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Journal articles on the topic 'Production craft'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Hagstrum, Melissa. "Household Production in Chaco Canyon Society." American Antiquity 66, no. 1 (2001): 47–55. http://dx.doi.org/10.2307/2694317.

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The household is the most basic and flexible component of human social organization. It is through the household that we can understand the Chaco phenomenon from the point of view of agriculture and craft production. Households strive for autonomy and self-sufficiency and they spread themselves thin to meet basic subsistence requirements. As a result, scheduling of agricultural and craft activities is critical to the success of the household. Craft technologies must be complementary with agricultural activities; for example, pottery may be made during the heat of the day when agricultural task

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2

Mishra, Ravi Shankar. "Aesthetics of Craft Production." International Journal of the Arts in Society: Annual Review 6, no. 3 (2011): 125–36. http://dx.doi.org/10.18848/1833-1866/cgp/v06i03/36022.

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Maaruf, Siti Zuraida, Ezzah Md Zain, and Nabilah Abdullah. "SUSTAINING LOCAL HERITAGE: FIBRE ART AS A NEW PARADIGM TO UPLIFT MALAYSIAN CRAFT PRODUCTION." Malaysian Journal of Sustainable Environment 7, no. 2 (2020): 119. http://dx.doi.org/10.24191/myse.v7i2.10268.

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By putting forward contemporary fibre art as a new paradigm in Malaysian craft production, this study aims to uncover how it is applied involving selection of material, utilization of technique right up to the appraisal of resultant product. The underlying rationale is to ensure incessant appreciation of Malaysian crafts by the society, especially the younger generation. This research utilized the Design Development Research (DDR) that consisted of three (3) phases. Selection of research participants used purposive sampling based on the respondents' expertise in the area. In Phase 1, Needs Ana

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4

Ertu, Unver, Atkinson Paul, and Marshall Justin. "Automake Physics: Random Craft Production." Computer-Aided Design and Applications 5, no. 1-4 (2008): 58–65. http://dx.doi.org/10.3722/cadaps.2008.58-65.

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Andriano-Moore, Stephen. "The Motion Picture Editors Guild Treatment of the Film Sound Membership: Enforcing Status Quo for Hollywood’s Post-Production Sound Craft." Labor Studies Journal 45, no. 3 (2020): 273–95. http://dx.doi.org/10.1177/0160449x20912337.

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The Motion Picture Editors Guild (MPEG) is the labor union representing post-production workers in the Hollywood motion picture industry, including seven sound craft classifications. The sound craft has low status within the hierarchical structure of the Hollywood film industry in comparison to other filmmaking crafts. This article evaluates the workings of the MPEG in concerns with the sound craft and status within the industry through a thirty-plus year review of their professional journal, website, sound practitioner discourse, and other industrial documents. The article argues that the uni

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Luke, Christina, and Robert H. Tykot. "CELEBRATING PLACE THROUGH LUXURY CRAFT PRODUCTION." Ancient Mesoamerica 18, no. 2 (2007): 315–28. http://dx.doi.org/10.1017/s095653610700020x.

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AbstractThis paper explores the production of Late to Terminal Classic Ulua marble vases (ca. 600/650–800/850a.d.), the hallmark luxury good from the lower Ulua Valley of northwestern Honduras. Unlike other areas of the greater Maya world, no one center appears to have held political sway in the valley. Yet marble-vase production at Travesia indicates that, through the patronization of this specific artifact, the site was able to celebrate its identity at home as well as abroad. Here the long-term production of the vases is investigated through a detailed analysis of stylistic groups and corre

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Minar, C. Jill, and Patricia L. Crown. "Learning and Craft Production: An Introduction." Journal of Anthropological Research 57, no. 4 (2001): 369–80. http://dx.doi.org/10.1086/jar.57.4.3631351.

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8

Durose, Catherine, Liz Richardson, and Beth Perry. "Craft metrics to value co-production." Nature 562, no. 7725 (2018): 32–33. http://dx.doi.org/10.1038/d41586-018-06860-w.

