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Dissertations / Theses on the topic 'Production craft'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Kamath, Ayodh Vasant. "Integrating digital design and fabrication and craft production." Thesis, Massachusetts Institute of Technology, 2009. http://hdl.handle.net/1721.1/49541.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2009.<br>This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.<br>Includes bibliographical references (p. 61-63).<br>This thesis examines if methods of manual craft production can be utilised to overcome the indeterminacies of physical materials and processes that hinder Digital Design and Fabrication (DDF). Indeterminacies in physical materials and processes are considered to be errors that prevent DDF from achieving its stat

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2

Zheng, Liyun. "Process control of applied laser system for enhanced glass production." Morgantown, W. Va. : [West Virginia University Libraries], 2000. http://etd.wvu.edu/templates/showETD.cfm?recnum=1718.

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Thesis (Ph. D.)--West Virginia University, 2000.<br>Title from document title page. Document formatted into pages; contains xiv, 195 p. : ill. (some col.). Vita. Includes abstract. Includes bibliographical references (p. 172-177).

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3

Rao, Nagendra. "Craft production and trade in South Kanara : A.D. 1000-1763 /." New Delhi : Gyan Publishing House, 2006. http://catalogue.bnf.fr/ark:/12148/cb41000761r.

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4

Chapman, Nathaniel Gray. "Craft Beer in the US: A Production of Culture Perspective." Diss., Virginia Tech, 2015. http://hdl.handle.net/10919/53834.

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In this dissertation I use the production of culture perspective as a lens to analyze the emergence of craft beer in the US. In doing so, I examine how the six facets of the production of culture perspective have both constrained and stimulated the production of craft beer in the US. The six facets of the production of culture perspective are: law and regulation, industry structure, organizational structure, markets, technology, and occupational careers. These six facets, in concert, allowed the craft beer movement to emerge in the 1970s. In order to demonstrate the effects each facet has on t

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Tschauner, Hartmut, and William H. Isbell. "Conchopata: urbanism, craft production and interregional interaction in the Middle Horizon." Pontificia Universidad Católica del Perú, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/113432.

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This chapter reexamines ceramic production, and other possibly specialized activities, at Conchopata, a recently excavated Middle Horizon urban center in the Ayacucho Valley. Drawing on the exhaustive GIS database compiled by the Conchopata Project, we employ normalized choropleth maps and localized spatial autocorrelation statistics to examine the distributions of four categories of ceramic production implements — ceramic molds, polishers, scrapers, and pulidores — and contrast them with the distributions of artifacts related to lithic manufacturing. We find high concentrations of artifacts s

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Craig, Gabriel. "Altruism, Activism, and the Moral Imperative in Craft." VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1713.

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I consider myself a metalsmith although my interest in materials and ideas extend beyond the boundaries of traditional practice. I approach my work thematically, meaning that I treat my discipline as a framework for a broad investigation rather than as a skill set or process. The outcomes of this approach are therefore varied and include jewelry, installation, performance, video, interactive community based projects, print and web based writing, and historical research. It is through humor or direct viewer interaction that I promote accessibility in my work. My ideas are layered and communica

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Morton, Jennifer Heather. "Desert voices, pitjantjatjara women's art and craft production in Ernabella, South Australia." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq22544.pdf.

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8

Siamwalla, Jamila Juzer. "Textile craft producer Jordan River Foundation’s collaborative design development with IKEA." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-22071.

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Background: The production of textile crafts requires resources and skilled artisans. In modern times, textile crafts sold in the global market are often made through collaboration involving artisans and profit, social and non-profit enterprises with aim to globalize the aesthetic or styling, structural aspects, and marketability of the crafted product. Collaboration is understood here as two or more enterprises working together towards common profit ideologies, values or goals. Textile craft producer Jordan River Foundation’s (JRF) and IKEA’s Social Entrepreneurship Initiative; collaboration

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9

Dobson, Mark D. "What's on Tap, Texas? Homebrew to Craft Brew." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc955017/.

