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1

Wilde, Oscar. Intentions. The Floating Press, 2009.

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2

Wilde, Oscar. Intentions. Fictionwise, Inc., 2000.

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3

Wilde, Oscar. Intentions. Stock, 1997.

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4

Jeane, Luere, and Berger Sidney L, eds. Playwright versus director: Authorial intentions and performance interpretations. Greenwood Press, 1994.

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5

D, Wellington Robert, and New York State College of Agriculture and Life Sciences. Dept. of Agricultural Economics., eds. A survey of New York farmers' intentions to submit bids for the milk production termination program. Dept. of Agricultural Economics, New York State College of Agriculture and Life Sciences, Cornell University, 1986.

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6

Dunaif, George E., and Jeffrey T. Barach. A systems approach using preventive controls for safe food production: Food defence planning - prevention of intentional adulteration. Grocery Manufacturers Association, 2013.

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7

Cabannes, Yves, Mike Douglass, and Rita Padawangi, eds. Cities in Asia by and for the People. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462985223.

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This book examines the active role of urban citizens in constructing alternative urban spaces as tangible resistance towards capitalist production of urban spaces that continue to encroach various neighborhoods, lanes, commons, public land and other spaces of community life and livelihoods. The collection of narratives presented here brings together research from ten different Asian cities and re-theorises the city from the perspective of ordinary people facing moments of crisis, contestations, and cooperative quests to create alternative spaces to those being produced under prevailing urban p
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8

Ákos, Östör, and Harvard Film Archive, eds. Making Forest of bliss: Intention, circumstance, and chance in nonfiction film : a conversation between Robert Gardner + Ákos Östör. Harvard Film Archive, 2001.

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9

Boffo, Vanna, ed. A Glance at Work. Firenze University Press, 2012. http://dx.doi.org/10.36253/978-88-6655-187-4.

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The topics of work flexibility, precarious jobs, and the relationship between work, the market and production are subjects that are widely debated in the sociological, philosophical, economic and political spheres. Yet these topics are less touched on in the tradition of pedagogical research. The intention of this book is to build a seedbed for reflection on the central position assumed by work in the lives of every woman and man, inhabitants of a planet in which the transformation of work activities is imposing radical changes on lifestyles, community-building and societies. Work is not an ab
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10

Wilde, Oscar. Intentions. BiblioBazaar, 2007.

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11

Intentions. 1st World Library, 2006.

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12

Wilde, Oscar. Intentions. LGF, 2000.

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13

Gover, K. E. Art and Authority. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198768692.001.0001.

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Art and Authority is a philosophical essay on artistic authority and freedom: its sources, nature, and limits. It draws upon real-world cases and controversies in contemporary visual art and connects them to significant theories in the philosophical literature on art and aesthetics. Artworks, it is widely agreed, are the products of intentional human activity. And yet they are different from other kinds of artifacts; for one thing, they are meaningful. It is often presumed that artworks are an extension of their makers’ personality in ways that other kinds of artifacts are not. This is clear f
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14

Gover, K. E. Art, Authorship, and Authorization. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198768692.003.0002.

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This chapter shows that the concepts of artistic freedom and moral rights have their source in an ideal of authorship that is assumed but incorrectly accounted for in both the legal and philosophical literature. It then presents a ‘dual-intention’ theory of artistic authorship, which argues that authorship entails two orders of intention: the first, ‘generative’ moment, involves the intentions that guide the actions that lead to the production of an artwork. The second moment is the evaluative moment, in which the artist decides whether or not to accept the work as ‘hers.’ This second moment o
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15

Wilde, Oscar. Intentions (Large Print Edition). BiblioBazaar, 2007.

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16

Intentional Talk: How to Structure and Lead Productive Mathematical Discussions. Stenhouse, 2014.

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17

Kazemi, Elham, and Allison Hintz. Intentional Talk: How to Structure and Lead Productive Mathematical Discussions. Stenhouse Publishers, 2014.

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18

Intentional Talk: How to Structure and Lead Productive Mathematical Discussions. Taylor & Francis Group, 2023.

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19

Intentional Talk: How to Structure and Lead Productive Mathematical Discussions. Taylor & Francis Group, 2023.

