Academic literature on the topic 'Roman pier'

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Journal articles on the topic "Roman pier"

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Munteán, László. "The Roman Aqueduct of Aquincum in Technological and Cultural Contexts." Hungarian Cultural Studies 14 (July 16, 2021): 1–19. http://dx.doi.org/10.5195/ahea.2021.424.

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This article explores the technological and cultural history of the Roman aqueduct of Aquincum in Budapest. The only one in the Roman province of Pannonia that was elevated to a continuous line of arches, this aqueduct conveyed water from its source in what is now Budapest’s third district to its final destination over three miles to the south, where a Roman military town was located. Apart from the aqueduct’s technological and archaeological aspects, this article also examines several cultural practices that it engendered including the ritualistic significance of the springs that fed it, its
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Salisbury, Chris. "An 8th-century Mercian bridge over the Trent at Cromwell, Nottinghamshire, England." Antiquity 69, no. 266 (1995): 1015–18. http://dx.doi.org/10.1017/s0003598x00082557.

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Heavyweight civil engineering in Romanized Europe means Roman, one thinks naturally enough. A tree-ring date now identifies a timber-framed bridge pier, previously thought Roman, as dating to the first half of the 8th century AD — Mercian, and the earliest known Saxon bridge in Britain.
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Ferrari, Ivan, and Aurora Quarta. "The Roman pier of San Cataldo: from archaeological data to 3D reconstruction." Virtual Archaeology Review 10, no. 20 (2019): 28. http://dx.doi.org/10.4995/var.2019.7957.

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<p>The pier of San Cataldo (Lecce, Italy) is located along the Adriatic coast about 10 km east-northeast of the ancient city of Lupiae, (today's Lecce), and is the best-preserved port structure of the Roman Age in Apulia. It was researched between 2004 and 2007 by the Laboratory of Topography and Photogrammetry (LabTAF) of the University of Salento, who produced a detailed analysis of the remain and a survey of the portion still visible on the mainland. At the same time, aerial surveys and the study of historic aerial photos from the 1940s and 50s supported a topographic study of the sit
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Hara, Takashi, and Kenichiro Hidaka. "Failure Mechanisms of Stone Masonry Dome." Applied Mechanics and Materials 744-746 (March 2015): 133–36. http://dx.doi.org/10.4028/www.scientific.net/amm.744-746.133.

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This paper investigated the failure mechanisms of the stone masonry dome constructed in the heritage site at Jerash. Jerash is the remains of a Roman ancient city and is located 48km north from Amman, Jordan. West Bath in Jerash had one main dome and two small domes. Domes were constructed from stone masonry. The structural characteristics of the remained small dome were investigated numerically by use of the finite element method. The foundation of the West Bath is under the conditions of a land sliding and was cut beside the dome pier. Therefore, assuming the several uneven settlements of th
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Romanelli, Claudia. "From dialogue writer to screenwriter: Pier Paolo Pasolini at work for Federico Fellini." Journal of Screenwriting 10, no. 3 (2019): 323–37. http://dx.doi.org/10.1386/josc_00007_1.

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Pier Paolo Pasolini was a poet, novelist, essayist and filmmaker who also worked as a screenwriter for some of the most important Italian directors including Mario Soldati, Mauro Bolognini and Bernardo Bertolucci, to name a few. While Pasolini’s poems, novels and films are widely studied, his work as a screenwriter has not attracted much critical attention. This is partly because Pasolini tended to collaborate with directors whose artistic tastes were very different from his own, making it difficult to understand what he could possibly bring to the films on which he worked. The fact that he to
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Santini, Sylvano. "Le cinéma, un vieux média ? Ralenti des images et lenteur du récit dans Point Omega de Don DeLillo." Revista Brasileira de Literatura Comparada 25, no. 49 (2023): 165–79. http://dx.doi.org/10.1590/2596-304x20232549ss.

