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Journal articles on the topic 'Santa Maria delle Carceri'

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1

Pellecchia, Linda. "Review: La chiesa di Santa Maria delle Carceri in Prato by Piero Morselli, Gino Corti." Journal of the Society of Architectural Historians 44, no. 2 (1985): 184–86. http://dx.doi.org/10.2307/990029.

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Frommel, Sabine, Marco Gaiani, and Simone Garagnani. "3-D Digital Modeling and Giuliano da Sangallo's Designs for Santa Maria delle Carceri in Prato." Journal of the Society of Architectural Historians 80, no. 1 (2021): 30–47. http://dx.doi.org/10.1525/jsah.2021.80.1.30.

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3

Davies, Paul. "The Early History of S. Maria delle Carceri in Prato." Journal of the Society of Architectural Historians 54, no. 3 (1995): 326–35. http://dx.doi.org/10.2307/990995.

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Maestri, Diego. "Comacchio e i suoi ponti." Boletín de Arte, no. 34 (November 18, 2017): 161–78. http://dx.doi.org/10.24310/bolarte.2013.v0i34.3544.

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La città di Comacchio, a trenta chilometri a nord di Ravenna, essendo sorta all’interno di una vasta zona di Valli da Pesca, è rimasta isolata dalla terraferma fino alla metà del secolo XIX. Alla devoluzione del Ducato di Ferrara alla Santa Sede (1598), la Città di Comacchio, le sue saline e le sue Valli da Pesca sono state sfruttate dalla Reverenda Camera Apostolica per circa due secoli. Nella prima metà del secolo XVII, per volontà di alcuni illuminati cardinali Legati di Ferrara, la città di Comacchio ha visto la realizzazione di importanti interventi urbani e territoriali, tra cui la costr
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Marchiori, Laura. "Medieval wall painting in the church of Santa Maria in Pallara, Rome: the use of objective dating criteria." Papers of the British School at Rome 77 (November 2009): 225–55. http://dx.doi.org/10.1017/s0068246200000088.

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Le pitture medievali nella chiesa di Santa Maria in Pallara hanno ricevuto poca attenzione da parte degli studiosi, forse per via dell'incertezza della loro datazione; infatti non si possiede nessuna indipendente documentazione letteraria per la loro realizzazione. Tradizionalmente datati al X secolo, le pitture mostrano un'iconografia più comune nei contesti del XII e XIII secolo, una rappresentazione di Apostoli seduti sulle spalle dei Profeti, che senza dubbio contribuiscono alla loro dimenticanza, visto che i monumenti più tardi sono ben documentati. Comunque, l'iconografia deriva dalle tr
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Κουρουπάκης, Απόστολος Γ. "Η Μονή της Παναγίας των Χαρίτων (Santa Maria delle Grazie) στη Ζάκυνθο (16ος-18ος αιώνας)". Peri Istorias 7 (22 вересня 2020): 107. http://dx.doi.org/10.12681/p.i..24773.

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Aiello, Damiano, and Cecilia Bolognesi. "Reliving history: the digital reconstruction of the convent of Santa Maria delle Grazie in Milan." Virtual Archaeology Review 11, no. 23 (2020): 106. http://dx.doi.org/10.4995/var.2020.13706.

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<p class="VARAbstract">Can we preserve cultural heritage and, consequently, the memory of the past? To answer this question, one should look at the digital revolution that the world has gone through in recent decades and analyse the complex and the dialectical relationship between cultural heritage and new technologies. Thanks to these, increasingly accurate reconstructions of archaeological sites and historical monuments are possible. The resulting digital replicas are fundamental to experience and understand cultural heritage in innovative ways: they have complex and dynamic relationsh
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Dunlop, Anne. "Pinturicchio and the pilgrims: devotion and the past at Santa Maria del Popolo." Papers of the British School at Rome 71 (November 2003): 259–85. http://dx.doi.org/10.1017/s0068246200002464.