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20

Original intentions: Essays on production, reproduction, and interpretation in the arts of China. University Press of Florida, 2012.

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21

Lisbôa, Ednei, and Helena Midori Kashiwagi. A utilização de parques urbanos como ferramenta pedagógica para o ensino das ciências ambientais na educação de jovens e adultos. Brazil Publishing, 2021. http://dx.doi.org/10.31012/978-65-5861-292-6.

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This literary work seeks to highlight the importance of the public school as a real and effective possibility in facing contemporary socioenvironmental problems, using urban parks as non-formal educational spaces for the teaching of Environmental Sciences (ES), especially in Youth and Adult Education (EJA). Among the main intentions proposed in the construction of this material, we highlight the intention to stimulate and intensify Environmental Education (EE) in schools; as well as strengthening the idea and the need for the teaching and learning of ES to be thought beyond the walls of the sc
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22

Camasso, Michael J., and Radha Jagannathan. Caught in the Cultural Preference Net. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190672782.001.0001.

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In this book, the authors focus their attention on the role that culture, that collection of values, beliefs, attitudes, and preferences responsible for creating national identities, has played and continues to play on individuals’ decisions when they are in or about to enter the labor market. At a time when millennials face many employment challenges and Generation Z can be expected to encounter even more, a clearer understanding of the ways cultural transmission could facilitate or hinder productive and rewarding work would appear to be both useful and well-timed. The book’s title—Caught in
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23

Gupta, Maureen. Sleeping Princesses and Beauties. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199935321.013.171.

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This article demonstrates that in his production of Sleeping Beauty for the American Ballet Theatre, Alexei Ratmansky proposes a softer style of ballet and reintegrates pantomime into the fabric of the ballet. His use of a choreographic text raises questions of “authenticity” and the intentions of Petipa, and how a notational text may collide with nontextual Sleeping Beauty traditions developed since the ballet’s premiere in 1890. This production also draws from Bakst’s gorgeous designs for the Ballets Russes London production of 1921–1922. By incorporating choreographic and design elements fr
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24

Bartlett, Becky. Badfilm. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474450423.001.0001.

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This book examines badfilms, a subcategory of ‘bad cinema’ marked by incompetence and typically exacerbated by material poverty and restrictive production conditions. It establishes a framework through which the formal characteristics of failure can be established and analysed, and identifies intentionality as central to how badfilms are recognised and valued as cult texts. Drawing on debates about cult cinema, film form, cultural value and taste, and interrogating critical concepts such as ‘so bad it’s good’, the book investigates the impact of failure, incompetence, and ineptitude in post-pr
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25

Belodubrovskaya, Maria. Not According to Plan. Cornell University Press, 2018. http://dx.doi.org/10.7591/cornell/9781501709944.001.0001.

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Not According to Plan is a history of Soviet filmmaking under Stalin (1930–1953). It addresses why the Stalin regime failed to construct a controlled propaganda cinema despite explicit intention to do so. Using new archival evidence, Belodubrovskaya shows that the Stalinist state was unsuccessful because its ideological ambitions undermined institutional reform and development. When choosing between the short-term goal of making film “masterpieces” and longer-term industrialization targeting mass production, Stalin and his policymakers consistently selected the former. The preference for quali
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26

Dutton, Denis. Authenticity in Art. Edited by Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0014.

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Many of the most often-discussed issues of authenticity have centred around art forgery and plagiarism. A forgery is defined as a work of art whose history of production is misrepresented by someone (not necessarily the artist) to an audience (possibly to a potential buyer of the work), normally for financial gain. A forging artist paints or sculpts a work in the style of a famous artist in order to market the result as having been created by the famous artist. Exact copies of existing works are seldom forged, as they will be difficult to sell to knowledgeable buyers. The concept of forgery ne
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27

Reichmann, Werner. The Interactional Foundations of Economic Forecasting. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198820802.003.0005.

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How do economic forecasters produce legitimate and credible predictions of the economic future, despite most of the economy being transmutable and indeterminate? Using data from a case study of economic forecasting institutes in Germany, this chapter argues that the production of credible economic futures depends on an epistemic process embedded in various forms of interaction. This interactional foundation—through ‘foretalk’ and ‘epistemic participation’ in networks of internal and external interlocutors—sharpens economic forecasts in three ways. First, it brings to light new imaginaries of t
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28

Brown, H. Jackson. Best Preparation for Tomorrow Is to Do Your Best Today: Intentional Talk How to Lead Productive Mathematical Discussions, Great Teams 16 Things High Performing Organizations Do Differently. Independently Published, 2021.