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Wilson, Suzette Wolfe. "Towards Sustainable Craft Production in Jamaica." Journal of Modern Craft 3, no. 2 (2010): 191–207. http://dx.doi.org/10.2752/174967810x12774789403609.

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10

Hendon, Julia A. "Textile production as craft in Mesoamerica." Journal of Social Archaeology 6, no. 3 (2006): 354–78. http://dx.doi.org/10.1177/1469605306067841.

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Thondhlana, Gladman, Deepa Pullanikkatil, and Charlie M. Shackleton. "Plant Fibre Crafts Production, Trade and Income in Eswatini, Malawi and Zimbabwe." Forests 11, no. 8 (2020): 832. http://dx.doi.org/10.3390/f11080832.

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The production of plant fibre products is considered a promising pathway for contributing to people’s livelihoods particularly in developing countries, where economic options might be limited. However, there are limited comparative studies across countries on plant fibre products, making it difficult to examine how local and broader biophysical, socioeconomic, cultural and policy contexts influence craft production patterns in terms of primary plant resources used, products made and contributions to livelihoods. Using household surveys for data collection, this paper presents findings from a c

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Ponimin, Ponimin. "Diversification of ceramic craft for tourism souvenir: local culture as art creation and production idea." International Journal of Visual and Performing Arts 3, no. 1 (2021): 33–42. http://dx.doi.org/10.31763/viperarts.v3i1.276.

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The tourism industry and craft products are two sectors that are long developed, complementing and strengthening each other. However, not many people consider ceramic craft product design with local culture basis. The research aims to show how local culture can be used as a source for ceramic craft product design ideas. Through design innovation and production techniques, we can increase varieties of ceramic craft product design. However, to make it come true, it needs a creative method as its solution. Creative method application includes: (1) Developing ceramic craft design for souvenir, bas

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Indrahti, Sri, and Bintang Andini. "The Existence Culture and Environmental Development Of Monel Crafts In The North Coast Of Jawa (Jepara Coastal Community)." E3S Web of Conferences 125 (2019): 09003. http://dx.doi.org/10.1051/e3sconf/201912509003.

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Jepara has many handicrafts. One of them is monel craft which requires special skills, family business management and from generation to generation. The traditional management seems to have survived in 2010-2015. This is due to the skill in pursuing monel craft, studied non-formally, through learning the way of apprenticeship. In production activities, monel craft is also followed by students who are also active participants who directly learn and practice at the location of the craft. The development of monel handicrafts in Jepara experienced periods that could be said to be increasing. Start

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Hirth, Kenneth. "CRAFT PRODUCTION IN A CENTRAL MEXICAN MARKETPLACE." Ancient Mesoamerica 20, no. 1 (2009): 89–102. http://dx.doi.org/10.1017/s0956536109990034.

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AbstractThe marketplace was an important institution for household provisioning and elite resource conversion in pre-Hispanic Mesoamerica. Despite their importance, marketplaces are difficult to identify because exchange relationships are generally invisible in the archaeological record. This study examines the evidence for marketplaces at the Epiclassic period site of Xochicalco, Morelos, Mexico. It explores the role of craft production in the marketplace as a possible indicator of market activity. Excavations in a suspected market area at Xochicalco uncovered evidence for the production of o

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Lynda Harling Stalker, L. "Self‐employed craft production is embedded work." Journal of Enterprising Communities: People and Places in the Global Economy 3, no. 4 (2009): 415–25. http://dx.doi.org/10.1108/17506200910999156.

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PurposeThe purpose of this paper is to illustrate how self‐employed craft producers are embedded in social relationships.Design/methodology/approachTo explore this question, narrative analysis and case study methodology is employed.FindingsIt is found that despite doing work that speaks to local values, self‐employed craft producers in Newfoundland narrate tensions that exist between themselves and locals.Originality/valueThis paper takes on the notion of a “global village” where the local is no longer seen as important to work and labour. It contributes to the understanding of work as embedde

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Hsueh, T. Richard, Thomas F. Houghton, Joseph F. Maranzano, and Gerald P. Pasternack. "Software Production: From Art/Craft to Engineering." AT&T Technical Journal 73, no. 1 (1994): 59–68. http://dx.doi.org/10.1002/j.1538-7305.1994.tb00570.x.