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PINTURICCHIO E I PELLEGRINI: LA DEVOZIONE E IL PASSATO A SANTA MARIA DEL POPOLOQuesto studio esamina le cappelle dei Cardinali Domenico e Girolamo Basso della Rovere in Santa Maria del Popolo a Roma, chiesa ricostruita sotto il pontificato di Papa Sixtus IV della Rovere negli anni Settanta del XV secolo. Le cappelle datano rispettivamente all'inizio e alla metà degli anni Ottanta del XV secolo, e sono attribuite all'artista umbro Pinturicchio, uno dei favoriti della curia della Rovere. Gli studi precedenti delle cappelle si sono prevalentemente occupati dell'abilità dell'artista nel realizzare
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De Benedetto, Giuseppe E., Amedeo Savino, Daniela Fico, et al. "A multi-analytical approach for the characterisation of the oldest pictorial cycle in the 12th century monastery Santa Maria delle Cerrate." Open Journal of Archaeometry 1, no. 1 (2013): 12. http://dx.doi.org/10.4081/arc.2013.e12.

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A multidisciplinary research, currently in progress at the University of Salento in collaboration with the Lecce Provincial Museum, interests different artistic expressions widespread in the Salento peninsula (South Italy). In the present study, the characterisation of organic and inorganic materials used in the oldest pictorial cycle found in the 12th century monastery Santa Maria delle Cerrate was carried out thanks to a multi-analytical approach. Previous investigations have focused on the problem of dating the frescoes mainly on the basis of the stylistic aspects and the material character
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Underhill, Justin. "The Twilight of Presence: Pictorialized Illumination in Leonardo da Vinci’s Last Supper." Leonardo 52, no. 1 (2019): 44–53. http://dx.doi.org/10.1162/leon_a_01343.

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This essay explores the relationship between pictures and the lighting conditions in which they were originally viewed. The theoretical interrelationship between brightness, illumination and depiction is explored in a case study of Leonardo da Vinci’s Last Supper mural at the refectory of Santa Maria delle Grazie in Milan. Advanced rendering software allows for the reconstruction of the refectory as it stood when Leonardo painted The Last Supper and demonstrates the complex interaction between light and space in the mural. This analysis illustrates how digital humanities might bridge tradition
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11

di Napoli, Beatrice, Chiara Calderini, Michela Rossi, et al. "Structural Behaviour of Masonry Vaulted Staircases Using Limit Analysis: The Case Study of the Bell Tower of Santa Maria Delle Vigne." Key Engineering Materials 817 (August 2019): 621–26. http://dx.doi.org/10.4028/www.scientific.net/kem.817.621.

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The present study concerns the structural analysis of the masonry vaulted stairs of the Santa Maria delle Vigne bell tower in Genoa (Italy). The vaulted staircase systems are fully analysed in terms of technological and constructive details. The 3D geometric models are defined from laser scanner data. The structural analyses were carried out by using both the equilibrium limit analysis and a static incremental FEM analysis. Despite the efficacy of classic equilibrium methods in analysing arched and vaulted structures is largely proved in literature, this study demonstrates that vaulted stairca
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12

Lowe, Kate. "Elections of Abbesses and Notions of Identity in Fifteenth- and Sixteenth-Century Italy, with Special Reference to Venice*." Renaissance Quarterly 54, no. 2 (2001): 389–429. http://dx.doi.org/10.2307/3176782.

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Ceremonies of election to abbess were occasions of great display. Election to this highest of offices was the defining moment of a successful nun's life, and thereafter self-identity became crucial. This article examines an anatomy of an election of 1509 by a nun from San Zaccaria in Venice; the illustrated chronicle of Santa Maria delle Vergini in Venice dated 1523, written by an anonymous nun; and the visual representation (in a range of media) of various abbesses from Florence, Pavia, and Venice. Success in election conferred the possibility of personality and consequently legitimated perso
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Bolognesi, C., and D. Aiello. "THE SECRETS OF S. MARIA DELLE GRAZIE: VIRTUAL FRUITION OF AN ICONIC MILANESE ARCHITECTURE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W15 (August 20, 2019): 185–92. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w15-185-2019.

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<p><strong>Abstract.</strong> The aim of this paper is to demonstrate the power of the new digitization technologies and, in particular, of Virtual Reality (VR) to document and communicate the knowledge of Cultural Heritage (CH) and to shorten the distance between man and his history, enhancing architectural monuments or art masterpieces (even when they are somehow inaccessible), allowing original educational storytelling and producing innovative ways to learn and enjoy culture. The ultimate goal of this research is the virtual and interactive reconstruction of an important h
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Bolognesi, C., and D. Aiello. "FORGOTTEN ARCHITECTURE: SMART TOOLS FOR CULTURAL TOURISM IN THE CLOISTER OF THE PRIOR (SANTA MARIA DELLE GRAZIE, MILAN)." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W11 (May 4, 2019): 247–53. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w11-247-2019.

