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Journal articles on the topic 'Satire, Latin (Medieval and modern)'

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1

Long, Kathleen. "Dining with the Hermaphrodites." Romanic Review 113, no. 1 (2022): 87–111. http://dx.doi.org/10.1215/00358118-9560708.

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Abstract The régime de santé, already by the end of the medieval era a well-developed genre that offered advice on diet and other health practices, found new life in the sixteenth century as the Galenic works on food and hygiene that informed it were translated into Latin and even into vernacular languages. The precepts of this genre entered into the literary culture of early modern France primarily through the avenue of satire, in which characters were defined by the food they ate and by other aspects of the Galenic regimen. Because of its association with treatises on the education of prince
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Renner, Bernd. "FromSaturatoSatyre:François Rabelais and the Renaissance Appropriation of a Genre*." Renaissance Quarterly 67, no. 2 (2014): 377–424. http://dx.doi.org/10.1086/677406.

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AbstractRenaissance satire has long been a neglected field of study, which is most likely due to the difficulty decoding its targets, to its nonliterary utilitarian purpose, and to the menace of invective that always hovers over the satirical metagenre. This study aims at two objectives: to retrace the formal development of early modern satire by showing how the blending of four disparate traditions — Romansatura,Greek satyr play, Menippean satire, and medieval popular theater — created a form that not only dominated the period, but also laid the groundwork for the development of the modern va
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Dale, Alan. "To Crie Alarme Spiritual: Evelyn Waugh and the Ironic Community." Modernist Cultures 2, no. 2 (2006): 102–14. http://dx.doi.org/10.3366/e2041102209000227.

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Alan Dale accounts for the spiritual dimensions of Waugh's satire in the early, ultra-modern novels, “Vile Bodies” (1930) and “A Handful of Dust” (1934). Behind Waugh's façade of hyper-drollery, Dale suggests, are the convictions of a spiritual absolutist whose comic fury is all the more intense because the position of religious faith from which it issues remains unveiled. Placing Waugh's novels in the decidedly non-modern ambit of medieval Catholic satire, Dale argues that the modernity of Waugh's novels inheres in their post-consensus context, in which a stable theological ground can no long
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Breeze, Andrew. "Irish Bards in Shakespeare’s Richard III and As You Like it." Language, Culture, Politics. International Journal 1 (December 9, 2021): 129–36. http://dx.doi.org/10.54515/lcp.2021.1.129-136.

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Shakespeare alludes twice to Irish bards. In Richard III, the king mentions a prophecy by one of his imminent death; in As You Like It, Rosalind jokes on how Irish bards can supposedly rhyme rats to death. Both refer to supposed bardic powers of seeing the future and of ritual cursing of enemies. A survey of the literature shows satire and prophecy as going back to ancient times. There is in addition ample material on the (sometimes deadly) effects of satire in medieval and later Ireland, where it is known from chronicles, legal tracts, handbooks of poetry, and various surviving poems. There a
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Porter, David Andrew. "Thomas Naogeorgus’s Infernal Satire: Text, Translation, and Commentary to Satyrarum libri quinque priores III.1 (1555)." Religions 16, no. 4 (2025): 433. https://doi.org/10.3390/rel16040433.

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This study provides an analysis, text, and translation of satire III.1 from Thomas Naogeorgus’s Satyrarum libri quinque priores (1555), which offers a vivid neo-Latin poetic depiction of the fall of Satan and his followers. It situates Naogeorgus’s work within the tradition of early modern satire and epic, exploring its alignment with theological discourse and its engagement with classical and Biblical motifs. Through a close reading of the text, this article identifies significant thematic and stylistic parallels with John Milton’s Paradise Lost. While acknowledging the limitations of asserti
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Riobó, Carlos. "The Medieval Inheritance of Manuel Puig and Severo Sarduy." Medieval Encounters 3, no. 2 (1997): 128–41. http://dx.doi.org/10.1163/157006797x00099.

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AbstractIn summary, this essay explores the similarities between the works of Manuel Puig and Severo Sarduy, and primary and secondary medieval "works." Ultimately, the argument seeks to reevaluate the supposed "pre-modern age" and establish points of contact between medieval and post-modern aesthetics. We must consider the events and philosophies, inspired by similar crises, that helped to establish "traditional" medieval and Latin American studies and writing. Specific Spanish medieval works and traditions herein described lay bare certain qualities and interpretations that serve
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Khondzinsky, Archpriest P., Artyom V. Malyshev, and Vyacheslav A. Yachmenik. "Modern Study of Ancient Latin Church Tradition." Vestnik RFFI. Gumanitarnye i obŝestvennye nauki 121, no. 2 (2025): 105–14. https://doi.org/10.22204/2587-8956-2025-121-02-105-114.