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10

Peach, Andrea. "The making of modern Scottish craft : revival and invention in 1970s Scotland." Thesis, Robert Gordon University, 2017. http://hdl.handle.net/10059/2711.

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The 1970s were a period of renaissance for the crafts in Britain, often referred to as a craft revival. The creation of national organisations and infrastructures to support craft, and define its identity, played a crucial role in this. The received craft revival narrative focuses on the Crafts Council of England and Wales, with its emphasis on raising the status of craft and promoting it as fine art, largely through the efforts the Minister for the Arts, Lord David Eccles. The narrative in Scotland was very different, and is a story that until now remains untold. Scotland had its own national

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11

Jones, Ian William Nasser. "Craft production in an Islamic Empire copper exploitation in the southern Jordanian periphery /." Diss., [La Jolla] : University of California, San Diego, 2010. http://wwwlib.umi.com/cr/fullcit?p1477911.

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Thesis (M.A.)--University of California, San Diego, 2010.<br>Title from first page of PDF file (viewed July 12, 2010). Available via ProQuest Digital Dissertations. Includes bibliographical references (leaves 57-67).

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12

Portisch, Anna Odland. "Kazakh syrmaq-production in Western Mongolia : learning and skill in a domestic craft tradition." Thesis, SOAS, University of London, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.445873.

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13

Nielsen, N. "Subsistence strategies and craft production at the Ramesside Fort of Zawiyet Umm el-Rakham." Thesis, University of Liverpool, 2015. http://livrepository.liverpool.ac.uk/3000799/.

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14

Laurenson, Sarah. "Materials, making and meaning : the jewellery craft in Scotland, c. 1780-1914." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/25848.

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This thesis examines the jewellery craft in Scotland between 1780 and 1914 with a focus on the relationship between materials, making processes, and the social and cultural meanings of objects. While dominant narratives of craft in this period frame producers as the victims of industrialisation, this thesis considers Scotland’s jewellers as cultural actors who shaped their own worlds during a period of profound economic, social and cultural change. A material culture approach is employed to examine the work of Scotland’s jewellers through the things they made. Fusing object-based research with

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15

Soriano-Meier, Horacio. "An empirical model to evaluate the adoption of lean production in a craft production environment : the UK ceramic tableware industry." Thesis, Keele University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327652.

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Miller, G. Logan. "RITUAL, CRAFT, AND ECONOMY IN OHIO HOPEWELL: AN EXAMINATION OF TWO EARTHWORKS ON THE LITTLE MIAMI RIVER." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1405330537.

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Harrington, Susan Kay. "Aspects of gender and craft production in early Anglo-Saxon England with reference to the kingdom of Kent." Thesis, University College London (University of London), 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.401756.

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Handler, Marcie D. "Crafting Matters: A Coroplastic Workshop in Roman Athens." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337264725.

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Nguyen, Vo Chau Ngan, Thi Ngoc Luu Huynh, Hoang Viet Le, Ngoc Quynh Do, and Ngoc Em Nguyen. "Pollution minimizing at traditional craft village by micro-credit program - case study from Tan Phu Dong rice flour production village." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-99186.

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This paper introduces the results of a project initiated by Cantho University (CTU) on the introduction of micro-credits for addressing the environmental pollution in Vietnam’s craft villages. At Tan Phu Dong, a traditional rice powder production village in Sa Dec, Dong Thap, all wastes from domestic and production activities and animal husbandry were freely disposed into open water sources. This practice led to a negative impact on the local environment. With the financial support provided by the Bread for the World (BfdW), a micro-credit program was initiated in which farmers could borrow mo

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Gerth, Robert. "The Role of Production Topology in Information Based Structuring of Organizations : The design of craft-based and industrialized construction firms." Doctoral thesis, KTH, Produktionssystem, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-133918.

