kinds of fuel, and second is to find out the specific features to discern the vessels fired in fireplaces from the vessels fired in ovens. 20 vessels were prepared to the experiment. The first 10 pots were made of natural clay and the second 10 vessels were made of pottery paste (cla

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Cheetham, David. "CULTURAL IMPERATIVES IN CLAY: EARLY OLMEC CARVED POTTERY FROM SAN LORENZO AND CANTÓN CORRALITO." Ancient Mesoamerica 21, no. 1 (2010): 165–85. http://dx.doi.org/10.1017/s0956536110000040.

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AbstractPortable “Olmec-style” objects appeared in several regions of Mesoamerica near the end of the second millennium b.c., most frequently in the form of ceramic figurines and carved-incised pottery vessels. The origins of this early Olmec style and significance of its distribution are vigorously debated, with the role of the Gulf Coast Olmec archaeological culture and its largest center, San Lorenzo, especially controversial with respect to both issues. While recent chemical compositional analyses show that Olmec-style pots were exported from the Gulf Coast to several other regions of Meso

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Adan-Bayewitz, David, Chaim Ben David, and Mechael Osband. "Pottery Production Sites in Roman Gaulanitis: Identification and Investigation Using Evidence from Surface Surveys and Shovel Tests." In the Highland's Depth 11, no. 1 (2021): 77–89. http://dx.doi.org/10.26351/ihd/11-1/7.

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Five pottery production sites, for vessel types ranging in date from the late first century BCE to the early fifth century CE, were identified in Gaulanitis, employing data from surface surveys and shovel tests. The evidence for identification of production included disproportionate concentrations of particular vessel types, as well as pieces showing obvious production defects (wasters). Vessels produced include cooking bowls, cooking pots and storage jars: cooking ware and storage jars were made at two locations, storage jars alone were produced at two other sites, and only cooking vessels we

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Eriksson, Thomas. "Gotlandic pottery outside Gotland." Światowit 57 (December 17, 2019): 101–15. http://dx.doi.org/10.5604/01.3001.0013.6800.

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The article discusses contacts and networks along the eastern coast of Sweden and around the Baltic Sea. The focus is on the decorated pottery c. 0–700 AD. Sweden and Scandinavia had different regional styles of pottery during this period. One of the most distinctive Scandinavian styles is found on Öland and Gotland. This style is distinguished by the elaborate use of stamps and vessels with handles positioned from the rim to the shoulder. Vessels made in this style are found outside the large islands, notably in Svealand, i.e. the lake Mälaren Basin in central Sweden, as well as in northern S

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Okońska, Magdalena. "A case-study of the so-called “pottery depot” from Bessów, site 3, commune Bochnia, Małopolska Province. Archaeological material and functional re-interpretation." Recherches Archéologique Nouvelle Serie 9 (December 31, 2018): 349–77. http://dx.doi.org/10.33547/rechacrac.ns9.16.

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Site 3 in Bessów is one of the sites located on the lower reaches of the Raba River, in the micro-region associated with the Przeworsk culture, dated mostly to the Younger and Late Roman Periods. In the results of excavations in Bessów, a group of archaeological features described as a “pottery depot” were discovered. In its fill and in its closest vicinity, about 8.330 fragments of pottery were found. Almost all of them represent wheel made pottery, and about half are sherds with abradable surfaces. Apart from pottery and about 180 pieces of daub, other categories of finds did not occur. In o

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Czyżewska-Zalewska, Ewa. "Early Makuria Research Project. Remarks on the pottery from recent excavations at el-Zuma." Polish Archaeology in the Mediterranean 26, no. 1 (2018): 356–66. http://dx.doi.org/10.5604/01.3001.0012.1794.

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The article presents new material excavated during the last season, discusses production technology and surface treatment. Recently excavated material from el-Zuma throws new light on pottery production and its typology, necessitating thus a reexamination of the already known vessel types. Some types of pottery, discovered in 2017, although known from other tumuli excavated in previous seasons and already published in general reports, still need to be reexamined. New types of vessels have also been identified.

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Frankel, David, and Jennifer M. Webb. "A potter's workshop from Middle Bronze Age Cyprus: new light on production context, scale and variability." Antiquity 88, no. 340 (2014): 425–40. http://dx.doi.org/10.1017/s0003598x00101097.

