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Dissertations / Theses on the topic 'Psychoanalysis and art'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Williamson, Beth. "Anton ehrenzweig : Between psychoanalysis and art practice." Thesis, University of Essex, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.499813.

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2

Kellond, Joanna Elizabeth Thornton. "The art of healing : psychoanalysis, culture and cure." Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/54447/.

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This thesis explores how we might think the relation between psychoanalysis and the cultural field through Donald Winnicott's concept of the environment, seeking to bring the concept into dialogue with more “classical” strands of psychoanalytic theorizing. A substantial introduction sets out the rationale behind the thesis by reading Freud and Winnicott in relation to the “classic” and the “romantic” (Strenger 1989), or the “negative” and “positive” (Rustin 2001), in psychoanalytic thought. It goes on to outline the value of bringing these tendencies together in order to think the relationship

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3

Johnson, Scott. "Systemic concepts in literature and art." Diss., This resource online, 1991. http://scholar.lib.vt.edu/theses/available/etd-07282008-135409/.

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4

Grindrod, Josie. "The space in-between : psychoanalysis and the imaginary realm of art." Thesis, Link to the online version, 2006. http://hdl.handle.net/10019/1350.

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5

Hand, Janet. "What's happening with das Ding? : psychoanalysis, aesthetics and temporality in art." Thesis, University of Kent, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310273.

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6

Martonis, Stephen V. "Offerings for Jahilia." Morgantown, W. Va. : [West Virginia University Libraries], 1999. http://etd.wvu.edu/templates/showETD.cfm?recnum=596.

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7

Vice, President Research Office of the. "Art of Darkness." Office of the Vice President Research, The University of British Columbia, 2006. http://hdl.handle.net/2429/2666.

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8

Sullivan, Samantha N. "I am Louise's Inflamed Sense of Rejection: A Psychoanalytic Exploration of Louise Bourgeois' The Destruction of the Father." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1469700016.

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9

Orrado, Isabelle. "La résonance comme concept psychanalytique. : Les médiations thérapeutiques : une mise en résonance de la jouissance pour un traitement par l'art." Thesis, Université Côte d'Azur (ComUE), 2018. http://www.theses.fr/2018AZUR2031/document.

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Cette thèse cherche à identifier ce qui fait de l’homme un être de substance dont le corps est sensible. Si le moi vibre et que le sujet bat, le parlêtre résonne via les pulsions. Nous faisons de la résonance un concept opératoire pour rendre compte de la jouissance en jeu chez le parlêtre : mise en résonance du corps et du langage, via l’objet a. Notre choix d’étude s’est porté sur les troubles du langage, non pas comme dysfonctionnement de la parole, mais en tant qu’agitations. Lalomanie, coprolalie, écho de la pensée ou encore écholalie témoignent de l’impact direct du langage sur le corps

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10

Montanaro, Lee Ann. "Surrealism and psychoanalysis in the work of Grace Pailthorpe and Reuben Mednikoff, 1935-1940." Thesis, University of Edinburgh, 2010. http://hdl.handle.net/1842/5633.

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The story of the collaboration between the psychoanalyst Dr Grace Pailthorpe and the artist Reuben Mednikoff is indeed an extraordinary one. The aim of this thesis is to throw light upon their joint research project between 1935, when they first met, and 1940, when they were expelled from the British Surrealist group with which they had been closely involved since its official launch in 1936. The project that Pailthorpe and Mednikoff plunged into just days after they first met in February 1935 focused on how art could be used as a way of curing mental problems. Paintings and drawings produced

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11

Morelatto, Ricardo Bruscagin. "Desenhos Ocultos/Desejos Velados." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284381.

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Orientador: Ivanir Cozeniosque Silva<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-20T09:49:43Z (GMT). No. of bitstreams: 1 Morelatto_RicardoBruscagin_D.pdf: 7800431 bytes, checksum: 6882460e3447f70abcc9252b4ae8db78 (MD5) Previous issue date: 2012<br>Resumo: Partindo de alguns conceitos desenvolvidos por Sigmund Freud, tais como o recalque, o ato falho, as pulsões de vida e morte, a recorrência, o consciente e o inconsciente, a pesquisa utilizou o desenho e as linguagens dele decorrentes para uma tradução verbo/visual const

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12

Slater, Barbara. "Man's history of himself as space : Adrian Stokes; art, life and psychoanalysis in the writings up to 1951." Thesis, University of Reading, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260839.

