Dissertations / Theses: 'QinQ'

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Brázda, Libor. "Využití virtuálních lokálních sítí pro efektivní a pružný návrh datových sítí." Master's thesis, Vysoké učení technické v Brně. Fakulta elektrotechniky a komunikačních technologií, 2014. http://www.nusl.cz/ntk/nusl-220650.

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This thesis is aimed to the problems of virtual local networks. In the first chapters are explained both basic and advanced methods of designing and management of virtual LAN networks. The following chapters are dedicated to the methods of effective management VLAN networks and to the protocol Spanning Tree, preventing formation of loops in redundant networks, and their exploitation in VLANs. The practical part describes the application of the implementation of the technology of virtual local networks in experimental network, containing various types of devices. Based on this theory, a laboratory assignment has been designed for the training of the students in solving such problems. The scope of the laboratory assignment is divided into simpler partial tasks, which even a less advanced student should be able to configure and test.

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Abrar, Mirza Kashif, and Imran Pervaiz. "Reliability and Load Handling Problem in Internet Service Provider’s Network." Thesis, Halmstad University, School of Information Science, Computer and Electrical Engineering (IDE), 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-4228.

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This thesis puts forward a new solution to provide the reliable network to the Internet Service Provider (ISP). This study mainly focuses on the ISPs network to provide reliability and the load balancing. It offers a guide line for the best reliable solution to the ISPs, individual organizations or other types of service providers which are engaged in providing reliable communications to their subscribers. These reliable services may be real time communications which include weather forecasts, tracking systems, online Internet protocol TV (IPTV) programs and many other ISPs services which are totally depend on the reliable network.

With the appearance and expansion of Internet subscribers all over the world, ISPs services are becoming more popular. The rapid increase of connection-demand and highly traffic network is the main reason behind the need to scale reliable network. To offer better solutions, a new theoretical and practical approach should be considered that can cover the reliable network.

The suggested network structure monitors the links, spreads the network traffic with multiple devices and takes a backup (redundant) link automatically when changes occur in the network topology. In order to support the redundancy, load balancing and reduce the failover time, the hot standby routing protocol (HSRP) is implemented on the suggested network. As we have analyzed that in any network, scalability bringing to raised the network traffic broadcast issue. Broadcast storms can be prevented by setting threshold values of traffic-filters. The threshold level helps to control broadcast traffic in networks.

With regard to suggested solutions, it is necessary to observe the limitations and advantages of the recommended reliable network structure. Therefore, this research will include the advantages and limitations of the techniques used to offer ISP services such as scalability, security and IPv6.

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Standaert, N. He Lixia. "Ke qin de Tian zhu Qing chu Jidu tu lun "di" tan "Tian" /." Taibei Shi : Guang qi chu ban she, 1998. http://catalog.hathitrust.org/api/volumes/oclc/49256108.html.

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4

Li, Wai-shing. "A thesis : a study of the concepts of Qing, Li, and Zhi, in pre-Qin Confucianism /." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22089056.

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Qin, Qing [Verfasser], and Markus [Akademischer Betreuer] Antonietti. "Chemical functionalization of porous carbon-based materials to enable novel modes for efficient electrochemical N2 fixation / Qing Qin ; Betreuer: Markus Antonietti." Potsdam : Universität Potsdam, 2019. http://d-nb.info/1219078158/34.

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6

Ming, Yau-yau, and 明柔佑. "Qing poetry on Ming." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44204723.

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7

Fu, Ho-yi Crystal, and 傅皓皚. "Government document systems in Qin dynasty evident in Qin bamboo slips = Cong Qin jian kan Qin dai gong wen zhi du." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/192996.

