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Relevant bibliographies by topics / Rachmaninoff

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Academic literature on the topic 'Rachmaninoff'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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Journal articles on the topic "Rachmaninoff"

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RAZUMOVSKAYA, A. G. "“THEY ALL SPEAK ABOUT THE SAME”: RACHMANINOFF IN THE EYES OF WRITERS." Imagologiya i komparativistika, no. 22 (2024): 262–84. https://doi.org/10.17223/24099554/22/15.

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For the first time the image of Sergey Rachmaninoff, an outstanding composer, pianist and conductor, depicted in memoirs and diary entries, epistolary notes of his contemporary writers, is considered. Famous for his great love for literature, Rachmaninoff knew many people personally or by correspondence. Some, observing the virtuoso musician from the outside (Nikolai Teleshov, Konstantin Balmont, Aleksandr Kuprin, Igor Severyanin), saw him as a rare responsive and selfless personality (“a man shone by God”, according to Kuprin’s definition). Marietta Shaginian, based on meetings and epistolary

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Kivistö, Tuomas. "Pianistin kysymys soiton hallinnasta." Trio 12, no. 2 (2023): 69–74. http://dx.doi.org/10.37453/tj.142358.

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The demonstration of proficiency for my doctoral degree consisted of five concerts of piano music by Sergei Rachmaninoff and a thesis focusing on questions of control in playing Rachmaninoff’s Moment musical Op. 16 No. 2 E-flat minor. The thesis suggests a way in which Rachmaninoff may have finger pedalled his piano compositions. It also includes exercises for pianists’ practical use.

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Kaz’mina, Elena Olegovna. "S. V. Rachmaninoff’s Works on the Posters of the Choir of the Tambov State Musical Pedagogical Institute named after S. V. Rachmaninoff in the Context of the Music Educational Traditions of the Education Institution: A Retrospective Review." Pan-Art 2, no. 1 (2022): 1–6. http://dx.doi.org/10.30853/pa20220005.

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The research aims to create a holistic view of such a priority area of the concert activity of the choir of the Tambov State Musical Pedagogical Institute named after S. V. Rachmaninoff as the popularisation of Sergei Rachmaninoff’s music. The paper draws attention to the educational traditions of the choir of the Tambov State Musical Pedagogical Institute named after S. V. Rachmaninoff, including the promotion of Rachmaninoff’s music since the 1910s, retrospectively considers the “Rachmaninoff” repertoire of the educational choir. In general, the review covers the period from 1882, when the e

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Dolinskaya, Elena B. "SERGEI RACHMANINOFF AND NIKOLAI MEDTNER: LIFE AND CREATIVE PARALLELS." Arts education and science 2, no. 35 (2023): 165–69. http://dx.doi.org/10.36871/hon.202302165.

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Today the whole world celebrates a jubilee date — the 150th anniversary of the birth of Sergei Vasilyevich Rachmaninoff. The Moscow Conservatory conducts monographic programs in all of its four halls, where all genres of the composer's legacy are presented: three operas are staged, all symphonic works are played, all romances are sung. This article is devoted to the creative interrelations and great friendship between S. V. Rachmaninoff and N. K. Medtner from the conservatory years. It focuses on the later work of the two composers, whose main genres are marked by stylistic parallels. This is

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Gnilov, Boris Gennadievich, and Ilya Dmitrievich Nikoltsev. "Some aspects of the impact of Western European music upon the works of Sergei Rachmaninoff." Философия и культура, no. 7 (July 2021): 75–85. http://dx.doi.org/10.7256/2454-0757.2021.7.36642.