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Fastigi, Matteo, and Jillian R. Cavanaugh. "Turning Passion into Profession: A History of Craft Beer in Italy." Gastronomica 17, no. 2 (2017): 39–50. http://dx.doi.org/10.1525/gfc.2017.17.2.39.

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This article investigates the Italian craft brewing revolution, a florescence of small-scale, artisanal beer production that began in the late 1990s. This revolution presents a number of provocative paradoxes, such as the growing importance of beer consumption and production in a country long known for its wine, its economic success at a time of ongoing and severe economic crisis in Italy, and the ways in which a love of drinking beer is driving many to choose to make it. Drawing on extensive survey data among craft brewers, ethnographic research, and interviews with craft brewers and their su

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Hayama, Kiyoteru, and Hiroki Irie. "Trial Production of Vertical Take-Off and Landing Aircraft Based on Tricopter." Journal of Robotics and Mechatronics 28, no. 3 (2016): 314–19. http://dx.doi.org/10.20965/jrm.2016.p0314.

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[abstFig src='/00280003/06.jpg' width=""155"" text='Prototype of proposed aircraft' ] Trial production has begun on tricopter-based new-concept vertical take-off and landing aircraft (VTOL). The VTOL features three fixed-angle motors on a reversed-T shape body and a fixed wing with an elevon and a rudder. The proposed craft uses fewer components than quadcopter-based VTOL craft. Continuous transition from rotorcraft to fixed-wing craft is completed with the craft’s 90° tilt.

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Tugimin, Tugimin. "KARAKTER SUMBERDAYA MANUSIA DAN PENGARUHNYA TERHADAP PEMASARAN BARANG PRODUKSI: STUDI KASUS PADA PENGRAJIN KULIT DI BANTUL YOGYAKARTA." Jurnal Riset Manajemen dan Bisnis 10, no. 1 (2015): 71. http://dx.doi.org/10.21460/jrmb.2015.101.356.

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ABSTRACT The craft of a leather puppet in the district Bantul, Province Yogyakarta Special Region in its development experienced tides. Success retreival craft leather puppet skin strongly influenced by among other things, trend with the market demands quality goods, distinctness, value and price. But there is a vital need reckoned that human resources leather puppet characters handicraftsman skin also had an influence upon the way forward in sell their products. So far the role of the craftsman and forced them to market own goods their craft. Idealism character basic craftsman who pushes art

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20

Aoyama, Kazuo. "Elite Artists and Craft Producers in Classic Maya Society: Lithic Evidence from Aguateca, Guatemala." Latin American Antiquity 18, no. 1 (2007): 3–26. http://dx.doi.org/10.2307/25063083.

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This report examines 10,845 lithic artifacts from the rapidly abandoned city of Aguateca, Guatemala, to elucidate elite artistic and craft production in Classic Maya society. The methods used include high-power microwear analysis. The results suggest that significant numbers of Maya elite, both men and women, engaged in artistic creation and craft production, often working in both attached and independent contexts. The royal family and other elite households produced many artistic and craft items, including wood carvings and hide or leather goods. The scribe inhabiting Structure M8-8 carved st

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21

Stollery, Martin. "Biography, Craft, Creative Labour: The Timeliness of Dai Vaughan's Portrait of an Invisible Man: The Working Life of Stewart McAllister, Film Editor." Journal of British Cinema and Television 12, no. 3 (2015): 277–99. http://dx.doi.org/10.3366/jbctv.2015.0266.

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Dai Vaughan's Portrait of an Invisible Man: The Working Life of Stewart McAllister, Film Editor has long been the type of book critics and historians ritually acknowledge as an important contribution without engaging in any sustained analysis of precisely why this is the case. This article argues that Portrait deserves to be revisited in the light of current debates about craft and creative labour in the film and television industries. There is an enormous amount of craft involved in film and television production, yet this has not yet been discussed in relation to the current resurgence of in

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22

Heath Anderson, J., and Kenneth G. Hirth. "OBSIDIAN BLADE PRODUCTION FOR CRAFT CONSUMPTION AT KAMINALJUYU." Ancient Mesoamerica 20, no. 1 (2009): 163–72. http://dx.doi.org/10.1017/s095653610900011x.

