Relevant bibliographies by topics / Samizdat

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Samizdat'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Samizdat"

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Komaromi, Ann. "The Material Existence of Soviet Samizdat." Slavic Review 63, no. 3 (2004): 597–618. http://dx.doi.org/10.2307/1520346.

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In this article Ann Komaromi examines Soviet samizdat based on recendy available materials and fresh critical approaches. Komaromi juxtaposes traditional mythologizing narratives about samizdat and the exposure of such mythology within samizdat and post-samizdat culture. Drawing on recent publications and archival investigations, Komaromi surveys the history of samizdat, its use, reception and resonance. The material form of the samizdat text proves key to understanding samizdat as the lifeblood of a community of Soviet dissenters. That material form, viewed critically through a lens shaped by
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Šámal, Petr. "Samizdatový bestseller." Česká literatura 72, no. 6 (2024): 697–723. https://doi.org/10.51305/cl.2024.06.02.

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This study examines the specifics of reading samizdat using Ludvík Vaculík’s novel A Czech Dreambook as an example. Following on from contemporary cultural-historical samizdat scholars (Ann Komaromi, Josephine von Zitzewitz and Jonathan Bolton), the author analyses various types of sources that testify to the reception of this novel. Another form of methodological inspiration here is the semiotic analysis of the act of publishing a work, presented by Miroslav Červenka. The author shows that Vaculík responded to samizdat’s limited publication opportunities by situating some of the readers in th
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Morgan, Robin. "Samizdat." Women's Review of Books 16, no. 9 (1999): 18. http://dx.doi.org/10.2307/4023281.

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Johnson, Ruel. "Samizdat." Small Axe: A Caribbean Journal of Criticism 18, no. 2 (2014): 148–57. http://dx.doi.org/10.1215/07990537-2739911.

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Knobel, Beth, and Jonathan Sanders. "Samizdat 2.0." International Journal of E-Politics 3, no. 1 (2012): 26–41. http://dx.doi.org/10.4018/jep.2012010103.

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This paper examines the case of Russian Police Major Aleksei Dymovsky, who took the unprecedented step of posting a video on the Internet in 2009 in which he exposed the corrupt practices of Russian law enforcement officials. When the video went “viral,” Dymovsky set off a national debate about corruption, but was quickly crushed by the authorities for whistleblowing. This paper uses the example of the Dymovsky affair to examine the power of streaming video as a political tool in Russia. It also examines the difference between the underground literature of the Soviet-era, samizdat, and the new
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Dzyuba, Oleg, and Larуsa Tatarinova. "Music samizdat." Вісник Книжкової палати, no. 7 (July 29, 2021): 9–12. http://dx.doi.org/10.36273/2076-9555.2021.7(300).9-12.

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The article considers the phenomenon of music samizdat, which allowed Soviet music lovers to listen to Western music, which was banned in the USSR. Ways of disseminating the works of such artists as Petro Leshchenko or Alexander Vertinsky, or Western artists such as Elvis Presley, Ella Fitzgerald, Chuck Berry, The Beatles, The Rolling Stones, The Beach Boys. The study focuses on music, but rather, even on the technical side of the issue of samizdat. "Ribs", "Magnitizdat", "Rock Courier" have left a significant mark on the development of popular music of the post-Soviet period, our intelligence
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Danyi, Gábor. "Civil rights activist, Centaur or the Thief of Baghdad? : The identity of György Krassó and the functioning of his samizdat publishing house between 1982 and 1985." Betekintő 16, no. 4 (2022): 69–106. http://dx.doi.org/10.25834/bet.2022.4.5.

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The production and distribution of uncensored—commonly known as samizdat— literature is generally understood as an exercise of one of the most fundamental civil liberties, freedom of expression. The dictatorial context in which samizdat emerges inevitably gives this activity a moral dimension: those involved in samizdat activities are champions of human liberties, resisters of dictatorship, advocates of dissident justice. However, the moral dimension often obscures the former contexts that have given samizdat publishing other meanings. In what follows, I will attempt to disentangle samizdat li
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Berman, Andrew G. "Orthodox samizdat in Chuvashia in the 1960s–1980s." Vestnik of Saint Petersburg University. Philosophy and Conflict Studies 37, no. 1 (2021): 162–75. http://dx.doi.org/10.21638/spbu17.2021.113.