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Résumé Cet article présente, dans une première partie, le concept de cinéfiction qui caractérise le rapport performatif de la littérature au cinéma. Il réalise, dans une deuxième partie, une analyse cinéfictionnelle dePoint Oméga (2010) de Don DeLillo dont la visée consiste à montrer comment le roman prolonge le ralenti des images de24 Hour Psycho de Douglas Gordon (1993). Cette analyse reprend la notion de « remake » que Sébastien Rongier a développée dans son ouvrageCinématière(2015) pour l’appliquer aux arts et à la littérature qui entretiennent un dialogue avec le cinéma. Je concevrai en c
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Tuttle, Richard J. "Vignola's Facciata dei Banchi in Bologna." Journal of the Society of Architectural Historians 52, no. 1 (1993): 68–87. http://dx.doi.org/10.2307/990758.

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As a masterpiece of urban renovation by a major Renaissance architect, the Facciata dei Banchi enjoys wide critical acclaim. The scholarly literature on it, however, is bedeviled by historical uncertainties as well as by cursory accounts of the physical and formal evidence. The object of this essay is threefold: to present some new and firm documentation about the patronage, dating, and authorship of the work; to assess Vignola's achievement in its design; and to offer a critical reading of the project within the ideology of style. Accordingly, the façade is shown to have been erected between
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Anzidei, Marco, Alessandro Bosman, Daniele Casalbore, Sebastiano Tusa, and Roberto La Rocca. "New insights on the subsidence of Lipari island (Aeolian islands, southern Italy) from the submerged Roman age pier at Marina Lunga." Quaternary International 401 (May 2016): 162–73. http://dx.doi.org/10.1016/j.quaint.2015.07.003.

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Cooper, James G. "Michelangelo's Laurentian Library: Drawings and Design Process." Architectural History 54 (2011): 49–90. http://dx.doi.org/10.1017/s0066622x00004007.

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Re-examination of a key group of Michelangelo's sketches for the Laurentian Library, located in the monastic complex of Florence's S. Lorenzo, offers a new understanding of his design process and the project as it was built. While drawings by Michelangelo survive for all three of the library's intended spaces, this study concentrates on a number of drawings on four sheets for the entrance vestibule, or ricetto, and the two drawings for what would have constituted the third space, the unbuilt rare books room. It offers a major revision of Rudolf Wittkower's pioneering study of the library's des
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Magris, Erica. "Le « projet multithéâtral »." Mettre en scène, no. 12 (February 19, 2010): 49–65. http://dx.doi.org/10.7202/039231ar.

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Résumé Cet article s’intéresse à un mode de création théâtrale systématisé par les compagnies expérimentales italiennes de la « Génération 90 » au début du 21e siècle, que nous proposons d’appeler « projet multithéâtral » : l’artiste de théâtre conçoit la création comme un processus de longue ou moyenne durée, dans lequel il avance par étapes, en réalisant non seulement des spectacles, mais en se consacrant aussi à d’autres formats artistiques. Dans l’histoire des compagnies, la mise en oeuvre de cette méthode de travail correspond à l’affirmation de l’usage des technologies numériques du son
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Dissertations / Theses on the topic "Roman pier"

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Deasy, Aidan Paul. "Pier Francesco Valentini’s Il leuto anatomizzato (c.1650): A translation and commentary - Investigating transposition, intabulation, and other aspects of Roman lute practice. A translation of Il leuto anatomizzato - and - A contextualising essay." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2019. https://ro.ecu.edu.au/theses/2276.

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This research presents a translation and commentary of Il leuto anatomizzato (c.1650) by musical polymath Pier Francesco Valentini (c.1570-1654). Housed at the Biblioteca Apostolica Vaticana (Barb. Lat. 4433) yet available in modern facsimile, the manuscript has arguably been ignored by many due to its sheer complexity. Grappling with these interpretative difficulties, this essay explicates Valentini’s virtuosic account of the fretboard mechanics of transposition by any interval, relating closely (if imperfectly) to his speculative writings on equal temperament. With aesculapian rigour, Valent
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Sala, Luigi. "Formation, dé-formation et accomplissement véritable : Goethe, Houellebecq et Tondelli." Thesis, Tours, 2016. http://www.theses.fr/2016TOUR2021/document.