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The subject of this research is certain manifestations of the impact of Western European music culture upon the works of Sergei Rachmaninoff. The object of this research is the piano, piano-orchestral and symphonic music of S. Rachmaninoff. Analysis is conducted on the particular manifestations of the impact of rhythmics that is characteristic to the Western European music and originated from it, certain melodic formulas, such as Dies Irae. Special attention is given to examination of the impact of rhythmic formulas that crystallized in Baroque period, such as &ldquo;eighth with a dot, six

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Vartanov, Sergey Ya. "Rachmaninoff: aspects of the pianistic realisation of the concept." Ученые записки Российской академии музыки имени Гнесиных 2, no. 53 (2025): 94–114. https://doi.org/10.56620/2227-9997-2025-2-94-114.

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This article is devoted to the fundamental problem of constructing a theory of performing interpretation based on the notion of concept put forward by S. V. Rachmaninoff. In his two interview articles "My Prelude cis-moll" and "Ten Characteristic Signs of Excellent Piano Playing", written in the genre of a master-class by a pianist-teacher, Rachmaninoff places the notion of the concept at the head of interpretation and interprets it as an immanent hidden programme that enables the performer to grasp the system of relations in the text of a work, its internal and external connections. A compari

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Frith, Michael. "Rachmaninoff." Nineteenth-Century Music Review 4, no. 2 (2007): 183–87. http://dx.doi.org/10.1017/s1479409800001038.

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Merzlov, Arseniy N. "Sergei Rachmaninoff and Mikhail Vrubel: Creative Parallels." ICONI, no. 1 (2019): 141–46. http://dx.doi.org/10.33779/2658-4824.2019.1.141-146.

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The article offered to your attention is dedicated to the interrelations between Sergei Rachmaninoff and Mikhail Vrubel. Turning directly to the legacies of the two artists, it is possible to observe a definite and continued “creative dialogue” between them manifested in the artistic themes in images to which Rachmaninoff and Vrubel consistently turned. Most prominent among them are the images of the Lilac and Goethe’s “Faust”. The author examines the peculiarities of their interpretations by the two artists in such works as Rachmaninoff’s song “The Lilac” opus 21 No. 5 and the First Piano Son

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Astakhova, Olga Andreevna, and Наталья Евгеньевна Natalia Evgenievna Kudryavtseva. "The evolution of the concert and sonata form in the works of S. V. Rachmaninoff." Pan-Art 3, no. 4 (2023): 239–44. http://dx.doi.org/10.30853/pa20230039.

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The aim of this research is to demonstrate the formation and development of the concert and sonata form in the works of S. V. Rachmaninoff. The article describes the history of the modification of the concert and sonata form in musical compositions and presents the typology of the concert and sonata form of the "post-classical" period by V. Zaderatsky. Based on V. Zaderatsky's concept, the following works of S. Rachmaninoff have been analyzed: Concert No. 1 Op. 1 in F-sharp minor, Concert No. 2 Op. 18 in C minor, Concert No. 3 Op. 30 in D minor, and the Fourth Concert Op. 40 in G minor. The sc

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Romashchuk, Inna M. "S. V. RACHMANINOFF AND M. L. PRESMAN: TO THE HISTORY OF FRIENDSHIP BETWEEN THE TWO MUSICIANS." Arts education and science 2, no. 35 (2023): 170–79. http://dx.doi.org/10.36871/hon.202302170.

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The article reveals the history of friendship between Sergei Vasilyevich Rachmaninoff and his classmate in the class of N. S. Zverev, Matvey Leontievich Presman (1870–1941), pianist, teacher, prominent musical and public figure. In their youth, they studied together and lived in the musical boarding school of Nikolai Sergeyevich Zverev (1832–1893). Presman's memory has preserved to the smallest details the impressions of his youth and much of what directly concerns Rachmaninoff's professional maturation, his formation as a personality, composer and pianist. He described this period in his deta

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Dissertations / Theses on the topic "Rachmaninoff"

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Koren, Martin Eikeset. "Rakhmaninovs opus 37 Vesper : Analyse som grunnlag for egen kompositorisk praksis." Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for musikk, 2011. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-15520.