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It is a wonder to discover the remarkable progress the Qin Dynasty made two thousand years ago concerning its documentation systems. Ever since the excavation of the Shuihudi (in Chinese 睡虎地), we now know in Qin, there was the Rule Book of Implementation 《行書》律(about the laws on documentation systems). Unfortunately, there was no correspondence for cross examination. Not until the excavation of the Liye (里耶) site in 2002 were we able to identify the format of the correspondence between the central government, provinces and towns. From the 37000 bamboo slips of Qin which are rich in contents, we can see they covered every aspect. As well, the 2008 Yuelu (嶽麓)bamboo slips appeared to fill the gaps left by Shuihudi. They provide clues, allowing the author to reconstruct the profile of Qin’s documentation systems. Scholars working on the documentation systems of Qin through the bamboo slips appear to base their findings on only isolated excavations, such as the discussion of either Shuihudi or Liye. But when they researched on the postal system which was central to the wider documentation systems, they had to rely on the clues provided by the Warring States Period, or on the bamboo slips of the Han Dynasty. There are thus limitations. For example, we cannot assume that Han must have inherited its systems from Qin. This thesis looks at the many unearthed bamboo slips having to do with Qin’s documentation systems, revisits and organizes current researches and attempts to reconstruct the state of documentation in Qin. 有誰想過二千年前的秦朝，其公文制度已發展至一定程度？1975年睡虎地秦簡出土後，讓我們知道秦代已有《行書》律(與公文制度有關的法律)。可惜的是，睡虎地秦簡中並沒有往來文書。直至2002年里耶秦簡出土後，大量的簡牘出土，使我們有機會看到秦代中央政府、郡、縣三層行政機構的往來文書，也讓我們了解秦代的公文已具備一定格式。37000枚的里耶秦簡，內容相當豐富，涉及當時各個層面。而2008年入藏的嶽麓秦簡，更補充了睡虎地秦簡《行書》律的不足。雖然嶽麓秦簡《行書律》簡文並非完整版本，但卻提供線索，讓本文能從中整合出秦代文書制度的面貌。過往有關秦代公文制度的研究，學者傾向將研究範圍限定於某一出土簡牘中，如集中討論睡虎地秦簡或里耶秦簡中所見的公文制度。而當研究與秦代公文制度息息相關的郵傳制度時，往往要依靠戰國留下來的線索來推測秦代郵傳的情況，又或借助漢代的簡牘來逆推秦代的面貌，這種研究方法無疑是有局限的。我們不能單憑‘漢承秦制’而認定秦代制度與漢代一樣。本文希望透過集中研究各種出土秦簡，從中找出與秦代公文制度有關的資料，並將諸家研究進行整理，重塑當時公文制度的概況。
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Chinese Language and Literature
Master
Master of Arts

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Zhan, Hanglun. "Qing dai fu lun yan jiu = A study of criticism on fu of Qing dynasty /." click here to view the abstract and table of contents, 2000. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b15941139a.pdf.

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Ho, Pui-chi Christine. "Contemporary heroines : are they conformers or revolutionaries? : a study of Jiang Qing and Indira Gandhi /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk:8888/cgi-bin/hkut%5Fabs%5Fpdf?B23425611.

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Qing, Sheng zu Qimudedaoerji. "Die Briefe des K'ang-Hsi Kaisers aus den Jahren 1696-97 an den Kronprinzen Yin-Ch'eng aus mandchurischen Geheimdokumenten : eine Beitrag zum ersten Dsungarenkrieg der Ch'ing 1690-1697 /." Wiesbaden : O. Harrassowitz, 1991. http://catalogue.bnf.fr/ark:/12148/cb36657134j.

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Qing, Sheng zu Qimudedaoerji. "Die Briefe des K'ang-Hsi-Kaisers aus den Jahren 1696-97 an den Kronprinzen Yin-Ch'eng aus mandschurischen Geheimdokumenten /." Bonn : Rheinische Friedrich-Wilhelms-Universität, 1989. http://catalogue.bnf.fr/ark:/12148/cb36659981r.

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12

Shi, Gexin. "Wan Qing li xue yan jiu /." Beijing : Shang wu yin shu guan, 2007. http://www.loc.gov/catdir/toc/chi0801/2007352649.html.

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13

Liu, Fengyun. "Qing dai san fan yan jiu." Beijing : Zhongguo ren min da xue chu ban she, 1994.

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Lam, Hok-chung, and 林學忠. "International law in Late Qing China." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B36266061.

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Tsui, Man-hon, and 崔文翰. "Official historical compilations in Early Qing." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B39793813.

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Seto, Kwok-kin Louis, and 司徒國健. "Guangdong intellectuals in early Qing politics." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B4457003X.

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Mai, Shujian. "Wan Qing Shanghai xiao shuo de cheng shi shu xie = City writing in late Qing Shanghai fictions /." click here to view the fulltext click here to view the abstract and table of contents, 2004. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisft.pl?pdf=b17982091f.pdf.