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<p><strong>Abstract.</strong> This paper describes the relationship among an important nineteenth-century monument, the Cloister of the Prior (located in the convent of Santa Maria delle Grazie, Milan), its survey and the technical integration of different cultural information to be enjoyed in VR and AR during its visit. In this context, the surveying techniques have to face the problem related to the presence of white and smooth surfaces and the difficulty in obtaining a good result in the 3D modelling. Various tests have been performed to create a good point cloud from the
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15

Pedro, Ana Paula Giardini. "A symmetria vitruviana: interpretação de Francesco di Giorgio Martini em seu tratado e obras construídas." Risco Revista de Pesquisa em Arquitetura e Urbanismo (Online) 19 (July 28, 2021): 28–40. http://dx.doi.org/10.11606/1984-4506.risco.2021.166228.

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Francesco di Giorgio Martini (c. 1480-98) elabora método para concepção de templos, a partir de esquemas geométrico-proporcionais pautados por círculos e quadrados, alinhado às prescrições vitruvianas sobre symmetria e analogia arquitetura e corpo humano. Henry Millon e Richard Betts iniciaram estudos de cotejamento destes esquemas com obras e desenhos coevos. Interessa, aqui, continuar tais estudos aplicados às igrejas de San Bernardino degli Zoccolanti e Santa Maria delle Grazie al Calcinanio, ambas atribuídas a Martini. Pretende-se responder lacunas apontadas pelos historiadores e demonstra
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La Delfa, Angela Maria. "Il significato della visione del Natale di santa Brigida di Svezia nel contesto della cultura tardo medievale." De Medio Aevo 10, no. 2 (2021): 319–38. http://dx.doi.org/10.5209/dmae.76262.

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L’ampia e interessante letteratura sull’argomento ha coperto gran parte degli aspetti legati alla genesi della visione brigidina. Questo articolo si prefigge di indagare nel dettaglio alcune questioni che finora non sono state approfondite dalla critica. Ci si riferisce in particolare alle fattezze fisiche della Vergine Maria e alla rappresentazione del Bambino Gesù nudo e sospeso per aria o raffigurato già disteso in terra. Si tratta di dettagli di rilievo, anche in relazione al tema del corpo della Vergine e del Cristo che riveste grande importanza nella spiritualità tardomedievale. Si anali
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17

Grazzini, Alessandro. "Sonic and Impact Test for Structural Assessment of Historical Masonry." Applied Sciences 9, no. 23 (2019): 5148. http://dx.doi.org/10.3390/app9235148.

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Diagnostics is a very important tool of knowledge in the field of historical buildings. In particular, non-destructive techniques allow to deepen the study of the mechanical characteristics of the historical walls without compromising the artistic value of the monumental building. A case study of the use of sonic and impact tests was described, performed using the same instrumented hammer, for the characterization of the masonry walls at the Sanctuary of Santa Maria delle Grazie at Varoni, one of the churches damaged in the 2016 Amatrice earthquake. Sonic tests showed the presence of a discont
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18

Bolognesi, C. M., S. Teruggi, and F. Fiorillo. "HOLOGRAPHIC VISUALIZATION AND MANAGEMENT OF BIG POINT CLOUD." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVI-M-1-2021 (August 28, 2021): 71–78. http://dx.doi.org/10.5194/isprs-archives-xlvi-m-1-2021-71-2021.

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Abstract. The work aims to present and validate the workflow from the 3D survey to the visualization of cultural heritage objects using the innovative Euclideon Hologram Table©. Three case studies surveyed with three different systems and at three different scales have been selected: Santa Maria delle Grazie in Milan (terrestrial laser scanner for an architecturalscale), the village of Ghesc in the Ossola valley (UAV survey for an environmental scale) and the cuneiform clay tablet number 727 (structured light system for a detailscale). The whole process of transforming the 3D point/mesh model
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19

Schweickard, Wolfgang. "Federico Vicario (ed.), Quaderni cividalesi. Confraternita di Santa Maria dei Battuti, 2 voll. (Documenti friulani delle origini), Udine, Forum, 2015/2016, 300 + 232 p." Zeitschrift für romanische Philologie 134, no. 4 (2018): 1284–85. http://dx.doi.org/10.1515/zrp-2018-0095.