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The reviewed project “Latin Church Tradition of the 4th-7th Centuries in the Modern Scientific and Theological Context” is aimed at updating the church heritage of the Latin West of the late antique and early medieval period in the context of modern Orthodox theology. The authors study features of ecclesiological thought and the development of the system of church organization in the Latin West in the 4th–7th centuries, the specifics of the early Latin ascetic, mystical and eschatological tradition and the reception of the Latin church heritage in Russian theology in the 19th–20th centuries. R
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Petrova, Maya. "Marcianus Capella’s Views of the Universe. To the Origins of Medieval Culture and Scientific Knowledge." ISTORIYA 15, no. 7 (141) (2024): 0. https://doi.org/10.18254/s207987840031997-5.

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The paper is devoted to the reconstruction of the philosophical ideas on the universe of Marcianus Capella, of the Latin Platonist of the second half of the 5th century, which take place in his encyclopedic work “De nuptiis Philologiae et Mercurii” (“On the Marriage of Philology and Mercury”), which is a characteristic instance of the state of late Roman science. It is noted not only that this work belongs to the Roman rhetorical tradition (and not the philosophical Greek one), but also its noticeable influence on the development of Medieval Western European culture. Its demand by such authors
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Saccenti, Riccardo. "Review of: Nicola Polloni, The Twelfth-Century Renewal of Latin Metaphysics: Gundissalinus’s Ontology of Matter and Form, Institute of Medieval and Early Modern Studies – PIMS, Durham–Toronto 2020, XIII+318 pp., ISBN: 9780888448651." Mediterranea. International Journal on the Transfer of Knowledge 7 (March 27, 2022): 603–7. http://dx.doi.org/10.21071/mijtk.v7i.14089.

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Review of:
 Nicola Polloni, The Twelfth-Century Renewal of Latin Metaphysics: Gundissalinus’s Ontology of Matter and Form, Institute of Medieval and Early Modern Studies–Pontifical Institute of Mediaeval Studies, Durham–Toronto 2020 (Durham Medieval and Renaissance Monographs and Essays, 6), ISBN: 978-0-88844-865-1.
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Aurov, Oleg. "Studiosus ad scribendum: For the 75th Anniversary of Vladimir I. Mazhuga." Средние века 85, no. 2 (2024): 197. http://dx.doi.org/10.7868/s0131878024020120.

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The article deals with the biography and the academic merits of Vladimir I. Mazhuga (born 15 of April, 1949), a prominent modern Russian specialist in medieval studies and Leading Researcher of the Saint Petersburg Institute of History, Russian Academy of Sciences. A disciple of some great Russian scholars (in different times his masters were Matvey Gukovskiy (1898-1971), Alexandra Lublinskaya (1902-1980), Maria Sergeenko (1891-1987) and Elena Skrzhinskaya (1894-1981)), Vladimir Mazhuga was a tutor of some modern medievalists like Pavel Krylov, Andrey Kasatov, Alexandra Chirkova, Andrey Karnac
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Knibbs, Eric. "How to Use Modern Critical Editions of Medieval Latin Texts." History Compass 5, no. 5 (2007): 1521–49. http://dx.doi.org/10.1111/j.1478-0542.2007.00452.x.

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Bruno, Nicoletta. "Introduction." Trends in Classics 15, no. 1 (2023): 1–6. http://dx.doi.org/10.1515/tc-2023-0001.

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Abstract The papers gathered in this Special Issue cover different phases of ancient, medieval, and modern Greek and Latin and explore an array of issues and trends dealing with historical aspects of Greek and Latin lexicography. The articles have been organized into three thematic units following chronological order: (i) ancient Greek and Latin lexicography; (ii) Greco-Latin lexicography in late antiquity, the Middle Ages, and the modern world; and (iii) uses, perspectives, and ongoing projects in Greco-Latin lexicography. Some papers address more formal issues (linguistic, morphological, sem
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El-Rouayheb, Khaled. "“SUBJECT GENERALITY” AND DISTRIBUTION IN MEDIEVAL ARABIC SYLLOGISTIC." Arabic Sciences and Philosophy 33, no. 2 (2023): 141–61. http://dx.doi.org/10.1017/s0957423923000012.