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Analysant le fonctionnement général du capitalisme, ainsi que son rapport structurel avec les transformations paradigmatiques de la science, notre thèse démontre le rôle fondamental de la formation dans l’imposition, au niveau systémique, du capitalisme lui-même. La première partie, dédiée spécifiquement à l’analyse du roman de formation Les années d’apprentissage de Wilhelm Meister de Goethe, met en évidence de quelle façon le capitalisme mystifie sa propre essence : l’inaccomplissement. Celui-ci n’apparaît donc pas comme un moment immédiat et intrinsèque du capitalisme, mais plutôt par l’int
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Piper, Thorsten [Verfasser], Neeraj [Akademischer Betreuer] Suri, and Roman [Akademischer Betreuer] Obermaisser. "Assessing and Enhancing Functional Safety Mechanisms for Safety-Critical Software Systems / Thorsten Piper. Betreuer: Neeraj Suri ; Roman Obermaisser." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2015. http://d-nb.info/1111113556/34.

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Jankowiak, François. "L'évolution des structures de la Curie romaine de l'avènement de Pie IX à la fin du pontificat de Pie X : du gouvernement de l'Église et de ses états à celui de Église universelle, 1846-1914." Paris 11, 2002. http://www.theses.fr/2002PA111001.

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Cadelo, Maria <1987&gt. "Modelli femminili di beneficenza a confronto nell'eta dell'emancipazione ebraica: le opere pie di Roma e di Torino." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2020. http://amsdottorato.unibo.it/9323/1/tesi_Cadelo.pdf.

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Il presente lavoro ripercorre la vicenda storica di alcuni istituti di beneficenza, operanti a Roma e a Torino tra la fine del XIX secolo e l’inizio del XX secolo, attraverso le carte di archivi rimasti finora inesplorati. L’attenzione è stata posta sul ruolo femminile, risultato determinante nell’improntare l’attività di tali enti. L’esclusione della donna dalla vita comunitaria sancita dalla tradizione, non impedì che durante la fase dell’emancipazione delle minoranze religiose, vi fosse una graduale ridimensionamento della tradizionale separazione dei ruoli. Questo aspetto è da porsi
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Abdel, Karim Ahmad. "Il recupero e la rifunzionalizzazione degli stadi storici: vincolo o opportunità? I casi dello stadio Dall’Ara di Bologna e Flaminio di Roma." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2021.

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L’oggetto della presente tesi tratta il recupero e la rifunzionalizzazione degli stadi storici,con l’obiettivo di capire se la scelta di intervento su questa tipologia del patrimonio architettonico esistente costituisca un vincolo oppure una opportunità.L’analisi di questo tema parte dalla ricerca storica mirata alla conoscenza degli impianti sportivi,ricostruendo i principali momenti della loro evoluzione storico-architettonica individuando i caratteri delle tipologie di stadi contemporanei.Questa prima fase,di inquadramento tecnico e tipologico,costituirà la base per collocare i casi studio
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Swan, Hannah R. "Corpus Intactum: La Subversion Corpotextuelle Féminine des Constructions de Dualité et d'Objectivité du Discours Colonialiste dans "Le Pied de momie" et "Le Roman de la momie" de Théophile Gautier." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/637.

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In “Corpus Intactum,” I explore the possibility for the subversion of dominant orientalist narratives in Théophile Gautier’s short story “Le Pied de momie” and his later novel, “Le Roman de la momie”. I propose that Gautier’s works demonstrate the beginnings of colonialist critique, but that his capacity for subversion is ultimately hampered by the constraints of popular orientalist discourse. I argue, nevertheless, that through a figurative conflation of the feminine mummified body with the text that at once writes her and exists within her own narrative, Gautier is able to subvert the system
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NAKASHIMA, LILIAN MASSUMIE. "Il Collegio Urbano de Propaganda Fide: il progetto di Francesco Borromini e l'architettura di collegi e opere pie a Roma tra il 16. e il 17. secolo." Doctoral thesis, Università IUAV di Venezia, 2005. http://hdl.handle.net/11578/278507.

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Hammouda-Ammari, Hajer. "Violence du langage, langage de la violence : étude comparée chez quatre cinéastes italiens : Rossellini, De Sica, Visconti, Pasolini." Paris 3, 2007. http://www.theses.fr/2007PA030056.

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L’œuvre cinématographique de Rossellini, Visconti, De Sica et Pasolini est si riche, si diversifiée, toujours poignante par la virulence des thèmes qu’elle traite et qui s’inscrivent au cœur même de la réalité. Les outils privilégiés de ces cinéastes italiens pour capter cette réalité dans sa nudité et dans son extrême violence sont : la « parole » poétique et authentique, dialectale ou argotique, dont le sens est souvent inconnu ou difficile à décrypter, la gestuelle naturelle des corps et les mimiques des visages dont les personnages sont dotés, ensemble de signes recueillis grâce à une camé
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Saingainy, Marie. "Mgr Dupanloup et la Seconde République : réseaux et combats, 1848-1852." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSE2038/document.