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Industrialization of construction is a business strategy to significantly improve competitiveness. However, the organization structure of the construction firms needs to support the new production system. The knowledge on why and how this business development can be accomplished is scarce, both within academia and in business practice. This research seeks to fill this knowledge gap. The purpose of organization structure and the production system have is to coordinate the firm’s processes and control the work performing resources. Information is one of the most fundamental dimensions for steeri

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Stoner, Wesley Durrell. "COARSE ORANGE POTTERY EXCHANGE IN SOUTHERN VERACRUZ: A COMPOSITIONAL PERSPECTIVE ON CENTRALIZED CRAFT PRODUCTION AND EXCHANGE IN THE CLASSIC PERIOD." Lexington, Ky. : [University of Kentucky Libraries], 2002. http://lib.uky.edu/ETD/ukyanth2002t00066/Stoner%5Fthesis2002.pdf.

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Thesis (M.A.)--University of Kentucky, 2002.<br>Title from document title page. Document formatted into pages; contains xi, 171 p. : ill. ; maps. Includes abstract. Includes bibliographical references (p. 158-169).

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22

Brouwer, Brook Oliver. "Plant breeding for regional food systems| Investigating craft malt, disease resistance and production potential of barley and dry beans in western Washington." Thesis, Washington State University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3732729.

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<p> Regionally focused plant breeding has the potential to increase the productivity and profitability of dry beans and barley in western Washington, strengthening the local food system. Achieving this will require an interdisciplinary approach rooted in an understanding of social context, unique end-use potential, contemporary genetic techniques, and crop production methods, combined with the art and science of classical field-based breeding. Approaches to plant breeding for local food systems are reviewed emphasizing the potential of engaging diverse stakeholders in the selection process. Ba

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23

Abell, Natalie D. "Reconsidering a Cultural Crossroads: A Diachronic Analysis of Ceramic Production, Consumption, and Exchange Patterns at Bronze Age Ayia Irini, Kea, Greece." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1396531428.

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24

Ladd, Katherine. "A handmade future : the impact of design on the production and consumption of contemporary West African craft as a tool for sustainable development." Thesis, University of Brighton, 2012. https://research.brighton.ac.uk/en/studentTheses/ea6ae43e-6758-4156-a614-762faeeaf3f3.

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This research presents a critique of a craft development project carried out over a period of four years, where the nature of designer interventions in African craft projects is analysed and questions are raised that challenge the desirability and efficacy of such projects. This study is developed from the perspective of a professional designer rather than that of a professional development worker. Following this particular project over a continuous time period offers a specific and unique context in which to examine key and central issues: the design of such products by western designers for

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Patton, Mark Evans Mr. "The Agricultural Growth and Malting Production of Barley Grains in Northeast Tennessee and Southwest Virginia." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etd/3061.

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The purpose of this study is to explore the history and production processes of beer and examines the components that contribute to its brewing. The narrative will provide a timeline of the processes that are required to create the product of beer beginning with the agricultural products and following the brewing processes that result in beer as the finished product. I will also examine the business of agriculture and grain processing and will provide some historical perspectives of grain, beer, and malting. I will also consider whether the growing, processing, and malting of grains in the Eas

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26

Knabb, Kyle Andrew. "Understanding the role of production and craft specialization in ancient socio-economic systems toward the integration of spatial analysis, 3D modeling and virtual reality in archaeology /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p1453662.

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Thesis (M.A.)--University of California, San Diego, 2008.<br>Title from first page of PDF file (viewed July 28, 2008). Available via ProQuest Digital Dissertations. Includes bibliographical references (p. 56-62).

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27

Armendariz, Jorge Eduardo. "Impressão tridimensional e herança artesanal: implementação da manufatura aditiva nas práticas produtivas de acessórios artesanais." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/100/100133/tde-23012018-082756/.

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O rápido desenvolvimento das tecnologias de impressão tridimensional permite que uma crescente variedade de formas e materiais sejam criados e materializados. Disponibiliza abertamente um método produtivo com a capacidade de desenvolver peças de alta complexidade a um custo mínimo, uma situação sem precedentes na história da humanidade. Paralelamente, o avanço predatório dos bens industrializados dentro do mercado ameaça e potencializa as produções artesanais, as quais enfrentam um constante desafio no relativo à sua supervivência, transmissão e desenvolvimento. O presente teve como objetivo e

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Riffaud, Thomas. "Travailler l'espace public : Les artisans des sports de rue, de la danse in-situ et du street-art à Montpellier." Thesis, Littoral, 2017. http://www.theses.fr/2017DUNK0456/document.