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20

BIAGINI, CARLO. "OSPEDALI VECCHI E NUOVI: IL DIBATTITO TECNICO-CULTURALE SUL RINNOVAMENTO DELLE STRUTTURE OSPEDALIERE NELL'ITALIA POST-UNITARIA. IL CASO DEL SANTA MARIA NUOVA A FIRENZE." Nuncius 13, no. 1 (1998): 139–50. http://dx.doi.org/10.1163/221058798x00053.

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De Benedetto, Giuseppe E., Daniela Fico, Eleonora Margapoti, Antonio Pennetta, Antonio Cassiano, and Brizia Minerva. "The study of the mural painting in the 12th century monastery of Santa Maria delle Cerrate (Puglia-Italy): characterization of materials and techniques used." Journal of Raman Spectroscopy 44, no. 6 (2013): 899–904. http://dx.doi.org/10.1002/jrs.4298.

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LIPPI, DONATELLA. "AA.VV., Santa Maria Nuova in Firenze. Memorie, testimonianze, prospettive, VII Centenario della fondazione dell'Ospedale. Atti delle giornate celebrative, Firenze, Il Fiorino, 1990, 300 pp." Nuncius 6, no. 1 (1991): 284–85. http://dx.doi.org/10.1163/182539191x00524.

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Cambraia, César Nardelli. "Resenha: BETTI, Maria Pia. Rimario e lessico in rima delle “Cantigas de Santa Maria” di Alfonso X di Castiglia. Pisa: Pacini, 1997. (Biblioteca degli Studi Mediolatini e Volgari – Nuova Serie, XV). 419 p." Revista do Centro de Estudos Portugueses 20, no. 26 (2000): 273. http://dx.doi.org/10.17851/2359-0076.20.26.273-276.

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Custodi, Alberto, and Nicola Santopuoli. "Modeling and Design of the Restoration and Seismic Strengthening of the Sanctuary of Santa Maria Delle Grazie at Fornò under New Italian Rules NTC 2018." Key Engineering Materials 817 (August 2019): 650–58. http://dx.doi.org/10.4028/www.scientific.net/kem.817.650.

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The Sanctuary of “Santa Maria delle Grazie” at Fornò is in the countryside near Forlì (Italy). The first edification time was in 1450, the today's configuration was reached at the beginning of the sixteenth century, due to various modifications: from static necessities to changes in tastes related to the time, as well as natural disasters and war damage. From a structural point of view, the Sanctuary is constituted by two masonry cylinders, without horizontal floors in elevation: the exterior cylinder around 33m diameter and 15m in height, with four semicircular niches protruding outwardly;
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Bolognesi, C., and F. Fiorillo. "DIGITAL SURVEY IN BRAMANTE'S MASTERPIECES." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W15 (August 20, 2019): 193–200. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w15-193-2019.

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<p><strong>Abstract.</strong> This paper is part of a current of researches that deal with the survey of Cultural Heritage as the first tool of knowledge and dissemination of the memory and value of ancient architecture. The progress of survey techniques and the spread of new tools and measurements instruments obliges frequents update in our project; the survey also compares itself with progression over the time, especially when the context of interest is broad as in the case here described. Here the complex of Santa Maria delle Grazie has been surveyed starting from the Chio
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Marrocchino, Elena, Chiara Telloli, and Carmela Vaccaro. "Geochemical and Mineralogical Characterization of Construction Materials from Historical Buildings of Ferrara (Italy)." Geosciences 11, no. 1 (2021): 31. http://dx.doi.org/10.3390/geosciences11010031.

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This paper presents a chemical-mineralogical characterization of construction materials from medieval Renaissance buildings of Ferrara (NE Italy) to provide an insight into the nature and provenance of the raw materials used. Biagio Rossetti was an Italian architect and urbanist from the city of Ferrara. From 1483, he was the architect of the Duke of Ferrara Ercole I d’Este who in 1492 assigned him the project of enlarging the city of Ferrara. Biagio Rossetti is still famous because he designed and built many notable palaces and churches in Ferrara, e.g., the Palazzo Roverella, the monastery o
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Fico, D., E. Margapoti, A. Pennetta, and G. E. De Benedetto. "An Enhanced GC/MS Procedure for the Identification of Proteins in Paint Microsamples." Journal of Analytical Methods in Chemistry 2018 (2018): 1–8. http://dx.doi.org/10.1155/2018/6032084.