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Yang, Yuanzheng. "Early Qin music : manuscript Tōkyō, Tōkyō Kokuritsu Hakubutsukan TB1393 and manuscript Hikone, Hikone-Jō hakubutsukan V633 /." View the Table of Contents & Abstract, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31066938.

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Yang, Yuanzheng. "Japonifying the qin : the appropriation of Chinese qin music in Tokugawa Japan /." View the Table of Contents & Abstract, 2008. http://sunzi.lib.hku.hk/hkuto/record/B40695074.

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Yang, Yuanzheng, and 楊元錚. "Japonifying the qin: the appropriation of Chinese qin music in Tokugawa Japan." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B40987644.

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The Best PhD Thesis in the Faculties of Architexture, Arts, Business & Economics, Education, Law and Social Sciences (University of Hong Kong), Li Ka Shing Prize, 2007-2008.
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Humanities
Doctoral
Doctor of Philosophy

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Luk, Yu-shing. "A study of Yue Fei studies since late Qing Qing mo yi lai zhi Yue Fei yan jiu /." Click to view the E-thesis via HKUTO, 1995. http://sunzi.lib.hku.hk/hkuto/record/B31950838.

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Guan, Shanming, and 關善明. "The imperial porcelain wares of the late Qing dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31231561.

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He, Jiani. "From Empire to Nation : the politics of language in Manchuria (1890-1911)." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/278975.

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This thesis explores the issues of language and power in the Qing Empire’s (1644-1911) northeastern borderlands within the larger context of political reforms in late Qing China between 1890 and 1911. To the present, much research on the history of language in late Qing China continues to fall within the framework of national language. Drawing on Manchu and Chinese sources, this thesis argues that the Qing emperors devised a multilingual regime to recreate the imperial polyglot reality and to rule a purposefully diverse but unifying empire. From the seventeenth century, the Qing emperors maintained the special Manchu-Mongol relations by adopting Manchu and Mongolian as the two official languages, restricting the influence of Chinese, and promoting Tibetan in a religious context in the Jirim League. From the 1890s, the Jirim League witnessed a language contest between Manchu, Mongol, Chinese, Japanese and Russian powers which strove to legitimize and maintain their control over the Jirim Mongols. Under the influence of European and Japanese language ideologies, the Qing Empire fostered the learning of Chinese in order to recreate the Jirim Mongols as modern nationals in an integrated China under a constitutional monarchy. Meanwhile, the Qing Empire preserved Manchu and Mongolian, which demonstrated the Manchu characteristic of the constitutional monarchy in a wave of Chinese nationalism. However, the revised language regime undermined the Jirim Mongols’ power and challenged their special position in the traditional Manchu-Mongol relations, which caused disunity and disorder in the borderlands. This thesis challenges the notion of language reform as a linear progress towards Chinese national monolingualism. It demonstrates the political and ritual role of Manchu and Mongolian beyond their communicative and documentary functions, and unfolds the power of language pluralism in Chinese nationalist discourse from a non-Chinese and peripheral perspective. By investigating how ethnic, national, and imperialist powers interacted with one another, this thesis allows us to understand the integration of Manchuria into modern China, East Asia, and the world from a different perspective.

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鍾妙昏 and Miu-fun Anita Chung. "Jiehua of the Qing Dynasty (1644-1911)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31238373.

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Yan, Tsz-ting, and 甄芷婷. "A study of late Qing collaborative translation." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B47869355.