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29

Swift, Ellen. Roman Artefacts and Society. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198785262.001.0001.

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In this book, Ellen Swift uses design theory, previously neglected in Roman archaeology, to investigate Roman artifacts in a new way, making a significant contribution to both Roman social history and our understanding of the relationships that exist between artefacts and people. Based on extensive data collection and the close study of artefacts from museum collections and archives, the book examines the relationship between artefacts, everyday behavior, and experience. The concept of "affordances"--features of an artefact that make possible, and incline users towards, particular uses for fun
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30

Koplowitz, Stephan. On Site. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197515235.001.0001.

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On Site: Methods for Site-Specific Performance Creation is written for artists and students at all levels who wish to explore the artistic and production processes of making sited works. The book covers specific, practical strategies for an array of issues to consider before, during, and after embarking upon a project: selecting a site, researching and exploring a site for inspiration and content, considering differences in urban and natural environments, procuring permits, designing the audience experience, defining key production roles, and building effective collaborations with different ar
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31

Monaghan, Nicola. 12. Drugs offences. Oxford University Press, 2018. http://dx.doi.org/10.1093/he/9780198811824.003.0012.

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Without assuming prior legal knowledge, books in the Directions series introduce and guide readers through key points of law and legal debate. Questions, diagrams, and exercises help readers to engage fully with each subject and check their understanding as they progress. This chapter discusses the main drugs offences found under the Misuse of Drugs Act 1971. It begins with a discussion of the offence of possession of a controlled drug, and examines the meaning of the terms ‘possession’ and ‘controlled drug’, before exploring defences to specific drug offences. It considers the offences of pos
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32

Hudson, Dale. Introduction: Migrations and Mutations. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474423083.003.0001.

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The introduction examines the figure of the vampire as it mutates and migrates between melodrama, romance, horror, comedy, soap opera, and science fiction. These mutations and migrations indicate the need for an approach that does not segregate vampire media into a subgenre of horror, dismiss it as apolitical entertainment, or understand it as unequivocally American. The figure of the vampire serves as both object and mode of analysis for more than eight decades of Hollywood film, television, and web production. The introduction also examines how and why vampires matter, arguing that vampire m
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33

Crosson, Bruce A., Anastasia Ford, and Anastasia M. Raymer. Transcortical Motor Aphasia. Edited by Anastasia M. Raymer and Leslie J. Gonzalez Rothi. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199772391.013.11.

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The defining symptoms of transcortical motor aphasia (TCMA) are nonfluent verbal output with relatively preserved repetition. Other symptoms, such as naming difficulties, agrammatic output, or even some paraphasias, may occur, but these are not cardinal symptoms defining TCMA and are not necessary for the diagnosis. The core anatomy involved in TCMA is a lesion of the medial frontal cortex, especially the left presupplementary motor area (pre-SMA) and adjacent Brodmann’s area 32; a lesion of the left posterior inferior frontal cortex, especially pars opercularis and ventral lateral premotor co
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34

Haroon, Sana. Competing Views of Pashtun Tribalism, Islam, and Society in the Indo-Afghan Borderlands. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520294134.003.0008.

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This chapter explores descriptions of Pashtun tribes and their religious predisposition in 20th century Urdu literature associated with strategic mobilization of the Pashtun regions, and highlights the inconsistency of this discourse with other twentieth-century nationalist projects in colonial India and Afghanistan. In the first instance, the 1914-36 writings of a group called the Jama‘at-i Mujahidin were at variance with the Pashtun and Muslim nationalist positions of the Khuda’i Khidmatgars and the Jamʻiyyat al-‘Ulama-yi Hind, and with the officially sanctioned geographies of the Afghan sta
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35

Gardner, Robert, and Ákos Östör. Making Forest of Bliss: Intention, Circumstance, and Chance in Nonfiction Film: A Conversation Between Robert Gardner + Akos Ostor (Voices and Visions in Film). Harvard Film Archive, 2002.