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The article is devoted to the phenomenon of Orthodox church samizdat in the second half of the 20th century. The term Orthodox samizdat used in this article refers to a set of texts reproduced in an artisanal way and distributed in church goers circle without the sanction of the church or secular authorities. In the conditions of Soviet reality, the church circles were a deep periphery of public life and was formed from the marginalized or those pushed out by the Soviet authorities to the social margins. The specific position of church people in the USSR determined the repertoire of samizdat t
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Klumbys, Valdemaras. "The Underground Publication Perspektyvos (1978–1981): The Beginning of Intellectual Samizdat in Lithuania." Genocidas ir rezistencija 2, no. 12 (2025): 179–208. https://doi.org/10.61903/gr.2002.222.

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When samizdat appeared (in 1972 Lietuvos Katalikų Bažnyčios Kronika came out for the first time), resistance to soviet occupation reached higher level, became more organised, in Lithuania. However, samizdat of national and catholic character did not satisfy some of dissidents, especially those who sympathized ideas of democracy and human rights suggested by the Russian samizdat, due to its occasional intolerance and narrowness. This reason was the main for appearance of a new underground publication the Perspektyvos in 1978. The publisher of this publication was a docent of Vilnius University
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Misler, Nicoletta, John E. Bowlt, Szymon Bojko, Valery Gerlovin, and Rimma Gerlovin. "Russian Samizdat Art." Leonardo 21, no. 1 (1988): 102. http://dx.doi.org/10.2307/1578437.

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Dissertations / Theses on the topic "Samizdat"

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Подоляка, Надія Степанівна, Надежда Степановна Подоляка, Nadiia Stepanivna Podoliaka та Д. Теницька. "Український авторський портал як інструмент для комунікації авторів з аудиторією". Thesis, Сумський державний університет, 2019. https://essuir.sumdu.edu.ua/handle/123456789/77200.

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У статті розглянуто розвиток самвидаву на платформі «Український Авторський Портал». Визначено можливості послуг сайту для авторів і читачів. Висвітлено особливості роботи сайту.<br>The article considers the development of samizdat on the platform "Ukrainian Author Portal". The possibilities of site services for authors and readers are determined. The features of the site work are highlighted.
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Bergmann, Martin. "Eine diskursanalytische Betrachtung des Rok-Samizdat in der Sowjetunion und ihren Nachfolgestaaten in der Periode zwischen 1967 und 1994 /." München : O. Sagner, 1999. http://catalogue.bnf.fr/ark:/12148/cb38947535k.

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Mella, Stefania. "Il fejeton come simbolo dell'identità culturale del dissenso cecoslovacco." Doctoral thesis, Università degli studi di Padova, 2014. http://hdl.handle.net/11577/3424070.

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My thesis focuses on the clandestine literature developed during the twenty years following the Prague Spring in 1968. I will particularly analyze the role of the fejeton, an ‘hybrid’ genre, often considered of a minor importance, yet extremely popular among the Czechoslovakian literature of the 70’s and 80’s. The first part of my work will provide an in-depth analysis of the genre of the fejeton; from describing its typological characteristics, I will tackle the context that originated it and its future development within the Czechoslovakian cultural life, adding an in-depth analysis of the
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Bergmann, Martin [Verfasser]. "Eine diskursanalytische Betrachtung des rok-samizdat in der Sowjetunion und ihren Nachfolgestaaten in der Periode zwischen 1967 und 1994 / Martin Bergmann." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 1999. http://d-nb.info/1165478684/34.

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Hroch, Miloš. "Samizdat v informační době: Jak ovlivnil Web 2.0 kulturu fanzinů." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-350548.

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The thesis aims to explore changes in the production of music fanzines brought about by the advent of new media. Fanzines are defined as nonofficial magazines published independently in compliance with the code of DIY ethics. The theoretical part of this work focuses on the history of fanzine production as well as on concepts of alternative media, which is necessary in order to examine the current state of the aforementioned alternative media sphere. Furthermore, the theoretical part describes fans' behaviour, as they are the most prominent representatives of active audiences. This behaviour i
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Petrová, Jana. "Zapomenutá generace. Nezávislé aktivity a samizdat na Plzeňsku v 80. letech 20. století." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-299072.

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The degree work deals with the last century period of the 80s and 90s in the Pilsen region. Generally, it was time of lack of freedom and intolerance when all the state power was concentrated in one political party - the Czechoslovak Communist Party. With support of police this party manipulated with citizens' dignity, rights and thinking. Through description of some civic activities the work records groups of independent thinking in the Pilsen region. These activities were source of independent atmosphere; that's why they were supervised by the state power; their protagonists were monitored a
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Ludvík, Filip. "Rumunsko v reflexi českého samizdatu a českého exilového tisku." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-358059.