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Mgr Dupanloup est l’une des figures de proue du catholicisme libéral en France au XIXe siècle. À partir de la correspondance privée du prêtre de Savoie, il s’agit de mettre en exergue les réseaux mis en place et structurés par le prêtre de Savoie pour défendre les intérêts de l’Église catholique dans un contexte de tensions révolutionnaires. Ainsi sous la Seconde République, de 1848 à 1851, Dupanloup et ses réseaux se concentrent particulièrement sur la lutte pour la liberté de l’enseignement et à partir de 1849 sur la lutte pour le vote du projet de loi Falloux, un projet de loi visant à réor
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Books on the topic "Roman pier"

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Bagnato, Bruna, ed. La costruzione della pace. Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-627-8.

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— Table of contents — VOLUME I Early period edited by Piero Antonio Carnemolla VOLUME II The Romanistic foundation. Writings on History and Roman law edited by Patrizia Giunti VOLUME III Principles against totalitarianism and constitutional refoundation edited by Ugo De Siervo VOLUME IV The city and the human person. Social, political and administrative texts edited by Pier Luigi Ballini, Giulio Conticelli VOLUME V The construction of peace. International politics texts edited by Bruna Bagnato VOLUME VI The believer and the Church. Texts on religious and ecclesiastical life edited by Bruna Boc
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Staun, Susanne. Mine piger: Roman. Gyldendal, 2008.

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De Siervo, Ugo, ed. Principi contro i totalitarismi e rifondazione costituzionale. Firenze University Press, 2019. http://dx.doi.org/10.36253/978-88-6453-797-9.

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— Piano dell’opera — VOLUME I Scritti giovanili a cura di Piero Antonio Carnemolla VOLUME II La fondazione romanistica. Scritti di storia e di diritto romano a cura di Patrizia Giunti VOLUME III Principi contro i totalitarismi e rifondazione costituzionale a cura di Ugo De Siervo VOLUME IV La città e la persona umana. Scritti sociali, politici e amministrativi a cura di Pier Luigi Ballini, Giulio Conticelli VOLUME V La costruzione della pace. Scritti di politica internazionale a cura di Bruna Bagnato VOLUME VI Il credente e la Chiesa. Scritti di vita religiosa ed ecclesiale a cura di Bruna Boc
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Giunti, Patrizia, ed. La fondazione romanistica. Firenze University Press, 2019. http://dx.doi.org/10.36253/978-88-6453-849-5.

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— Piano dell’opera — VOLUME I Scritti giovanili a cura di Piero Antonio Carnemolla VOLUME II La fondazione romanistica. Scritti di storia e di diritto romano a cura di Patrizia Giunti VOLUME III Principi contro i totalitarismi e rifondazione costituzionale a cura di Ugo De Siervo VOLUME IV La città e la persona umana. Scritti sociali, politici e amministrativi a cura di Pier Luigi Ballini, Giulio Conticelli VOLUME V La costruzione della pace. Scritti di politica internazionale a cura di Bruna Bagnato VOLUME VI Il credente e la Chiesa. Scritti di vita religiosa ed ecclesiale a cura di Bruna Boc
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Carnemolla, Piero Antonio, ed. Scritti giovanili. Firenze University Press, 2019. http://dx.doi.org/10.36253/978-88-6453-854-9.

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— Piano dell’opera — VOLUME I Scritti giovanili a cura di Piero Antonio Carnemolla VOLUME II La fondazione romanistica. Scritti di storia e di diritto romano a cura di Patrizia Giunti VOLUME III Principi contro i totalitarismi e rifondazione costituzionale a cura di Ugo De Siervo VOLUME IV La città e la persona umana. Scritti sociali, politici e amministrativi a cura di Pier Luigi Ballini, Giulio Conticelli VOLUME V La costruzione della pace. Scritti di politica internazionale a cura di Bruna Bagnato VOLUME VI Il credente e la Chiesa. Scritti di vita religiosa ed ecclesiale a cura di Bruna Boc
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Mann, Gaëlle. Le pied-bot: Roman. L. Talmart, 1991.

