Academic literature on the topic 'Romeo and Juliet Exception'

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Journal articles on the topic "Romeo and Juliet Exception"

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Balestrieri, Mauro. "Desacralized Law: Shakespeare and the Tragedy of Sovereignty." Pólemos 16, no. 1 (2022): 25–45. http://dx.doi.org/10.1515/pol-2022-2003.

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Abstract In the history of Western literary tradition, early modern theatres constituted an important passage for the construction of a different perception of community as well as a different appraisal of legal institutions. In modern playhouses, traditional values were staged, debated, and critiqued. In this paper, I will focus on three Shakespearean tragedies (Hamlet, Macbeth, Romeo and Juliet) that provide relevant insights about the way in which power and legal themes were challenged and questioned. In these plays Shakespeare provided a critical view of what we might call the “mystical fo
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Muhammad, Akbar, and Asrar Zaidi Najia. "The Suffocation of Motherhood in Three Shakespearean Plays: The Tempest, Romeo and Juliet and King Lear." Pakistan's Multidisciplinary Journal for Arts & Science (PMDJAS) pmdjas.com 3, no. 3 (2022): 24–34. https://doi.org/10.5281/zenodo.7376543.

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<strong>Abstract </strong> This study investigates the suffocation of motherhood in the three major Plays of William Shakespeare which are The Tempest, Romeo and Juliet, and King Lear by using the feminist theories of Janet Adelman, Luce Irigaray, and Merry Rose Beth. The absence of motherhood in many of William Shakespeare&rsquo;s plays has been controversial and a point of attraction in criticism for feminist critics who are actively engaged in highlighting the patriarchal aspects of William Shakespeare&rsquo;s plays. According to the critics, the suffocation and absence of motherhood in the
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Kartika, Desta Leila, Suseno Susanto, and U’um Qomariyah. "Cinta Abadi dalam Novel Laila Majnun Karya Nizami dan Novel Romeo Juliet Karya William Shakespeare Kajian Intertekstual." Jurnal Sastra Indonesia 7, no. 2 (2019): 140–47. http://dx.doi.org/10.15294/jsi.v7i2.29836.

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Penelitian ini bertujuan untuk menemukan hubungan cinta abadi dan hubungan intertekstual antara novel Laila Majnun karya Nizami dengan novel Romeo Juliet karya William Shakespeare. Pendekatan yang dilakukan dalam penelitian ini adalah pendekatan intertekstual yaitu pendekatan yang digunakan untuk menemukan aspek-aspek tertentu yang telah ada pada karya-karya sebelumnya pada karya yang muncul kemudian. Penelitian ini merupakan penelitian deskriptif kualitatif. Sasaran penelitian ini adalah menemukan hubungan keabadian cinta dan hubungan intertekstual antara novel Laila Majnun karya Nizami dan n
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Futiha Alambarra Amaan Ahmada and Simon Ntamwana. "I'll No Longer be a Capulet: Archetypal Shifts in the Movie and Anime Adaptations of Shakespeare's Juliet." CrossOver 4, no. 2 (2024): 184–98. https://doi.org/10.22515/crossover.v4i2.10930.

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Adaptation is being a striking phenomenon that attracts many people because it tends to produce a different sensation of the source text. This research considers this phenomenon in order to reveal the shifts between the source text and the adaptation versions. The article is a comparative study that applies the archetypal theory. It sets out to reveal the similarities and differences with respect to the archetypes pertaining to the Juliet character in Shakespeare’s play, Romeo and Juliet, and its film and anime adaptations. The descriptive qualitative method is used to enable the researcher to
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Janghyun Nam. "Romeo and Juliet." Shakespeare Review 52, no. 4 (2016): 841–47. http://dx.doi.org/10.17009/shakes.2016.52.4.014.

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Lee, John, William Shakespeare, and James N. Loehlin. "Romeo and Juliet." Sixteenth Century Journal 34, no. 3 (2003): 836. http://dx.doi.org/10.2307/20061567.

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Tavares, Elizabeth E. "Romeo and Juliet." Shakespeare Bulletin 40, no. 1 (2022): 148–52. http://dx.doi.org/10.1353/shb.2022.0008.

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Houliston, Victor, and C. Blakemore Evans. "Romeo and Juliet." Sixteenth Century Journal 36, no. 4 (2005): 1136. http://dx.doi.org/10.2307/20477619.

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Fosnocht, Laura. "Romeo and Juliet." Questions: Philosophy for Young People 22 (2022): 20. http://dx.doi.org/10.5840/questions20222212.

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Sullivan, Erin. "Romeo and Juliet." Shakespeare Bulletin 38, no. 3 (2020): 497–501. http://dx.doi.org/10.1353/shb.2020.0041.

