Relevant bibliographies by topics / Semantics color

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Semantics color'

Author: Grafiati
Published: 28 May 2022
Last updated: 31 July 2025

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Journal articles on the topic "Semantics color"

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Zhao, Jiaojiao, Jungong Han, Ling Shao, and Cees G. M. Snoek. "Pixelated Semantic Colorization." International Journal of Computer Vision 128, no. 4 (2019): 818–34. http://dx.doi.org/10.1007/s11263-019-01271-4.

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AbstractWhile many image colorization algorithms have recently shown the capability of producing plausible color versions from gray-scale photographs, they still suffer from limited semantic understanding. To address this shortcoming, we propose to exploit pixelated object semantics to guide image colorization. The rationale is that human beings perceive and distinguish colors based on the semantic categories of objects. Starting from an autoregressive model, we generate image color distributions, from which diverse colored results are sampled. We propose two ways to incorporate object semanti
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TOSHTIMEROVA, Sitora. "SEMANTICS OF COLORS, THEIR GRADUAL DEVELOPMENT." UzMU xabarlari 1, no. 1.7 (2024): 343–45. https://doi.org/10.69617/nuuz.v1i1.7.3539.

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This article highlights the importance of understanding the dynamic nature of color semantics in relation to language, culture, and perception. Incorporating fields such as linguistics, psychology, anthropology, and art history, the interdisciplinary approach emphasizes a comprehensive study of the subject in a variety of contexts. It also notes the importance of acknowledging different linguistic and cultural perspectives while clarifying the complex interplay between language and perception in the evolution of color semantics. The article provides a deep understanding of the complexities of
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Al-Tamimi, Jinan. "The Semantic Structure of Color Terms in Arabic: A Cognitive Approach." Theory and Practice in Language Studies 11, no. 9 (2021): 1025–33. http://dx.doi.org/10.17507/tpls.1109.07.

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The acquisition of the ability of perceiving and naming colors through language is an important topic in which languages vary and differ. The construction of color concepts and naming them are directly influenced by the culture and environment of each society. This can be noted by observing two aspects: Cognitive Semantics and its effect on the collective mind. This study focuses on the cognitive foundations of color terms in Arabic, and the semantic relation between the color concepts and terms in selected examples from both old and new usage of these color terms in Arabic. The study aims to
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Xu, Ji Feng, Han Ning Zhang, and Tian Jian Cui. "Cognition Spaces of Modern Furniture Color Semantics." Applied Mechanics and Materials 361-363 (August 2013): 488–92. http://dx.doi.org/10.4028/www.scientific.net/amm.361-363.488.

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A quantitative analysis based on SPSS is proposed in this paper for semantics maps of modern furniture color. It is assumed that different color factors could initiate different semantics cognition and feelings and analyze the relationships among all the factors, then access to modern furniture color semantic cognition space mapping, which are used to explain the relationships between modern furniture color semantics and color factors such as hue, tone.
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STOYKOVA, Velislava. "SEMANTICS AND MEANING OF TERMS WITH THE COMPONENT ’RED’." Ezikov Svyat (Orbis Linguarum) 22.3, ezs.swu.v.22.3 (2024): 39–44. http://dx.doi.org/10.37708/ezs.swu.bg.v22i3.4.

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The article provides an analysis of the results of a study on the semantics and meanings of terms with the component red in modern Bulgarian. The language material on which basis the study was carried out is an electronic corpus of Bulgarian language texts compiled from publicly available internet sources. Statistical approaches to search for concordances and collocations available through the Sketch Engine lexicographic software were used to discover the terms in the corpus, and the order in the search procedures (algorithm) was previously tested in other cited studies. The theoretical approa
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Khusainova, G., B. Tleuberdiev, and B. Taspolatov. "Semantic Aspect of Color in Korean, Kazakh and English Languages." Iasaýı ýnıversıtetіnіń habarshysy 134, no. 4 (2024): 128–45. https://doi.org/10.47526/2024-4/2664-0686.110.