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Collaborative translation is one of the most practiced modes of intercultural communication in Late Qing as in the general history of China. While collaborative translation, as its prevalence suggests, is expected to have a direct and significant bearing on the way a translation is produced, little attention has been paid to the understanding of its nature, not least its influence on the shaping of translation products. The present study endeavors to explore collaborative translation with three specimens of acclaimed Late Qing translation. It will show that these translations, produced collaboratively by teams of Western and Chinese translator, are instilled with a fusion of the collaborator’s horizons, thus rendered as a hybrid monstrous both to the source and the target cultures. The first part of this thesis establishes the conceptual paradigm from which a probe into the general practices of Late Qing collaborative translation derives. It argues that collaborative translation, which generally operates as a cooperation between a bilingual foreign translator and a monolingual local translator, allows considerable latitude for the local translator to participate in the transference and building of exotic knowledge, bringing about hybridity to the translation products. Resting upon the premise of hybridity, the second part of this thesis conducts close analyses of the selected translations on medicine, mathematics and chemistry, namely Quanti Xinlun, Daiweiji Shiji and Huaxue Jianyuan. By reconstructing the actual manner of operation through which these translations were produced, and by examining how certain fundamental concepts of modern Western sciences were rendered into Chinese, this part forms a critical study of the agency of the Chinese translator, who, as will be shown, selectively interprets and reshapes the body of knowledge to be transmitted in a direction presumably unintended by his Western counterpart, thereby creating a hybrid materialized as a blend of horizons between the two collaborators, and in consequence a new entity of scientific concepts different from those in the West and in China. The purpose of this study, that is to say, is to explore the agency of translators in the act of translation by positing collaborative translation as a site of observation, where cultural entanglement is both theoretically and empirically conspicuous. It is hoped that this study will on one hand foster our understanding of collaborative translation in Late Qing, and on the other, reveal further the agency of translators in intercultural communication.
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Chinese
Master
Master of Philosophy

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Tse, Chun-yip, and 謝雋曄. "Publications for children in late Qing China." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50434408.

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Traditional publications for Chinese children were based on core value and belief systems in Confucianism. After the First Opium War, foreign missionaries began to disseminate Western knowledge and religious beliefs within the Chinese society on a wider scale, reaching children through the avenue of education. At this time, however, most Chinese intellectuals held fast to their belief in traditional Chinese methods of education which emphasised the Confucian principles. The loss of the Sino-Japanese War brought a realization within China that its society and education system were relatively backward when compared with those of Western powers. Chinese intellectuals became more aware of the necessity for an entire education reform which should start from the younger generations in an attempt to revitalize China. As a result of this realization, Chinese educators began to adopt the missionaries’ practice of using publications targeted specifically at children. From the mid-19th century onwards, these publications underwent a period of vigorous development in China. Missionaries and Chinese intellectuals in the late Qing period had thus, between them, helped to prepare the ground for the modernization of China by educating the future generations to employ new ideas and values. This historical survey aims to investigate the development of Chinese publications for children from the mid-19th to the early 20th centuries, and offering a closer look at childhood education in China during this period. Some basic clarifications on the definition of children and the nature of books for children is given in the Introductory Chapter, and a brief account of the previous works and articles related to the study is also included. The main part of this thesis starts with a critical examination of the changes of the traditional Chinese primers for children education like Three Character Classic (《三字經》) under the influence of western ideas. Then it proceeds to an exploration of the emergence of modernized textbooks in Chapter Three with a critical appraisal of noted writers and publishers such as Wang Hengtong (Wang Hang-T’ong 王亨統) and the Commercial Press (商務印書館). Chapters Four to Seven present case studies of four children’s periodicals representing different parties of interest in the reform of children education, they are respectively the missionary publication The Child’s Paper (Xiaohai yuebao 《小孩月報》), The Children’s Educator (Mengxue bao《蒙學報》) published by the Chinese reformist, Enlightenment Pictorial (Qimeng huabao《啟蒙畫報》) published by enlightened Chinese intellectuals, and The Children’s World (Tongzi shijie 《童子世界》) published by the Chinese revolutionist. Chapter Eight attempts to reveal the nature of leisure readings and the development of children’s literature in late Qing China while the final Chapter provides conclusions and suggestions for further investigation. By writing this thesis, I am committed to provide readers with a comprehensive and solid historical sketch of the development of children’s publication in a critical period of pre-modern China.
published_or_final_version
Chinese
Doctoral
Doctor of Philosophy

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27

Chung, Miu-fun Anita. "Jiehua of the Qing Dynasty (1644-1911) /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21254205.

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28

Zhu, Yong. "Qing dai zong zu fa yan jiu." Changsha Shi : Hunan jiao yu chu ban she : Hunan Sheng xin hua shu dian jing xiao, 1987. http://books.google.com/books?id=-tbSAAAAMAAJ.

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29

Lee, Shwu-Ching. "The paintings of Mei Qing (1624-1697)." Thesis, SOAS, University of London, 1994. http://eprints.soas.ac.uk/29202/.

