Academic literature on the topic 'Religious Arts Guild'

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Journal articles on the topic "Religious Arts Guild"

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CROMBIE, LAURA. "Craft guild ideology and urban literature: theFour Crowned Martyrsand theLives of Saints Nazarius and Celsusas told by the masons’ guild of fifteenth-century Ghent." Urban History 45, no. 3 (2017): 404–25. http://dx.doi.org/10.1017/s0963926817000578.

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ABSTRACT:The economic and political dimensions of guilds in medieval Flanders, especially medieval Ghent, have been well studied for generations. It is often noted that guilds were more than work organizations, and that their religious and social activities made them very like confraternities, but exploring the cultural and ideological side of guilds can be hampered by less surviving evidence. The present article attempts to address this lacuna by using poems written by/for the masons’ guild in fifteenth-century Ghent, taking an interdisciplinary perspective to examine ideals of community, hie
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Qin, Guoshuai, and Wanrong Zhang. "The Flow of Institutional Charisma: Quanzhen Taoism and Local Performing Arts in Republic Shandong and Henan." Religions 14, no. 5 (2023): 560. http://dx.doi.org/10.3390/rel14050560.

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Quanzhen Taoism and its relationship with local performing arts is an important yet inadequately studied subject, to date, due to the shortage of and limited access to new sources. However, on the basis of historical documents, oral statements and field research, we determined at least eight genres of local performing arts closely related to Quanzhen Taoism, especially its sublineage, the Longmen School, in Republic Shandong and Henan. They traced back their own history to Quanzhen Taoist patriarch WANG Chongyang, adopted the Quanzhen Taoist lineage poem to name their disciples, and created th
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SONKAJÄRVI, HANNA. "From German-speaking Catholics to French carpenters: Strasbourg guilds and the role of confessional boundaries in the inclusion and exclusion of foreigners in the eighteenth century." Urban History 35, no. 2 (2008): 202–15. http://dx.doi.org/10.1017/s0963926808005452.

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ABSTRACTThis article deals with the importance of religion as a factor influencing the inclusion and exclusion of foreigners from – and inside – the guilds in eighteenth-century Strasbourg. We consider the different notions of theétrangeras socially constructed and circumstantial. Together with factors such as social status, family ties, gender, systems of patronage, wealth, language and the citizenship rights of a town, religious and denominational boundaries constituted a major factor for influencing the inclusion and exclusion of foreigners in the early modern society. The construction and
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Master., Nguyen Viet Vinh, and Dang Hoang Lan Doctor. "Saigon Ceramics in Artistic Decoration Architecture of the Hoa People in Ho Chi Minh City, Viet Nam." INTERNATIONAL JOURNAL OF SOCIAL SCIENCE HUMANITY & MANAGEMENT RESEARCH 04, no. 05 (2025): 876–86. https://doi.org/10.5281/zenodo.15355745.

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Hoa people play an important role in reclaiming and building the southern region, especially the Cho Lon area, which is considered to have the largest concentration of Hoa communities in the country. Possessing a unique cultural heritage, Hoa people in Ho Chi Minh City (HCMC) have created many unique architectural works with outstanding colors and decorative carvings. Exquisitely carved on many materials, such as wood, bronze, and especially ceramic. From the early twentieth century onwards, in the Saigon region, names of pottery kilns such as "Dong Hoa Dieu" and "Buu Nguyen Dieu" appeared on
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Goode, Ian, Sarah Neely, Callum G. Brown, and Ealasaid Munro. "The Media and Modernity: Film and New Media in the Highlands and Islands 1946–1971: Introduction." Northern Scotland 11, no. 1 (2020): 1–10. http://dx.doi.org/10.3366/nor.2020.0201.

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The Highlands and Islands Film Guild is briefly surveyed in this article that introduces the Special Issue on Media and Modernity. The foundations, principles and manner of operation are outlined, as well as the interdisciplinary research project. The article starts with a review of literature on the nature of society in the Highlands and Islands, and the way that researchers regard it as ‘the other’ in historical and ethnographic research within the United Kingdom. We note the work undertaken in cultural history that has tended to treat the Highland zone as disjoined in governance and everyda
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Lookadoo, Jonathon. "Metaphors and New Testament Theology: The Temple as a Test Case for a Theology of New Testament Metaphors." Religions 13, no. 5 (2022): 436. http://dx.doi.org/10.3390/rel13050436.

