Relevant bibliographies by topics / Scottish vernacular

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Scottish vernacular'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Scottish vernacular"

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Bunn, Stephanie J. "Who Designs Scottish Vernacular Baskets?" Journal of Design History 29, no. 1 (2015): 24–42. http://dx.doi.org/10.1093/jdh/epv027.

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Frew, John. "Alan Reiach's Scottish vernacular survey, 1937–43." History of Photography 25, no. 2 (2001): 161–68. http://dx.doi.org/10.1080/03087298.2001.10443452.

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CHISHOLM, LEON. "WILLIAM MCGIBBON AND THE VERNACULARIZATION OF CORELLI'S MUSIC." Eighteenth Century Music 15, no. 2 (2018): 143–76. http://dx.doi.org/10.1017/s1478570618000039.

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ABSTRACTIn his 1720 poem ‘To the Musick Club’ Allan Ramsay famously called upon an incipient Edinburgh Musical Society to elevate Scottish vernacular music by mixing it with ‘Correlli's soft Italian Song’, a metonym for pan-European art music. The Society's ensuing role in the gentrification of Scottish music – and the status of the blended music within the wider contexts of the Scottish Enlightenment and the forging of Scottish national identity – has received attention in recent scholarship. This article approaches the commingling of vernacular and pan-European music from an alternative pers
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Maudlin, Daniel. "Architecture and Identity on the Edge of Empire: The Early Domestic Architecture of Scottish Settlers in Nova Scotia, Canada, 1800–1850." Architectural History 50 (2007): 95–123. http://dx.doi.org/10.1017/s0066622x00002896.

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In the early nineteenth century thousands of Scots emigrated to Nova Scotia, Canada, settling there principally in Pictou and Antigonish Counties. This article considers the transformation of the domestic architecture of emigrants from the Scottish Highlands, from earth and random-rubble-walled ‘black houses’ to Classically ornamented and proportioned timber-framed houses. It demonstrates that, in contrast to the transferable traditions of Lowland Scottish settlers, virtually no element of the Scottish Highland vernacular building tradition was established in Nova Scotia, and that Scottish Hig
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Constable, Philip. "Scottish Missionaries, ‘Protestant Hinduism’ and the Scottish Sense of Empire in Nineteenth- and Early Twentieth-century India." Scottish Historical Review 86, no. 2 (2007): 278–313. http://dx.doi.org/10.3366/shr.2007.86.2.278.

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This article examines the Scottish missionary contribution to a Scottish sense of empire in India in the nineteenth and early twentieth centuries. Initially, the article reviews general historiographical interpretations which have in recent years been developed to explain the Scottish relationship with British imperial development in India. Subsequently the article analyses in detail the religious contributions of Scottish Presbyterian missionaries of the Church of Scotland and the Free Church Missions to a Scottish sense of empire with a focus on their interaction with Hindu socioreligious th
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Chappell, Duncan. "The Buildings at Risk Register for Scotland Online." Art Libraries Journal 29, no. 4 (2004): 34–39. http://dx.doi.org/10.1017/s0307472200013705.

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The Buildings at Risk Register for Scotland provides information on around 1250 buildings of architectural or historic merit that are considered to be at risk. Ranging from large baronial castles to small vernacular farmhouses, or from former factories to redundant churches, all represent considerable restoration opportunities. Established in 1990 by the Scottish Civic Trust on behalf of Historic Scotland, the Register was the first of its kind in the UK and is now emulated nationally. In April 2004, the Scottish Civic Trust embarked upon an exciting new chapter with the launch of www.building
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Shuttleton, D. E. ""Nae Hottentots": Thomas Blacklock, Robert Burns, and the Scottish Vernacular Revival." Eighteenth-Century Life 37, no. 1 (2012): 21–50. http://dx.doi.org/10.1215/00982601-1895199.

