Relevant bibliographies by topics / Santa Maria delle Carceri

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Santa Maria delle Carceri'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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Journal articles on the topic "Santa Maria delle Carceri"

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Pellecchia, Linda. "Review: La chiesa di Santa Maria delle Carceri in Prato by Piero Morselli, Gino Corti." Journal of the Society of Architectural Historians 44, no. 2 (1985): 184–86. http://dx.doi.org/10.2307/990029.

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Frommel, Sabine, Marco Gaiani, and Simone Garagnani. "3-D Digital Modeling and Giuliano da Sangallo's Designs for Santa Maria delle Carceri in Prato." Journal of the Society of Architectural Historians 80, no. 1 (2021): 30–47. http://dx.doi.org/10.1525/jsah.2021.80.1.30.

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Davies, Paul. "The Early History of S. Maria delle Carceri in Prato." Journal of the Society of Architectural Historians 54, no. 3 (1995): 326–35. http://dx.doi.org/10.2307/990995.

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Maestri, Diego. "Comacchio e i suoi ponti." Boletín de Arte, no. 34 (November 18, 2017): 161–78. http://dx.doi.org/10.24310/bolarte.2013.v0i34.3544.

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La città di Comacchio, a trenta chilometri a nord di Ravenna, essendo sorta all’interno di una vasta zona di Valli da Pesca, è rimasta isolata dalla terraferma fino alla metà del secolo XIX. Alla devoluzione del Ducato di Ferrara alla Santa Sede (1598), la Città di Comacchio, le sue saline e le sue Valli da Pesca sono state sfruttate dalla Reverenda Camera Apostolica per circa due secoli. Nella prima metà del secolo XVII, per volontà di alcuni illuminati cardinali Legati di Ferrara, la città di Comacchio ha visto la realizzazione di importanti interventi urbani e territoriali, tra cui la costr
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Marchiori, Laura. "Medieval wall painting in the church of Santa Maria in Pallara, Rome: the use of objective dating criteria." Papers of the British School at Rome 77 (November 2009): 225–55. http://dx.doi.org/10.1017/s0068246200000088.

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Le pitture medievali nella chiesa di Santa Maria in Pallara hanno ricevuto poca attenzione da parte degli studiosi, forse per via dell'incertezza della loro datazione; infatti non si possiede nessuna indipendente documentazione letteraria per la loro realizzazione. Tradizionalmente datati al X secolo, le pitture mostrano un'iconografia più comune nei contesti del XII e XIII secolo, una rappresentazione di Apostoli seduti sulle spalle dei Profeti, che senza dubbio contribuiscono alla loro dimenticanza, visto che i monumenti più tardi sono ben documentati. Comunque, l'iconografia deriva dalle tr
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Κουρουπάκης, Απόστολος Γ. "Η Μονή της Παναγίας των Χαρίτων (Santa Maria delle Grazie) στη Ζάκυνθο (16ος-18ος αιώνας)". Peri Istorias 7 (22 вересня 2020): 107. http://dx.doi.org/10.12681/p.i..24773.

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Aiello, Damiano, and Cecilia Bolognesi. "Reliving history: the digital reconstruction of the convent of Santa Maria delle Grazie in Milan." Virtual Archaeology Review 11, no. 23 (2020): 106. http://dx.doi.org/10.4995/var.2020.13706.

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<p class="VARAbstract">Can we preserve cultural heritage and, consequently, the memory of the past? To answer this question, one should look at the digital revolution that the world has gone through in recent decades and analyse the complex and the dialectical relationship between cultural heritage and new technologies. Thanks to these, increasingly accurate reconstructions of archaeological sites and historical monuments are possible. The resulting digital replicas are fundamental to experience and understand cultural heritage in innovative ways: they have complex and dynamic relationsh
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Dunlop, Anne. "Pinturicchio and the pilgrims: devotion and the past at Santa Maria del Popolo." Papers of the British School at Rome 71 (November 2003): 259–85. http://dx.doi.org/10.1017/s0068246200002464.