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Cette thèse montre que les citadins qui pratiquent les sports de rue, la danse in-situ ou le street art travaillent les espaces publics contemporains. Ils peuvent être associés à des artisans qui modèlent la ville grâce à une expérience sensible, ludique et imaginaire de l'urbain. L'espace public est ainsi réanchanté, mais il est surtout réactivé car son caractère ouvert, hétérogène et dynamique est stimulé. Ces trois activités ont donc une dimension micropolitique parce qu'elles permettent à leur pratiquants de vivre une forme d'utopie urbaine du quotidien en bouleversant l'ordre social et l'

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Silva, Igor Libertador. "Design da tradi??o:a produ??o artesanal da cer?mica de Santana do S?o Francisco." Universidade Federal do Rio Grande do Norte, 2010. http://repositorio.ufrn.br:8080/jspui/handle/123456789/13624.

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Made available in DSpace on 2014-12-17T14:20:01Z (GMT). No. of bitstreams: 1 IgorLS_DISSERT_1-56.pdf: 6696609 bytes, checksum: 685f86728cf2eeeaadf617dc5cc05993 (MD5) Previous issue date: 2010-06-30<br>A grande pluralidade cultural existente no Estado de Sergipe pode ser percebida atrav?s da variedade de produ??es artesanais que acontecem principalmente nos seus munic?pios, abrangendo um grande n?mero de pessoas que fazem dela uma atividade geradora de economia. O presente trabalho trata da problem?tica da produ??o da cer?mica artesanal do munic?pio de Santana do S?o Francisco, considerado

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MENDES, Eduardo Lourenço. "Responsabilidade socioambiental na produção do artesanato do barro na cidade de Tracunhaém - PE." Universidade Federal Rural de Pernambuco, 2013. http://www.tede2.ufrpe.br:8080/tede2/handle/tede2/4502.

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Submitted by (edna.saturno@ufrpe.br) on 2016-05-23T16:22:07Z No. of bitstreams: 1 Eduardo Lourenco Mendes.pdf: 675885 bytes, checksum: 7117d70c0ffe523c150d27c7f0ba7cb8 (MD5)<br>Made available in DSpace on 2016-05-23T16:22:07Z (GMT). No. of bitstreams: 1 Eduardo Lourenco Mendes.pdf: 675885 bytes, checksum: 7117d70c0ffe523c150d27c7f0ba7cb8 (MD5) Previous issue date: 2013-05-23<br>This twork aims to describe the general structures of the production process from mud, identifying the effects of the use of forest biomass (firewood and wood) as input for burning mud energetic about environmen

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Duarte, Adriana Yumi Sato 1988. "Estudo do trançado para desenvolvimento de produtos têxteis artesanais." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/264279.

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Orientador: Franco Giuseppe Dedini<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Engenharia Mecânica<br>Made available in DSpace on 2018-08-22T03:41:34Z (GMT). No. of bitstreams: 1 Duarte_AdrianaYumiSato_M.pdf: 12125505 bytes, checksum: 3905d87344e274e166ea8b7f129f87c3 (MD5) Previous issue date: 2013<br>Resumo: A presente pesquisa tem como objetivo propor uma linguagem para a técnica artesanal de trançado manual, atividade praticada em diversas regiões do Brasil que utiliza materiais flexíveis para desenvolver produtos como cestos e esteiras, de modo a sistemati

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Barros, Kleber da Silva. "An?lise antropotecnol?gica do desenvolvimento de novos produtos na produ??o artesanal : caso das rendeiras de bilro da Vila de Ponta Negra em Natal, RN." Universidade Federal do Rio Grande do Norte, 2009. http://repositorio.ufrn.br:8080/jspui/handle/123456789/14918.