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Ferris, Joshua. Le pied mécanique: Roman. J'ai lu, 2014.

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Patrick, Honnoré, ed. Appel du pied: Roman. P. Picquier, 2008.

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Clemenceau, Georges. Au pied du Sinaï: Roman. Belles lettres, 2000.

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Boëtius, Henning. Blendwerk: Ein Piet-Hieronymus-Roman. BTB, 2003.

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Book chapters on the topic "Roman pier"

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Ferrari, Ivan, and Aurora Quarta. "San Cataldo (Lecce, Italy): The Historical Evolution Of The Coastal Landscape." In Proceedings e report. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-147-1.07.

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San Cataldo is located on the Adriatic sea about 10 km east from Lecce (Italy). Since ancient times it was a port and the remains of a Roman pier are visible: the study illustrate the evolution of its coastal landscape from historical origins until today. The port was renovated in medieval times and also between the 19th and 20th centuries with the construction of a lighthouse, a new pier and a tramway with Lecce. During the last century emerged the tourist vocation of San Cataldo with events of overbuilding characterizing the nowadays coastal landscape.
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Deppe, Juliane. "Sprachliche und gesellschaftliche Normen und ihre Abweichungen im Roman von Pier Paolo Pasolini." In Konstruierte Normalitäten – normale Abweichungen. VS Verlag für Sozialwissenschaften, 2010. http://dx.doi.org/10.1007/978-3-531-92429-8_12.

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D’Hour, Thomas. "Les mots de la solennité." In Les langages du culte aux xviie et xviiie siècles. Presses universitaires Blaise-Pascal, 2020. https://doi.org/10.4000/13vfy.

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Les offices inscrits dans les calendriers liturgiques diocésains sont hiérarchisés selon des règles et un vocabulaire particulier, formant des systèmes de solennité. La mise en série des calendriers montre des différences d’importance variée d’un diocèse à l’autre quant à la composition des systèmes de solennisation. Ce travail propose de dresser un état de la situation en France entre 1570 et 1680, tout en l’inscrivant dans le contexte de la diffusion du modèle liturgique romain, issu de la publication du Bréviaire de Pie V et de la fulmination de la bulle Quod a Nobis en 1568. On constate en
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Piccolo, Martina. "«Roma, quondam orbis caput, nunc nudum nomen et fabula»: rovine materiali e morali nel De situ urbis veteris et inclyte urbis Rome di Pier Paolo Vergerio." In Studi di letterature moderne e comparate. Firenze University Press, USiena Press, 2024. https://doi.org/10.36253/979-12-215-0602-0.24.

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The present contribution aims to investigate the sources used by Vergerio in De situ veteris et inclyte urbis Rome, an unfinished treatise of a topographical and archaeological-antiquarian nature. In the wake of Petrarch - the true proponent of the topos of the ‘memory of Rome’ - Vergerio offers the reader a far from sweetened representation of the Urbe. Of particular interest is the relationship with sources, especially the Mirabilia urbis Romae, from which the descriptions of the city gates are taken, for example. De situ is also based on Vergerio’s reading of other authors such as Paolo Dia
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Hennet, Sophie. "Wladimir d’Ormesson, le métier de diplomate au quotidien (Rome, 1948-1956)." In Le diplomate en représentation. Presses universitaires de Rennes, 2021. https://doi.org/10.4000/13sga.

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Wladimir d’Ormesson (1888-1973) est un journaliste, ambassadeur, et académicien français. Appelé sur le tard dans la carrière diplomatique, en 1940, il a été en poste deux fois au Saint-Siège (1940, 1948-1956), et une fois en Argentine (1945-1948). De 1919 jusqu’à la veille de sa mort, Wladimir d’Ormesson a tenu quotidiennement un journal dans lequel il se confie sur tous les évènements de sa vie, grands ou petits, et couche sur le papier ses idées politiques et religieuses tout comme ses réflexions quotidiennes plus banales. Ce document très riche, dense, permet de mettre au jour les réalités
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Harlan-Haughey, Sarah. "Down with Dante and Chaucer? Navigating a Great Books Curriculum as a Medievalist." In The Ballad of the Lone Medievalist. punctum books, 2018. https://doi.org/10.21983/p3.0205.1.26.