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Mei Qing (1624-1697), one of the most original painters in seventeenth-century China, created a unique style of depicting the topography of the Chinese landscape, especially that of Mt. Huang. He has been recognized as one of the three greatest masters of the Mt. Huang school, along with Hongren (1610-1664) and Shitao (1642 - 1707). Also he once was praised as the leader of painting of actual landscape in the Ming and Qing dynasties. But, hitherto no extensive and critical studies on his paintings have been undertaken. The present study is divided into six chapters. In the first chapter, Mei Qing's background, poet-painter career and those of many of his painter friends are discussed, laying the historical groundwork for further study of his paintings. On the basis of poems and paintings by Mei Qing and by Shitao, the relationship between these two artists is explored in detail. In the second chapter, we learn that Mei Qing's paintings are derived from various sources; contemporary Anhui paintings, ancient masters, topographical paintings and prints, and particularly nature itself Through an analysis of Mei Qing's dated paintings, three stages of stylistic development are suggested in the third chapter, so providing a framework for dating nine undated works and for judging sixteen forgeries in the fourth chapter. After an exploration of the formation of the Mt. Huang school, a clearer and more precise definition of the school is proposed in chapter five. Through a comparison between Mei Qing's renditions of Mt. Huang and those by the other masters of the school, Mei Qing's poetic-fantastic imagination is completely revealed. In the final chapter, four important followers of Mei Qing are discussed to manifest the influence of his paintings. The significance of Mei Qing's role as a leader of painting of actual landscape in later Chinese landscape painting is further argued in the conclusion.

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30

Gold, A. C. B. "Wu Jianren and the late-Qing 'new fiction' movement." Thesis, University of Westminster, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.376967.

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Blanchard, Nathalie. "Le qinghaosu (artemisinine) et ses derives : artemether, artesunate et arteether." Lyon 1, 1994. http://www.theses.fr/1994LYO1M111.

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Seto, Mei-han. "Yung Wing (1828-1912) and the late Qing reform movement Rong Hong yu wan Qing wei xin yun dong /." Click to view the E-thesis via HKUTO, 1999. http://sunzi.lib.hku.hk/hkuto/record/B31952306.

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33

Chen, Stephanie Qing Qing [Verfasser], Christof [Akademischer Betreuer] [Gutachter] Büskens, and Kai [Gutachter] Michels. "Datenbasierte Modellierung und Optimierung von Kraft-Wärme-Kopplungsanlagen / Stephanie Qing Qing Chen ; Gutachter: Christof Büskens, Kai Michels ; Betreuer: Christof Büskens." Bremen : Staats- und Universitätsbibliothek Bremen, 2017. http://d-nb.info/1140581740/34.

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Ko, Chau Suk-yin Alice. "A study of the Eight Immortals of Yangzhou in the Qing Period Qing dai Yangzhou ba jia de yan jiu /." Click to view the E-thesis via HKUTO, 1993. http://sunzi.lib.hku.hk/hkuto/record/B31950966.

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劉燕萍 and Yin-ping Grace Lau. "Grotesque satire in the Ming and Qing novels." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31240495.

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Zhang, Kehong, and 張克宏. "Responding to the modernization of late Qing Dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B31245080.

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Zheng, Yang-Wen. "The social life of opium in Qing China." Thesis, University of Cambridge, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.621257.

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Hung, Eva Wai-Yee. "The life and works of Ai Qing (1910- )." Thesis, SOAS, University of London, 1986. http://eprints.soas.ac.uk/28613/.

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Liu, Yi. "The Photographically Mediated Identity: Jiang Qing (1914-1991)." Ohio University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1343397183.

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Chih-Hui, Tsai. "Robert Hart's relationship with the late Qing bureaucracy." Thesis, Queen's University Belfast, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.706287.

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This thesis focuses on Sir Robert Hart's relationship with the Qing bureaucracy in the late Qing period. Hart's relationship with Chinese officials was essential to his work as Inspector General of the Chinese Imperial Maritime Customs. The thesis argues that as Inspector General, Hart took on a role as a ‘man in the middle’ between China and the West. Hart’s service in the Chinese government (1859-1908) covered almost the entire period from China's humiliating 1860 defeat in the Second Opium War until the collapse of the imperial state in 1911 Throughout this period Harts role in the Customs Service put him at the centre of China’s foreign relations, attempting to balance European pressure and China's interests. Hart's achievements in establishing an efficient Customs Service benefiting both China and Europe represented one approach to the problem of how China should respond to increased European influence in East Asia Hart did not simply stick obstinately to British blueprints for reform in China Instead he also fused the ideas of Qing intellectuals and the Self-Strengthening movement into the British model to develop his own approach to modernisation in China Meanwhile, Chinese reformers were developing other approaches to resolving the key problem of China's growing weakness relative to the West When Hart attempted to promote reform of the Chinese Navy with himself as a new national naval Inspector-General. Chinese officials ensured that Hart did not succeed in securing a position of such far-reaching influence Primary sources used include Hart s diaries and letters, and Chinese official documents and memoranda