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AbstractThe interpretation of craft activity in Mesoamerica has been hindered by difficulties in recognizing and defining the archaeological signatures associated with obsidian blade production and consumption. Theoretical advances and experimental approaches have improved our understanding, but few studies have investigated the role of obsidian blade production in craft activity using empirical data from archaeological assemblages. The present study addresses this problem by presenting an analysis of obsidian flakes and blades recovered from a workshop refuse context at Kaminaljuyu, Guatemala

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23

Bernier, Hélène. "Craft Specialists at Moche: Organization, Affiliations, and Identities." Latin American Antiquity 21, no. 1 (2010): 22–43. http://dx.doi.org/10.7183/1045-6635.21.1.22.

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AbstractThis article examines the organization of specialized craft production at the urban site of Moche, known as the capital of the Southern Moche state. Recent excavations in workshop contexts revealed that the urban population of Moche was in part composed of ceramists, metallurgists, and lapidaries. These craft specialists played a significant role in the economic, political, and religious spheres of the Moche polity. Data obtained during excavations of workshops and domestic compounds are used to analyze the context, scale, and intensity of craft production, taking into account the natu

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Sudana, I. Wayan, and Isnawati Mohamad. "Karakteristik Seni Kerajinan Eceng Gondok Gorontalo." Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni 15, no. 1 (2020): 38–47. http://dx.doi.org/10.33153/dewaruci.v15i1.3171.

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Upaya pengembangan kerajinan eceng gondok di Gorontalo sebagai sektor unggulan harus dilandasi oleh karakteristik yang meliputi potensi dan permasalahan. Namun, data tentang karakteristik kerajinan belum tersedia secara komprehensif. Penelitian ini bertujuan untuk menggali unsur-unsur kerajinan eceng gondok Gorontalo untuk mengungkap potensi dan permasalahan yang ada. Penelitian menggunakan metode kualitatif model studi kasus. Pengumpulan data dilakukan melalui observasi, wawancara, tes, dan studi pustaka. Data dianalisis secara interaktif melalui seleksi dan pengkodean, kategorisasi, penyajia

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Berg, Maxine. "SKILL, CRAFT AND HISTORIES OF INDUSTRIALISATION IN EUROPE AND ASIA." Transactions of the Royal Historical Society 24 (October 24, 2014): 127–48. http://dx.doi.org/10.1017/s0080440114000061.

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ABSTRACTIt is time to reexamine craft and small-scale manufacture within our histories of industrialisation, both West and East, and to reflect on the long survival and adaptation of artisanal production even within our globalised world of production and consumption. Historians since the 1950s have addressed craft, skill and labour-intensive production in historical frameworks such as ‘the rise of the factory system’, ‘proto-industrialisation’ and ‘flexible specialisation’. More recently, they have devised other concepts which include labour and skill-intensive production such as ‘industrious

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Everhart, Timothy D., and Bret J. Ruby. "Ritual Economy and the Organization of Scioto Hopewell Craft Production: Insights from the Outskirts of the Mound City Group." American Antiquity 85, no. 2 (2020): 279–304. http://dx.doi.org/10.1017/aaq.2019.105.

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This article offers insights into the organization of Scioto Hopewell craft production and examines the implications of this organization through the lens of ritual economy. We present a novel analysis of investigations at the North 40 site, concluding that it is a craft production site located on the outskirts of the renowned Mound City Group. High-resolution landscape-scale magnetic survey revealed a cluster of three large structures and two rows of associated pits; one of the buildings and three of the pits were sampled in excavations. Evidence from the North 40 site marks this as the best-

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Bayman, James M., and Jadelyn J. Moniz Nakamura. "Craft Specialization and Adze Production on Hawai'i Island." Journal of Field Archaeology 28, no. 3/4 (2001): 239. http://dx.doi.org/10.2307/3181433.