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When fire swept through a workshop at Ambelikou Aletri on Cyprus in the nineteenth or twentieth century BC it brought a sudden halt to pottery production, leaving the latest batch of recently fired vessels. The remains of the kiln and its immediate surroundings provide a rare opportunity to gain direct insight into the technology and organisation of a Middle Bronze Age pottery workshop in the eastern Mediterranean. Analysis of the batch of cutaway-mouthed jugs adjacent to the kiln reveals a level of standardisation focused more on vessel shape than capacity, and shows that at a detailed level,

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Olenich, A. M. "ABOUT TECHNOLOGICAL ASPECTS OF THE OLD RUS KILN PRODUCTION FROM VYSHGOROD (Based on Materials from the Excavations 1990)." Archaeology and Early History of Ukraine 29, no. 4 (2018): 317–22. http://dx.doi.org/10.37445/adiu.2018.04.18.

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The article analyzes the material to obtain during the archaeological excavations of Vyshgorod in 1990. The stratigraphic position of the kiln and the typological analysis of the pottery allow to date the kiln within the second half of the 11th century. A series of traces on the bottom of the vessels indicate using a slow hand potter’s wheel, which was typical for pottery manufacturing in the 11th—12th centuries. Some specific traces indicate the repair of potter’s wheels and, therefore, their long-term exploitation. In addition, these features allow us to trace the distribution of products fr

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Kazimierczak, Magdalena. "Pottery from Tell el-Murra Graves." Studies in Ancient Art and Civilisation 18 (December 30, 2014): 101–18. http://dx.doi.org/10.12797/saac.18.2014.18.07.

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Excavations conducted at the Tell el-Murra cemetery in seasons 2011 and 2012 revealed five graves with pottery assemblages. Grave no. 3 contained pottery vessels which could be dated to the end of the Naqada IIIB period. The pottery vessels found here included two cylindrical jars (one with a cord impression and the second with an incised continuous line beneath the rim), as well as a quite elongated, ovoid jar with impressed halfbows on its shoulders. Two chronologically later graves (nos 1 and 2) should probably be dated to the Naqada IIIC2 period. The pottery assemblage of these graves incl

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Papin, D. V., N. F. Stepanova, A. S. Fedoruk, O. A. Fedoruk, and V. G. Loman. "Pottery traditions of the Andronovo (Fedorovo) population of the steppe Altai (based on materials from the settlement of Zharkovo-3)." VESTNIK ARHEOLOGII, ANTROPOLOGII I ETNOGRAFII, no. 2(53) (May 28, 2021): 40–51. http://dx.doi.org/10.20874/2071-0437-2021-53-2-4.

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Zharkovo 3 settlement is located in the south of Western Siberia in the steppe Altai. The site was studied by archaeologists of the Altai State University and they discovered two building horizons: one of the Andronovo time (one house was studied) and the other of the Late Bronze Age (two structures and a soot pit). The paper presents the results of a comprehensive analysis of the Andronovo (Fedorovo) ceramics of the Zharkovo 3 settlement. Fragments of 74 different vessels were used to analyze the ornamentation. The method of V.F. Gening was used. The authors conducted the analysis of shapes a

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Urem-Kotsou, Dushka, Kostas Kotsakis, and Ben Stern. "Defining function in Neolithic ceramics: the example of Makriyalos, Greece." Documenta Praehistorica 29 (December 22, 2002): 109–18. http://dx.doi.org/10.4312/dp.29.9.

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Recent development in chemical analyses of organic remains in archaeological ceramics gives new possibilities to the study of pottery use. They could be of crucial importance in assessing vessel’s use, especially when combined with contextual, technomorphological and use-alteration analysis data. Using the example of the late Neolithic pottery from Makriyalos, Northern Greece, we discuss some of the problems in determining the use of the vessels from archaeological context, and show the benefits of integrating chemical analysis of organic remains in approaching this issue.

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Mökkönen, Teemu, and Kerkko Nordqvist. "Bulk Stable Isotope Analyses of 14C Dated Carbonized Crusts on the Earliest Potteries of Northeastern Europe." Radiocarbon 61, no. 03 (2019): 817–30. http://dx.doi.org/10.1017/rdc.2019.18.

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ABSTRACTThis paper presents bulk stable isotope (δ13C, δ15N, C/N ratio) measurements of 14C dated carbonized crusts on 6th and 5th millennium cal BC pottery from Finland and northwestern Russia. Based on this data, it explores the differences in the origins of crusts attached on the inner and outer surfaces of vessels, and the changes in dietary practices and pottery use. It is argued that during the earliest phase of pottery use, mostly terrestrial ingredients were processed in the vessels, and aquatic resources became visible centuries later during the 5th millennium cal BC.

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Žibrat Gašparič, Andreja, Milena Horvat, and Breda Mirtič. "Ceramic petrography, mineralogy and typology of Eneolithic pottery from Krašnja, Slovenia." Documenta Praehistorica 41 (December 30, 2014): 226–36. http://dx.doi.org/10.4312/dp.41.12.