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Dissertations / Theses on the topic "Romeo and Juliet Exception"

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Espinoza, Vaca Ana Luisa. "Designing a Playground for Romeo and Juliet." Thesis, University of British Columbia, 2010. http://hdl.handle.net/2429/27913.

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The production of Romeo and Juliet took place at the Telus Theatre in Vancouver from 21st to the 30th of January 2010 as part of the UBC 2009-2010 program. It was directed by Catriona Leger, costumes by Carmen Alatorre, lighting by Conor Moore, original music by Mischelle Cuttler and Patrick Pennefather. Set design was done by myself as the main topic for this thesis. The word playground in the title points to both the play culture associated with the theatrical event as well as well as the physical space for play. Building off of the notion of the childhood playground, I sought to illumin
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Wilson, Deborah Annette. "Prokofiev’s Romeo and Juliet: history of a compromise." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1061231843.

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Josefsson, Sonja. "Romeo och Juliet som drama och film." Thesis, Karlstads universitet, Centrum för språk- och litteraturdidaktik, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-5310.

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We read different kind of texts every day. We can for example choose to read a book or to watch a film. While we read we can receive and interpret texts. That’s means, for example, that we can have different envisionments about the drama and the film based on it.   Based on Langer’s reception theory about “envisionments”, I’ve wanted to examine and clarify the differences and similarities of envisionments between two texts. I have mainly examined and focused on Romeo and Juliet as drama and film. My study is comparative and qualitative. The background for my examination is found in “a broader
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Grosh, Joanna R. "Sacrificial figures in Romeo and Juliet, Othello, and Lear /." The Ohio State University, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487678444258777.

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Westling, Måns. "A Qualitative Descriptive Translation Study of Shakespeare's Romeo and Juliet." Thesis, Stockholm University, Department of English, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-8055.

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<p>This essay is a qualitative descriptive translation study concerning two translations of Shakespeare’s Romeo and Juliet into Swedish. The purpose of the study is to investigate the translational behaviour of the translators and the translation norms that govern this behaviour.</p><p>By thoroughly analysing stretches of the play, the study will attempt to locate translation shifts (linguistic changes) that occur in the translation from the source text to the target text. These changes are connected with the translators’ fidelity towards e.g. the metre of the verse or the sense transfer of pu
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Brouthers, Carolyn Zoe. "Prokofiev's Romeo & Juliet and Cinderella: A Comparison of Leads." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1308069446.

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Wilson-Terrell, Trisha. "Music's narrative function in Baz Luhrmann's William Shakespeare's Romeo + Juliet /." May be available electronically:, 2009. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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Quinn, Anthony Leo. "Juliet : a role in four movies." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/10580.

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Over a period of sixty years, between 1936 and 1996, there were numerous filmed versions of Shakespeare’s Romeo and Juliet, but four in particular were made for and obtained a worldwide commercial release. George Cukor’s lavish production of 1936 with Norma Shearer as Juliet was the first feature length, big budget, ‘talkie’ of Shakespeare’s play to be made by a major studio and aimed at the cinema going public. Shearer remains, to this day, the only actress of the modern age who was a major film star when cast in the role of Juliet. In direct contrast to this, Renato Castellani’s Anglo Italia
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Minutella, Vincenza. "Reclaiming Romeo and Juliet : Italian translations for page, stage and screen." Thesis, University of Warwick, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429718.

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Luong, Van Nhan. "Translation in Vietnam : a case study of Shakespeare's Romeo and Juliet." Thesis, University of Southampton, 2014. https://eprints.soton.ac.uk/377678/.

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Translation is not simply a transmission from one language to another language, but the bridge connecting languages, cultures, and people around the world throughout history, from past to present, in time and space. In the mutual relationship with literary systems, translation in some cases is the pioneer orienting domestic literature from stylistics, genres to content. Translation in Viet Nam, however, has never been studied systematically, and at present is like a chaotic market in which the rhythm of three main factors, translation, proof-reading, and criticism are marching to different tun
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Books on the topic "Romeo and Juliet Exception"

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Shakespeare, William. Romeo & Juliet. Barron's, 2002.

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Aronson, Billy. Romeo & Juliet. HarperPaperbacks, 1996.

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Shakespeare, William. Romeo & Juliet. Edited by Roma Gill. Oxford University Press, 2008.

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1564-1616, Shakespeare William, and Fiore Peter M. ill, eds. Romeo & Juliet. Sterling Pub. Co., 2004.

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Shakespeare, William. Romeo & Juliet. Edited by Roma Gill. Oxford University Press, 2005.

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Shakespeare, William. Romeo - Juliet. Vasundhara Prakashan, 1990.

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Shakespeare, William. Romeo & Juliet. Sovereign, 2012.