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This article is a study of the semantics of color in three different language cultures: Korean, Kazakh and English. Color symbols play a significant role in mutual understanding between cultures. The system of color designations contains an ethnocultural context. It acts in two aspects, simultaneously being a reflection of culture and an element that forms it. The semantics of color is a classification of color. The article provides a comparative analysis of the semantics of color in three languages. The purpose of the study is to analyze the main semantic connotations associated with certain
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Shuliak, S., O. Bezliudnyi, V. Koval, and K. Masliuk. "Verbalization of Main Spectral Colors in Texts of Ukrainian Charms." Journal of Educational and Social Research 9, no. 3 (2019): 62–69. http://dx.doi.org/10.2478/jesr-2019-0023.

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Abstract The purpose of this article is to study the verbalization of the main spectral colors in the texts of Ukrainian charms. In order to achieve the goal, the following tasks must be realized: 1- To determine the emotional and estimated semantics of red, blue, green, yellow colors and the function performed by the above-mentioned color titles to ensure pragmatics of charms. 2- To find out the direct and associative values of the main spectral colors in the texts of Ukrainian charms. 3- To discover the most common morphological category of color titles. It is established that the titles of
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Dzhguburiya, Ketevan Kahaberovna. "Features of the semantics of adjectives of color in the Russian and English language picture of the world: the problem of translation." Litera, no. 1 (January 2023): 96–104. http://dx.doi.org/10.25136/2409-8698.2023.1.37052.

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This research work is carried out within the framework of the cognitive-discursive paradigm and is devoted to the analysis of the features of the semantics of adjectives of color in natural language and the identification of translation problems that translators may face. Description of the semantics of language units allows you to reproduce how colors are understood in the Russian and English worldview. The subject of the study is the peculiarities of the semantics of adjectives of color designation and possible problems in the translation of units characterizing color: "red", "orange", "yell
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Bayanova, Aleksandra T. "Семантика цветообозначения хар ‘черный’ в фольклорном тексте: лингвокультурологический аспект (на примере калмыцких сказок в записи Г. Й. Рамстедта)". Монголоведение (Монгол судлал) 13, № 1 (2021): 96–107. http://dx.doi.org/10.22162/2500-1523-2021-1-96-107.

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Introduction. The article analyzes semantic components and variants of the Kalmyk color term хар ‘black’ in folklore texts. Goals. The study investigates semantics of the color term хар ‘black’ in a linguocultural perspective. Materials. The work explores Kalmyk folktales recorded by the Finnish scholar G. J. Ramstedt during his scientific expedition to the Kalmyk Steppe. Results. The analysis reveals six shades of black and sums up its semantic constituents and variants. Special emphasis is laid on the applied Kalmyk-to-German translation means. Conclusions. The lexeme хар ‘black’ is distingu
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Lavrenova, Olga. "Color Semantics of the Cultural Landscape." Arts 12, no. 3 (2023): 111. http://dx.doi.org/10.3390/arts12030111.

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A cultural landscape is the result of a continuous interaction between the surrounding natural landscape and culture. Meanings, symbols, and codes of culture are an integral part of it. This paper is a review of publications on current research over the past 20 years. The aim is to analyze the existing research practices, which are based on factual evidence and existing theoretical foundations, using an interdisciplinary approach, in order to come closer to a sufficiently holistic understanding of the coloristic semantics of the cultural landscape. Such a review and analysis of disparate studi
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Dissertations / Theses on the topic "Semantics color"

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Черепова, К. Р., Лариса Іванівна Дегтярьова, Лариса Ивановна Дегтярева та Larysa Ivanivna Dehtiarova. "Естетика символіки кольору у художній літературі (на матеріалі англійської та німецької літератур)". Thesis, Сумський державний університет, 2016. http://essuir.sumdu.edu.ua/handle/123456789/46666.