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41

Li, Qing [Verfasser]. "Autoimmune PAR2 activation in vascular events / Qing Li." Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2021. http://d-nb.info/1241538603/34.

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曹家偉 and Ka-wai Cho. "A study of the Ci poetry of Yunjian San Zi." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31222419.

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Hua, Simeng. "Through Their Neighbors’ Eyes: Interactions and Relations between Korea, Japan and China during the Ming-Qing Transition." Thesis, University of Oregon, 2017. http://hdl.handle.net/1794/22303.

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In the period from the sixteenth century to the eighteenth century, East Asia witnessed changes in the Chinese tribute system, the downfall of the Ming Dynasty, the Manchu invasion of Korea, the establishment of the Tokugawa bakufu in Japan, and the prosperity of the High Qing era. This extraordinary period disrupted the existing China-centered diplomatic system; however, at the same time, a fertile ground was created for new perceptions of the respective immediate neighbor for each individual state. In the struggle to achieve or maintain domestic and external stability, intellectuals, officials, and even commoners reflected on ways to express their individual and communal narratives that contributed to their nation’s history. This thesis explores Sino-Korean and Sino-Japanese cultural and diplomatic interactions from the sixteenth to the eighteenth century based on primary sources with a special focus on diplomatic envoys’ travel reports.

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李碧. "清代觀劇詩研究= Study of drama-watching poems in Qing dynasty." HKBU Institutional Repository, 2016. https://repository.hkbu.edu.hk/etd_oa/303.