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AbstractA relatively well-known medieval Latin innovation is the doctrine of distributive supposition. This notion came to be used in syllogistic theory in the late medieval and early modern periods, as Latin logicians sought to establish general rules for syllogistic productivity across the various figures. It is much less well-known that some logicians in the medieval Arabic tradition also attempted to establish general rules for the syllogism, appealing to what they called “subject generality.” In the present article, I introduce this use of “subject generality” in some influential Arabic w
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Bernhard, Michael. "The Lexicon Musicum Latinum of the Bavarian Academy of Sciences." Journal of the Plainsong and Mediaeval Music Society 13 (November 1990): 79–82. http://dx.doi.org/10.1017/s0143491800001331.

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The Lexicon musicum Latinum (LmL), begun in 1961, aims to comprehend and investigate the language special to a particular discipline: medieval Latin writing on music. The undertaking should culminate in the publication of a dictionary which makes accessible Latin musical terminology on a scholarly basis. Set down in numerous medieval texts, theoretical discussions of music are of quite special significance for modern study, for they are an important means of understanding music which is completely foreign to us. Only when such a lexicon is available will it be possible to put on a scientifical
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Sochilin, Andrey. "Diachronic Analysis of the Philosophic Term “mōrālitās”." History of Philosophy 28, no. 2 (2023): 5–20. http://dx.doi.org/10.21146/10.21146/2074-5869-2023-28-2-5-20.

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The paper explores the origin and semantic derivation of Latin philosophic term “mōrālitās” (“morality”), keeping in mind its generalizing and object-giving function in modern moral philosophy, which is obvious in its derivates in European languages. The semantic derivation of “mōrālitās” is being examined by means of comparative analysis of lexicographical data in three dictionary groups: that of the Late Latin (when the word “mōrālitās” first occurs), of the Medieval Latin (when it enters philosophical lexicon) and that of Early Modern Latin (when the term became widespread and got its moder
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Sochilin, A. A. "Diachronic Analysis of the Philosophic Term “mōrālitās”." History of Philosophy 28, no. 2 (2023): 5–20. http://dx.doi.org/10.21146/2074-5869-2023-28-2-5-20.

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The paper explores the origin and semantic derivation of Latin philosophic term “mōrālitās” (“morality”), keeping in mind its generalizing and object-giving function in modern moral philoso­phy, which is obvious in its derivates in European languages. The semantic derivation of “mōrā­litās” is being examined by means of comparative analysis of lexicographical data in three dictio­nary groups: that of the Late Latin (when the word “mōrālitās” first occurs), of the Medieval Latin (when it enters philosophical lexicon) and that of Early Modern Latin (when the term became widespread and got its mo
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Classen, Albrecht. "Picatrix: A Medieval Treatise on Astral Magic. Trans. with an intro. by Dan Attrell and David Porreca. Based on the Latin edition by David Pingree. The Magic in History Series. University Park, PA: The Pennsylvania State University Press, 2019, xii, 372 pp." Mediaevistik 32, no. 1 (2020): 530–32. http://dx.doi.org/10.3726/med.2019.01.155.

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Ordinary readers would welcome this new translation as one of many publications rendering a medieval Latin into modern English. All those efforts are certainly most welcome and necessary to maintain the scholarly and pragmatic-didactic approach to Medieval Studies. However, the Picatrix represents a unique magical treatise which every European pre-modern magician consulted and which enjoyed greatest respect for its universal relevance. Many contributors to the edited volume Magic and Magicians in the Middle Ages and the Early Modern Time, ed. by Albrecht Classen (2018) refer to the Picatrix, a
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de Rijk †, L. M. "Semantics and OntologyAn Assessment of Medieval Terminism." Vivarium 51, no. 1-4 (2013): 13–59. http://dx.doi.org/10.1163/15685349-12341242.

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Abstract This paper aims to assess medieval terminism, particularly supposition theory, in the development of Aristotelian thought in the Latin West. The focus is on what the present author considers the gist of Aristotle’s strategy of argument, to wit conceptual focalization and categorization. This argumentative strategy is more interesting as it can be compared to the modern tool known as ‘scope distinction’.
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Petersen, Nils Holger. "Framing Medieval Latin Liturgy through the Marginal." Religions 13, no. 2 (2022): 95. http://dx.doi.org/10.3390/rel13020095.