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Cheng, Ruby. "Rachmaninoff the composer-pianist aspects of pianism in his Piano concerto no. 3 in D minor /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1835512501&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Maritz, Gerhardus Petrus. "Rachmaninoff, Horowitz, and the discursive arena between (re)composition and performance : the case of Rachmaninoff's Piano Sonata, opus 36." Thesis, Nelson Mandela Metropolitan University, 2014. http://hdl.handle.net/10948/d1020784.

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This treatise aims to uncover possible reasons as to why composers rework their compositions. In attempting to answer questions regarding musical and extra-musical (referential) criteria, surrounding conditions and the role performers play in acting as conduits of the aforementioned, the study focuses on three versions of Rachmaninoff’s second Piano Sonata, opus 36. The first of these was composed in 1913, the second constitutes the composer’s revision of this work in 1931, and the third, a subsequent amalgamation of both previously mentioned versions by pianist Horowitz in 1943. The research

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Gehl, Robin S. "Reassessing a Legacy: Rachmaninoff in America, 1918 – 43." Cincinnati, Ohio : University of Cincinnati, 2008. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1227105259.

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Thesis (Ph.D.)--University of Cincinnati, 2008.<br>Advisor: Bruce McClung PhD (Committee Chair), Jeongwon Joe PhD (Committee Member) , Robert Zierolf PhD (Committee Member). Title from electronic thesis title page (viewed Feb. 9, 2009). Keywords: Rachmaninoff; Steinway; Recordings; Piano performance; America; Twentieth Century; Reception. Includes abstract. Includes bibliographical references.

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Lundtvedt, Natalya V. "Rachmaninoff and Russian pianism performance issues in the Piano concerto in C minor, opus 18 / by Natalya V. Lundtvedt." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1581455111&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Ivanova, Anastassia. "Sergei Rachmaninoff`s piano concertos the odyssey of a stylistic evolution /." College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/3544.

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Thesis (D.M.A.) -- University of Maryland, College Park, 2006.<br>Thesis research directed by: Music. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Mo, Hea-Kyoung. "The use of fantasies in piano works from Mozart to Rachmaninoff." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/3072.

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Collins, Dana Livingston. "Form, harmony, and tonality in S. Rakhmaninov's three symphonies." Diss., The University of Arizona, 1988. http://hdl.handle.net/10150/184555.

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Sergey Rakhmaninov wrote three symphonies in different periods of his life. The First Symphony in D Minor, opus 13 (1895) reflects his style as an apprentice and beginning composer; the Second Symphony in E Minor, opus 21 (1907), his mature style of the early 1900's; and the Third Symphony in A Minor, opus 44 (1936), his style at the end of his life in the United States. Each symphony is representative of his musical style at its time of composition. In addition, the evolution of his musical language can be traced through a study of various components of these three works. Structural, harmonic

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Lee, Sanghie. "Rachmaninoff's Early Piano works and the Traces of Chopin's Influence: The Morceaux de Fantaisie, Op.3 & The Moments Musicaux, Op.16." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1539960507461835.

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Konoval, Michael Brandon. "Two piano recitals : solo and chamber music of Bartok, Brahms, Mozart and Rachmaninoff." Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/27375.

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Books on the topic "Rachmaninoff"

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Norris, Geoffrey. Rachmaninoff. 2nd ed. Dent, 1993.

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Geoffrey, Norris. Rachmaninoff. Schirmer Books, 1994.

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Rachmaninoff, Sergei. The singer's Rachmaninoff. Pelion Press, 1989.

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Martyn, Barrie. Rachmaninoff: Composer, pianist, conductor. Scolar Press, 1990.

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Cannata, David Butler. Rachmaninoff and the symphony. Studien Verlag, 1999.

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Rachmaninoff, Sergei. Oxana Yablonskaya plays Rachmaninoff. Connoisseur Society, 1993.