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36

Schrock, Chad D. Chaucer and the Invention of Biblical Narrative. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350417441.

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Demonstrating how Chaucer uses the Bible inThe Canterbury Talesas an authoritative literary source and model for his own literary production, this book explores the ways in which the Bible was a key tool for Chaucer's self-definition and innovation as an author. Chad Schrock unravels Chaucer’sTalesin the light of topics important to biblical reception in 14th-century England: authority, textuality, interpretation, translation, rephrasing and marginalia. When theCanterbury Talesare summed up in this way, they show the great extent to which Chaucer was drawing upon the Bible as a meta-poetical r
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37

Cruickshank, Ruth. Leftovers. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620672.001.0001.

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Eating and drinking are essential to survival. Yet for human animals, they are ambivalent, proliferating with ideological, historical and psychological leftovers. This study reveals and mobilizes the provisional meanings, repressed experiences and unacknowledged tensions bound up with representations of food, drink and their consumption. It creates a flexible critical framework by bringing together an unexploited convergence of post-war French thinkers who use – or whose thought is legible through – figures of eating and drinking, including Barthes, Bataille, Beauvoir, Bourdieu, Certeau, Cixou
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38

Ndaliko, Chérie Rivers, and Samuel Anderson, eds. The Art of Emergency. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190692322.001.0001.

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Across Africa, artists increasingly turn to NGO sponsorship in pursuit of greater influence and funding, while simultaneously NGOs—both international and local—commission arts projects to buttress their interventions and achieve greater reach and marketability. As a result, the key values of artistic expression become “healing” and “sensitization” measured in turn by “impact” and “effectiveness.” Such rubrics obscure the aesthetic complexities of the artworks and the power dynamics that inform their production. Clashes arise as foreign NGOs import foreign aesthetic models and preconceptions ab
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39

Wallis, Robert J., ed. The Art and Archaeology of Human Engagements with Birds of Prey. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350268029.

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Of all avian groups, birds of prey in particular have long been a prominent subject of fascination in many human societies. This book demonstrates that the art and materiality of human engagements with raptors has been significant through deep time and across the world, from earliest prehistory to Indigenous thinking in the present day. Drawing on a wide range of global case studies and a plurality of complementary perspectives, it explores the varied and fluid dynamics between humans and birds of prey as evidenced in this diverse art-historical and archaeological record. From their depictions
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40

Sivarasu, Sudesh. Medical Devices Innovation for Africa: enabling industrialisation. University of Cape Town Libraries, 2022. http://dx.doi.org/10.15641/uctlib40.

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It is with great pleasure to recognise all our partners in the merSETA Viro-Vent Innovation Skills Challenge who contributed to this publication: University of Cape Town, Cape Peninsula University of Technology, University KwaZulu Natal, University of Witwatersrand and National Technologies Implementation Platform. Thank you, Professor Sivarasu, for your leadership of the University of Cape Town for supporting these efforts to find new forms of collaboration that focus on “Skills for localisation” and “Skills for re-industrialisation”. This publication comes at a time when South Africa and the
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41

Redstone, Ilana, and John Villasenor. Unassailable Ideas. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190078065.001.0001.

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Colleges and universities in the United States play a profoundly important role in American society. Currently, that role is being hampered by a climate that constrains teaching, research, hiring, and overall discourse. There are three core beliefs that define this climate. First, any initiative framed as an antidote to historical societal ills is automatically deemed meritorious, and thus exempted from objective scrutiny of its potential effectiveness. However, to use a medical analogy, not all proposed cures for a disease are good cures. Second, all differences in group-level outcomes are as
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42

Cahn, Victor L. Shakespeare the Playwright. Greenwood, 1991. http://dx.doi.org/10.5040/9798216013952.

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A useful guide for the general reader, as well as high school and undergraduate students, to Shakespeare's 37 plays. After a brief introduction outlining Shakespeare's life and career, Cahn carefully guides the reader through each play in turn, from first scene to last, using a mixture of quotation, paraphrase, and critical comment. His style is accessible and unpretentious, and his insights into the `psychological consistency' of Shakespeare's characters--the main focus of the commentary--are stimulating and sometimes provocative.Library JournalContending that the fundamental appeal of Shakes
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