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In this article, we present newly excavated Eneolithic pottery from the site at Krašnja near Lukovica in central Slovenia. The material was AMS 14C dated and is contemporaneous with archaeological sites from the Ljubljansko barje region in Slovenia. The vessels were reconstructed and then various types of pots, dishes, cups, and beakers were analysed using petrography and the X-ray diffraction method. Additionally, the clay remains of walls and the floor of an Eneolithic kiln excavated at the site were also analysed. The results show that Eneolithic potters used different fab- rics to make ves

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Vrtal, Vlastimil. "A Collection of African Red Slip Ware in the Náprstek Museum." Annals of the Náprstek Museum 38, no. 2 (2017): 75–86. http://dx.doi.org/10.1515/anpm-2017-0031.

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A group of six specimens of Late Roman pottery from the region of North Africa forms part of collections of the Náprstek Museum. The group comprises of vessels from several different functional types, forming a representative sample of the pottery production of the region. The paper discusses the setting of the individual vessels in the North African ceramic production, their dating, and provenance.

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Shcherbakov, Nikolai Borisovich, Sean Patrick Quinn, Iia Alexandrovna Shuteleva, et al. "Some results of technical and technological analysis of late bronze age ceramics of the Southern Urals tribes exemplified by the materials of Kazburun archaeological microdistrict (Republic of Bashkortostan)." Samara Journal of Science 5, no. 1 (2016): 76–84. http://dx.doi.org/10.17816/snv20161202.

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This article discusses the use of traditional methods within the A.A. Bobrinsky historical-cultural approach to pottery analysis that allow us to consider each vessel as a source of information of the design and starting of the hollow body of the vessel. Thus, a more or less whole vessel may render information about a particular container design pattern or the skills of a particular potter group. This approach to ceramics allows you to study the cultural traditions in the manufacture of ceramics and, accordingly, closed family groups which have produced, and on the basis of radiocarbon dating

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Copley, M. S., R. Berstan, S. N. Dudd, et al. "Processing of milk products in pottery vessels through British prehistory." Antiquity 79, no. 306 (2005): 895–908. http://dx.doi.org/10.1017/s0003598x00115029.

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By extracting residues from pottery sherds the authors show that it is possible to say whether they had contained dairy or carcass fat residues. Correlation with faunal assemblages showed a good match between the incidence of dairy fat in pottery which implied a strong dairy fraction in the diet and a milking herd implied by the animal bones. They also show that dairy fat was more likely to be found in the smaller pots while carcass fats occurred in the larger ones. The method has demonstrated dairying in England from the fifth millennium BC, and offers a novel way of studying economies with p

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Cedro, Aneta. "Selib 3: pottery from the midden." Polish Archaeology in the Mediterranean 26, no. 1 (2018): 310–28. http://dx.doi.org/10.5604/01.3001.0012.1791.

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The paper discusses some preliminary research on pottery from the refuse dump at Selib 3. The assemblage comprised a rich repertoire of tableware, cooking and transport vessels. A striking feature of this collection is the abundance of imported products, some fine ware vessels (plates, small bottles etc.) but mostly amphorae, from Egypt and from the Eastern Mediterranean. The material from Selib 3 represents a homogenous chronological assemblage that can be placed in the 6th and early 7th century AD.

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Villing, Alexandra, and Hans Mommsen. "RHODES AND KOS: EAST DORIAN POTTERY PRODUCTION OF THE ARCHAIC PERIOD." Annual of the British School at Athens 112 (August 22, 2017): 99–154. http://dx.doi.org/10.1017/s0068245417000053.

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To date, the pottery production of Rhodes, Kos and other ‘East Dorian’ islands and coastal areas remains little understood. This article presents and discusses new neutron activation analysis (NAA) of eighth–sixth-century bc vessels found on Rhodes and in related areas, placing them in the wider context of past and present archaeometric research. The results highlight the role of Kos as a leading regional centre of painted pottery production and export in the seventh–sixth centuries bc, notably of ‘East Dorian’ plates. This includes the famous ‘Euphorbos plate’, which can now be attributed to

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Beckman, Joy Elizabeth. "The meaning of material: ritual vessel assemblages in Chu burials of the fourth and third centuries BC, China." Antiquity 87, no. 337 (2013): 772–87. http://dx.doi.org/10.1017/s0003598x00049450.

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Finely crafted bronze vessels are one of the most distinctive products of early China, and illustrate the emphasis placed on formalised rituals in which these vessels are thought to have played a part. When found in graves, they have also been assumed to testify to the status of the deceased. In this study, it is shown that the repertoire of ritual vessels of bronze are often matched by similar vessels of pottery that were placed in elite graves. Together these suites of vessels indicate not only the status of the deceased but also the social standing of the mourners present during the funerar

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Viskalin, Aleksandr Viktorovich. "STEPPE AND FOREST-STEPPE VOLGA REGIONS IN THE EARLY NEOLITHIC PERIOD: THE PROBLEM OF CONTACTS." Samara Journal of Science 3, no. 3 (2014): 54–57. http://dx.doi.org/10.17816/snv20143206.