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Abstract The dissertation studies a number of poems on drama-watching culled from collected works of Qing-dynasty writers. From the perspectives of drama criticism, intertextuality, as well as the history of the attitudes of literati, the present study aims to reexamine the following issues of Qing drama, namely: a) the development and changes of dramatic aesthetics, b) the relation between the poets and their poems on drama-watching, c) the interaction between the writers and actors/actresses, and d) the formation of relevant poetic criticism. These issues are of great significance in the scholarship of Qing drama but have not been given much attention. There are two clues in the thesis, namely one to the attitude of the literati revealed in the poems, and the other to the specific "poetic criticism on drama" from the literati's perspectives. Chapters two to five examine the literati's attitudes of the four periods of the Qing. Chapter two focuses on the transitional period of Ming and Qing (1644-1661), when the majority of drama-watching poems were written as expressions of sentiments on dynastic changes rather than dramatic criticism. This inception period saw a large number of poems. Chapter three studies the poems writing during the reigns of Emperors Kangxi and Yongzheng (1662-1722), focusing on the writers' reflection on history. The plays of this period mainly concerned history and witnessed the strict censorship for public performance. Therefore, the poems written in this period demonstrate the different choices and encountering allowed by the political backgrounds of the time. Chapter four explores the aesthetic tastes of literati of the Qianlong and Jiaqing (1723-1820) reign-periods. Prominent features of these poems include the lauding tone of the flourishing empire and the pursuit of exquisite life styles. Chapter five focuses on the late Qing (1821-1911) period. Through the analysis of the poems by women writers, it discusses the new, trans-gender trend triggered by feminine vision on drama writing and watching a. Chapters six to eight discuss drama-watching poems respectively from three perspectives, namely literati's comments on the actors, the reception of the drama texts, and the criticism of drama. Chapter six makes use of a book, Historical Records of Yandu Theatres in the Qing Dynasty (Qingdai Yandu liyuan shiliao) and explains that among Qing literati there was formed a system of "poetic appraisal of actors," which was an integration of the traditions of appraising poetry, paintings, etc. The aesthetic criteria in the system represented a unique phenomenon in the interactions between literati and actors and gave rise to this unique kind of poetic criticism on dramatic performance art. Chapter seven offers new, in-depth interpretations of theme and plot of selected dramatic texts from the perspective of meta-vision. It also argues that the poetic criticism on drama actually realized the process of canonization. Chapter eight focuses on the practice of "poetic appraisal of drama," which evolved from "poetic appraisal of poetry." The perception and comments on dramas largely enriched dramatic criticism by the topics about the poets' distinctive tastes and interests in writing, rhyming, and even diction choices. In short, the value of drama-watching poems lies in its special critical system based on the observation of drama. The genre reached its maturity in the last heydays of classical literature, and integrated multi-dimensional cultural elements such as poetry, drama, painting, and chess. What is more, it also involves other aspects such as the attitude of literati, their recreation and entertainment, aspiration and pursuits, social reality, etc., and makes a miniature of the cultural life style of Qing literati.;本文旨在將分散於清人詩文集中的觀劇詩作集中搜集和整理，以這些史料為依託，從觀劇詩的創作者（即文人群體）入手，藉助文人心態史研究、戲曲批評研究、文本互涉研究等方法，重新審視清代戲曲的審美需求如何轉變，觀劇詩與其作者之間有著怎樣密切的關係，伶人與文人如何相處，觀劇組詩如何建構為戲曲批評系統等問題，這些問題都是清代戲曲研究中不可忽視，卻又尚未深入的話題。行文共分為兩條線索：一是觀劇詩所體現的文人心態；二是濡染著文人審美眼光的「以詩論戲」的戲曲批評。第二章至第五章以時間為序，將觀劇詩呈現的文人心態通過四個時期進行論述：第二章是明清鼎革之際（1644-1661），探析文人面對易鼎的變化，借觀劇詩寄託興亡之感，明清之際是戲曲雅俗轉變的主要階段，大量文人介入戲曲及觀劇詩創作，首先保證了觀劇詩的質量，但仍屬於初期階段，多以記錄演劇或世變之思為主，鮮少有劇論性質的作品；第三章是康雍年間（1662-1722），文人轉向對歷史進行反思，此時出現的傳奇雙璧都多少關涉到史實，搬演之路經歷了由禁到解禁的坎坷路程，其是否可以搬演主要取決於統治者，因此文人對歷史的反思只能遊走在主流話語所給予的限度之間，這一時期的觀劇詩恰好記錄了文人因禁演所作出的不同選擇與遭際；第四章是乾嘉時期（1723-1820），此時的文人多未經歷過易鼎之痛，成長於新朝，感念皇恩，從宮廷到民間的觀劇都彰顯著盛世的繁華，觀戲聽曲重新回到對閒賞旨趣的追求；第五章是晚清時期（1821-1911），演劇活動較為豐富，加之心學與性靈的影響，女性開始走出閨閣並創作觀劇詩，詩中女性對家國、生死、功名等話題的關注呈現出向男性視角跨界的傾向。第六至第八章分別從文人對伶人的審美評判、文人對戲曲文本的接受、觀劇組詩蘊含的戲曲批評三個方面以專題形式進行探討。第六章中以《清代燕都梨園史料》為中心，文人結合中國文化傳統中的詩品、畫品等形式構建了一套「以詩品花」（花指伶人）的系統，形成了品評式的審美標準，成為文人與伶人交往中的獨特現象，同時也是只有觀劇詩才能實現的詩美藝術。第七章中觀劇詩以後設視角（meta vision）重新解讀戲曲文本，是對戲曲主題、情節的深入解讀，在清代演出頻率較高或常常被提及的作品中，大量的觀劇詩創作整合在一起，更便於審視戲曲作品的經典化問題。第八章中則專門探討「以詩論曲」這一評點範式，其由「以詩論詩」發展而來，同時蘊含著文人對戲曲的品讀、認識，這些個體的體悟並不是同一的，而是各抒己見，評點範圍涉及創作論、曲論，甚至煉字與用韻等諸多層面，豐富了戲曲評論的內涵。綜上，觀劇詩的主要價值在於其對戲曲的關注所形成的獨特評點體系，這一評點體系成熟於古典文學發展最後的高峰時期，是結合了詩、詞、曲、畫、棋等多重文化維度的戲曲批評，同時又不僅僅局限於「以詩論曲」，其涉及的文化層面涵蓋了文人心態、娛樂閒賞、理想追求、社會現實等諸多層面，也是清代文人生活的縮影。

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Wang, Xinyang. "The Tibet-Dzungar Ideological Alliance’s Challenge to the Qing Empire and the Adaptation of Qing Ideology in the mid-18th century." Thesis, Uppsala universitet, Historiska institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-444139.