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The chemical characterization of materials used in works of art is extremely useful for gaining a better knowledge of the artistic heritage and to guarantee its preservation. A derivatization GC/MS procedure for the identification of proteins in a microsample from painted works of art has been optimized. The amino acid fraction is derivatized using anhydrous dimethylformamide (DMF) as solvent instead of pyridine (Py), commonly used to facilitate the reaction. Although pyridine is often considered a silylation catalyst, there are many instances in which silylation reactions actually are slower
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Marrocchino, Elena, Chiara Telloli, and Carmela Vaccaro. "Geochemical and Mineralogical Characterization of Construction Materials from Historical Buildings of Ferrara (Italy)." Geosciences 11, no. 1 (2021): 31. http://dx.doi.org/10.3390/geosciences11010031.

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This paper presents a chemical-mineralogical characterization of construction materials from medieval Renaissance buildings of Ferrara (NE Italy) to provide an insight into the nature and provenance of the raw materials used. Biagio Rossetti was an Italian architect and urbanist from the city of Ferrara. From 1483, he was the architect of the Duke of Ferrara Ercole I d’Este who in 1492 assigned him the project of enlarging the city of Ferrara. Biagio Rossetti is still famous because he designed and built many notable palaces and churches in Ferrara, e.g., the Palazzo Roverella, the monastery o
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Daher, Nancy, Ario Ruprecht, Giovanni Invernizzi, et al. "Chemical Characterization and Source Apportionment of Fine and Coarse Particulate Matter Inside the Refectory of Santa Maria Delle Grazie Church, Home of Leonardo Da Vinci’s “Last Supper”." Environmental Science & Technology 45, no. 24 (2011): 10344–53. http://dx.doi.org/10.1021/es202736a.

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Schultz, Benilde Socreppa. "O lexíco do português sob o olhar de Gaetano Osculati: elementos da fauna e flora." Revista de Italianística, no. 35 (December 22, 2017): 125–49. http://dx.doi.org/10.11606/issn.2238-8281.v0i35p125-149.

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O Rio Amazonas e sua imensa bacia hidrográfi ca ladeada por imponentes fl orestas, sempre exerceram um fascínio imenso em todos que ouviram falar dele. Desde o seu descobridor Vincente Pinzón, que em 1500 denominou-o de Rio Santa Maria del Mar Dulce, até os dias de hoje, aventureiros, biólogos, cartógrafos, geógrafos, indianistas e muitos outros cientistas percorreram suas águas à procura de informações que pudessem explicar a grandiosidade dessa obra da natureza. O fascínio do Rio-mar atraiu também o viajante italiano Gaetano Osculati, que em 26 de outubro de 1847 começou a sua viagem em cano
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Delcorno, Pietro. "La molteplice funzione politica di un episodio agiografico: il servizio di Bernardino da Siena all’Ospedale della Scala durante la peste." HORIZONTE 15, no. 48 (2017): 1354. http://dx.doi.org/10.5752/p.2175-5841.2017v15n48p1354.

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Questo contributo mette in luce la molteplice funzione politica di uno schema agiografico centrale nella rappresentazione della giovinezza di Bernardino da Siena: il suo servizio durante la peste del 1400 presso l’Ospedale di Santa Maria della Scala di Siena. La memoria di questo episodio si prestava ad essere utilizzata tanto dall’Osservanza minoritica quanto in diversi contesti locali. In questo racconto Bernardino è presentato come capace di rispondere ai bisogni della città non solo attraverso le proprie virtù, ma radunando altre persone e convincendole a impegnarsi per il bene comune, anc
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Salvatori, Elisabetta, Chiara Gentile, Antonella Altieri, Fabio Aramini, and Fausto Manes. "Nature-Based Solution for Reducing CO2 Levels in Museum Environments: A Phytoremediation Study for the Leonardo da Vinci’s “Last Supper”." Sustainability 12, no. 2 (2020): 565. http://dx.doi.org/10.3390/su12020565.