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13

Pereira, Medina Fernanda. "L’art conceptuel, la psychanalyse et les paradoxes du langage : un dialogue entre Joseph Kosuth et Sigmund Freud." Thesis, Rennes 2, 2017. http://www.theses.fr/2017REN20034/document.

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La thèse prétend discuter des analogies intimes révélées entre le travail de l’art conceptuel tel qu’il est conçu par Joseph Kosuth, comme un processus de production de sens, et le travail analytique tel qu’il est élaboré par Sigmund Freud. Elle travaille donc à partir de l’interface entre l’art et la psychanalyse comme deux expériences de production de signification. Elle interroge le sens à partir des particularités inhérentes à chacun des discours et des pratiques concernés, mais aussi à partir de ce qui semble les réunir, à savoir : les mécanismes impliqués dans la production de sens au se

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14

Bradley, Alex Cilla. "The photographic other: Paradox in the cathexis of longing." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2018. https://ro.ecu.edu.au/theses/2054.

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A photographic and written examination of paradox in relation to the photograph This research aims to illuminate the relationship between paradox and photography, elaborated via Julia Kristeva’s notion of the abject. Paradox is considered in relation to photography in terms of repeated and unresolved debates about the status of the photograph as either an ‘index of reality’ (Bate, 2004, p. 1) or as a sign. The significance of this research lies in its re-motivation of abjection in terms of paradox, not in order to resolve such debates but, rather, to illuminate the importance of such unresolve

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15

Marchi, Sheila De. "A Arte como intermediador terapêutico para o desenvolvimento humano." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/47/47133/tde-01062012-152138/.

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Este estudo trata do uso da arte como procedimento intermediário para o acompanhamento terapêutico de pacientes que frequentam um Centro de Atenção Psicossocial-. Para esta investigação focalizamos a experiência vivenciada com pacientes psiquiátricos em um curso intitulado Foto e Imagem, ministrado pelo Museu de Arte Moderna de São Paulo MAM , durante um ano e nove meses. Utilizamos como método de compreensão dos resultados clínicos observados através de análise fenomenológica a articulação com conceitos clínicos de Donald Winnicott e hermenêuticos de Gilberto Safra. Observaram-se mudanças co

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16

DeVito, Elizabeth J. "Orientalism and the Photographs of Eugène Delacroix: An Exploration of Vision, Identity, and Difference in Nineteenth Century France." Ohio University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1306869542.

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17

Batorowicz, Beata Agnieszka, and n/a. "Undoing Big Daddy Art: Subverting the Fathers of Western Art Through a Metaphorical and Mythological Father/Daughter Relationship." Griffith University. Queensland College of Art, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040319.090547.

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The canon of Western art history provides a selection of artists that have supposedly made an 'original' contribution to stylistic innovation within the visual arts. Although a process of selection cannot be avoided, this procedure has resulted in a Eurocentric and patriarchal art canon. For example, the Western art canon consists of certain white male artists who are given exclusive authority and are often referred to as the 'fathers of art'. As the status of a 'father of art' pertains to the highest level of achievement within artistic creativity, I argue that this excellence in creativity i

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Batorowicz, Beata Agnieszka. "Undoing Big Daddy Art: Subverting the Fathers of Western Art Through a Metaphorical and Mythological Father/Daughter Relationship." Thesis, Griffith University, 2004. http://hdl.handle.net/10072/367273.

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The canon of Western art history provides a selection of artists that have supposedly made an 'original' contribution to stylistic innovation within the visual arts. Although a process of selection cannot be avoided, this procedure has resulted in a Eurocentric and patriarchal art canon. For example, the Western art canon consists of certain white male artists who are given exclusive authority and are often referred to as the 'fathers of art'. As the status of a 'father of art' pertains to the highest level of achievement within artistic creativity, I argue that this excellence in creativity i

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19

Booth, Anastasia G. "Playing with me: Feminine perspectives in fetishism and contemporary art." Thesis, Queensland University of Technology, 2017. https://eprints.qut.edu.au/114001/2/Anastasia_Booth_Thesis.pdf.