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Whereas medieval liturgy has often been presented as a specialized and complex but well-defined area, gradually and to a high extent bound by tradition, modern scholarship has increasingly shown how difficult it is to define or circumscribe what the notion covers, or what may be the margins of the notion, even in later medieval centuries. In this article, I propose to shed light on the notion of medieval liturgy, framing the notion, as it were, by analyzing ceremonies that by many would be considered to belong to the fringes of liturgy, ceremonies which even—problematically—have been understoo
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Darwin, Gregory R. "On Greek and Latin names in Early Modern Irish syllabic verse." Celtica 33 (December 1, 2021): 195–247. https://doi.org/10.58480/scs-2mnnz-9qp98.

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The present article offers an overview of Classical personal and place-names found in Early Modern Irish syllabic verse. The relative frequency of these names is discussed, and names are subjected to metrical analysis. Two categories of names are distinguished: those borrowed in Middle Irish or earlier, characterized by the loss of final syllables and other types of assimilation, and later borrowings, in which the Latin spelling is largely preserved. The evidence suggests that poets pronounced Latin words in a manner consistent with the evidence of later medieval Latin writing from Ireland, an
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Offenberg, Sara. "“Get the Joke or Get the Jew”: Satire and the Performance of Antisemitism from the Middle Ages to the Twenty-First Century." Religions 15, no. 12 (2024): 1561. https://doi.org/10.3390/rel15121561.

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The persistence of anti-Jewish and antisemitic stereotypes throughout history, from medieval times to the present, reveals the enduring power of visual and cultural narratives in shaping public perceptions of Jews. This paper examines how Yvan Attal’s film Ils sont partout effectively satirizes these stereotypes, exposing their absurdity and the dangers of such ingrained prejudices. By connecting modern satire to historical instances of antisemitism, this study emphasizes the necessity of challenging and critically analyzing these harmful depictions. While the forms of anti-Jewish and antisemi
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Mégier, Elisabeth. ",,Heilsgeschichte“ im Mittelalter: was meinen Petrus Damiani und Rupert von Deutz mit historia salutis?1." Mediaevistik 35, no. 1 (2022): 141–63. http://dx.doi.org/10.3726/med.2022.01.05.

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Abstract Referring to medieval conceptions of history modern medievalists currently employ the terms ,,Heilsgeschichte,“ ,,salvation history,“ ,,history of salvation,“ ,,histoire du Salut”, or similar ones, whereas the seemingly corresponding term historia salutis is extremely rare in the medieval texts: among the Latin Christian authors up to 1200 only two, Petrus Damiani and Rupert of Deutz use it – not often ‐ in their writings. My contribution explores the meaning these authors attach to the term, and takes a look at its patristic precedents. Different from the modern concept, the medieval
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Malagón Plata, Luis Alberto. "Changes and Conflicts in policy speeches on University Teaching." education policy analysis archives 13 (March 25, 2005): 22. http://dx.doi.org/10.14507/epaa.v13n22.2005.

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This article considers multiple perspectives and notions about education that prevailed in the development of universities in Latin America. As complex institutions, universities have been developed following multiple models and through contradictory processes, maintaining ancient traditions and incorporating modern characteristics, to the extent that in contemporary universities it is possible to see the traces of previous models (medieval and modern universities). Accordingly, during the last century, the Latin American model of the university has been marked by conflict, but contrary to oth
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Palumbo, Alessandro. "Analysing bilingualism and biscriptality in medieval Scandinavian epigraphic sources: a sociolinguistic approach." Journal of Historical Sociolinguistics 9, no. 1 (2023): 69–96. http://dx.doi.org/10.1515/jhsl-2022-0006.

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Abstract Written culture in high and late medieval Scandinavia is characterized by a long and complex relationship between the Latin written tradition and the older native runic one. One product of the intersection of these traditions are several epigraphs where Latin, vernacular, Latin alphabet, and runes are combined. The aim of this paper is to propose a framework for analysing such bilingual and biscriptal inscriptions which takes into account two fundamental aspects of language and script choice: (1) the literacy of those involved in the production and reception of the texts, and (2) the
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Efron, Leon Jacobowitz. "The Role of Sex in Medieval and Early Modern Mnemonics." Tempo 29, no. 1 (2023): 21–44. http://dx.doi.org/10.1590/tem-1980-542x2023v290106.

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Abstract: Using sources in Latin, Italian and Hebrew as well as visual art, the present study pinpoints to an elusive mnemonic practice: the visualization of sexual acts as a means for creating memorable mnemonics scenes. It further suggests that the introduction of sexual mnemonics into the classical system of “local memory” (memoria localis) occurred most likely in the Middle Ages and may have been inspired by the imaginative aesthetic of two forms of art used in conjunction with mnemonics at that time: architectural statuary and manuscript decoration.
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Champlin, Edward. "Phaedrus The Fabulous." Journal of Roman Studies 95 (November 2005): 97–123. http://dx.doi.org/10.3815/000000005784016252.