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When I accepted my job as a joint hire between an English de-partment and an Honors College that used a fairly conventional Great Books curriculum, I was excited to have a job and to be teaching the classics as well as my own research interests. But I quickly learned that there are some dangers and stressors in be-ing the only person who works on anything remotely premod-ern in a four-semester curriculum that dwells a year on ancient Roman and Greek classics, hurtles over the Middle Ages after two or three short weeks with Dante and Chaucer, and comes to rest heavily in the Renaissance and the
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Annovi, Gian Maria. "Death." In Pier Paolo Pasolini. Columbia University Press, 2017. http://dx.doi.org/10.7312/columbia/9780231180306.003.0001.

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IN A FAMOUS SEQUENCE FROM PIER PAOLO PASOLINI’S FILM Mamma Roma (1962), in which Anna Magnani plays a fierce prostitute who tries to start a new life with her teenage son, Ettore, she buys him a new motor-bike to celebrate his first day of work as a waiter. Excited about the gift, Ettore takes his mother on a fast ride through the Roman outskirts. Mamma Roma—the eponymous nickname of Magnani’s character—holds tightly to his waist and voices her dreams about their future, which Ettore’s untimely death will eventually shatter (...
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Francese, Joseph. "Pasolini's 'Roman Novels/ the Italian Communist Party, and the Events of 1956." In Pier Paolo Pasolini, edited by Patrick Rumble and Bart Testa. University of Toronto Press, 1994. http://dx.doi.org/10.3138/9781442678484-006.

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Bankel, Hansgeorg. "The Augustan Aqueduct of Minturnae in Southern Latium." In Building the Classical World. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190690526.003.0003.

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The Roman aqueduct of Minturnae features an unusual distribution basin (castellum aquae) that was integrated into the central pier of the city gate over the Via Appia. Such a distribution basin is not only unique in the ancient world, but it also combines the economical with the elegant. There are, however, signs that this was not the only proposed position for the distribution basin. Pairs of bricks, inserted near the top of the aqueduct’s piers and indicating the slope of the channel (specus), show that an inclination of 0.7 percent was planned at some point for the final stretch of the aque
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Fusillo, Massimo. "Pasolini’s Agamemnon Translation, Screen Version and Performance." In Agamemnon in Performance 458 BC to AD 2004. Oxford University PressOxford, 2005. http://dx.doi.org/10.1093/oso/9780199263516.003.0012.

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Abstract In 1959 Pier Paolo Pasolini was asked by Vittorio Gassman to translate Aeschylus’ Oresteia. The translation was intended to be an essential part of an innovative project, which would have revolutionized the classic performance praxis of Syracuse’ s ‘ Festival of Ancient Drama’.1 Although Pasolini already had some juvenile experience in translating Greek poetry (for example Sappho into Friulan dialect) and tragedy, this was to be his Wrst public engagement with it. In a short essay published in the programme, the ‘ Lettera del traduttore’2 he openly discloses his method of translation.
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Conference papers on the topic "Roman pier"

1

Cao, Yuanxi, Sen Yan, and Jiahao Zhang. "A Compact High-gain Rotman Lens Multibeam Antenna with Low Crossover Level and Sidelobe." In 2024 Photonics & Electromagnetics Research Symposium (PIERS). IEEE, 2024. http://dx.doi.org/10.1109/piers62282.2024.10618076.

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2

Camiz, Alessandro. "Permanence of roman toponyms in the middle ages: Castrum Corzani and the first settlement of S. Piero in Bagno, Forum corzani." In International Conference Virtual City and Territory. Centre de Política de Sòl i Valoracions, 2014. http://dx.doi.org/10.5821/ctv.7960.

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There has been a long discussion in the past decades on continuity or discontinuity between the&#x0D; decline of the roman rural settlement and the small towns and castles that arise, starting from&#x0D; the tenth century, in what historians have called the phase of “incastellamento”. Recognizing the&#x0D; widespread presence of praedial toponyms in modern cartography and in medieval notarial&#x0D; sources, using a GIS to handle a large amount of site names and documents, it was possible to&#x0D; correlate the site of a rustic villa, Valbiano (Sarsina), with the “incastellamento” phenomena.&#x
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