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This work investigates the possibility of implementing a nature-based solution (NBS) based on the photosynthetic process of Laurus nobilis L. (common laurel), for reducing peak CO2 concentrations in an air-tight museum environment, namely the Refectory of the Santa Maria delle Grazie Church (Milan, Italy), home of Leonardo da Vinci’s painting “Last Supper”. The phytoremediation potential of laurel plants was evaluated at CO2 ≅ 1000 ppm under controlled environmental conditions. Furthermore, light-saturated net assimilation (Pnmax) was measured at two CO2 concentrations (380 and 1000 ppm) durin
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Santagati, C., M. Lo Turco, and R. Garozzo. "REVERSE INFORMATION MODELING FOR HISTORIC ARTEFACTS: TOWARDS THE DEFINITION OF A LEVEL OF ACCURACY FOR RUINED HERITAGE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2 (May 30, 2018): 1007–14. http://dx.doi.org/10.5194/isprs-archives-xlii-2-1007-2018.

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In recent years, there has been an increasing attention towards the use of the BIM (Building Information Modeling) approach in the cultural heritage domain. The stringent regulatory requirements in terms of BIM adoption in the field of public works in the short term will also have an impact on the historical heritage that characterises most European cities. However, when it comes to historical architecture, especially if it is in a state of ruin/abandonment, several critical issues arise. The first issue concerns the geometric simplification of architectural components provided by common comme
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Battini, C., and R. Vecchiattini. "SURVEY AND RESTORATION: NEW WAYS OF INTERACTION." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-5/W1 (May 17, 2017): 655–62. http://dx.doi.org/10.5194/isprs-archives-xlii-5-w1-655-2017.

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The present paper analyses two cases exemplifying a possible use of survey and its elaborations in the field of conservation: the bell tower of the Basilica Santa Maria delle Vigne and the Chiesa di San Matteo, both situated in Genoa. In the first case, the threedimensional survey was used as a basis to build a model for the structural analysis. The need for an accurate database created with the three-dimensional survey allowed the research team to determine and highlight the critical points of the structure as the thickness of vaults and floors, the location of loads and the inclination of th
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Tiberti, Simone, and Gabriele Milani. "Historic City Centers After Destructive Seismic Events, The Case of Finale Emilia During the 2012 Emilia-Romagna Earthquake: Advanced Numerical Modelling on Four Case Studies." Open Civil Engineering Journal 11, no. 1 (2017): 1059–78. http://dx.doi.org/10.2174/1874149501711011059.

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Introduction:The recent wave of seismic shocks in Central Italy (2016) had once more disastrous consequences for the local monuments, which consisted of old masonry churches and towers. The permanent, seismic-induced damage to cultural heritage has become a serious issue that can no longer be downsized, and questions have been raised about how to satisfactorily assess the vulnerability of such heritage in advance. This paper deals with the investigations into the actual condition of a historic city center partially destroyed by the seismic sequence occurred in May 2012 in Emilia-Romagna. Namel
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Tulić, Damir. "Nepoznati anđeli Giuseppea Groppellija u Zadru i nekadašnji oltar svete Stošije u Katedrali." Ars Adriatica, no. 6 (January 1, 2016): 155. http://dx.doi.org/10.15291/ars.182.

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As the former capital of Dalmatia, Zadar abounded in monuments produced during the 17th and 18th century, especially altars, statues, and paintings. Most of this cultural heritage had been lost by the late 18th and the first decades of the 19th century, when the former Venetian Dalmatia was taken over by Austrian administration, followed by the French and then again by the Austrian one. Many churches were closed down, their furnishings were sold away or lost, and the buildings were either repurposed or demolished. One of them had been home to two hitherto unpublished angels-putti located on th
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Мингазов, Шамиль Рафхатович. "БУЛГАРСКИЕ РЫЦАРИ ЛАНГОБАРДСКОГО КОРОЛЕВСТВА". Археология Евразийских степей, № 6 (20 грудня 2020): 132–56. http://dx.doi.org/10.24852/2587-6112.2020.6.132.156.

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Настоящая работа является первым общим описанием на русском языке двух некрополей Кампокиаро (Кампобассо, Италия) – Виченне и Морионе, датируемых последней третью VII в. – началом VIII в. Культурное содержание некрополей показывает прочные связи с населением центральноазиатского происхождения. Важнейшим признаком некрополей являются захоронения с конем, соответствующие евразийскому кочевому погребальному обряду. Автор поддержал выводы европейских исследователей о том, что с большой долей вероятности некрополи оставлены булгарами дукса–гаштальда Алзеко, зафиксированными Павлом Диаконом в VIII в
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Maniura, Robert. "Pilgrimage into Words and Images: the Miracles of Santa Maria delle Carceri in Renaissance Prato." Journeys 3, no. 1 (2002). http://dx.doi.org/10.3167/146526002782487891.