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Palmieri, Robert. Sergei Vasil'evich Rachmaninoff: Aguide to research. Garland Pub., 1985.

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1910-, Leyda Jay, and Satina Sophia 1879-1975, eds. Sergei Rachmaninoff: A lifetime in music. Indiana University Press, 2001.

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Rachmaninoff, Sergei. Variations on a Theme of Chopin, Opus 22 ; On a Theme of Corelli, Opus 42 Complete: Variati (Belwin Edition). Alfred Publishing Company, 1989.

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Pfann, Walter. Sergei Rachmaninoff: Klavierkonzert Nr. 2 c-Moll op. 18. Shaker, 2000.

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Book chapters on the topic "Rachmaninoff"

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Graham, Pheaross. "Rachmaninoff Meets Stanislavski: An Allegorical Archive and the Topos of Breath." In Music Performers' Lived Experiences. Routledge, 2025. https://doi.org/10.4324/9781003352778-7.

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Martynenko, Gregory. "Structural Interaction of Poetry and Music Components in Songs by Sergei Rachmaninoff." In Communications in Computer and Information Science. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-27498-0_11.

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Martynenko, Gregory. "Singer’s Performance Style in Numbers and Dynamic Curves: A Case Study of “Spring Waters” by Sergei Rachmaninoff." In Communications in Computer and Information Science. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-05594-3_6.

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Biesold, Maria. "Rachmaninov, Sergej Vasil’evič." In Metzler Komponisten Lexikon. J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_236.

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Biesold, Maria. "Rachmaninov, Sergej Vasil’evič." In Komponisten Lexikon. J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_240.

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Biesold, Maria. "Rachmaninov, Sergej Vasil’evič." In Komponisten. J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02947-8_38.

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Bakulina, Ellen. "Tonal Pairing in Two of Rachmaninoff’s Songs." In Analytical Approaches to 20th-Century Russian Music. Routledge, 2020. http://dx.doi.org/10.4324/9781003000808-3.

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Davies, Bronwyn, and Sally Macarthur. "Sensual Encounters with the Materiality of Rachmaninoff’s Piano Concerto No. 2." In Palgrave Critical University Studies. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-50388-7_11.

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Dovey, Matthew J. "Analysis of Rachmaninoff's piano performances using inductive logic programming (Extended abstract)." In Lecture Notes in Computer Science. Springer Berlin Heidelberg, 1995. http://dx.doi.org/10.1007/3-540-59286-5_67.

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Grote, Adalbert. "Anders als Schumann — Sergej Rachmaninoffs Romanzen op. 8 nach Gedichten von Heinrich Heine." In Heine-Jahrbuch 2008. J.B. Metzler, 2008. http://dx.doi.org/10.1007/978-3-476-00360-7_5.

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Conference papers on the topic "Rachmaninoff"

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Zhabinsky, K. A. "“Case of S. Rachmaninoff – R. Pugno”: The Facts and Conjectures." In IV Международный научный форум "Наследие". SB RAS, 2023. http://dx.doi.org/10.25205/978-5-6049863-7-0-81-104.

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Until very recently, the idea that the relationship between S. Rachmaninoff and R. Pugno was not very close dominated musical and cultural studies. The situation changed in the late 2010s – early 2020s when some researchers put forward a hypothesis about Rachmaninoff’s “involvement” in the tragic death of Pugno, which occurred in Moscow during a tour in 1913. They stated that Rachmaninoff allegedly refused to help a seriously ill French colleague who asked to replace him in the announced concert program. This situation caused financial difficulties for Pugno and maybe even his sudden death (fr

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Blagoveshchenskaya, L. D., and A. V. Talashkin. "Bell-like sound as a Feature of S. V. Rachmaninov’s Artistic Style." In IV Международный научный форум "Наследие". SB RAS, 2023. http://dx.doi.org/10.25205/978-5-6049863-7-0-154-173.