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Made available in DSpace on 2014-12-17T14:52:44Z (GMT). No. of bitstreams: 1 KleberSB.pdf: 4867538 bytes, checksum: 81e83ee83caad9746c0f992d73c8b0a3 (MD5) Previous issue date: 2009-03-16<br>Conselho Nacional de Desenvolvimento Cient?fico e Tecnol?gico<br>Brazilian craft production plays an important role in the generation of employment and income for many families in every state across Brazil. In Natal, Rio Grande do Norte, Brazil, among many types found, identifies itself with the production of bobbin-lace, still practiced in Ponta Negra Village for ancient craftswomens of city that try to

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Smith, Vernon Clay. "The Unbundling and Rebundling of the Faculty Role in E-Learning Community College Courses." Diss., The University of Arizona, 2008. http://hdl.handle.net/10150/194795.

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The unbundling of the faculty role occurs when e-learning course tasks normally performed by a single faculty member--such as course design, development, delivery, grading, interaction with students, course improvement, and advisement--are segmented or unbundled so that they can be performed by other personnel or with technologies. Using a qualitative methods approach, this study examines the unbundling and restructuring of the faculty professional role in large enrollment e-learning courses. This study was conducted at three community colleges in a large, urban community college district, a

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Magnier, Caroline. "Production acoustique d'une flottille côtière : Application au suivi environnemental et à l'identification automatisée de sources sonores anthropiques." Thesis, Université Grenoble Alpes (ComUE), 2018. http://www.theses.fr/2018GREAU040/document.

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Le trafic maritime est le principal contributeur des bruits sous-marins anthropique : depuis les années 1970, l’augmentation du trafic maritime hauturier a provoqué dans certaines zones une augmentation du bruit ambiant de plus de 10 dB. En réponse à cette préoccupation, la Directive Cadre pour la Stratégie pour le Milieu Marin (DCSMM) recommande un suivi acoustique. Peu d’études s’intéressent à l’activité côtière et aux bruits rayonnés par les petites embarcations ainsi qu’à leurs conséquences sur la faune marine alors que ces environnements côtiers sont les pourvoyeurs de 41.7 % des services

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Halstad, Elsa. "De la fibre à l'étoffe : archéologie, production et usages des textiles de Nubie et du Soudan anciens à l'époque méroïtique." Thesis, Lille 3, 2015. http://www.theses.fr/2015LIL30058/document.

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Mon sujet de thèse vise à étudier tous les aspects de la production textile au Soudan à l’époque méroïtique (300 avant J.-C. – 400 après J.-C.). En tant que production artisanale, les tissus sont les fruits de très nombreuses étapes de fabrication, depuis la culture de la fibre à sa transformation en fils, et jusqu’au tissage. Les textiles sont également un des piliers de la culture matérielle des sociétés antiques. Ils y remplissaient des fonctions très variées, liées à l’habillement ou au mobilier, dans tous les contextes, aussi bien urbains, cultuels, que funéraires. D’autres questions devr

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Vergara, Meléndez Adriana Ofelia. "Fábrica de cerveza artesanal en Pachacamac." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/656474.

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La tesis a continuación presenta el desarrollo de una Fábrica de Cerveza Artesanal en el distrito de Pachacamac. La cual se propone como respuesta a la problemática actual en la ciudad de Lima con respecto a sus zonas productivas, ya que, tanto la industria pesada como la artesanal, no consideran una integración adecuada con la ciudad y no incluyen al visitante como usuario. Esto crea límites cerrados hacia el entorno inmediato, contribuyendo a la inseguridad urbana y perdiendo la oportunidad de difundir el valor cultural de lo que están produciendo. En el caso de la cerveza artesanal, que es

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Davidson, Matthew J. "Interaction on the Frontier of the 16^th-17^th Century World Economy: Late Fort Ancient Hide Production and Exchange at the Hardin Site, Greenup County, Kentucky." UKnowledge, 2016. http://uknowledge.uky.edu/anthro_etds/20.