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PINTURICCHIO E I PELLEGRINI: LA DEVOZIONE E IL PASSATO A SANTA MARIA DEL POPOLOQuesto studio esamina le cappelle dei Cardinali Domenico e Girolamo Basso della Rovere in Santa Maria del Popolo a Roma, chiesa ricostruita sotto il pontificato di Papa Sixtus IV della Rovere negli anni Settanta del XV secolo. Le cappelle datano rispettivamente all'inizio e alla metà degli anni Ottanta del XV secolo, e sono attribuite all'artista umbro Pinturicchio, uno dei favoriti della curia della Rovere. Gli studi precedenti delle cappelle si sono prevalentemente occupati dell'abilità dell'artista nel realizzare
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De Benedetto, Giuseppe E., Amedeo Savino, Daniela Fico, et al. "A multi-analytical approach for the characterisation of the oldest pictorial cycle in the 12th century monastery Santa Maria delle Cerrate." Open Journal of Archaeometry 1, no. 1 (2013): 12. http://dx.doi.org/10.4081/arc.2013.e12.

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A multidisciplinary research, currently in progress at the University of Salento in collaboration with the Lecce Provincial Museum, interests different artistic expressions widespread in the Salento peninsula (South Italy). In the present study, the characterisation of organic and inorganic materials used in the oldest pictorial cycle found in the 12th century monastery Santa Maria delle Cerrate was carried out thanks to a multi-analytical approach. Previous investigations have focused on the problem of dating the frescoes mainly on the basis of the stylistic aspects and the material character
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Underhill, Justin. "The Twilight of Presence: Pictorialized Illumination in Leonardo da Vinci’s Last Supper." Leonardo 52, no. 1 (2019): 44–53. http://dx.doi.org/10.1162/leon_a_01343.

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This essay explores the relationship between pictures and the lighting conditions in which they were originally viewed. The theoretical interrelationship between brightness, illumination and depiction is explored in a case study of Leonardo da Vinci’s Last Supper mural at the refectory of Santa Maria delle Grazie in Milan. Advanced rendering software allows for the reconstruction of the refectory as it stood when Leonardo painted The Last Supper and demonstrates the complex interaction between light and space in the mural. This analysis illustrates how digital humanities might bridge tradition
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Dissertations / Theses on the topic "Santa Maria delle Carceri"

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Andrani, Ilario. "La modellazione informativa per lo studio e l'analisi delle architetture storiche - La ricostruzione digitale di Santa Maria delle Carceri di Giuliano da Sangallo." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amslaurea.unibo.it/12542/.

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L’elaborato ha come tema principale la modellazione informativa per lo studio e l’analisi delle architetture storiche, cioè una metodologia che ci permette, partendo da un’analisi approfondita, di comprendere il modo di operare degli architetti delle varie epoche e le loro opere. Questo processo si conclude con la realizzazione di un modello 3D documentale nel quale sono insite tutte le informazioni ricavate dallo studio dell’opera e una ricostruzione digitale della stessa nel suo stato originario. Al fine di raggiungere questo obbiettivo abbiamo studiato le opere di Giuliano da Sangallo in
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Mesaritou, Evgenia. "The dialectics of the sacred : institutionalization, power and transformation of Padre Pio's charisma at the shrine of Santa Maria delle Grazie." Thesis, University of Cambridge, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.611668.

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FUSARI, GIUSEPPE. "I TEMPI DELL'APOCALYPSIS NOVA: PROFEZIA E POLITICA AL TEMPO DI GIULIO II." Doctoral thesis, Università Cattolica del Sacro Cuore, 2017. http://hdl.handle.net/10280/35768.

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Lo studio intende rileggere criticamente le fonti contemporanee e appena successive alla stesura dell'Apocalypsis Nova, attribuita al beato Amedeo Menez de Sylva, inserendole nel più ampio dibattito sulla profezia e sulle attese apocalittiche della fine del XV secolo.<br>This study is a critically re-read of the contemporary sources of the Apocalypsis Nova, attributed to Blessed Amedeo Menez de Sylva. The sources are inserting in the broader debate on prophecy and apocalyptic expectations of the late 15th century.
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Kornmeier, Uta. "Taken from life." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2006. http://dx.doi.org/10.18452/15547.

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Wachsfigurenkabinette waren nicht immer die billigen Sensationsmaschinen, als die sie heute verstanden werden. Vor der Erfindung und Verbreitung von Photographie und illustrierten Zeitschriften waren sie Bildmedien, die der Vermittlung von visuellen Informationen dienten. Kein anderes Medium konnte die Protagonisten der Weltgeschichte so unmittelbar darstellen wie die Sammlungen lebensgroßer Wachsfiguren. Das Material Wachs trug wesentlich zu ihrem Erfolg bei, denn es ermöglichte die täuschend echten und bis dahin realistischsten Darstellungen von bekannten Persönlichkeiten. Die Operationswe
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Books on the topic "Santa Maria delle Carceri"

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Cerretelli, Claudio. La Basilica di Santa Maria delle Carceri a Prato. Mandragora, 2009.

