Academic literature on the topic 'Screens (Church decoration) (Federation)'

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Journal articles on the topic "Screens (Church decoration) (Federation)"

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Buseva-Davidova, Irina. "The mosaic decoration of the Temple of Saint Sava." Napredak 1, no. 2 (2020): 17–46. http://dx.doi.org/10.5937/napredak2002017b.

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The Holy Synod of the Serbian Orthodox Church and the state representatives of the Republic of Serbia, with the brotherly aid of the Government of The Russian Federation and its Department for External Church Relations of the Moscow Patriarchy are nearing the completion of the Temple of Saint Sava. The unique style and artistic concepts of Nikolay Mukhin is in complete harmony with the architecture of Hagia Sophia in Constantinople, the foremost example of Byzantine and Serbian medieval art. There are four representations in the great arch of each cupola of the Temple of Saint Sava, grouped ac
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Вернер, Анжелика Олеговна. "География земная и сакральная в декоративной программе раннехристианской церкви пророка Моисея на горе Нево". Actual Problems of Theory and History of Art 14 (11 жовтня 2024): 99–112. https://doi.org/10.18688/aa2414-2-7.

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The decorative program of the pilgrimage basilica of the prophet Moses on Mount Nebo included numerous floor mosaics and marble carvings of the pulpit and the chancel screens. It developed throughout the 6th century and finally took shape in the early 7th century. One of its distinctive features was the importance of biblical geography, which was treated differently in various mosaic panels. The Pilgrimage texts show the primary attention that the believers paid to the views of Palestine. Local monks actualized them for pilgrims by recalling the biblical narrative and reciting the correspondin
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SOKOLYUK, Lyudmyla, and Oksana SOKOLYUK. "HOLY INTERCESSION CATHEDRAL, OKHTYRKA: BETWEEN THE PAST AND THE FUTURE." HUDPROM: The Ukrainian Art and Design Journal 2023, no. 1 (2023): 68–83. http://dx.doi.org/10.33625/hudprom2023.01.068.

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The article attempts to investigate the history of the construction of the Intercession Cathedral in the city of Okhtyrka, Sumy region, which was built in 1753–1768 during the Ukrainian Baroque era. Studying new documents from various archival funds helped reveal changes in the plans of this sacred building aimed at observing the Ukrainian tradition of a three-story church. It is shown that the artistic decoration of the cathedral continued in the 19th century, and the masters of carving, sculpting, wall painting, etc., performed their work without the participation of the architect, which did
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Kazachenko, V., and M. Lobko-Zampassi. "DISCOVERY OF THE SIMILARITY OF PLANNING AND DECORATION OF URBAN BUILDING IN UKRAINE AND EUROPEAN COUNTRIES." Municipal economy of cities, December 16, 2022, 49–53. http://dx.doi.org/10.33042/2522-1809-2022-6-173-49-53.

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Ancient construction and artistic decoration of buildings in European countries as well as in Ukraine have similarities in styles, construction and decoration materials. The planning principles of urban development in Europe and Ukraine have similar roots in the styles dating back to the times of ancient Greece and Rome, which have been well preserved to our time. These styles of classicism and Gothic, baroque and renaissance perfectly harmoniously combine with each other and are complemented by modern buildings. Studying the architecture of the EU countries, we can state that Ukraine is an in
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Dissertations / Theses on the topic "Screens (Church decoration) (Federation)"

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Wrapson, Lucy Jane. "Patterns of production : a technical art historical study of East Anglia's late medieval screens." Thesis, University of Cambridge, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.695227.

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Books on the topic "Screens (Church decoration) (Federation)"

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Gerasimova, I͡U J. The iconostasis of Peter the Great in the Peter and Paul Cathedral in St Petersburg (1722-1729). Alexandros Press, 2004.

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Wheeler, Richard. The medieval church screens of the Southern Marches. Logaston Press, 2006.

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Carmona, j. (Jesús) Rivas. Los Trascoros de las catedrales españolas: Estudio de una tipología arquitectónica. Universidad de Murcia, 1994.

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I͡Urkevych, I͡Uriĭ. T͡Sarsʹki vrata ukraïnsʹkykh ikonostasiv: Royal doors in the Ukrainian iconostases. Instytut kolekt͡sionerstva ukraïnsʹkykh mystet͡sʹkykh pam'i͡atok pri NTSh, 2012.

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Schmelzer, Monika. Der mittelalterliche Lettner im deutschsprachigen Raum: Typologie und Funktion. Imhof, 2004.

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1964-, Ludwig Matthias, ed. Der Westlettner des Naumburger Doms. Michael Imhof Verlag, 2012.

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Wachsmann, Ute. Die Chorschrankenmalereien im Kölner Dom: Untersuchungen zur Ikonologie. [s.n.], 1985.

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Luisa, Herrero García Ma. Rejería en Segovia. Excma. Diputación Provincial de Segovia, 1993.

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Catholic Church. Archdiocese of Freiburg im Breisgau (Germany). Das Freiburger Fastentuch 1612-2012. Herder, 2012.

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Lázaro, María Luz Rokiski. Rejería del siglo XVI en Cuenca. Diputación de Cuenca, Departamento de Cultura, 1998.

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Book chapters on the topic "Screens (Church decoration) (Federation)"

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Arnold, Daniela, Torsten Arnold, and Elisabeth Rüber-Schütte. "The Plaster Decoration of the Choir Screens in the Church of Our Lady in Halberstadt: a current conservation project." In Plaster Casts, edited by Rune Frederiksen and Eckart Marchand. De Gruyter, 2010. http://dx.doi.org/10.1515/9783110216875.367.

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