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While many female contemporary art practitioners employ erotic fetishism in their work, the discourse surrounding fetishism is still perceived as primarily masculine. Critical feminist theorists are revisiting the fetish in order to explore previously marginalised and undervalued considerations of female sexual agency. While these theorists hint at fetish's strategic creative application and its ability to question hegemonic depictions of passive femininity, analyses do not articulate how sexual fetishism could be understood as a distinct creative stratagem. In response, this creative practice

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20

Wentzel, Andrieta. "The four cycles of Herakles : towards the visual articulation of myth as psychological process." Thesis, Nelson Mandela Metropolitan University, 2006. http://hdl.handle.net/10948/642.

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My research involves the reassertion of mythic experience in a manner considered contemporaneously relevant. The relevancy resides in the Jungian assumption that myth structures psychic experience to the benefit of the individual and ultimately, society. To this end, I have taken the hero myth of Heracles, and, by filtering it through Jung’s system promoting psychological maturation, that is what he called the individuation process, I have reconfigured it in fine art form

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21

Tripp, Sarah. "Making people up." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/22044.

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This thesis is a process of writing characters using a cyclical methodology to turn the writer into a reader of their own work, then back into a writer again. The components of this thesis both practice and propose writing as research and develop a concept of character that is ‘relational’. Taking Donald Barthelme’s assertion, ‘Writing is a process of dealing with not-knowing, a forcing of what and how,’ this thesis is attentive to the uncertainty of process: a process that has accreted knowledge in the form of characters and methods. Making People Up is chronologically structured in order to

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22

Bigeli, Alan Ricardo Floriano. "Contribuições de uma poética magritteana para a psicanálise : diálogos entre processos de subjetivação e obra de arte /." Assis, 2019. http://hdl.handle.net/11449/191230.

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Orientador: Gustavo Henrique Dionisio<br>Resumo: O pintor belga René Magritte provoca nossa subjetividade com uma série de inquietações amparadas na realidade cotidiana. Ele se dedica a encontrar sua resolução pictórica para problemáticas das relações aparentemente banais, mas que apresentam aspectos estranhamente misteriosos. Aqui propomos aproximações entre a obra de Magritte e a Psicanálise, compreendendo as singularidades poéticas e subjetivas do pintor, introduzidas pelo termo emoção estética. Primeiramente, mostramos as diferentes perspectivas do Surrealismo na França e na Bélgica, fazen

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23

Svensson, Andreas. "Forsake Thy Art, Forsake Thyself : A Lacanian Reading of Oscar Wilde's The Picture of Dorian Gray." Thesis, Högskolan i Gävle, Engelska, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-32531.

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This essay argues, with the help of Lacanian psychoanalysis, that Dorian Gray, the protagonist in Oscar Wilde’s novel, fails to abide by the rules governed by the culture of society. It is argued that Lacan’s theories about the mirror stage develop Dorian’s character and his realizations of his true self as part of the culture which shapes him. The mirror is represented by the four characters Basil Hallward, Lord Henry Wotton, Sibyl Vane, and Sibyl’s brother James. Basil, Henry, and Sibyl are all representations of different aspects of the mirror explained by Lacan’s theories, and these three

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24

Murray, K. M. "The use of abstract and figurative images to evoke emotive qualities characteristic of women's sexuality /." View thesis, 1995. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030905.151911/index.html.

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25

Dionisio, Gustavo Henrique. "Pede-se abrir os olhos psicanálise e reflexão estética hoje." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/47/47134/tde-02082010-123743/.

