Relevant bibliographies by topics / Repetitive patterns (Decorative arts) in architecture

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Repetitive patterns (Decorative arts) in architecture'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Repetitive patterns (Decorative arts) in architecture"

1

Ye, Manbo. "From Components to Semantics: A Study on the Spatial Configuration and Cultural Encoding Mechanism of Guangfu Plaster Sculpture Imagery." International Journal of Education and Social Development 3, no. 3 (2025): 8–12. https://doi.org/10.54097/wtgc0p10.

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This study focuses on the visual configuration and cultural semantic mechanisms of Guangfu plaster sculpture in traditional architecture. It proposes a three-dimensional nested model of “Image–Component–Semantics” to explore how plaster imagery is functionally configured and culturally encoded through architectural components. Based on case studies of iconic sites such as the Chen Clan Ancestral Hall and Foshan Zumiao Temple, the analysis reveals that Guangfu plaster images are systematically organized according to the functional roles of components, conveying hierarchical values, cultural ide
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Priester, Ann. "Bell Towers and Building Workshops in Medieval Rome." Journal of the Society of Architectural Historians 52, no. 2 (1993): 199–220. http://dx.doi.org/10.2307/990786.

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Thirty-five medieval bell towers, along with dozens of churches such as S. Clemente, S. Crisogono, S. Maria in Trastevere, and S. Lorenzo fuori le mura, survive as testimony to a boom in ecclesiastical construction in Rome during the twelfth and early thirteenth centuries. This article focuses on these bell towers, using computer database analysis of their architectural and decorative features to investigate the nature of building workshops in medieval Rome. A comparison of a number of variable features among the bell towers, such as masonry techniques, cornices, and decorative details, uncove
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Khan, Sonia Nasir, and Muhammad Ahsan Bilal. "The Architecture plan of Qutb Complex (Delhi) and its Decoration Analysis." PERENNIAL JOURNAL OF HISTORY 1, no. 1 (2020): 49–68. http://dx.doi.org/10.52700/pjh.v1i1.21.

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The Qutb complex in Delhi contains the array of early Sultanate Period Muslim monuments that demonstrate the earliest artwork development stage of Muslim monuments from 12 to 13th century especially the architecture style and the stone carving patterns that exists in the monuments of this complex like in masjid Quwat-ul Islam (1191 A.D), Qutab Minar (1202 A.D), Illttutmish Tomb (1235 A.D), Alai Darwaza (1311 A.D). These splendid monuments have a new architectural style in India. Their beautiful carvings in red sandstone and marble that includes the patterns of arabesque style along with Kufic
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Karim, Somayeh, Parnaz Goodarzparvari, Mohammad Aref, and Pardis Bahmani. "A COMPARATIVE STUDY OF THE GEOMETRIC MOTIFS OF THE ATEEQ MOSQUE (SHIRAZ) AND THE CORDOBA MOSQUE (CORDOBA) WITH A CONTEXTUAL APPROACH." Journal of Islamic Architecture 6, no. 2 (2020): 93–102. http://dx.doi.org/10.18860/jia.v6i2.10113.

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Islamic art is an introverted art derived from mystical thought and believes expressed in artistic activities and is pure, indigenous, and commensurate with the spirit and social status of its time; Islamic architecture also has an Islamic foundation, and it has a close relationship with the decorative arts. In this regard, mosques are considered the most significant Islamic architecture achievements; in most cases, geometrical shapes and motifs with religious and natural themes have been used. Therefore, the present study's primary purpose is to study the geometric patterns of the Ateeq Mosqu
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B, Zadorozhny. "THE ART OF STAINED GLASS IN THE ARCHITECTURE OF TEMPLE BUILDINGS OF THE RENAISSANCE PERIOD IN LVIV." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 3, no. 2 (2021): 38–43. http://dx.doi.org/10.23939/sa2021.02.038.

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The stained glass art of temples and chapels of the Renaissance period occupies a special place in the fine arts of Lviv. Special attention is drawn to the stained glass windows of Lviv's sacred buildings, which impress with their aesthetics, composition, colours, and artistic expressiveness. In the process of studying stained glass windows in the decoration of Renaissance churches and chapels in Lviv, the manufacturing technology, compositional solution, their colour scheme were analyzed and the main features of their artistic and figurative expression were revealed. Renaissance stained glass
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Olin, Martin. "Tessinarna i Venedig." Sjuttonhundratal 6 (October 1, 2009): 7. http://dx.doi.org/10.7557/4.2757.