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Для створення яскравого художнього образу в художніх творах використовується експресивно-стилістичний засіб символізм кольору, тому що він є психологічно-культурним явищем, за допомогою якого передається емоційний та ментальний стан людини, її риси характеру, соціальні та культурні аспекти життя народу. Колірний символ у літературі ґрунтується на асоціації між денотатним позначенням кольору та символічними поняттями зі спільністю його емоційнооцінного змісту, що обумовлюється суб'єктивним авторським баченням світу, його власним психоемоційним станом, і визначає цілісність зовнішнього і внутрі
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Reymore, Lindsey E. "Empirical approaches to timbre semantics as a foundation for musical analysis." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1586792450387823.

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Brockbank-Chasey, Samuel. "Of colors and words : perceptual and semantic influences in the cognitive processing of color." Thesis, Bordeaux, 2019. http://www.theses.fr/2019BORD0353.

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L’objectif de cette thèse est d’étudier l’influence de facteurs perceptifs et psycholinguistiques sur la couleur, en tant que construction cognitive. Des millions de teintes peuvent être discriminées alors que moins d’une centaine de termes de couleur existe. L’origine des onze termes basiques identifiés dans la littérature reste débattue, mais serait plutôt perceptive pour les couleurs uniques noir, blanc, rouge, vert, jaune et bleu, et liée à un consensus culturel et langagier pour orange, marron, rose, violet et gris. La couleur aurait aussi une dimension émotionnelle, comme le suggère l’ex
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Yu, Lu. "Semantic representation: from color to deep embeddings." Doctoral thesis, Universitat Autònoma de Barcelona, 2019. http://hdl.handle.net/10803/669458.

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Un dels problemes fonamentals de la visió per computador és representar imatges amb descripcions compactes semànticament rellevants. Aquestes descripcions podrien utilitzar-se en una àmplia varietat d'aplicacions, com la comparació d'imatges, la detecció d'objectes i la cerca de vídeos. L'objectiu principal d'aquesta tesi és estudiar les representacions d'imatges des de dos aspectes: les descripcions de color i les descripcions profundes amb xarxes neuronals. A la primera part de la tesi partim de descripcions de color modelades a mà. Existeixen noms comuns en diverses llengües per als colo
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Oshima, Satoshi, Rika Mochizuki, Reiner Lenz, and Jinhui Chao. "Color-Weakness Compensation using Riemann Normal Coordinates." Linköpings universitet, Medie- och Informationsteknik, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-86669.

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We introduce normal coordinates in Riemannspaces as a tool to construct color-weak compensation methods.We use them to compute color stimuli for a color weakobservers that result in the same color perception as theoriginal image presented to a color normal observer in the sensethat perceived color-differences are identical for both. Thecompensation is obtained through a color-difference-preservingmap, i.e. an isometry between the 3D color spaces of a colornormaland any given color-weak observer. This approach usesdiscrimination threshold data and is free from approximationerrors due to local l
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CONLAN, Francis. "SEARCHING FOR THE SEMANTIC BOUNDARIES OF THE JAPANESE COLOUR TERM 'AO'." Edith Cowan University. Community Services, Education And Social Sciences: School Of, 2006. http://adt.ecu.edu.au/adt-public/adt-ECU2006.0048.html.

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The Japanese language has a colour term, 'ao' (or 'aoi'), which is usually referred to in bilingual dictionaries as being the equivalent of English 'blue'. Very often, however, it is used to describe things which English speakers would describe as being green. Granny Smith apples are 'ao', so are all Westerners' eyes, regardless of whether they would be described as being 'blue' or 'green' in English. The sky and the sea are prototypically 'ao', but this term is also used to describe lawns, forests, traffic lights and unripe tomatoes. What, then, do Japanese native speakers (henceforth JNS) un
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Conlan, Francis. "Searching for the semantic boundaries of the Japanese colour term 'ao'." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2005. https://ro.ecu.edu.au/theses/58.