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Phaedrus, far from being a Greek freedman striving to inscribe himself among the élite of Latin letters, was a Roman aristocrat masquerading as a man of the people to say in fable what could not safely be otherwise said. Modern biographical constructions are mostly fantasy. In coded terms the poet playfully reveals his gentle birth in Rome itself; he parades a mastery of the two most Roman contributions to literature, (Horatian) satire and jurisprudence; and he proclaims his belief in life's unfairness and in resignation to it, his contempt for both monarchs and mobs, and his admiration for th
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Andjelkovic, Natasa. "The process of carnivalization in Milos Crnjanski’s Druga knjiga Seoba." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 82 (2016): 139–47. http://dx.doi.org/10.2298/pkjif1682139a.

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The goal of this work is to use a genre-poetical and literary-historical base to analyze a possibility of establishing a specific sub-genre core in Druga knjiga Seoba, which is created through a multi-centuries tradition of menippean satire and the carnivalization of literature on the one hand, and modernism on the other. The result of examining the genre tradition, or rather carnivalization and menippea, and literary-historical context, or rather modernism in this novel should be to detect the differences between traditional carnivalization in medieval and renaissance literature and one in th
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Leach, Katherine. "Narrative Charms in Late Medieval and Early Modern Wales." Acta Ethnographica Hungarica 64, no. 2 (2019): 335–52. http://dx.doi.org/10.1556/022.2019.64.2.6.

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AbstractIn this article I will consider the general development of Welsh narrative charms from the earliest examples (late fourteenth century) up to the first decades of the Early Modern Era in Wales (mid-to-late sixteenth century). I will focus on the most common narrative charm types of this time: those that feature the motifs of Longinus, the Three Good Brothers, and Flum Jordan or Christ’s birth in Bethlehem. The development of these charms over time can provide insights into changing attitudes in Wales towards healing, religion, superstition, and even language. By the onset of the Early M
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Zaharia, Oana-Alis. "“De interpretatione recta...”: Early Modern Theories of Translation." American, British and Canadian Studies Journal 23, no. 1 (2014): 5–24. http://dx.doi.org/10.1515/abcsj-2014-0024.

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Abstract Translation has been essential to the development of languages and cultures throughout the centuries, particularly in the early modern period when it became a cornerstone of the process of transition from Latin to vernacular productions, in such countries as France, Italy, England and Spain. This process was accompanied by a growing interest in defining the rules and features of the practice of translation. The present article aims to examine the principles that underlay the highly intertextual early modern translation theory by considering its classical sources and development. It fo
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Classen, Albrecht. "Historia Apollonii regis Tyri: A Fourteenth-Century Version of a Late Antique Romance. Ed. from Vatican City, Biblioteca Apostolica Vaticana, MS Vaticanus Latinus 1961, by William Robins. Toronto Medieval Latin Texts. Toronto: Pontifical Institute of Mediaeval Studies, 2019, xi, 123 pp., 1 b/w ill." Mediaevistik 32, no. 1 (2020): 497–98. http://dx.doi.org/10.3726/med.2019.01.136.

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One of the great medieval bestsellers, actually since the second or third century C.E., was the Historia Apollonii regis Tyri, extant not only in countless Latin manuscripts and then early modern prints, but also in numerous vernaculars. The present edition of Ms. Vaticanus Latinus 1961 makes available a highly trustworthy version from the middle of the fourteenth century copied in northern or central Italy, which contains part of a world chronicle, the Historie by Riccobaldo of Ferrara, into which the Historia Apollonii is embedded. Marginal notes indicate that this manuscript was in the poss
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Pender, Stephen. "The Open Use of Living: Prudence, Decorum, and the ‘‘Square Man’’." Rhetorica 23, no. 4 (2005): 363–400. http://dx.doi.org/10.1525/rh.2005.23.4.363.

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Abstract In the Nicomachean Ethics, Aristotle argues that a happy man is ““foursquare beyond reproach”” (ττεεττρράάγγωωννοοσσ άάννεευυ ψψόόγγοουυ or, in a common Latin translation, quadratus sine probro). To be foursquare, the happy man must bear the chances of life nobly and decorously as well as possess the qualities of the phronimos or good deliberator. That Aristotle moors felicity to prudence and decorum spurs classical, medieval, and early modern commentators, moral philosophers, and poets; by tracing the reception and use of the square man, I explore change and continuity in the relatio
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Breeze, Andrew. "The transmission of Aldhelm's writings in early medieval Spain." Anglo-Saxon England 21 (December 1992): 5–21. http://dx.doi.org/10.1017/s0263675100004154.