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<p>The Tessins in Venice</p><p>Foreign royalty and other travelers visiting Venice in the early eighteenth century encountered a flourishing of the arts. This vibrant artistic life could be transposed to new settings, as a number of Venetian painters worked for courts north of the Alps. When the statesman and <em>connoisseur</em> Carl Gustaf Tessin, Swedish Ambassador to Vienna, visited Venice in 1736, it was with the intention of hiring a decorative painter for the new royal palace in Stockholm. His first choice was Giovanni Battista Tiepolo, but his services pro
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Rovenko, Elena V. "Music is an Architecture Revived: a Gothic Cathedral as a Model for a Perfect Musical Composition as Seen by Vincent D’Indy." Contemporary Musicology, no. 3 (2021): 43–72. http://dx.doi.org/10.56620/2587-9731-2021-3-043-072.

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Vincent d’Indy developed his own understanding of the ideal algorithm of constructing musical forms. In support of his concept, he took a general artistic perspective. His aim, apparently, was to confirm the special status of the suggested compositional strategies as universal for different kinds of art. These strategies are grounded in such categories as rhythm, order, proportionality, and symmetry inherent to any kind of spatial/temporal art with architecture and music representing the extremes of the spatial/temporal continuum. D’Indy established the correlations between the spatial/tempora
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Pourmahmoud, Sadaf, and Asghar Fahimifar. "A Study on the ‘Philosophy of Decoration’ in the Seljuk Period (5th to 6th Centuries CE) Emphasizing the Dome of ‘Taj Al- Molk’ of the Isfahan Grand Mosque." Vestnik of Saint Petersburg University. Philosophy and Conflict Studies 40, no. 2 (2024): 353–64. http://dx.doi.org/10.21638/spbu17.2024.215.

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The Seljuk period (5th–6th Centuries CE) is one of the most important historical periods of Islamic Iran in various arts formed and developed in accordance with Islamic beliefs. Bricklaying decoration is one of the most valuable types of Persian Architectural decorations, and The Seljuk period is the era of extraordinary development and progress of this art and the ‘Taj Al-Molk’ Dome of the Isfahan Grand Mosque is known as its masterpiece. In fact, the flourishing of bricklaying decoration and its relationship to Seljuk’s cultural and religious beliefs in the sphere of aesthetics is the subjec
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Alisher, Anna. "Art history dynamics of theater scenography." National Academy of Managerial Staff of Culture and Arts Herald, no. 2 (September 17, 2021): 170–75. http://dx.doi.org/10.32461/2226-3209.2.2021.240004.

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The purpose of the article is to study the peculiarities of the dynamics of the development of theatrical scenography by the solution of plot compositions, art forms, metaphorical images, specific features of mizantsen, national color. The methodology is based on the study of art history literature, conference materials, monographs, thematic literature, which corresponds to the disclosure of this work. The method of cultural and historical analysis helps to explore the tendencies of the development of Ukrainian scenography of the XX-XXI centuries. The comparative method, based on the considera
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Lipitskaya, Valentina. "Soviet Sport: Attempts of Galvanizing Eidos in Modern Films about Outstanding Soviet Athletes." Ideas and Ideals 16, no. 2-2 (2024): 430–40. http://dx.doi.org/10.17212/2075-0862-2024-16.2.2-430-440.

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The author believes that the so-called cinematic speaking on the Soviet, that is, an array of texts, formulated within the contours of fi lm, television, and other screen arts, is one of the representative sources shaping the domestic discourse of the reception of the Soviet. Within the framework of this work, research attention is focused on the consideration of modern Russian films about the legends of Soviet sports, which, in the area of the abovementioned cinematic speaking, appeal to a number of phrase themes, such as sports, personality, heroism, asceticism, service, and moral values. Ac
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Dissertations / Theses on the topic "Repetitive patterns (Decorative arts) in architecture"

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Jordanov, Iliana H. "Decorator or narrator: A contextualisation of Slavic and Australian pattern making and its relationship to my painting practice." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2004. https://ro.ecu.edu.au/theses/844.

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In this thesis, I will examine pattern making in art practice from two cultural perceptions, Slavic and Australian. Existing differences between the two cultural backgrounds will be used to debate how pattern is understood by the viewer or practiced by an artist in a particular chosen environment. The central argument focuses on pattern as a decorator and/or a narrator. I will examine the outcomes and changes in narrative pattern according to cultural context and exchange. By introducing Slavic pattern into contemporary (Australian) art practice, I examine how traditional cultural values and f
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Tzavaras, Annette. "Transforming perceptions of Islamic culture in Australia through collaboration in contemporary art." Faculty of Creative Arts, 2008. http://ro.uow.edu.au/theses/120.