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The Japanese language has a colour term, 'ao' (or 'aoi'), which is usually referred to in bilingual dictionaries as being the equivalent of English 'blue'. Very often, however, it is used to describe things which English speakers would describe as being green. Granny Smith apples are 'ao', so are all Westerners' eyes, regardless of whether they would be described as being 'blue' or 'green' in English. The sky and the sea are prototypically 'ao', but this term is also used to describe lawns, forests, traffic lights and unripe tomatoes. What, then, do Japanese native speakers (henceforth JNS) un
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Tyson, Rodney Eldred. "Korean color naming and Korean-English language contact: A study in linguistic variation and semantic change." Diss., The University of Arizona, 1994. http://hdl.handle.net/10150/186990.

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This study investigates the effects of language contact, particularly contact with English, on the Korean language. One chapter reviews the historical and sociocultural background of the three major influences on modern Korean--Chinese, Japanese, and English. Another chapter discusses the patterns of English lexical borrowing and semantic changes that occur during the borrowing process, both in the English words and related Korean words in the same semantic fields. A third chapter describes some other uses of English in Korea, including advertising, product naming, and current slang. Finally,
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Pagnutti, Giampaolo. "Segmentation of color and depth data based on surface fitting." Doctoral thesis, Università degli studi di Padova, 2017. http://hdl.handle.net/11577/3425862.

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This thesis presents novel iterative schemes for the segmentation of scenes acquired by RGB-D sensors. Both the problems of objects segmentation and of semantic segmentation (labeling) are considered. The first building block of the proposed methods is the Normalized Cuts algorithm, based on graph theory and spectral clustering techniques, that provides a segmentation exploiting both geometry and color information. A limitation is the fact that the number of segments (equivalently, the number of objects in the scene) must either be decided in advance, or requires an arbitrary threshold on the
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Warth-Szczyglowska, Magdalena Malgorzata. "Colour and semantic change : a corpus-based comparison of English green and Polish zielony." Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/5690/.

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The purpose of my research is to investigate the processes and mechanisms of semantic change in two basic colour terms: green in English and zielony in Polish. My research methodology focuses on existing English and Polish corpora, namely the British National Corpus, the Corpus of Contemporary American English and the National Corpus of Polish. I analyze my data both synchronically and diachronically (comparing two periods of time: 1985-1994, 2001-2010). My study also evaluates the use of corpus evidence for the purpose of investigating the processes of semantic change. Various factors have ca
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Books on the topic "Semantics color"

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I͡Akutin, I͡U V. Russkiĭ t︠s︡vet. 2nd ed. Izdatel'skiĭ dom "Ėkonomicheskai︠a︡ gazeta", 2012.

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Ohtsuki, Minoru. A cognitive linguistic study of colour symbolism. Institute for the Research and Education of Language, Daito-Bunka University, 2000.

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Stoeva-Holm, Dessislava. Farbbezeichnungen in deutschen Modetexten: Eine morphologisch-semantische Untersuchung. [Uppsala Universitet], 1996.

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Kulʹpina, V. G. Lingvistika t︠s︡veta: Terminy t︠s︡veta v polʹskom i russkom i︠a︡zykakh. Moskovskiĭ lit︠s︡eĭ, 2001.

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MacLaury, Robert E. Color and cognition in Mesoamerica: Constructing categories as vantages. University of Texas Press, 1997.

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Zhao, Xiaochi. Shang gu - zhong gu Han yu yan se ci yan jiu: The study of Chinese color terms from ancient to mid-ancient times. Zhongguo she hui ke xue chu ban she, 2016.

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Abellán, Carmen Arias. Estructura semántica de los adjetivos de color en los tratadistas latinos de agricultura y parte de la enciclopedia de Plinio. Secretariado de Publicaciones de la Universidad de Sevilla, 1994.

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Gerasimenko, I. A. Semantika russkikh t︠s︡vetooboznacheniĭ: Monografii︠a︡. Gorlovskii gosudarstvennyĭ pedagogicheskiĭ institut inostrannykh i︠a︡zykov im. N.K. Krupskoĭ, 2010.

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Schäfer-Wünsche, Elisabeth. Wenn von Weissen die Rede ist: Zur afroamerikanischen Praxis des Benennens. Francke, 2004.