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The aim of this master thesis is to collect, organize and analyze references pertaining to Romania in the journals of Czechoslovak Samizdat and Czechoslovak Exile from the 1970's and 1980's. The paper focuses mostly on the analysis of the political situation and social development in Romania, as recorded in the articles of five Samizdat and two Exile Czechoslovak periodicals. Based on these sources, four main topics were selected for the comprehensive analysis. The result is a complex representation of the viewpoint of Czechoslovak Samizdat and Czechoslovak Exile regarding occurrences in the S
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Hroch, Miloš. "Samizdat v post-digitální době: Vliv nového materialismu na proměnu zinové scény a subkulturního kapitálu." Doctoral thesis, 2021. http://www.nusl.cz/ntk/nusl-446301.

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This dissertation examines the role of material in six selected zines from subcultural, artistic and activist circles. The work deals with printed micro media with a small reach and is based on the concepts of alternative media, gives a brief overview of theoretical perspectives on zines from subcultural studies, through fan studies and participatory culture. The thesis is critical of the concepts and calls for the enrichment of existing perspectives, mostly consolidated in old (post- marxist) materialism: specifically, for a reflection on post-digital culture and new materialism, which allows
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Vočková, Pavlína. "Jiří Dienstbier - dramatik." Master's thesis, 2010. http://www.nusl.cz/ntk/nusl-298752.

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The presented thesis "Jiří Dienstbier - The Playwright' consists of two parts: part I. "Life without work is as no life outlines the authors biography, part II. introduces his samizdat work. The first part of the thesis presents the author as a person of a various professional interests, putting emphasis on his world-view formation. The second chapter deals with Dienstbiers work during the period his publication ban. The fundamental analysis of four theatre plays is preceded by a survey of the authors samizdat work represented by his publicistic texts. The thesis tries to render the connection
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Romanová, Gabriela. "Sado-Maso 1983-1986. Historie a článková bibliografie samizdatového časopisu." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-304276.

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This work offers a complete critical overview of the samizdat magazine Sado-Maso1 published in Prague in the years 1983-1986. I tried to make a complete overview and characteristics of the magazine - the main themes of each issue, historical, ideological and literary context of publishing of the Sado-Maso magazine. I also mention publications which were connected with the S-M magazine - independent movies, other samizdat magazines and books. In the Attachment there is article bibliography (containing indexes), covers of the Sado-Maso individual issues, interviews with authors and conterporary
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Books on the topic "Samizdat"

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Suetnov, Aleksandr. Samizdat. [b.i.], 1992.

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Anatoliĭ, Streli͡a︡nyĭ, ed. Samizdat veka. Polifakt, 1997.

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agenstvo, SMOT Informat︠s︡ionnoe, ed. Samizdat: Spravochnik. IAS, 1990.

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Humphries, Derek. Samizdat: A book. Derek Humphries and Leslie Bicknell, 1985.

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Suetnov, Aleksandr. Samizdat: Bibliograficheskiĭ ukazatelʹ. 2-ге вид. T͡S︡entr obrazovatelʹnykh programm In-ta novykh tekhnologiĭ obrazovanii͡a︡, 1992.

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Suetnov, Aleksandr. Samizdat: Bibliograficheskii ukazatel'. [b.i.], 1992.

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Märkäzi, Demokratik İslahatlar. "Samizdat" näşrlärin kataloqu. ŞÄMS, 2006.

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E, Bowlt John, and Doria Charles, eds. Russian samizdat art: Essays. Willis Locker & Owens Pub., 1986.

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Nekrasov, Vsevolod. Avtorskiĭ samizdat: (1961-1976). Izdatelʹstvo Sovpadenie, 2013.

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Ferreira, Daniel. Samizdat de La Habana. Universidad Veracruzana, Dirección Editorial, 2020.

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Book chapters on the topic "Samizdat"

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Zisserman-Brodsky, Dina. "Samizdat and Ethnic Mobilization." In Constructing Ethnopolitics in the Soviet Union. Palgrave Macmillan US, 2003. http://dx.doi.org/10.1057/9781403973627_8.

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Martin, Barbara. "Startsy, Samizdat and Underground Seminars." In Religious Life in the Late Soviet Union. Routledge, 2023. http://dx.doi.org/10.4324/9781003311294-11.

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Gooch, Steve. "The Fringe - Samizdat of the West." In All Together Now. Routledge, 2025. https://doi.org/10.4324/9781003595939-6.

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Wciślik, Piotr. "Imaginaries and practices of samizdat social media." In Dissident Legacies of Samizdat Social Media Activism. Routledge, 2021. http://dx.doi.org/10.4324/9781003163473-3.