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My creative work investigates the negative space, the ‘in between space’ that leads to new knowledge about other artists and other cultures. The fundamental and distinctive elements of Islamic pattern in my paintings in the exhibition Dialogue in Diversity are based on my own experience of misinformation as well as rewarding collaboration within a culturally blended family.This research explores the continuity of the arabesque and polygon. I experiment with the hexagon and its geometric shapes, with its many repeat patterns and the interrelatedness of the negative space, or the void indicative
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Books on the topic "Repetitive patterns (Decorative arts) in architecture"

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Petra, Schmidt, Tietenberg Annette, and Wollheim Ralf, eds. Patterns in design, art and architecture. Birkhäuser, 2005.

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2

1947-, Manglou Tony, Sida Serge, and Réunion Commissariat à l'artisanat, eds. Lambrequins. Commissariat à l'artisanat, 1985.

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Karaosmanoğlu, Mehmet. Anadolu mimari bezemeleri: Roma çağı yumurta dizisi. Atatürk Üniversitesi, Fen-Edebiyat Fakültesi, 1996.

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Götz, Günter A. Ornamente an Dach und Fassade. R. Müller, 1992.

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Sāzmān-i Muṭālaʻah va Tadvīn-i Kutub-i ʻUlūm-i Insānī-i Dānishgāhʹhā (Iran). Markaz-i Taḥqīqāt va Tawsiʻah-ʼi ʻUlūm-i Insānī, ред. Tārīkh-i hunar-i Īrān dar dawrah-i Islāmī: Tazyīnāt-i miʻmārī = Persian art history in Islamic period : architectural decorations. Markaz-i Taḥqīq va Tawsiʻah-ʼi ʻUlūm-i Insānī "SAMT", 2008.

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6

Bulatov, S. S. Rezʹba po ganchu =: Ganchkorlik. Ukituvchi, 1990.

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7

Gómez, Rafael Pérez. Alhambra: Belleza abstracta. Patronato de la Alhambra y Generalife, 2019.

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Vela, Manuel Martínez. La Alhambra con regla y compás: El trazado paso a paso de alicatados y yeserías. Editorial Almizate, 2017.

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9

No, Chae-hak. Han'guk sansa ŭi tanch'ŏng segye: Pulgyo kŏnch'uk e p'yŏlch'in hwaŏm ŭi pit. Misul Munhwa, 2019.

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Şerare, Yetkin, and Demiriz Yıldız, eds. Prof. Dr. Şerare Yetkin anısına çini yazıları. Sanat Tarihi Derneği, 1996.

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Book chapters on the topic "Repetitive patterns (Decorative arts) in architecture"

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Occhinegro, Ubaldo. "Muqarnas: Geometrical and Stereotomic Techniques in Ancient Islamic Architectures." In Advances in Media, Entertainment, and the Arts. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-5225-0029-2.ch023.

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The topic of this chapter is the geometry and the construction of vaulted and decorative systems called ‘muqarnas', one of the most typical elements of Islamic architecture. This way of ‘vaulting spaces' or building roof and decorations with a system of regular staircase-elements that break down the surface covering it with simple geometrical figures, so as to make up complex patterns, spreads throughout Arabic countries, leading to the development of several styles, deriving from different generative geometries, and from building techniques and used materials. The reason which accounts for th
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Conference papers on the topic "Repetitive patterns (Decorative arts) in architecture"

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Li, Yiqing. "Study of Xi'an Islamic Architecture Decorative Patterns." In 4th International Conference on Management Science, Education Technology, Arts, Social Science and Economics 2016. Atlantis Press, 2016. http://dx.doi.org/10.2991/msetasse-16.2016.393.

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Vimala, Dr S. M. "HARAPPA ARCHITECTURE – HUB OF ART AND CULTURE." In Transforming Knowledge: A Multidisciplinary Research on Integrative Learning Across Disciplines. The Bhopal School of Social Sciences, 2025. https://doi.org/10.51767/ic250301.

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India is a multicultural subcontinent resulting from a history of migrations of diverse peoples and establishment of new communities. The newcomers, often arriving as invaders, carrying their cultural baggage with them, were gradually absorbed into Indian culture. Art generally means sculpture and painting and often includes architecture, but human artefacts may embrace a wider category of material remains that includes the decorative and minor arts such as jewellery, pottery, metal, wooden utensils and even toys. The artefacts of the earliest inhabitants of India, the Stone Age societies, go
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