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Wyler, Siegfried. Colour and language: Colour terms in English. G. Narr, 1992.

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Book chapters on the topic "Semantics color"

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Jahanian, Ali. "Design Mining Color Semantics." In Springer Theses. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-31486-0_3.

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Schloss, Karen B., Melissa A. Schoenlein, and Kushin Mukherjee. "Color Semantics for Visual Communication." In Visualization Psychology. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-34738-2_1.

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Zhu, Haiping, Huajie Zhang, and Yong Yu. "Deep into Color Names: Matching Color Descriptions by Their Fuzzy Semantics." In Artificial Intelligence: Methodology, Systems, and Applications. Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11861461_16.

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Bahrami, Azita. "Self-Customization of E-Knowledge Using Color Semantics." In ICCS 2007. Springer London, 2007. http://dx.doi.org/10.1007/978-1-84628-992-7_29.

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Bimbo, Alberto, Pietro Pala, and Enrico Vicario. "Modeling Color Dynamics for the Semantics of Commercials." In Media Computing. Springer US, 2002. http://dx.doi.org/10.1007/978-1-4615-1119-9_5.

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Biggam, Carole P. "The ambiguity of brightness (with special reference to Old English) and a new model for colour description in semantics." In Anthropology of Color. John Benjamins Publishing Company, 2007. http://dx.doi.org/10.1075/z.137.12big.

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Long, Ren, Xinyi Shang, Huai Cao, and Jun Li. "Emotional Experience Design of Medical Working Space Based on Color Semantics." In Advances in Industrial Design. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-80829-7_95.

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Yang, Guancan, Shuang Gao, Zeyu Feng, Lingling Wang, and Yidan Xu. "Semantics Expression of Peking Opera Painted Faces Based on Color Metrics." In Diversity, Divergence, Dialogue. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71292-1_38.

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Wang, Jiahao, Yafeng Niu, Lang Xiao, Jin Liu, Guorui Ma, and Hongrui Zuo. "The Color Semantics of Compact Car: A Case Study on Ford Focus." In Lecture Notes in Networks and Systems. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-80091-8_97.

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Choi, Gyoung Soon, Ruediger Oehlmann, Hilary Dalke, and David Cottington. "Discovering Color Semantics as a Chance for Developing Cross-Cultural Design Frameworks." In Lecture Notes in Computer Science. Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-74827-4_116.

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Conference papers on the topic "Semantics color"

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Yaganti, Varshini, Sai Chandana Koganti, Siri Yellu, and Sanghoon Lee. "Color Normalization Analysis for Semantic Image Segmentation on Histopathology Images." In SoutheastCon 2025. IEEE, 2025. https://doi.org/10.1109/southeastcon56624.2025.10971522.

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Serov, Nikolai V. "Semantics of color in chromatism." In 9th Congress of the International Color Association, edited by Robert Chung and Allan Rodrigues. SPIE, 2002. http://dx.doi.org/10.1117/12.464618.

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Serov, Nikolai V. "Semantics of color and determination of information." In 9th Congress of the International Color Association, edited by Robert Chung and Allan Rodrigues. SPIE, 2002. http://dx.doi.org/10.1117/12.464619.

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Mojsilovic, Aleksandra, and Bernice E. Rogowitz. "Color image semantics for digital libraries." In Electronic Imaging 2003, edited by Bernice E. Rogowitz and Thrasyvoulos N. Pappas. SPIE, 2003. http://dx.doi.org/10.1117/12.485415.

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Li, Qingyong, Zhiping Shi, and Siwei Luo. "Image Retrieval Based on Fuzzy Color Semantics." In 2007 IEEE International Fuzzy Systems Conference. IEEE, 2007. http://dx.doi.org/10.1109/fuzzy.2007.4295404.