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O presente trabalho pretende investigar como é feita a utilização da teoria psicanalítica no cenário da reflexão estética e da crítica de arte contemporâneas. Para tanto, o recorte se concentra em dois pensadores que se tornaram significativos na atualidade, embora não sejam os únicos: o crítico Hal Foster e o historiador da arte Georges Didi-Huberman. O objetivo da investigação é mostrar em que medida os conceitos gerados na práxis psicanalítica possibilitaram interpretações de ruptura no campo da estética tradicional. Essa modalidade de análise só se torna possível uma vez que se abandona o

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26

Pracana, Clara. "Felix culpa: Ensaio psicanalítico sobre a culpa." Doctoral thesis, Universidade Nova de Lisboa: Instituto Superior de Psicologia Aplicada, 2007. http://hdl.handle.net/10400.12/1677.

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27

Pereira, Medina Fernanda. "L’art conceptuel, la psychanalyse et les paradoxes du langage : un dialogue entre Joseph Kosuth et Sigmund Freud." Electronic Thesis or Diss., Rennes 2, 2017. http://www.theses.fr/2017REN20034.

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La thèse prétend discuter des analogies intimes révélées entre le travail de l’art conceptuel tel qu’il est conçu par Joseph Kosuth, comme un processus de production de sens, et le travail analytique tel qu’il est élaboré par Sigmund Freud. Elle travaille donc à partir de l’interface entre l’art et la psychanalyse comme deux expériences de production de signification. Elle interroge le sens à partir des particularités inhérentes à chacun des discours et des pratiques concernés, mais aussi à partir de ce qui semble les réunir, à savoir : les mécanismes impliqués dans la production de sens au se

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28

Gardner, Alec Teresa. "Joseph as Father in Guido Reni's St. Joseph Images." BYU ScholarsArchive, 2012. https://scholarsarchive.byu.edu/etd/3169.

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This study presents a psychoanalytic examination of Guido Reni's motivations for creating an innovative painting series of St. Joseph and the Christ Child. The seventeenth-century artist developed a new depiction of Joseph as the tender and loving surrogate father of Christ. This new artistic emphasis on the intimate relationship between father and son reveals Reni's own psychological need to create a replacement father. Indeed, contemporary biographers report that Reni suffered from anxiety and an aversion to women throughout his life. These odd behavioral traits appear to have stemmed from R

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Fonteles, Marcos Paim Caldas. "Inútil necessário." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21541.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-11-07T12:24:34Z No. of bitstreams: 1 Marcos Paim Caldas Fonteles.pdf: 21498411 bytes, checksum: 60104f4342cfbb6b9e94a70c79cdc4da (MD5)<br>Made available in DSpace on 2018-11-07T12:24:34Z (GMT). No. of bitstreams: 1 Marcos Paim Caldas Fonteles.pdf: 21498411 bytes, checksum: 60104f4342cfbb6b9e94a70c79cdc4da (MD5) Previous issue date: 2018-09-14<br>This work is a psychoanalytical theoretical study, which defends the hypothesis of the necessity of exposing the contemporary subject to artistic contemplation as one of the possible and

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30

Haden, Heather Jean. "The Aesthetics of Unease: Telepresence Art and Hyper-Subjectivity." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1429862881.

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31

Alba, Tania. "Genealogías de lo siniestro como categoría estética." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/394071.

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La presente investigación doctoral versa sobre un concepto de gran complejidad el estu-dio del cual es relativamente reciente. Se trata de lo siniestro, entendido aquí, sobre todo, co-mo categoría estética de tipo negativo responsable de provocar en el sujeto una primera reac-ción de carácter generalmente preventivo que sin embargo puede ir seguida de algún tipo de placer. Se trata, así, de ubicar el sentimiento de lo siniestro dentro de la experiencia estética teniendo en cuenta el papel de la vital —o ética— y su relación con las demás categorías estéti-cas para observar, en definitiva, los

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Douglas, John Anthony Art College of Fine Arts UNSW. "Aberations of self : manifestations in cinema histories." Publisher:University of New South Wales. Art, 2008. http://handle.unsw.edu.au/1959.4/43254.