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Mara-McKay, Nico. "Witchcraft Pamphlets at the Dawn of the Scottish Enlightenment." Canadian Journal of History 56, no. 3 (2021): 381–401. http://dx.doi.org/10.3138/cjh.56-3-2020-0038.

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In 1563, witchcraft was established as a secular crime in Scotland and it remained so until 1736. There were peaks and valleys in the cases that emerged, were prosecuted, were convicted, and where people were executed for the crime of witchcraft, although there was a decline in cases after 1662. The Scottish Enlightenment is characterized as a period of transition and epistemological challenge and it roughly coincides with this decline in Scottish witchcraft cases. This article looks at pamphlets published in the vernacular between 1697 and 1705, either within Scotland or elsewhere, that focus
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Briand-Boyd, Julie. "A City of Betrayals: Irvine Welsh’s Minor Literature of Leith." Complutense Journal of English Studies 29 (September 16, 2021): 25–34. http://dx.doi.org/10.5209/cjes.73723.

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This article examines the representation of the city and communities of Edinburgh in Irvine Welsh’s works, more specifically his Trainspotting saga: Trainspotting (1993), Porno (2002), Skagboys (2012) and Dead Men’s Trousers (2018). While Welsh is an integral part of a broader literary tradition of the contemporary urban Scottish novel, which blends together the crime novel genre with the localised concerns of post-industrialism, gripping poverty, Thatcherite austerity, substance abuse and nagging questions of Scottish identity (gender, sexuality, class, nationhood, etc.), his depictions of th
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Wilcox, David. "Scottish Late Seventeenth-Century Male Clothing (Part 2): The Barrock Estate Clothing Finds Described." Costume 51, no. 1 (2017): 28–53. http://dx.doi.org/10.3366/cost.2017.0004.

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The National Museums Scotland collections include clothes and textiles recovered from Scottish peat bogs, examples which are revealing of vernacular, non-elite dress in Scotland. One of these sets, the clothes recovered from peat moss at Quintfall Hill on the Barrock Estate, near Keiss, Caithness and dating from the late seventeenth century are the subject of this article. Although reported in some detail after their discovery in 1920, very little further consideration was given to these clothes. This article, the second of two, describes the finds in more detail and discusses them in the cont
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Dissertations / Theses on the topic "Scottish vernacular"

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Tapscott, Elizabeth L. "Propaganda and persuasion in the early Scottish Reformation, c.1527-1557." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/4115.

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The decades before the Scottish Reformation Parliament of 1560 witnessed the unprecedented use of a range of different media to disseminate the Protestant message and to shape beliefs and attitudes. By placing these works within their historical context, this thesis explores the ways in which various media – academic discourse, courtly entertainments, printed poetry, public performances, preaching and pedagogical tools – were employed by evangelical and Protestant reformers to persuade and/or educate different audiences within sixteenth-century Scottish society. The thematic approach examines
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MacIntyre, April D. "House and home : Scottish domestic architecture in Nova Scotia and the Rev. Norman McLeod Homestead /." 2005.

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Books on the topic "Scottish vernacular"

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Baoill, Colm Ó. Scottish Gaelic vernacular verse to 1730: A checklist. Aberdeen University, Dept. of Celtic, 2001.

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Scotland, Countryside Commission for, ed. Buildings of the Scottish countryside. V. Gollancz in association with P. Crawley, 1985.

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Leeds, John C. Renaissance syntax and subjectivity: Ideological contents of Latin and the vernacular in Scottish prose chronicles. Ashgate, 2009.

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4

Forland, William E. A glossary of Farnolese: Defining archaic, cant, colloquial, slang, Gypsy/Romany, Scottish/Gaelic, unusual and vernacular words used by Jeffery Farnol in his novels and short stories. Wemyss, 2009.

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Rayner, Lee Jeffrey. The poetry of Sedulius Scottus and the vernacular poetic tradition of Ireland. University of Birmingham, 1986.

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6

Innes, Michael. Lament For A Maker. House of Stratus, 2010.

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Innes, Michael. Lament fora maker. Gollancz, 1985.