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According to the radiocarbon chronology formation of the Neolithic communities acquainted with manufacturing baked clay pottery takes place in the Steppe and Forest-steppe Volga region in the early Atlantic period about 6000 BC. Weakly ornamented Yelshanka point-bottomed pottery borrowed from Transurals was developing in the Forest-steppe Volga region at this period. As for the Steppe Volga region, plain-bottomed richly ornamented Cairshak pottery influenced by the traditions of the Transcaucasus Neolithic centers was spreading. Establishing close contact between Steppe and Forest-steppe Volga

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Anderson, Katie, Tom Woolhouse, Kayt Marter-Brown, and Patrick Quinn. "Continental Potters? First-Century Roman Flagon Production at Duxford, Cambridgeshire." Britannia 47 (April 4, 2016): 43–69. http://dx.doi.org/10.1017/s0068113x16000052.

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AbstractExcavations in Duxford, Cambridgeshire, in 2013, revealed six early Roman (a.d. 50–80) pottery kilns. The kilns were used for the production of flagons, specifically collared and ring-necked varieties. Flagons are generally scarce in contemporary domestic assemblages in Cambridgeshire, often only occurring in ‘special’ contexts, such as burials, while collared flagons are closely associated with military consumption. The excavations also produced a large, significant assemblage of perforated kiln plates. The technology and repertoire of vessels suggest that manufacture was conducted by

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Vasil'yeva, Irina Nikolaevna, and Natalya Petrovna Salugina. "SAMARA EXPEDITION TO EXPERIMENTAL STUDY OF ANCIENT POTTERY (SEEIDG): 25 YEARS." Samara Journal of Science 4, no. 3 (2015): 8–27. http://dx.doi.org/10.17816/snv20153201.

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The article is devoted to presenting a brief history of the organization and carrying out for 25 years Samara expedition to the experimental study of ancient pottery. Organization of this expedition was due to the need to solve problems related to the study of ancient pottery techniques. The authors examined the concept of cultural tradition in the pottery and is designed structure of the experiment in the field of pottery technology. The main task of technological research in the framework of historical and cultural areas developed A.A.Bobrinskim, is the study of traces of in fractures and on

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Nikolic, Snezana, and Angelina Raickovic. "Prosopomorphic vessels from Moesia Superior." Starinar, no. 58 (2008): 135–53. http://dx.doi.org/10.2298/sta0858135n.

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The prosopomorphic vessels from Moesia Superior had the form of beakers varying in outline but similar in size. They were wheel-thrown, mould-made or manufactured by using a combination of wheel-throwing and mould-made appliqu?s. Given that face vessels are considerably scarcer than other kinds of pottery, more than fifty finds from Moesia Superior make an enviable collection. In this and other provinces face vessels have been recovered from military camps, civilian settlements and necropolises, which suggests that they served more than one purpose. It is generally accepted that the faces-mask

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Budja, Mihael. "The transition to farming and the ceramic trajectories in Western Eurasia. From ceramic figurines to vessels." Documenta Praehistorica 33 (December 31, 2006): 183–201. http://dx.doi.org/10.4312/dp.33.17.

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In Eurasia the invention of ceramic technology and production of fired-clay vessels has not necessarily been related to the dynamics of the transition to farming. The invention of ceramic technology in Europe was associated with female and animal figurine making in Gravettian technocomplex. The fired-clay vessels occurred first in hunter-gatherer contexts in Eastern Eurasia a millennia before the agriculture. The adoption of pottery making in Levant seems to correlate with the collapse of the ‘ritual economy’, social decentralisation and community fragmentation in the Levantine Pre-Pottery Neo

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Ziat, Mounia, Min Park, Brian Kakas, and David A. Rosenbaum. "Potters Make Shorter Pots Under Conditions of Reduced Sensory Input." Perception 47, no. 8 (2018): 860–72. http://dx.doi.org/10.1177/0301006618781511.

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Although people have made clay pots for millennia, little behavioral research has explored how they do so. We were specifically interested in potters’ use of auditory, haptic, and visual feedback. We asked what would happen if one or two of these sources of feedback were removed and potters tried to create pots of a given height, stopping when they thought they had reached that height. We asked students in a pottery class to build simple clay vessels either when they had full sensory feedback (in the control condition for all participants) or when they had reduced input from one modality (in E

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