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Books on the topic 'Roman ruins of Tróia'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Robert, Adam. Ruins of the palace of the emperor Diocletian at Spalatro in Dalmatia. Biblioteca del Cenide, 2001.

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Adam, Robert. Ruins of the Palace of the emperor Diocletian at Spalatro in Dalmatia. Biblioteca del Cenide, 2001.

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3

Russo, Marialba. Roma, fasti moderni: Il disordine del tempo. Mudima, 1993.

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4

Mangiafico, Luciano. Italy's most wanted: The top 10 book of Roman ruins, wonderful wines, and Renaissance rarities. Potomac Books, 2007.

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5

Akurgal, Ekrem. Ancient civilizations and ruins of Turkey: From prehistoric times until the end of the Roman empire. Kitabevi, 1985.

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6

Ekrem, Akurgal. Ancient civilizations and ruins of Turkey: From prehistoric times until the end of the Roman Empire. 6th ed. Haset Ki̇tabevi̇, 1985.

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7

Gómez, Alicia León. El teatro romano de Sagunto en el siglo XVIII: Imágenes arqueológicas de la España ilustrada. Universidad de Sevilla, Departamento de Prehistoria y Arqueología, 2006.

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8

Ciancio, Luca. Le colonne del tempo: Il "tempio di Serapide" a Pozzuoli nella storia della geologia, dell'archeologia e dell'arte (1750-1900). Edifir, 2009.

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9

Ciancio, Luca. Le colonne del tempo: Il "tempio di Serapide" a Pozzuoli nella storia della geologia, dell'archeologia e dell'arte (1750-1900). Edifir, 2009.

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10

Ciancio, Luca. Le colonne del tempo: Il "tempio di Serapide" a Pozzuoli nella storia della geologia, dell'archeologia e dell'arte (1750-1900). Edifir, 2009.

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11

Germany), Kunstbibliothek (Berlin, ed. Ruinenromantik und Antikensehnsucht. Kunstbibliothek Berlin und Pädagogischer Dienst, Staatliche Museen Preussischer Kulturbesitz, 1986.

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12

Ferrante, Ferranti, Alexandre Patrice 1951-, and Base sous-marine de Bordeaux, eds. Imaginaire des ruines: Hommage à Piranèse. Actes sud, 2009.

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13

Piranesi, Giovanni Battista. Piranesi: Les vues de l'imaginaire : 12 juillet-18 novembre 1990 : Musée d'art et d'histoire, Musée Rath, Genève. Le Musée, 1990.

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14

Piranesi, Giovanni Battista. Piranesi: Rome recorded : exhibitions in New York & Rome, April 1990, Italian Consulate for the American Academy in Rome, New York, New York ; October 1990, American Academy in Rome, Rome, Italy. 2nd ed. Arthur Ross Foundation, 1990.

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15

Piranesi, Giovanni Battista. Piranesi: The dark prisons : an edition of the Carceri d'invenzione from the collection of the Arthur Ross Foundation. The Foundation, 1988.

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16

Piranesi, Giovanni Battista. Piranesi: Carceri d'invenzione. Galleria Ceribelli, 2007.

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17

Piranesi, Giovanni Battista. Piranesi: Una visió de l'artista a través de la col·lecció de gravats de la Reial Academia de Belles Arts de Sant Carles = una visión del artista a través de la colección de grabados de la Real Academia de Bellas Artes de San Carlos = Architektonische Traumbilder und Veduten aus der graphischen Sammlung der Königlichen Akademie der Schönen Kunste von San Carlos in Valencia : Gutenberg-Museum, del 6 de septiembre al 25 de octubre de 1998, Mainz vom 6. September bis zum 25. Oktober 1998. Consorci de Museus de la Comunitat Valenciana, 1998.

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18

Piranesi, Giovanni Battista. Piranesi: Rome recorded : exhibitions in New York & Rome, April 1990, Italian Consulate for the American Academy in Rome, New York, New York ; October 1990, American Academy in Rome, Rome, Italy. 2nd ed. Arthur Ross Foundation, 1990.

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19

Piranesi, Giovanni Battista. Piranesi: Archaeologist and vedutista. B. Weinreb Architectural Books, 1987.

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20

Thomas, Wright. Ruins of the Roman City &C. HardPress, 2020.

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21

ArcDog. Shelter for Roman Ruins I Peter Zumthor. Blurb, 2017.

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22

Baxa, Paul. Roads and ruins: Fascism and the Roman cityscape. 2006.

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23

Rising from the ruins: Roman antiquities in neoclassic literature. Cambridge Scholars, 2009.

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24

Building on ruins: The rediscovery of Rome and English architecture. Ashgate, 2000.

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25

Ruins of Palmyra and Baalbek: Volumes I-II. Bloomsbury Publishing Plc, 2021.

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26

Ruins of Rome I: From the Colosseum to the Roman Forum. Sun Dogs Creations, 2017.

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27

Ruins of Rome I: From the Colosseum to the Roman Forum. Sun Dogs Creations, 2017.