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Although writings of Aldhelm (c. 635–c. 709) were widely known in early Spain, in modern Spain they are hardly known at all. An entry on Aldhelm in a recent Spanish book on medieval Latin makes the latter point vividly: ‘Bibliografía: Escasa. Autor casi olvidado. Totalmente ausente en algún catálogo bibliográfico.’ A survey of the transmission of Aldhelm's writings from a Spanish viewpoint, however, is able to alter this perspective and to show new aspects of his influence.
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Vršecká, Kateřina. "Scénická poznámka středověkého chrámového dramatu z hlediska obsahu a formy. Úvod do problematiky." Divadelní revue 35, no. 1 (2024): 64–80. http://dx.doi.org/10.62851/35.2024.1.04.

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The stage directions of medieval plays, the so-called rubrics, represent a unique and integral part of the dramatic text which is most often examined for the purpose of interpreting and reconstructing the staging aspect of a concrete play or general staging forms and conventions of the period theatre. Somewhat less attention has been paid to formal and stylistic aspects of rubrics, their language, purpose and their diverse functions within the text of the medieval play, their relation to the dialogue, and so on. The study presents the content, style and specific form of the rubrics of medieval
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Szczygielski, Krzysztof. "Latin Legal Maxims in the Judgments of the Constitutional Tribunal in Poland." Studies in Logic, Grammar and Rhetoric 49, no. 1 (2017): 213–23. http://dx.doi.org/10.1515/slgr-2017-0013.

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Abstract The article contains a list and brief characteristics of Latin legal maxims used in the judgments of the Constitutional Tribunal in Poland. Most of them were formulated by Roman jurists, some by medieval lawyers, and some by representatives of the modern science of law based on Roman law sources. They express universal and eternal ideas and are a significant element of the axiology of law. The presence of Latin legal maxims in the judgments of the Constitutional Tribunal demonstrates that Latin is an important element of the cultural heritage of ancient Rome and its knowledge is one o
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Hines, Zachary. ""The Best Book of Romance": The Gawain Manuscript and Composite Miscellaneity." Huntington Library Quarterly 85, no. 4 (2022): 579–601. http://dx.doi.org/10.1353/hlq.2022.a920284.

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abstract: British Library MS Cotton Nero A.x contains the unique copies of four important alliterative Middle English poems including Sir Gawain and the Green Knight —the chief source of the book's fame and focus of scholarly attention over the last century. At one point, this composite codex also contained two Latin manuscripts, compiled with the Middle English poems by early modern antiquarian collector Sir Robert Cotton. More than three centuries after Cotton assembled the volume, however, the British Museum extracted the Latin material and bound it separately from Gawain and the other Engl
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Fomichev, Sergei A. "VLADIMIR IVANOVICH DAL AND MEDIEVAL RUSSIAN LITERATURE." Texts and History Journal of Philological Historical and Cultural Texts and History Studies 2 (2022): 62–80. http://dx.doi.org/10.31860/2712-7591-2022-2-62-80.

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The topic of folklore in Vladimir Dal’s work is well studied. In contrast, the original and persistent connection of his work with the style, plots and genres of medieval and early modern Russian literature still remains unexplored. Plots of Dal’s first tales often followed popular lubok prints and books. They were published in large number of copies for that time and, for that matter, populated not only chivalric romances, but also the lives of saints and folk satire, like Dal’s “Tale of Shemyaka’s Judgement”. Dal’s tales made a strong impression with their virtuoso language and cascades of p
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Stein Kokin, Daniel. "Polemical Language: Hebrew and Latin in Medieval and Early Modern Jewish-Christian Debate." Jewish History 29, no. 1 (2015): 1–38. http://dx.doi.org/10.1007/s10835-015-9228-3.

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Eskhult, Josef. "Vulgar Latin as an emergent concept in the Italian Renaissance (1435–1601): its ancient and medieval prehistory and its emergence and development in Renaissance linguistic thought." Journal of Latin Linguistics 17, no. 2 (2018): 191–230. http://dx.doi.org/10.1515/joll-2018-0006.