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Feldbrugge, F. J. M. "Samizdat." In Encyclopedia of Soviet Law. Brill | Nijhoff, 1985. https://doi.org/10.1163/9789004635562_386.

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Jedlička, Josef. "Samizdat." In Samizdat Past and Present. Karolinum Press, Charles University, 2020. http://dx.doi.org/10.2307/jj.5425967.6.

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"Samizdat." In Cheerful Memories/Troubled Years. Academic Studies Press, 2019. http://dx.doi.org/10.2307/j.ctv1z3hkzv.9.

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"5. Samizdat." In Cheerful Memories/Troubled Years. Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781644690451-007.

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Zitzewitz, Josephine von. "Reading Samizdat." In Reading russia, vol. 3. Ledizioni, 2020. http://dx.doi.org/10.4000/books.ledizioni.13049.

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"samizdat, n." In Oxford English Dictionary, 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/7750470325.

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Conference papers on the topic "Samizdat"

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Borodaenko, Dmitry. "On-demand RDF to relational query translation in Samizdat RDF store." In 2009 IEEE International Conference on Intelligent Computing and Intelligent Systems (ICIS 2009). IEEE, 2009. http://dx.doi.org/10.1109/icicisys.2009.5358140.

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Zykova, G. "POEMS BY BORIS SLUTSKY IN VALERIA L. LEIBOVICH SAMIZDAT COLLECTION (SELECTION AND VERSIONS OF TEXTS)." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3712.rus_lit_20-21/147-152.

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A samizdat collection of Boris Slutsky’ poems, apparently compiled no later than the first half of the 1960s and deposited in the personal collection of Valeria L. Leibovich (born in 1939, a graduate of the Faculty of History of Moscow University, a staff member of the Fundamental Library of the Social Sciences) is considered as a possible source of author's textual versions, as well as evidence of poems popularity. Among the most significant (compared to the published versions) variations the version of the famous poem «God» is cited and evaluated as an early one.
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Havryliuk, K. "Modern Forms of Manifestation and Methods of Distribution of Samizdat, Its Thematic and Communicative Orientation." In VI Tyktor’s Readings “Publishing in Ukraine: At the Crossroads of Traditions and Innovations”. Ukrainian Academy of Printing, 2021. http://dx.doi.org/10.32403/978-966-322-528-9-2021-152-156.

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Kurmaev, M. V. "A.A. Grishchenko and samizdat of literary and creative circle Pachelma railway secondary school No. 37." In https://elibrary.ru/item.asp?id=75086102&selid=75086387. Scientific and Publishing Center "Science" of the Russian Academy of Sciences, 2024. https://doi.org/10.52929/9785605111078_337.

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The rare collection of poems «Wonderful Garden», printed in 1940 in the village of Pachelma, Penza region, by the printing house of the newspaper «Stalinskiy Put’», has a prehistory, which is connected with the activity of the teacher-activist Alexei Alexeyevich Grishchenko. This article deals with the publishing experiments of the literary and creative circle of Pachelma railway school No. 37, which was organised on his initiative and produced handwritten magazines with books. The fate of A.A. Grishchenko and some of his pupils is traced, the connection of the educator with the outstanding So
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Shrayberg, Ya L. "The book market in the age of digitalisation: foreign and domestic realities." In https://elibrary.ru/item.asp?id=75086102&selid=75086387. Scientific and Publishing Center "Science" of the Russian Academy of Sciences, 2024. https://doi.org/10.52929/9785605111078_669.

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This article examines some realities of the book market in Russia and a number of foreign countries. It is argued that libraries, as the main subject of the book market in the era of digitalisation, are looking for new ways to offer their content to the public, to make readers even more interested in their holdings and collections. The author analyses the state and prospects of the book market in the USA, the UK, Ireland and the Russian Federation. Analyses the state of samizdat (self-publishing) and e-books in the Russian Federation. Exam- ples of the use of artificial intelligence (AI) techn
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Pilar, Martin. "PAVEL SRUT AND HIS MR NOVAK AS A SAMPLE OF CENTRAL EUROPEAN CHARACTER." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.21.

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Pavel Srut (1940-2018) was a representative of a young generation of poets in the golden 1960s. After the invasion of the Warsaw Pact troops (1968), he stayed in Czechoslovakia but could only publish in samizdat and exile. During the period of strict neo-Stalinist censorship (1969-1989), Srut continued to write, more for himself and for a vaguely anticipated future readership. He followed the tradition of the Central European absurdity, which we know from the work of Franz Kafka. One of the highlights of Srut�s poetic work is considered to be his last published collection, Paper Shoes (2001).
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