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This study assesses the organization and intensity of hide processing from sequential occupations at the Late Fort Ancient (A.D. 1400-1680) Hardin Site located in the central Ohio Valley. Historical and archaeological sources were drawn on to develop expectations for production intensification: 1) an increase in production tool quantity, 2) an increase in production debris quantity, and 3) an increase in tool utilization intensity. Many Native groups situated on the periphery of early European colonies intensified hide production to meet demand generated by an emerging global trade in hides. A

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Charlier, Fabrice. "Technologie des tuiliers gallo-romains (Gaules et Germanies) : analyse comparative et régressive des structures de production des matériaux de construction en terre cuite de l'époque contemporaine à l'Antiquité." Thesis, Besançon, 2011. http://www.theses.fr/2011BESA1006.

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Cette recherche porte sur les techniques de production des matériaux de construction en terre cuiteà l’époque romaine dans les provinces de Gaule et de Germanie. Ces techniques ne nous sontaccessibles directement que par l’archéologie, à la fois par les vestiges mobiliers : les matériauxfabriqués eux-mêmes, et par les vestiges immobiliers : les tuileries qui sont régulièrement mises aujour. Seules les structures de production sont examinées, mais il est souvent fait référence auxmatériaux. L’étude est menée selon deux lignes directrices, l’une horizontale : la chaîne opératoire, l’autrevertica

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Råhlander, Moa. "How Beads come Together : Late Iron Age glass beads as past possessions and present sources." Thesis, Stockholms universitet, Institutionen för arkeologi och antikens kultur, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-185146.

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This study aims to demonstrate the potential for understanding first millennium glass beads not as individual representatives of types, but as collections of objects brought together and curated by owners. It uses the author’s experience as a skilled bead maker to investigate processes of bead production and mechanics of bead collection current in Scandinavia and Anglo-Saxon England in the period of 6th to 9th century AD. In the study the bead collections of seven graves are examined from the perspective of their production techniques, materials, and damage from wear and cremation. The results

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Santiago, Manuel. "Des métiers urbains au Cameroun : une analyse sociohistorique en termes de rapports sociaux." Thesis, Strasbourg, 2016. http://www.theses.fr/2016STRAG045.

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Cette thèse est construite en trois parties. La première est tout d’abord consacrée à une analyse réflexive de l’engagement ethnographique qui prend la rue comme terrain, et aux diverses formes de relation et de visibilité auquel conduit ce choix. Le cadre théorique et méthodologique affirme en particulier des positions méthodologiques et théoriques à l’égard de l’informalité. On y trouve également une acception élargie de la production, qui inclut les métiers urbains de service, ainsi que la nécessité d’étudier ensemble production et reproduction pour lire l’agencement des rapports sociaux. L

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Šillerová, Pavla. "Podnikatelský plán." Master's thesis, Vysoké učení technické v Brně. Fakulta podnikatelská, 2010. http://www.nusl.cz/ntk/nusl-222530.

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The thesis is focused on creating a business plan for establishing businesses in the food industry. The company is engaged in domestic production and sales of salty and sweet pastries. The main activity is production-filled turnovers. Supplementary assortment consists of wedding cakes, Christmas cookies and small cakes. Products are designed for daily sales in the company store, but especially at celebrations and other special occasions. Business plan based on the characteristics of general and occupational environment, market analysis and company internal factors. After reviewing the proposal

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Galliegue, Arnaud. "Les lampes à huile en céramique de Lyon-Lugdunum de la fondation de la colonie (43 av.J.-C.) jusqu'au début du IV siècle ap. J.-C. : production et consommation." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSE2153.

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Ce travail a pour but de cataloguer de façon exhaustive la plupart des objets de type luminaire découverts à lyon au cours de fouilles archéologiques. ce catalogue inclura également le mobilier issu de très anciennes collections formant le fond ancien des musées de lyon.il sera question de faire une typochronologie des luminaires typiquement lyonnais en les replaçant dans leur contexte. ce travail permettra d'appréhender les formes en vogues et en circulation à lyon de la fin de la république romaine jusqu'au bas empire<br>The use of oil lamps as means of lighting, illustrates perfectly the ph

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Attia, Alexandra. "Étude et contextualisation des ateliers à figures rouges du "Lucanien récent" (2ème moitié du IVè siècle av. J.-C.) : le cas du Peintre du Primato." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H107.