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Salanță, Liana Claudia, Teodora Emilia Coldea, Maria Valentina Ignat, et al. "Non-Alcoholic and Craft Beer Production and Challenges." Processes 8, no. 11 (2020): 1382. http://dx.doi.org/10.3390/pr8111382.

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Beer is the most consumed alcoholic beverage in the world and the third most popular beverage after water and tea. Emerging health-oriented lifestyle trends, demographics, stricter legislation, religious prohibitions, and consumers’ preferences have led to a strong and steady growth of interest for non-alcoholic beers (NABs), low-alcohol beers (LABs), as well for craft beers (CBs). Conventional beer, as the worlds most consumed alcoholic beverage, recently gained more recognition also due to its potential functionality associated with the high content of phenolic antioxidants and low ethanol c

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Modrovský, Radek. "Optimization of Production Flow through the CRAFT Method." Manufacturing Technology 19, no. 1 (2019): 114–17. http://dx.doi.org/10.21062/ujep/253.2019/a/1213-2489/mt/19/1/114.

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30

Hirth, Kenneth. "1 Housework and Domestic Craft Production: An Introduction." Archeological Papers of the American Anthropological Association 19, no. 1 (2009): 1–12. http://dx.doi.org/10.1111/j.1551-8248.2009.01009.x.

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31

Wattenmaker, Patricia. "Craft Production and Social Identity in Northwest Mesopotamia." Archeological Papers of the American Anthropological Association 8, no. 1 (2008): 47–55. http://dx.doi.org/10.1525/ap3a.1998.8.1.47.

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Bayman, James M., and Jadelyn J. Moniz Nakamura. "Craft Specialization and Adze Production on Hawai'i Island." Journal of Field Archaeology 28, no. 3-4 (2001): 239–52. http://dx.doi.org/10.1179/jfa.2001.28.3-4.239.

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33

Jennifer Hambleton. "Broadway North: craft in Canadian creative industry production." Work Organisation, Labour & Globalisation 10, no. 1 (2016): 64. http://dx.doi.org/10.13169/workorgalaboglob.10.1.0064.

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34

Olssen, Erik, and Jeremy Brecher. "The Power of Shop Culture." International Review of Social History 37, no. 3 (1992): 350–75. http://dx.doi.org/10.1017/s0020859000111332.

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SummaryThis paper investigates the history of the labour process in New Zealand's state-owned railway workshops and questions the idea that large-scale industry inevitably destroyed whatever agency skilled workers had enjoyed. It also shows that relations of production vary with the political and cultural contexts. Craft control of the labour process survived in New Zealand's state-owned railway workshops and the union played only a minor role. Jop control was more important in achieving bureaucratic instead of autocratic control over such matters as hiring and firing; the retention of apprent

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Huynh, Thien Duc. "The reality of craft village development at the key economic zone of Southern Vietnam in the present period." Science and Technology Development Journal 17, no. 4 (2014): 108–15. http://dx.doi.org/10.32508/stdj.v17i4.1568.

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Nowadays, craft villages in key economic zones in the South of Vietnam have played a big role in the socio-economic development of many local areas in the region. Many production types of craft villages offer work for employees. In addition, craft villages produce goods exported to the world. Although there are potentials for development and great opportunities for market expansion, craft villages in key economic zones in the South still suffer from many weak points; for example, unstable trading conditions, lack of capital, etc. This paper focuses on surveying and analyzing the real developme

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Mohlman, Kay. "Craft-as-Industry and Craft-as-Culture: Analysing Handicraft Production in Commercialized Asia and Beyond." Asian Journal of Social Science 27, no. 1 (1999): 113–26. http://dx.doi.org/10.1163/030382499x00228.

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37

Morales, R. "The Los Angeles Automobile Industry in Historical Perspective." Environment and Planning D: Society and Space 4, no. 3 (1986): 289–303. http://dx.doi.org/10.1068/d040289.