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Влавацкая, Марина Витальевна. "COMBINATORIAL-SEMANTIC ANALYSIS AS A TOOL FOR STUDYING COLLOCATIONS WITH COLOR SEMANTICS." In СЛОВО, ВЫСКАЗЫВАНИЕ, ТЕКСТ В КОГНИТИВНОМ, ПРАГМАТИЧЕСКОМ И КУЛЬТУРОЛОГИЧЕСКОМ АСПЕКТАХ. Челябинский государственный университет, 2022. http://dx.doi.org/10.47475/9785727118047_169.

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Zhou, Xian, Wei Wei, Wenwen Zhu, and Min Yan. "A Color Matching Design Method Integrating Color Semantics and Adjacent Network Models." In 2023 4th International Conference on Intelligent Design (ICID). IEEE, 2023. http://dx.doi.org/10.1109/icid60307.2023.10396732.

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Li, Qi, Yihang Du, Pei Yan, and Wang Wei. "Color Matching Method of HCI Interface Design Driven by Aesthetic Perception." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001783.

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A method of human-computer interface color design based on aesthetic feeling is proposed, which provides a basis for the design practice in accordance with users' aesthetic preference. Taking the mobile interactive terminal interface of intangible cultural heritage display as an example, the color matching of Cloisonne, a traditional Chinese craft, was selected as the primary color, and the colors were extracted by k-means clustering algorithm to form four groups of color matching samples. Secondly, the interface element model is constructed, and the matching relationship between color matchin
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Коршак, В. Г., and Р. И. Хафизова. "SEMANTICS OF COLOR RELATIONS WITHIN THE “RUSSIAN ART NOUVEAU” STYLE." In Цвет в пространственных искусствах и дизайне. Crossref, 2024. http://dx.doi.org/10.54874/9785605245766.2024.04.29.

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Исторический обзор развития стиля модерн в России представлен в контексте влияния английских художников и их картин на представление о цвете в XIX веке. Возникновение в архитектурной среде идеи о взаимосвязи функции и формы становится значимым этапом для всех видов искусства. Так, цвет наделяется определенными эмоциональными функциями, становится способом передачи образности в живописных эскизах и костюмах отечественных творцов, а также обособляет ар-нуво от европейских течений. A historical overview of the development of the Art Nouveau style in Russia is presented in the context of the influ
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Song, Lei, Zheyuan Liu, Huixian Duan, and Na Liu. "A Color-Based Image Segmentation Approach for Traffic Scene Understanding." In 2017 13th International Conference on Semantics, Knowledge and Grids (SKG). IEEE, 2017. http://dx.doi.org/10.1109/skg.2017.00014.

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Reports on the topic "Semantics color"

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Kolieva, Irina, and Victoria Lovyannikova. COMPARATIVE SEMANTIC ANALYSIS OF COLOUR TERMS IN THE GERMAN, RUSSIAN AND OSSETIA LANGUAGES (BASED ON LEXICOGRAPHIC SOURCES). DOI CODE, 2022. http://dx.doi.org/10.18411/doicode-2023.181.

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Mbani, Benson, Timm Schoening, and Jens Greinert. Automated and Integrated Seafloor Classification Workflow (AI-SCW). GEOMAR, 2023. http://dx.doi.org/10.3289/sw_2_2023.

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The Automated and Integrated Seafloor Classification Workflow (AI-SCW) is a semi-automated underwater image processing pipeline that has been customized for use in classifying the seafloor into semantic habitat categories. The current implementation has been tested against a sequence of underwater images collected by the Ocean Floor Observation System (OFOS), in the Clarion-Clipperton Zone of the Pacific Ocean. Despite this, the workflow could also be applied to images acquired by other platforms such as an Autonomous Underwater Vehicle (AUV), or Remotely Operated Vehicle (ROV). The modules in
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Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.

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The article investigates functional techniques of extralinguistic expression in multimedia texts; the effectiveness of figurative expressions as a reaction to modern events in Ukraine and their influence on the formation of public opinion is shown. Publications of journalists, broadcasts of media resonators, experts, public figures, politicians, readers are analyzed. The language of the media plays a key role in shaping the worldview of the young political elite in the first place. The essence of each statement is a focused thought that reacts to events in the world or in one’s own country. Th
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