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The Screen Test (Americana/Australiana) project is a collection of works that re-makes selected fragments of film spanning cinema history. Through a process of selectively slowing and stilling this form, of what Laura Mulvey calls Delayed Cinema, opens up new possibilities for interpreting and understanding cinema and the photographic. The aesthetic qualities and repetition of the scene or shot are re-created and re-performed, allowing an alternate form of cinema to take place. This alternate cinema takes on the characteristic of the Hollywood screen test and thus we can see each piece as the

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33

Tardivo, Renato Cury. "Cenas em jogo: cinema e literatura, realidade e ficção, estética e psicanálise." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/47/47134/tde-12082015-153039/.

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Este trabalho insere-se no âmbito da Psicologia Social da Arte e, ao analisar obras cinematográficas e literárias, vale-se de referenciais da estética e da psicanálise. São analisados os filmes Lavoura arcaica, Abril despedaçado, O cheiro do ralo, Linha de passe e Jogo de cena, e os romances Lavoura arcaica e Budapeste. Nessa medida, os capítulos desta tese aproximam-se da forma ensaio, uma vez que priorizam as possibilidades especulativas de apreensão da realidade. A partir das leituras das obras, emergiram os seguintes temas: liberdade e opressão; ressignificação da lei e perversão; realidad

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Morgenstern, Ada. "Perseu e Medusa: uma experiência de captura estética." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/47/47134/tde-25092006-190718/.

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A experiência de \"captura\" estética é apresentada nesse ensaio a partir do impacto que a autora viveu no seu encontro com a escultura Perseu e Medusa de Camille Claudel e as múltiplas questões suscitadas a partir dessa vivência. Busca outros autores que relatam um encontro similar, como por exemplo, Freud e seu impacto com a obra Moisés de Michelangelo, tentando com isso identificar os elementos mais gerais que constroem essa experiência denominada aqui de \"captura\", sem com isso deixar de considerar seu caráter singular e subjetivo. Em seguida, ao refletir sobre a obra em questão, percor

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Fernandes, Francisco Ferreira de Camargo. "O quadro elevado à condição de adoração: uma interlocução entre psicanálise e arte moderna." Pontifícia Universidade Católica de São Paulo, 2014. https://tede2.pucsp.br/handle/handle/15378.

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Made available in DSpace on 2016-04-28T20:38:57Z (GMT). No. of bitstreams: 1 Francisco Ferreira de Camargo Fernandes.pdf: 3610535 bytes, checksum: 2061b43bf786c1af58bc93362f366ab4 (MD5) Previous issue date: 2014-11-07<br>The present study aims to investigate the relationship between psychoanalysis and Surrealism, and to establish the conditions for a painting to become the ultimate object of fascination. I.e., how a work of art can rise to the dignity of the Thing. The work also aims to establish what is meant by painting from three different positions: one cezannean, one dalinian and one

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McKinnon, Ann Marie. "The death drive, Cronenberg, Ondaatje, Gould." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ60325.pdf.

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Gonçalves, Adriana Honorato [UNESP]. "Questões preliminares sobre aspectos do vazio na arte contemporânea." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/86947.

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Made available in DSpace on 2014-06-11T19:22:29Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-06-04Bitstream added on 2014-06-13T19:48:48Z : No. of bitstreams: 1 goncalves_ah_me_ia.pdf: 2790115 bytes, checksum: 0be06ec243541cba1a84b36daa789405 (MD5)<br>Universidade Estadual Paulista (UNESP)<br>A pesquisa parte da observação de certos vazios percebidos na arte contemporânea e em minha própria produção, para uma investigação sobre alguns aspectos conceituais e estéticos do vazio relacionado às noções de existência e falta. O objetivo é entender porque alguns artistas contemporâneos pa

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Bruteig, Rune. "Who's afraid of the Fenris-wolf? : projections of a skin self and Nordic mythographic filmmaking (a feminist and psychoanalytical introspective)." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23208.

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Chapter One of this thesis looks at psychoanalytical object relations theory dealing with early childhood, with an aim to outline the shift that has taken place within critical thinking on personal development--from an emphasis on oedipal relations to the auspicious re-exploration of pre-oedipal states. Here the main theme derives from the paradoxical nature of the human skin, whose fluid sensory and communicative qualities profoundly shape our psychological functioning, and thus ultimately our creation of (gendered) knowledge in all its forms.<br>Chapter Two seeks to establish some of the pos

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Gaité, Florian. "L’art et la schize du sujet : plasticités contemporaines." Thesis, Paris 10, 2013. http://www.theses.fr/2013PA100193/document.