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From the turn of the century to the present, industrial production has taken various forms from an initial craft orientation, to a period of ‘Fordism’ when industrialization was characteristically dominated by mass production, to the present when increasing numbers of sectors are adopting ‘flexible specialization’ techniques which incorporate aspects both of mass production and of the craft tradition. As a location with strong craft and mass production lineages, Los Angeles offers unusual insights for understanding developments in the industry. In this paper the evolution of both sides of the

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Tomski, Piotr, and Robert Menderak. "Contract Brewing – Production-Oriented Cooperation in Craft Brewing Industry." Production Engineering Archives 22, no. 22 (2019): 16–23. http://dx.doi.org/10.30657/pea.2019.22.04.

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Abstract The objective of the paper is to analyze the cooperation in craft beer manufacturing in Poland and to identify the specificity of this phenomenon from the perspective of enterprise management. The sales of craft beers in Poland are growing rapidly. Craft beers have about a 0.5% share in the total beer sales value in Poland. The popular practice in the industry is contract brewing. It is an interesting phenomenon in the field of cooperation of enterprises which can be classified and analyzed as a form of: economic cooperation (generally), production cooperation, outsourcing, network an

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Clark, John E. "Prismatic Blademaking, Craftsmanship, and Production." Ancient Mesoamerica 8, no. 1 (1997): 137–59. http://dx.doi.org/10.1017/s0956536100001620.

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AbstractArtifacts from an obsidian-blade workshop dump from Ojo de Agua, Chiapas, Mexico, are analyzed to determine levels of craftsmanship and craft specialization. Detailed consideration of knapping errors and rejuvenation flakes reveals that the blademaker at Ojo de Agua was moderately skilled at his craft, which he practiced on a part-time basis. The maximum level of output from his workshop was 26,000, or fewer, fine blades per year, or the equivalent of part-time work during a three-month period. Analysis of knapping strategies evident in the workshop debris suggests that the blademaker'

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Bell, Emma, M. Tina Dacin, and Maria Laura Toraldo. "Craft Imaginaries – Past, Present and Future." Organization Theory 2, no. 1 (2021): 263178772199114. http://dx.doi.org/10.1177/2631787721991141.

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This paper contributes to debates about craft authenticity by turning attention to the craft imaginary. We suggest that the significance of craft stems from its role in constructing an alternative social imaginary that challenges dominant, modernist imaginaries of industrial production and consumption. Our focus is on the role of imaginaries in determining how societies, communities, organizations and individuals embody temporal relations to the past that extend into the present and future. We show how the craft imaginary comprises histories, traditions, places and bodies and use this to devel

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Poblome, Jeroen. "Comparing Ordinary Craft Production: Textile and Pottery Production in Roman Asia Minor." Journal of the Economic and Social History of the Orient 47, no. 4 (2004): 491–506. http://dx.doi.org/10.1163/1568520042467163.

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AbstractI present in this paper a framework of description for pottery and textile manufacturing in Roman Asia Minor. The research forms part of a wider debate on the speci fic, but generally underestimated contribution of the production of artisans to the ancient economy. The regulatory factors and production organisation of both crafts are remarkably similar and are placed against the agricultural background of a pre-industrial society.

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J Tampubolon, L D Agoestine Simangunsong, M D Agustina Sibuea, and A C Sembiring and A Mardhatillah. "Prayer paper production facility layout redesign using systematic layout planning method and CRAFT." International Journal of Science, Technology & Management 1, no. 4 (2020): 448–56. http://dx.doi.org/10.46729/ijstm.v1i4.84.

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Abstract. The facility layout is a strategic design that is used for a long time. All manufacturing industries must pay attention to the right layout to increase the productivity of the industry. A prayer paper manufacturing industry located in the Tanjung Morawa area, Medan has an error in the placement of raw materials and the placement of production machines, so that the distance from the temporary warehouse to the printing and cutting work stations is far apart, causing high material handling costs. Seeing these problems, research was carried out to improve the layout of the facilities and

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Elzinga, Kenneth G., Carol Horton Tremblay, and Victor J. Tremblay. "Craft Beer in the United States: History, Numbers, and Geography." Journal of Wine Economics 10, no. 3 (2015): 242–74. http://dx.doi.org/10.1017/jwe.2015.22.