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Abstract This article explores the formation of Vulgar Latin as a metalinguistic concept in the Italian Renaissance (1435–1601) considering its continued, although criticized, use as a concept and term in modern Romance and Latin linguistics (1826 until the present). The choice of this topic is justified in view of the divergent previous modern historiography and because of the lack of a coherent historical investigation. The present study is based on a broad selection of primary sources, in particular from classical antiquity and the Italian Renaissance. Firstly, this article traces and clari
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Vishnevskaya, Elena A. "Sequence Victimae Paschalis: an experience of comparing translations (English, Italian, Russian)." Vestnik of Kostroma State University 28, no. 2 (2022): 168–74. http://dx.doi.org/10.34216/1998-0817-2022-28-2-168-174.

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The article is devoted to the analysis of translations of the medieval Latin sequence Victimae Paschalis into English, Italian and Russian. The texts selected on theological and popularization sites served as the material for the study. They were written during the 20th century and belong to different cultural traditions. The relevance of the study is due to the fact that in our time religious literature is considered as part of the global literary process. In particular, Christian medieval Latin hymnography is considered as part of the corpus of medieval poetic texts. The presence of modern t
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Šedinová, Hana. "Non vivens nisi per unum diem. A Winged Aquatic Animal on Its Way from Aristotle to Thomas of Cantimpré." Archivum Latinitatis Medii Aevi 77, no. 1 (2019): 207–34. http://dx.doi.org/10.3406/alma.2019.2575.

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Apart from more or less well-known names of animals which are attested already in the Classical Latin and whose origins and meanings have been studied and traced by modern scholars, it is possible to find in medieval encyclopaedias other expressions that still lack a proper explanation of their etymology and meaning. Many unusual terms can be found in the encyclopaedia Liber de natura rerum written by Thomas of Cantimpré (13th century). Although modern researchers have gradually discovered that the curious animals were originally the species described by ancient natural scientists, medieval en
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McWebb, Christine. "University of Alberta." Florilegium 20, no. 1 (2003): 59–61. http://dx.doi.org/10.3138/flor.20.015.

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Apart from numerous survey courses such as the Histories of Medicine, of Technology, of Art, and the Literature of the European Tradition—all of which span several centuries including the Middle Ages, and are offered by various departments of the Faculty of Arts, there is a fairly strong contingent of special topics courses in medieval studies at the University of Alberta. For example, Martin Tweedale of the Department of Philosophy offers an undergraduate course on early medieval philosophy. There are currently three medievalists in the Department of History and Classics. Andrew Gow regularly
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Stern, Sacha. "Christian Calendars in Medieval Hebrew Manuscripts." Medieval Encounters 22, no. 1-3 (2016): 236–65. http://dx.doi.org/10.1163/15700674-12342223.

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The phenomenon of Christian calendars in Hebrew has largely been ignored in modern scholarship; yet it points to an important dimension of Jewish-Christian relations, and more specifically Jewish attitudes towards Christianity, in late medieval northern Europe. It is also evidence of transfer of religious knowledge between Christians and Jews, because the Hebrew texts closely replicate, in contents as well as in layout and presentation, the Latin liturgical calendars, which in many cases the Hebrew scribes must have used directly as base texts. Knowledge of the Christian calendar was essential
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Yeager, Suzanne M. "Medieval Pilgrimage as Heterotopia." Journal of Medieval and Early Modern Studies 50, no. 2 (2020): 233–68. http://dx.doi.org/10.1215/10829636-8219542.

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Saewulf’s Relatio de situ Jerusalem is one of the most significant yet understudied pilgrim texts of the twelfth century. Documenting the Jerusalem-bound traveler’s adventures through the medieval Mediterranean, the text is the first extant pilgrim document written immediately after Latin Christian armies seized control of the holy city. This article examines the text’s remarkable interest in autobiography and explores the resonance which crusading, early crusading narrative, Islamic presence, and Mediterranean voyaging had upon the pilgrim genre. This new analysis of Saewulf’s pre-modern self
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Parish, Helen. "A Church ‘without stain or wrinkle’: The Reception and Application of Donatist Arguments in Debates Over Priestly Purity." Studies in Church History 57 (May 21, 2021): 96–119. http://dx.doi.org/10.1017/stc.2021.6.

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This article examines the reception and application of arguments developed during the Donatist controversy in later debates over clerical celibacy, marriage and continence in the medieval and early modern church. It explores the collision of inspiration and institution in this context, arguing that the debates over sacerdotal celibacy in the medieval Latin church and Reformation controversy over clerical marriage and continence both appropriated and polemicized the history of Donatism. The way in which the spectre and lexicon of Donatism permeated the law and practice of the medieval and early
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O'Donoghue, Bernard. "Medievalism and Writing Modern Poetry." Irish University Review 45, no. 2 (2015): 229–41. http://dx.doi.org/10.3366/iur.2015.0174.