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Braun, Stephanie Eva. ""Strange machines" from the West: European curiosities at the Qing imperial courts, 1644-1796." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B4598752X.

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Tang, Kwok Hung. "The relationship of Li and Qing in the Xunzi /." View abstract or full-text, 2007. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202007%20TANG.

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Zhou, Shuzhen. "Zhongguo qing nian dang zai Da lu he Taiwan." Beijing : Zhongguo ren min da xue chu ban she, 1993.

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"From chromaticism to pentatonism: a convergence of ideology and practice in Qin music of the Ming and Qing dynasties." 2009. http://library.cuhk.edu.hk/record=b5896695.

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Tse, Chun Yan Victor.
Thesis (Ph.D.)--Chinese University of Hong Kong, 2009.
Includes bibliographical references (leaves 204-226).
Photocopy. Ann Arbor, Mich. : ProQuest LLC, 2011. xi, 226 p. : music ; 29 cm.
Abstract also in Chinese; includes Chinese characters.
Abstract --- p.i
Abstract in Chinese --- p.iii
Acknowledgments --- p.iv
List of tables --- p.viii
List of graphs --- p.ix
List of appendices at the end of individual chapters --- p.ix
List of abbreviations of qin handbooks --- p.X
Chapter Chapter 1 --- Background of the research --- p.1
Chapter Chapter 2 --- Overview of the research methodology --- p.23
Chapter Chapter 3 --- An illustrated methodology in reconstructing qin music from past scores guyuan 古怨 of the Southern Song Dynasty --- p.36
Chapter Chapter 4 --- Chromaticism in Ming Dynasty scores -baixue 白雪 in Shenqi mipu 神奇秘譜 --- p.67
Chapter Chapter 5 --- From chromaticism to pentatonism - baixue 白雪 in other Ming and Qing Dynasty handbooks --- p.91
Chapter Chapter 6 --- Non-circle-of-fifths intonations in Qing Dynasty scores --- p.119
Chapter Chapter 7 --- Varying 4th and 7th degrees - dongting qiusi 洞庭秋思 in Ming and Qing Dynasty handbooks --- p.143
Chapter Chapter 8 --- Convergence of ideology and practice --- p.168
Chapter Chapter 9 --- Conclusion ´ؤ looking back and looking forward --- p.199
References --- p.204

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FAN, CHIA-JUNG, and 范家榮. "The Pre-Qin Confucian Studies on the Philosophy of “Qing”－－Based on The Analects, “Xing Zi Ming chu”, Menzi and Xunzi." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/2bwzf6.

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博士
輔仁大學
哲學系
107
Abstract: This article is divided into seven sections. The first section is the foreword, explaining the motivation and goal of this study, establishing the method and scope, and introducing the results and reflections made by earlier scholars. The second and third sections sort out the contents, types and analyses of the word “Qing” in the Pre-Qin literatures, including Book of Poetry, Book of History, Zuo’s Annals, Discourses on the States, Analects, “Confucius on Poetry,” Book of Changes, Menzi, Xunzi, and “Xing Zi Ming chu”. It is pointed out that the development of the meanings of “Qing” was diverse, complicated and long. The fourth section is an inquiry of the Pre-Qin Confucians’ understandings about “nature and Qing” in order to highlight the position of “Qing” among all the analyses and discourses concentrated on mind and nature and clarify the relationships between mind, nature and feelings. The fifth section is an analysis of the Pre-Qin Confucians’ understanding about the relationship based on “desire.” The first step is to categorize and describe the contents of desire, explaining the confirmation of desire by Confucius, Menzi, Xunzi and “Xing Zi Ming chu”. Then we will talk about how they dealt with desire. The sixth section inquires how the Pre-Qin Confucians understood happiness, anger, sorrow and joy, presenting how the different schools saw the four feelings and what aspects the four feelings focus on. The seventh section concludes with how the Pre-Qin Confucians discoursed on “Qing” and how their discourses differed from one another, which is to show the result of this study and point to the issues to be further explored in the future.

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