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AbstractWe provide a mini-history of the craft beer segment of the U.S. brewing industry with particular emphasis on producer-entrepreneurs but also other pioneers involved in the promotion and marketing of craft beer who made contributions to brewing it. In contrast to the more commodity-like lager beer produced by the macrobrewers in the United States, the output of the craft segment more closely resembles the product differentiation and fragmentation in the wine industry. We develop a database that tracks the rise of craft brewing using various statistical measures of output, number of prod

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Huster, Angela C. "Looming Deficits: Textile Production Specialization in Postclassic Mesoamerica." Latin American Antiquity 30, no. 4 (2019): 780–97. http://dx.doi.org/10.1017/laq.2019.74.

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Using textile production in Postclassic Western Mesoamerica as a case study, this article explores how to differentiate low levels of craft production caused by household provisioning from low levels of craft production due to market reliance and regional specialization. I use a sample of 52 excavated site/phase components to establish baselines for the intensity of production and to evaluate whether participation in the market allowed craftspeople in some regions to underproduce textiles relative to local needs. Highland and lowland sites have comparable low frequencies of spindle whorls duri

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Chirakranont, Rangson, and Sirijit Sunanta. "Craft Beer Tourism in Thailand." Tourism Analysis 26, no. 2 (2021): 237–39. http://dx.doi.org/10.3727/108354221x16079839951493.

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The craft beer movement and craft beer tourism are a new global phenomenon that has reached various parts of the world. However, the literature on craft beer tourism mostly focuses on traditional origins of craft beer in Western countries—the US, Australia, and European countries. This research note illustrates how a study of the Thai craft beer movement and craft beer tourism could contribute to the existing body of knowledge. The consumption of non-Western people in non-Western places has been underrepresented in the literature of food and beverage tourism. The craft beer movement has spread

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Shih, WenYing Claire, and Konstantinos Agrafiotis. "Competitiveness in a Slow Relational Production Network." Clothing and Textiles Research Journal 35, no. 3 (2017): 143–55. http://dx.doi.org/10.1177/0887302x17690023.

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Global clothing production has given rise to fast fashion strategies adopted by the majority of fashion retailers. However, there is a production network located in London, one of the most expensive areas in the world. The Savile Row tailors using craft techniques slow by nature have never outsourced production to remain competitive. In line with the resource-based view, the relational view, and global production networks theories, the authors devise a conceptual framework as they seek to explore how competitiveness can be achieved within a slow production network. A single case study of Londo

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Mateer. "Digital Cinematography: Evolution of Craft or Revolution in Production?" Journal of Film and Video 66, no. 2 (2014): 3. http://dx.doi.org/10.5406/jfilmvideo.66.2.0003.

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Hirth, Kenneth G. "The Investigation of Obsidian Craft Production at Xochicalco, Morelos." Ancient Mesoamerica 6 (1995): 251–58. http://dx.doi.org/10.1017/s0956536100002224.

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AbstractSurface reconnaissance at the site of Xochicalco, Morelos, identified 12 areas believed to be production locales where obsidian tools were manufactured during the Epiclassic period (A.D. 700-900). Production locales were identified from concentrations of chipped stone debitage located in both residential and nonresidential contexts at Xochicalco. Differences in the size and location of these production locales suggested obsidian craft activity was carried out in three different production contexts similar to those reported at the large urban center of Teotihuacan: small domestic worksh

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McCluskey, Michael. "Local Production: Craft and Film-Making in Interwar Britain." Journal of Modern Craft 12, no. 3 (2019): 219–32. http://dx.doi.org/10.1080/17496772.2019.1678872.

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Barnes, Gina Lee. "Craft Production and Social Change in Northern China (review)." Asian Perspectives 43, no. 1 (2004): 177–78. http://dx.doi.org/10.1353/asi.2004.0002.

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