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Bernard O'Donoghue argues that his choice of specialising in the medieval parts of an English degree may have been unconsciously dictated by the language and culture of an Irish Catholic upbringing and school education. At Umeraboy National School in North Cork he learned the writing and reading of English and Irish simultaneously, giving no particular privilege to the language spoken at home, English. A possible consequence of this was an everyday acceptance of unfamiliar vocabulary, which was reinforced by daily encounters with the Latin-derived language of prayer: words like ‘implored’, ‘in
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Šedinová, Hana. "Incendula or monedula ? An Enigmatic Bird Name in Medieval Latin-Written Sources." Archivum Latinitatis Medii Aevi 74, no. 1 (2016): 89–109. http://dx.doi.org/10.3406/alma.2016.1198.

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The terms excerpted from Czech medieval sources that are listed and explained in Latinitatis medii aevi lexicon Bohemorum include a considerable number of names for domestic, field, forest, and exotic animals. The main source of this Latin zoological terminology is the Glossary by the 14th-century lexicographer Bartholomaeus de Solencia also known as Claretus. The author collected the names of animals mainly from the encyclopaedia De natura rerum written by the 13th-century preacher Thomas of Cantimpré. Apart from more or less well-known terms which are attested already in the Classical Latin
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Richardson, Gary. "A Tale of Two Theories: Monopolies and Craft Guilds in Medieval England and Modern Imagination." Journal of the History of Economic Thought 23, no. 2 (2001): 217–42. http://dx.doi.org/10.1080/10427710120049237.

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Popular texts typically assert that guilds of craftsmen “monopolized” markets in medieval England. Norman Cantor's Medieval Reader declares “craft guilds' … main purpose and activity was narrow regulation of industrial productivity in order to restrain competition” (Cantor 1994, p. 278). Douglass North's Structure and Change in Economic History asserts “… guilds organized to protect local artisans … [and their strength] in preserving local monopolies against encroachment from outside competition was frequently reinforced by the coercive power of kings and great lords” (North 1981, p. 134). Hen
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Schendl, Herbert. "Code-switching in early English literature." Language and Literature: International Journal of Stylistics 24, no. 3 (2015): 233–48. http://dx.doi.org/10.1177/0963947015585245.

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Code-switching has been a frequent feature of literary texts from the beginning of English literary tradition to the present time. The medieval period, in particular, with its complex multilingual situation, has provided a fruitful background for multilingual texts, and will be the focus of the present article. After looking at the linguistic background of the period and some specifics of medieval literature and of historical code-switching, the article discusses the main functions of code-switching in medieval poetry and drama, especially in regard to the different but changing status of the
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Korn, Uwe Maximilian, Dirk Werle, and Katharina Worms. "The carmen heroicum in Early Modernity (Das carmen heroicum in der frühen Neuzeit)." Daphnis 46, no. 1-2 (2018): 1–14. http://dx.doi.org/10.1163/18796583-04601014.

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The special issue at hand provides a contribution to the historical exploration of early modern carmina heroica (epic poems) in the German area of the early modern period, especially of the ‘long’ 17th century. To this purpose, perspectives of Latin and German Studies, of researchers with expertise in medieval and modern literary history, are brought together. This introductory article puts the following theses up for discussion: 1) The view that epic poems of the early modern period are a genre with little relevance for the history of literature is wrong and has to be corrected. 2) Accordingl
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Borek, Piotr. "O nowym przekładzie Pentezylei Szymona Szymonowica (Szymon Szymonowic, Pentesilea / Pentezylea, przełożyła i komentarzem opatrzyła Elwira Buszewicz, Wydawnictwo Neriton 2022, ss. 207, ISBN: 978-83-67245-15-9)." Annales Universitatis Paedagogicae Cracoviensis | Studia ad Bibliothecarum Scientiam Pertinentia 20 (March 29, 2023): 786–89. http://dx.doi.org/10.24917/20811861.20.48.

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In the oeuvre of Szymon Szymonowic, an outstanding Polish poet of the late Renaissance, Latin works occupy a prominent place, which led to him being called the Polish Pindar. One of his works is the tragedy Penthesileia that continues the themes of the Trojan myth. Printed for the first time in Zamość (1618), the work was not fully translated until 1778. Parts of the work were translated later. The latest translation by Elwira Buszewicz combines a vocabulary understandable to modern readers with a desire to reproduce the poetic artistry of the Latin original and a solid philological commentary
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