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La Basilica di Santa Maria delle Carceri a Prato. Mandragora, 2009.

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Santa Maria delle Carceri a Prato: Miracoli e devozione in un santuario toscano del Rinascimento. Mandragora, 2005.

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Santa Maria delle Battaglie. Rizzoli, 2009.

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Roberto, Cecchi, and Mulazzani Germano, eds. Il cenacolo e Santa Maria delle Grazie. Electa, 1986.

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Conforti, Generoso. Il Convento di Santa Maria delle Grazie di Roccadaspide. ARCI Postiglione, 2007.

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Il Convento di Santa Maria delle Grazie di Roccadaspide. ARCI Postiglione, 2007.

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Santa Maria delle Grazie a Bellinzona: Storia e restauro. Edizioni Casagrande, 2014.

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9

Santuari francescani minoritici: I luoghi dell'Osservanza in Assisi : [Eremo delle Carceri, San Damiano, Porziuncola]. Minerva, 2005.

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10

Mancini, Tiziana. Santa Maria delle Grazie in Farnese: Cronistoria di una tradizione. Comune di Farnese, Assessorato alla Cultura, 1986.

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Book chapters on the topic "Santa Maria delle Carceri"

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Garozzo, Raissa, Carmelo Pino, Cettina Santagati, and Concetto Spampinato. "Harnessing the Power of Artificial Intelligence for Modelling and Understanding Cultural Heritage Data." In Impact of Industry 4.0 on Architecture and Cultural Heritage. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-1234-0.ch015.

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This chapter combines traditional artificial intelligence (AI) concepts, i.e., computational ontologies, with more recent trends, i.e., deep learning for content-based semantic retrieval in Cultural Heritage. More specifically, the proposed AI-empowered system employs computational ontologies for modelling photographs of religious historical buildings. The ontology, besides supporting data-modelling and concept-level annotation, guides a learning process – implemented through Convolutional Neural Network (CNN) – for automated image categorization and retrieval. The whole system has been tested on the ruins of the church of Santa Maria delle Grazie in Misterbianco, Catania, Italy, showing satisfactory performance.
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Bolognesi, Cecilia Maria, and Damiano Antonino Angelo Aiello. "From Digital Survey to a Virtual Tale." In Impact of Industry 4.0 on Architecture and Cultural Heritage. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-1234-0.ch003.

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Nowadays, the innovative learning methods, such serious games, have become the new frontier of education and communication; in architecture, the virtual reconstructions of historical sites in their current state, in their original appearance and in their evolution over the centuries have contributed to the development of digital technologies (such as digital survey, Virtual Reality, and Augmented Reality). This chapter describes the potentialities of new digitization technologies as tools to communicate and disseminate Cultural Heritage (CH) starting from its digital survey and a scientific research of historical sources. This research finds a new way to effectively tell the history of a monument and to transmit its value as a witness of ages that no longer belong to us, bringing it virtually to life. Specifically, the research group focused on the test of a digital workflow of surveying and modelling of some rooms of the convent of Santa Maria delle Grazie in Milan, that contain wonderful witnesses of Italian Renaissance characterized by a troubled history.
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Guedes, Edson Claiton, Marcus Vinícius de Souza Nunes, and Tarissa Corrêa Stern Soares. "Infância, educação e santidade na Instruzione Per La Direzione Delle Scuole Serafiche de Frei Bernardo de Andermatt (1893): o caso do Seminário Santa Maria." In Infâncias e Juventudes em contextos educacionais no Brasil. CLAEC e-Books, 2021. http://dx.doi.org/10.23899/9786589284123.32.

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Conference papers on the topic "Santa Maria delle Carceri"

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Contarini, Marina, Anna Bernabè, Marco Manfra, and Davide Turrini. "Design for Cultural Heritage at the University of Ferrara." In Sixth International Conference on Higher Education Advances. Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/head20.2020.11085.

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Alongside Teaching and Research, Italian universities are also committed to Public Engagement activities featuring teaching and cultural initiatives for a non-academic audience. At the University of Ferrara, this commitment was translated into an exhibition in April 2019, originating from a virtuous union of cultural heritage and teaching activities. The creation of the “Natura Naturata” exhibition involved the synthesis of taught courses and research by the University of Ferrara's Industrial Product Design students together with their teachers, in collaboration with librarians. In the Product
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