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Rachmaninoff is one of those composers whose works show the influence of the ringing of bells on a grand scale. This is not only the “Bells” “lying on the surface”, but incorporation of the most prosperous tradition of the bell ringing. Despite this, there is no comprehensive work dedicated to this topic. The Russian historiography of this problem consists of sporadic and digressed observations in academic papers on entirely different issues or limited conclusions from the analyses focused on the single Rachmaninov’s work. Moreover, these publications often have errors, indicating that the aut

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Tsuchida, Sadakatsu. "On the Creative Power of Music (Performing Secrets and the State of “Godly Sorrow” of Sergei Rachmaninoff)." In 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.053.

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Tonchuk, P. O. "“Elegie” by S. V. Rachmaninov as a Reflection of the Composer’s Worldview." In IV Международный научный форум "Наследие". SB RAS, 2023. http://dx.doi.org/10.25205/978-5-6049863-7-0-140-153.

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The article studies S. V. Rachmaninov’s famous work – “Elegie” op. 3. The background of the composer’s tragic perception of the world, determined by his worldview in general, influenced his running out of the limitations of elegy as the genre model. For instance, the concept of “tragic farewell” is one of the constants in the composer’s works and his perspective on life. The article highlights similarities and common points between the works of S. V. Rachmaninov and the elegies of French composers, creations of P. I. Tchaikovsky, the poetic work of V. K. Trediakovsky, as well as the ancient pr

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Nikolaeva, D. S., and O. N. Gudozhnikova. "Features of the author's style in chamber and instrumental ensembles S.V. Rachmaninov." In ТЕНДЕНЦИИ РАЗВИТИЯ НАУКИ И ОБРАЗОВАНИЯ. НИЦ «Л-Журнал», 2019. http://dx.doi.org/10.18411/lj-03-2019-39.

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Dmitrieva, E. E. "Rachmaninov`s Senar and Bunin`s Grasse: Russian Estate Life, Continued in Exile." In IV Международный научный форум "Наследие". SB RAS, 2023. http://dx.doi.org/10.25205/978-5-6049863-7-0-105-126.

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The idea that the Russian estate as a phenomenon lived a short life, which began in 1762 and abruptly ended in 1917 with the Russian Revolution and destruction of the institute of private landownership, dominated Russian historiography for quite a long period of time. However, in the last decades, this perspective changed significantly, and now researchers are more focused on studying what role estate life played in Russian culture after 1917. There were many forms of the existence of estate life: some estates transformed into museums of everyday life in the countryside or places where famous

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Ceausov, Denis. "THE FIRST PART OF THE SYMPHONIC DANCES BY SERGUEI RACHMANINOV IN THE CONTEXT OF CONDUCTING INTERPRETATION." In Conferinţa ştiinţifică internaţională „Învăţământul artistic – dimensiuni culturale“ 2023. Academy of Music, Theater and Fine Arts, 2024. http://dx.doi.org/10.55383/iadc2023.12.

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This article is dedicated to the interpretative (namely conducting) analysis of the first part of the „Symphonic Dances” written by S. Rachmaninov in 1940. Based on a thorough study of the score, the existing recordings, including the interpretation of a piano version of the work made by the composer himself, as well as the documentary materials and the analysis of the interpretations of the leading conductors of our time, interpretation recommendations are formulated that allow the construction of a coherent, motivated interpretative strategy that reflects the composer’s concept.

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Tsuchida, Sadakatsu. "Rachmaninoff's "Mustard Seed". A Meaning of Triadic Strikes, in the End of "études-Tableaux Op. 39"." In 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017). Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-17.2018.18.

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Reports on the topic "Rachmaninoff"

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Walker, Chris, Stephanie Scott-Melnyk, and Kay Sherwood. Reggae to Rachmaninoff: How and Why People Participate in Arts and Culture. Urban Institute, 2002. http://dx.doi.org/10.59656/a-g8773.001.

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