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8

Scottish vernacular furniture. Thames & Hudson, 2008.

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9

T. F. (Thomas Finlayson) Henderson. Scottish Vernacular Literature: A Succinct History. Creative Media Partners, LLC, 2021.

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Scottish Vernacular Literature: A Succinct History. Legare Street Press, 2021.

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Book chapters on the topic "Scottish vernacular"

1

Smith, Jennifer. "Accounting for vernacular features in a Scottish dialect." In New Perspectives on English Historical Linguistics. John Benjamins Publishing Company, 2004. http://dx.doi.org/10.1075/cilt.251.11smi.

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McGlynn, Mary M. "“Ye’ve No to Wander”: James Kelman’s Vernacular Spaces." In Narratives of Class in New Irish and Scottish Literature. Palgrave Macmillan US, 2008. http://dx.doi.org/10.1007/978-1-137-03876-0_2.

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Nash, Clare. "Plockton, Scottish Highlands." In Contemporary Vernacular Design. RIBA Publishing, 2019. http://dx.doi.org/10.4324/9780429346842-13.

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Craith, Mícheál Mac, James January-McCann, and Domhnall Uilleam Stiùbhart. "Vernacular Catholic Literature." In The Oxford History of British and Irish Catholicism, Volume II. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198843436.003.0015.

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Abstract This chapter traces the development of Catholicism in Welsh, Irish Gaelic, and Scottish Gaelic vernacular literature. In Ireland, the outbreak of hostilities in 1641 dealt a major blow to the catechetical, hagiographical, and historical projects of the Irish Franciscans in Leuven, leading to a petering out of their influential publishing programme. The chapter explores Irish responses to major events, such as the Confederate Wars and the rise of Jacobitism, in Gaelic literature in the period, and how these events featured in literary representations of Ireland’s past, present, and fut
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Saez-Martinez, M., and A. Leslie. "Scottish earth building materials." In Vernacular and Earthen Architecture: Conservation and Sustainability. CRC Press, 2017. http://dx.doi.org/10.1201/9781315267739-37.

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Dunbar, Robert. "6. Vernacular Gaelic Tradition." In The Edinburgh Companion to Scottish Traditional Literatures. Edinburgh University Press, 2013. http://dx.doi.org/10.1515/9780748645411-009.

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"9: The vernacular basis of Scottish humanism." In The Democratic Intellect. Edinburgh University Press, 2013. http://dx.doi.org/10.1515/9780748684793-012.

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Beveridge, Craig. "Gothic History." In Recovering Scottish History. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474491464.003.0007.

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Burton is shown to exhibit a number of recurring themes in his perception of Scottish history. He gives particular attention to the curious and bizarre often as revealed in early vernacular sources which he draws on to recount their ‘weird’ stories. This extends at times to a morbid interest in rather horrific and murderous scenes. Overlaying both is a fascination with superstitions and supernatural interventions. Finally, there appears a recurrent theme of virtue seduced and overthrown, and society suborned by ‘demonic’ figures who exert their baleful influence while remaining in one way or a
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"6. Language Nationalism and Vernacular Literary Space." In The Literary Politics of Scottish Devolution. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474418157-009.

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10

McArthur, Colin, and Jonathan Murray. "The Exquisite Corpse of Rab(elais) C(opernicus) Nesbitt." In Cinema, Culture, Scotland. Edinburgh University Press, 2024. http://dx.doi.org/10.3366/edinburgh/9781399512862.003.0029.

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Having recounted the difficulty English television audiences had in understanding the Glasgow vernacular of the Scottish television series Rab C. Nesbitt, the essay proposes that it exemplifies Scots cultural critics’ account of the extent to which culture supplanted politics to deliver ‘the Scottish voice’ following the failure of the 1979 referendum on Scottish independence. Extending the discussion into Scottish body language and Scottish screen acting, the essay demonstrates the melding of High and Low culture and the considerable artistic quality of two episodes from the series.
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