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"INDICE DEI LUOGHI DI PARTENZA DELLE LETTERE *." Nuncius 17, no. 1 (2002): 160–64. http://dx.doi.org/10.1163/182539102x00658.

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Abstract<title> RIASSUNTO </title>Ottaviano Targioni Tozzetti (1755-1829), figlio del celebre naturalista Giovanni, fu un personaggio di rilievo nel panorama scientifico toscano nel periodo fra la fine del '700 e i primi decenni del secolo XIX. Attivo come medico a Santa Maria Nuova e membro dell'Accademia dei Georgofili, Ottaviano Targioni Tozzetti, si occupò di chimica, agricoltura e botanica assumendo, per quasi trent'anni, la direzioine del giardino botanico di Firenze. L'inventario della sua corrispondenza, conservata presso la Biblioteca Nazionale Centrale di Firenze, testimo
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Lepoittevin, Anne. "La chambre des merveilles votive du sanctuaire mantouan de Santa Maria delle Grazie. Le rôle des franciscains au XVIe siècle." Mélanges de l'École française de Rome. Italie et Méditerranée, no. 126-2 (October 22, 2014). http://dx.doi.org/10.4000/mefrim.1988.

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Comite, Valeria, and Paola Fermo. "The effects of air pollution on cultural heritage: The case study of Santa Maria delle Grazie al Naviglio Grande (Milan)⋆." European Physical Journal Plus 133, no. 12 (2018). http://dx.doi.org/10.1140/epjp/i2018-12365-6.

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Magrì, Rosanna. "Título del envío: Gli interventi di restauro e di abbellimento della chiesa di Santa Maria dei Greci dal periodo Normanno al Borbonico." UCOARTE. Revista de Teoría e Historia del Arte, December 4, 2019, 09–25. http://dx.doi.org/10.21071/ucoarte.v8i.12517.

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La storia dei restauri e delle opere di “abbellimento” eseguiti nella chiesa di Santa Maria dei Greci in Agrigento attraversa un intervallo temporale che va dal periodo normanno ai nostri giorni, in un continuo lavoro di ricerca voluto da studiosi, che hanno creduto fortemente nella valorizzazione del monumento. La chiesa – sorta sui resti del tempio dorico risalente alla seconda metà del V secolo a. C.– è edificata con molta probabilità durante il periodo bizantino tra il 395 - Editto di Teodosio - e il 596, quindi prima della conquista musulmana. La struttura architettonica bizantina della c
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Schuchard, Christiane. "DIE ROTA-NOTARE AUS DEN DIÖZESEN DES DEUTSCHEN SPRACHRAUMS 1471–1527." Quellen und Forschungen aus italienischen Archiven und Bibliotheken 93, no. 1 (2014). http://dx.doi.org/10.1515/qfiab.2014.93.1.104.

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RIASSUNTOAl più tardi a partire dal pontificato di Sisto IV (1471-1484) il personale della Sacra Romana Rota era normalmente composto da dodici giudici (uditori) a cui erano assegnati rispettivamente 4 notai. Questi 48 notarii principales costituivano un collegio. Essi avevano dei collaboratori (notarii substituti) a cui delegavano una parte dei lavori da svolgere. Elenchi dei membri, libri di verbali e documenti della rota conservati in numerosi archivi (tradizione dei destinatari) permettono di ricostruire la composizione di questo gruppo di persone dal 1471 al Sacco di Roma (1527), e di com
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Motta, Oriana, Concetta Pironti, Maria Ricciardi, et al. "Leonardo da Vinci’s “Last Supper”: a case study to evaluate the influence of visitors on the Museum preservation systems." Environmental Science and Pollution Research, April 4, 2021. http://dx.doi.org/10.1007/s11356-021-13741-9.

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AbstractThe most important parameter to obtain an appropriate preservation condition of museum environments concerns the indoor air quality. The exposure of artwork and materials to gaseous and particulate pollutants introduced by visitors and either indoor or outdoor sources contributes to their decay. In this work, we evaluated the possible monitoring of the visitors’ influence using the stable carbon isotopic ratio of CO2 and the concentration of NH3 as a real-time tool. The study was done in the Refectory of Santa Maria delle Grazie (Milan, Italy) which houses one of the most important pai
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