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Organiser la rencontre des concepts de force, de forme et de figure s'inscrit dans le cadre d'un examen critique des modélisations organiques en philosophie. en éprouvant l'opérativité de ce complexe conceptuel à trois têtes, nous souhaitons définir le champ d'action d'une énergétique d'inspiration nietzschéenne, nourrie des réflexions sur le figural de lyotard ou sur le corps sans organes de deleuze et guattari. nos travaux antérieurs ont pensé une approche << plastique >> de l'art contemporain, capable de conceptualiser les dynamiques de transformation propres aux œuvres comme au

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Zullo, Valentino L. "FREUDIAN STRIPS: COMICS, MENTAL HEALTH, AND THE “PSYCHOLOGIZATION OF AMERICA”." Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1586725663979058.

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Rénéric-Chauvin, Marilyn. "Relecture des multiples facettes du féminin sacré et profane." Thesis, Bordeaux 3, 2012. http://www.theses.fr/2012BOR30016/document.

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L’Art a toujours consacré une grande part à l’image du féminin. Que cela soit dans l’iconographie gréco-romaine ou judéo-chrétienne, ses multiples représentations sont synonymes de confusion et d’ambivalence. La femme et l’image ont en commun de susciter méfiance et fascination. C’est au travers de l’étude approfondie de quelques figures clefs de l’histoire de l’art, que nous vous proposons une relecture post-féministe des diverses facettes du féminin, prises dans la dyade sacré/profane. Mythes et croyances donnèrent naissance à un métissage pagano-chrétien qui fit émerger un Eternel Féminin i

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Dowrick, Stephanie B. "Rainer Maria Rilke : bearing witness." Thesis, View partial thesis, restricted access, 2008. http://handle.uws.edu.au:8081/1959.7/44105.

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This study of the poet Rainer Maria Rilke (1875-1926) explores both epistemological and ontological themes, explicitly asking what readers may “bear witness to” within themselves, as well as on the page, through their reading. The primary question of the study comes from Martin Heidegger’s essay on Rilke when (quoting Hölderlin) he asks: “What are poets for (in these destitute times)?” and whether this has genuine significance beyond entertainment or diversion. The spiritual complexity of Rilke’s work has been of some interest to many scholars. In this study I centralise that interest at book-

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Saperstein, Stefanie. "The Vision of Reality as a Paradox: Salvador Dali's Creative Process from 1927 to 1939." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/111.

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From 1927 through 1939, Salvador Dalí went through an arduous artistic pursuit to visualize his perspective on reality. Dalí’s inter-connected visual and verbal process lasted for over a decade, during which he went from confronting reality to accepting that the world is an irrational paradox. This study asserts that his investigation took him from the fragmented images of cinema to the metamorphic shapes of the ‘soft and hard’ and ultimately to a series of multiple images, which envisioned his paranoid-critical method. In his 1930 article “The Rotting Donkey,” Dalí wrote, “I believe that the

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Franco, Stéfanie Gil. "22 Dezembro 1938 - Arthur Bispo do Rosário: um estudo antropológico sobre arte e loucura." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8134/tde-25052012-100620/.

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Esta pesquisa busca, a partir de uma série de controvérsias, descrever como se constitui a relação entre arte e loucura tendo o caso de Arthur Bispo do Rosário como meio reflexivo. Em suma, trata-se de uma série de enunciados que vão se constituindo no entendimento da expressão artística dos loucos; e de como certas variâncias possibilitam pensar Arthur Bispo do Rosário como um artista contemporâneo. Considerando que só temos arte na loucura a partir das preocupações da psicologia em desvendar a universalidade da mente humana, vemos surgir um movimento que busca diferenciar a arte dos normais

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Esquivel, Talita Gabriela Robles [UNESP]. "Texturas do estranho: o estranho na pintura a partir do processo criativo." Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/151193.