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La céramique du « Lucanien récent » - désignant la céramique à figures rouges produite en Lucanie à partir des années 360-340 av. J.-C jusqu'à ce qu' A.D. Trendall appelle la «barbarisation» du style, vraisemblablement dans les dernières décennies du IVe siècle av. J .-C. -, n'a fait l'objet d'aucune étude approfondie depuis la classification stylistique proposée par le savant néo-zélandais en 1967. Les zones d'ombres persistantes quant à la localisation et l'articulation de ces ateliers de production, que la seule orientation stylistique ne permet pas d'éclairer, et le grand nombre de vases e

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Milgram, Barbara Lynne. "Crossover, continuity and change, women's production and marketing of crafts in the upland Philippines." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq22921.pdf.

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Cutler, J. E. "Crafting Minoanisation : textiles, crafts production and social dynamics in the Bronze Age southern Aegean." Thesis, University College London (University of London), 2011. http://discovery.ucl.ac.uk/1335717/.

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The mid second millennium BC material record of the southern Aegean shows evidence of strong Cretan influence. This phenomenon has traditionally been seen in terms of ‘Minoanisation’, but the nature and degree of Cretan influence, and the process/processes by which it was spread and adopted, have been widely debated. This thesis addresses the question of ‘Minoanisation’ through a study of the adoption of Cretan technologies in the wider southern Aegean: principally, weaving technology. By the early Late Bronze Age, Cretan-style discoid loom weights had appeared at a number of settlements acros

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Rubinson, Claude. "The Production of Style: Aesthetic and Ideological Diversity in the Arts and Crafts Movement, 1875--1914." Diss., The University of Arizona, 2010. http://hdl.handle.net/10150/194514.

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What explains the aesthetic diversity of the Arts and Crafts movement? Typically, artistic movements are characterized by a single style but the Arts and Crafts produced both organic and geometric forms. Examining two Arts and Crafts retrospective exhibitions, I find that organic aesthetics predominated in Great Britain, Scandinavian countries, and Hungary and that geometric aesthetics were more prevalent in the United States, Germany, and Austria. This finding is largely consistent with previous sociological research on artistic form, which has found that stronger political-economies are more

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王家敏 and Ka-man Carmen Wong. "Painted gods: arts and crafts for the production of ancestral tablets and folk gods plaques in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B42183042.

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Wong, Ka-man Carmen. "Painted gods arts and crafts for the production of ancestral tablets and folk gods plaques in Hong Kong /." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B42183042.

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Amraoui, Touatia. "L’artisanat dans les cités antiques de l’Algérie." Thesis, Lyon 2, 2013. http://www.theses.fr/2013LYO20110.

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Cette étude analyse la place de l’artisanat et des artisans dans les villes antiques de l’Algérie en faisant le point sur la documentation disponible – archives, rapports de fouilles, plans, photos et publications. S’appuyant sur un travail de terrain, les données mises à jour ont apporté des précisions ou des éléments nouveaux sur les ateliers urbains découverts entre le XIXe s. et la seconde moitié du XXe s. : les vestiges de chaque installation sont localisés, décrits et documentés ; une datation est proposée quand cela est possible. Ce travail conduit à nuancer ou à réfuter plusieurs inter

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Falcón, Aguilar Luis Marcelo. "El proceso de desarrollo de productos turísticos artesanales y su beneficio para los pueblos de artesanos en el mundo." Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/654058.

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La finalidad de este artículo de investigación es analizar las características de los procesos de desarrollo de productos turísticos artesanales y el beneficio que se genera para los pueblos de artesanos en el mundo. La metodología empleada fue la revisión bibliográfica mediante el análisis descriptivo y evaluativo de las fuentes consultadas. Esta desea desarrollar la importancia de la artesanía y su relación con el turismo, esta relación es una oportunidad para diversificar la oferta turística ya que la artesanía es un recurso incorporable a los productos turísticos. Se analizan los productos

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