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Researchers within New Testament Studies have attempted in recent years to articulate the multifaceted identity of a broad discipline. The place of New Testament Theology (NTT) remains disputed within the guild. Some would like to remove NTT from fields of research undertaken within Arts and Humanities departments, while others argue that the New Testament cannot be properly understood without an eye to its theological claims. This article employs the ongoing tension as a starting point from which to argue that metaphors provide a fruitful field of study within NTT. The study of metaphors allo
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Davis, Michael T. "La cathédrale d'Aix-en-Provence: Etude archéologique. Rollins Guild, Jr." Speculum 65, no. 3 (1990): 680–83. http://dx.doi.org/10.2307/2864080.

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Wagenaar, Lodewijk, and Mieke Beumer. "Esaias Boursse’s ‘Tijkenboeck’." Rijksmuseum Bulletin 67, no. 4 (2019): 312–31. http://dx.doi.org/10.52476/trb.9736.

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We do not know who trained Esaias Boursse (1631-1672) to be a painter, but we do know that he became a member of the Amsterdam Guild of St Luke around 1651. He certainly did not have a successful career because he joined the Dutch East India Company (VOC) in 1661. He travelled to Colombo, the capital of the island of Ceylon (Sri Lanka since 1972), captured six years earlier by the Portuguese, by way of Batavia (now Jakarta). In 1663 he was back in Amsterdam – remarkable, as the standard contract with the VOC was for five years. In financial straits again, he re-joined the VOC in 1671 and left
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Israels, Machtelt. "Altars on the street: the wool guild, the Carmelites and the feast of Corpus Domini in Siena (1356-1456)*." Renaissance Studies 20, no. 2 (2006): 180–200. http://dx.doi.org/10.1111/j.1477-4658.2006.00195.x.

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Hesselink, Reinier H. "Representing the Nanban Moment: Gotō Thomé (1547?–1627)." Harvard Journal of Asiatic Studies 84, no. 1-2 (2024): 75–110. https://doi.org/10.1353/jas.2024.a948861.

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abstract: Japan's "Nanban Moment" has recently been defined as "a critical juncture in world history when for the first time all the major urban civilizations became interconnected." These connections were political, economic, religious, literary, linguistic, and artistic in nature. This article presents the life of Gotō Thomé, a shopkeeper from Nagasaki's Uchimachi district, drawing upon different Japanese and European sources. As mayor, he was one of four principal officials of the Inner City. A major silk dealer, he was a leading member of the national silk guild. As elder of the São Paulo
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Dissertations / Theses on the topic "Religious Arts Guild"

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Rydell, Erika K. "Seeing with the heart : a documentary film that explores origins of guilt among gay christians." Honors in the Major Thesis, University of Central Florida, 2009. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1320.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Humanities<br>History
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Halvarsson, Sofie. ""Låt oss be och bekänna" : Om vad en människa bör bekänna och ta ansvar för som sin synd och skuld." Thesis, Uppsala universitet, Teologiska institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-380880.

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The aim of this essay is first and foremost to clarify which kind of different answers there are to identify within an evangelical-lutheran tradition considering what a person should confess and take responsibility for as their sin and guilt. Secondly this essay aims to suggest the most plausible one. This essay thematically present four different figures of ideas that answers to the question of what a person should confess as their sin and guilt. These figures are: 1) To confess the ontological state of guilt 2) To confess the subjective sin and guilt 3) To confess the objective sin and guilt
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Books on the topic "Religious Arts Guild"

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Arbaş, Hamit. Fütüvvetnâmeler ve İslâm sanatı: İslâm estetiğini fütüvvet kodları ile yeniden kurmak. Emin Yayınları, 2016.

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Min guo cong shu. Shanghai shu dian, 1989.

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