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Submitted by TALITA GABRIELA ROBLES ESQUIVEL null (esquivel.talita@gmail.com) on 2017-07-24T18:11:59Z No. of bitstreams: 1 Texturas do estranho - tese - Talita Esquivel.pdf: 8588940 bytes, checksum: ed0471262b3dcf21eb94a2c5a6239800 (MD5)<br>Approved for entry into archive by Luiz Galeffi (luizgaleffi@gmail.com) on 2017-07-26T14:46:29Z (GMT) No. of bitstreams: 1 esquivel_tgr_dr_ia.pdf: 8588940 bytes, checksum: ed0471262b3dcf21eb94a2c5a6239800 (MD5)<br>Made available in DSpace on 2017-07-26T14:46:29Z (GMT). No. of bitstreams: 1 esquivel_tgr_dr_ia.pdf: 8588940 bytes, checksum: ed0471262b3dcf2

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Frantz, Marília Zancan. "A pior ilusão possível : psicanálise, arte e espetáculo." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/163941.

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Esta pesquisa nasceu da escuta clínica, de uma preocupação com o que os sujeitos compartilham entre si da cultura e que afeta sua maneira de sofrer. Num mundo globalizado, capitalista, no qual a vida das pessoas se organiza em torno do consumo, pela informação que chega “em tempo real” através de telas, e que a comunicação e o contato se dão cada vez mais de maneira remota, se colocou a questão da mediação do laço social pela imagem, a respeito dos diferentes tipos de imagens e os efeitos que produzem no sujeito e no laço social. A metodologia de pesquisa é a do ensaio, uma vez que o ato de es

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Gonçalves, Adriana Honorato. "Questões preliminares sobre aspectos do vazio na arte contemporânea /." São Paulo : [s.n.], 2012. http://hdl.handle.net/11449/86947.

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Orientador: Sérgio Mauro Romagnolo<br>Banca: Agnaldo Aricê Caldas Farias<br>Banca: José Leonardo Nascimento<br>Resumo: A pesquisa parte da observação de certos vazios percebidos na arte contemporânea e em minha própria produção, para uma investigação sobre alguns aspectos conceituais e estéticos do vazio relacionado às noções de existência e falta. O objetivo é entender porque alguns artistas contemporâneos parecem ter predileção pelo vazio e suas manifestações. Desta forma, o estudo apresenta uma reflexão sobre as mudanças ocorridas no período moderno relacionadas à queda da soberania religio

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Hjelm, Zara. "Konsten att uppträda : En studie i Marina Abramović och Ulays performance ur ett performativt och psykoanalytiskt perspektiv." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-145078.

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Denna studie avser att utforska identitetsskapandet inom den komplexa konstformen performance. Genom att fokusera på Marina Abramovićs och Frank Uwe Laysipens (Ulay) liv och kollaborativa performance ur ett performativt och psykoanalytiskt perspektiv angrips handlingarnas tyngdpunkt i skapandet av jaget under diverse omständigheter och sammanhang.<br>This study aims to investigates the creation of identity within the complex artform performance. By observing the life’s and collaborative performance of Marina Abramović and Frank Uwe Laysiepen (Ulay) though a performative and psychoanalytic pers

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Selig, Sandra. "The rhythmic disfiguration of vision : re-thinking subjectivity and art after minimalism." Thesis, Queensland University of Technology, 1999.

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Barrere, Sophie. "Le grotesque : petit traité anarchique sur les oeuvres d'art." Thesis, Montpellier 3, 2011. http://www.theses.fr/2011MON30065/document.

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Sans souci de chronologie ou de catégories, cette recherche aborde les œuvres d’art sous la focale du grotesque, révélant une traversée de l’intime à l’universel qui les habite. Ceci débute par un franchissement au-delà du sens, pris dans l’espace du langage et de ses déterminismes. Le grotesque apporte par la contradiction systématique et le déplacement sémantique, une échappée. L’œuvre d’art fonctionne à partir et au-delà de cette illusion du sens à créer du commun, à travers l’anecdote. Une vigilance au « faire » plastique révèle les puissances qui travaillent le corps de l’artiste et mette

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