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McCallum, Alistair. Romeo & Juliet. Oxford University Press, 1999.

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Greenhill, Wendy. Romeo & Juliet. Heinemann Library, 1995.

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Wiegle, Matt. Romeo & Juliet. Sparknotes, 2008.

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Book chapters on the topic "Romeo and Juliet Exception"

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Goodland, Katharine, and John O’Connor. "Romeo and Juliet." In A Directory of Shakespeare in Performance Since 1991. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1007/978-1-349-58788-9_27.

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Goodland, Katharine, and John O’Connor. "Romeo and Juliet." In A Directory of Shakespeare in Performance Since 1991. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1007/978-1-349-58788-9_66.

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Goodland, Katharine, and John O’Connor. "Romeo and Juliet." In A Directory of Shakespeare in Performance, 1970–1990. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1007/978-1-349-60041-0_27.

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Goodland, Katharine, and John O’Connor. "Romeo and Juliet." In A Directory of Shakespeare in Performance, 1970–1990. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1007/978-1-349-60041-0_67.

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Bührle, Iris Julia. "Romeo and Juliet." In Dancing Shakespeare. Routledge, 2024. http://dx.doi.org/10.4324/9781003492979-4.

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Gill, Richard. "Romeo and Juliet." In Mastering Shakespeare. Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-14551-5_19.

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Moulton, Ian Frederick. "Conclusion: Romeo + Juliet." In Love in Print in the Sixteenth Century. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137405050_6.

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Dawson, Anthony B. "Romeo and Juliet." In Watching Shakespeare. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19362-2_11.

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Blacker, Robert. "Juliet and Romeo." In Shakespeare in Three Dimensions. Routledge, 2017. http://dx.doi.org/10.4324/9781315269412-4.

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Holding, Peter. "Introduction." In Romeo and Juliet. Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-11363-7_1.

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Conference papers on the topic "Romeo and Juliet Exception"

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Lukinova, Marina. "Romeo And Juliet" Or "Juliet And Romeo." In WUT 2018 - IX International Conference “Word, Utterance, Text: Cognitive, Pragmatic and Cultural Aspects”. Cognitive-Crcs, 2018. http://dx.doi.org/10.15405/epsbs.2018.04.02.13.

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"Romeo and Juliet and Biology." In April 18-19, 2017 Kyoto (Japan). DiRPUB, 2017. http://dx.doi.org/10.15242/dirpub.ea0417017.

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Laganà, Maria Rita, and Marco Righi. "Romeo and Juliet: an infrared search system." In 1st International ICST Conference on Robot Communication and Coordination. ICST, 2007. http://dx.doi.org/10.4108/icst.robocomm2007.2132.

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Cappello, Marva. "#XXXtimeless: An Interdisciplinary Approach to Negotiating Shakespeare's Romeo and Juliet Using Instagram." In 2020 AERA Annual Meeting. AERA, 2020. http://dx.doi.org/10.3102/1587981.

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Zhang, Yanchun. "Vulnerable or Powerful, Obedient or Resistant Character Analysis of Romeo and Juliet." In 2017 7th International Conference on Social science and Education Research (SSER2017). Atlantis Press, 2018. http://dx.doi.org/10.2991/sser-17.2018.3.

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Brehin, Diana, and Larysa Tsiokh. "UKRAINIAN TRANSLATIONS OF W. SHAKESPEARE'S TRAGEDY «ROMEO AND JULIET»: A COMPARATIVE LINGUISTATISTIC ANALYSIS." In Relevant Trends of Scientific Research in the Countries of Central and Eastern Europe. Publishing House “Baltija Publishing”, 2020. http://dx.doi.org/10.30525/978-9934-26-002-5-11.

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Rajistha, I. Gusti Ngurah, and Ni Made Anggreni. "Psychological Analysis of the Main Character in Romeo and Juliet By William Shakespeare’s." In Proceedings of the First International Seminar on Languare, Literature, Culture and Education, ISLLCE, 15-16 November 2019, Kendari, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.15-11-2019.2296227.

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Tosa, Naoko. "Theater, movie with A-life---Romeo & Juliet in Hades as A-life based cinema." In the sixth ACM international conference. ACM Press, 1998. http://dx.doi.org/10.1145/306774.306781.

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"Tracing the Cases of Abjection in William Shakespeare’s Romeo and Juliet and A Midsummer Night’s Dream." In Emirates Research Publishing. Emirates Research Publishing, 2016. http://dx.doi.org/10.17758/erpub.ea0516002.

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Kulikova, Elena V., and Svetlana Valentinovna Gerasimova. "Concept of the Name in the Tragedy “Romeo and Juliet” as an Element of the Cultural Code." In 2020 International Conference on Language, Communication and Culture Studies (ICLCCS 2020). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210313.038.

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