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28

Among the ruins: The decline and fall of the Roman Catholic Church. Prometheus Books, 2017.

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29

Smiles, Sam. Ruins and Reputations. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198826477.003.0016.

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This chapter explores how poetic inspiration, centred around the tombs of ancient poets, can be expressed through the material idiom of painting. It approaches the ‘tomb of Virgil’ through the eyes of artists working in the later eighteenth and early nineteenth centuries, when the vogue for travel and the growth of a market for topographical and antiquarian images produced the circumstances that gave new life to representations of the tombs of the Greek and Roman poets. It focuses specifically on the work of two artists who visited the spot: Joseph Wright of Derby, who produced a number of var

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30

Amalfi Coast & Bay of Naples with Your Family: From Charming Resorts to Roman Ruins. Wiley & Sons, Incorporated, John, 2009.

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31

Rosenmeyer, Patricia A. The Language of Ruins. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190626310.001.0001.

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A colossal statue, originally built to honor an ancient pharaoh, still stands in Egyptian Thebes. Damaged by an earthquake, and re-identified as the Homeric hero Memnon, it was believed to “speak” regularly at daybreak. By the middle of the first century CE, the colossus had become a popular site for sacred tourism; visitors flocked to hear the miraculous sound, leaving behind over one hundred Greek and Latin inscriptions. These inscriptions are varied and diverse: brief acknowledgments of having heard Memnon’s voice; longer lists by Roman administrators including details of personal accomplis

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32

Peacock, W. F. Visit to the Wonderful City of Uriconium, or the Roman Ruins at Wroxeter, near Shrewsbury. Creative Media Partners, LLC, 2018.

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33

Visit to the Wonderful City of Uriconium, or the Roman Ruins at Wroxeter, near Shrewsbury. Creative Media Partners, LLC, 2023.

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34

Fodor's. Provence & the Riviera: The Complete Guide to the Hilltop Villages, Roman Ruins and Resorts (3rd). 3rd ed. Fodor's, 1996.

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35

Visit to the Wonderful City of Uriconium, or the Roman Ruins at Wroxeter, near Shrewsbury. Creative Media Partners, LLC, 2023.

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36

Roma e l'Appia: Rovine, utopia, progetto = Rome and the Appian Way : ruins, utopia, design. Quodlibet, 2017.

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37

Rediscovering Architecture: Paestum in Eighteenth-Century Architectural Experience and Theory. Yale University Press, 2015.

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38

Hell, Julia. Conquest of Ruins: The Third Reich and the Fall of Rome. University of Chicago Press, 2019.

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39

Hell, Julia. Conquest of Ruins: The Third Reich and the Fall of Rome. University of Chicago Press, 2018.

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40

Friesen, Steven J. Imperial Cults and the Apocalypse of John: Reading Revelation in the Ruins. Oxford University Press, 2001.

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41

Friesen, Steven J. Imperial Cults and the Apocalypse of John: Reading Revelation in the Ruins. Oxford University Press, Incorporated, 2001.

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42

The Conquest of Ruins: The Third Reich and the Fall of Rome. University of Chicago Press, 2019.

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43

Italy's Most Wanted: The Top 10 Book of Roman Ruins, Wonderful Wines, and Renaissance Rarities (Most Wanted Series). Potomac Books Inc., 2007.

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44

Le colonne del tempo: Il "tempio di Serapide" a Pozzuoli nella storia della geologia, dell'archeologia e dell'arte (1750-1900). Edifir, 2009.

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45

Via Appia: I disegni degli architetti. Electa, 2017.

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46

Rom, vom Forum Romanum zum Campo Vaccino: Studien zur Darstellung des Forum Romanum im 16. und 17. Jahrhundert. Express, 1987.

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47

Roads and Ruins: The Symbolic Landscape of Fascist Rome (Toronto Italian Studies). University of Toronto Press, Scholarly Publishing Division, 2010.

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48

Murray, Chris. China from the Ruins of Athens and Rome. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198767015.001.0001.

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Fascinated and often baffled by China, Anglophone writers turned to classics for answers. In poetry, essays, and travel narratives, ancient Greece and Rome lent interpretative paradigms and narrative shape to Britain’s information on the Middle Kingdom. While memoirists of the diplomatic missions in 1793 and 1816 used classical ideas to introduce Chinese concepts, Roman history held ominous precedents for Sino–British relations according to Edward Gibbon and Samuel Taylor Coleridge. John Keats illuminated how peculiar such contemporary processes of Orientalist knowledge-formation were. In Brit

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49

Publishers, Museum. Notebook: Buildings amid Ruins in Roman Campagna, N. D. , Guilliam Dujardin, Dutch, C. 1597-After 1647, Netherlands, Black Chalk on Ivory Laid Paper. Independently Published, 2020.

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50

Publishers, Museum. Notebook: Roman Ruins, N. D. , Circle of Bartholomeus Breenbergh, Dutch, 1598-1657, Holland, Pen and Brown Ink, with Brush and Brown and Blue-Gray Wash, over Traces of Graphite, on Ivory Laid Paper, Laid down on Board. Independently Published, 2020.

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