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1

Fröhlich, Grit. "Umberto Eco Philosophie - Ästhetik - Semiotik." Paderborn München Fink, 2007. http://d-nb.info/993957692/04.

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Souza, Karina Aparecida de Freitas Dias de. "Estratégias de comunicação em química como índices epistemológicos: análise semiótica das ilustrações presentes em livros didáticos ao longo do século XX." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/46/46136/tde-08052013-095035/.

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O presente trabalho insere-se no contexto de algumas convicções, aqui destacadas com vistas à compreensão dos objetivos e estratégias metodológicas: (i) no processo de construção do conhecimento científico, o acesso à realidade da Natureza só é possível se mediado pelos resultados das interações que com ela estabelecemos; (ii) a interpretação de tais resultados levam a construtos teóricos e linguísticos; (iii) tais construtos não correspondem à realidade em sua totalidade, uma vez que se tratam de interpretações possíveis e limitadas pelas interações estabelecidas; (iv) a explicitação das rela
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3

Robinson, Andrew John. "A semiotic model of Trinity : God, evolution and the philosophy of Charles Sanders Peirce." Thesis, University of Exeter, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.273016.

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4

Martin, Vernon J. "Negotiating Environmental Relationships: Why Language Matters to Environmental Philosophy." Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4409/.

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The medium of language is important to environmental philosophy, and more specifically, to the establishment and understanding of environmental relationships. The differences between animal and human language point to our unique semantic range, which results from our neuro-linguistic process of signification. An examination of the linguistic implications of the problem of nature and the tenets of semiotics challenges the idea of a clean word to world fit. Because signs are the medium in which meaning is constructed, questions about nature must in part be questions of language. Environmental di
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5

Pedro, Gabriel Pedrosa. "Desfuncional." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/16/16136/tde-29062010-143607/.

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Desfuncionalizar as linguagens desfuncionalizar a cultura desfuncionalizar a vida. esta frase, com que a professora lucrécia ferrara sintetizou minha pesquisa, orientou a elaboração deste trabalho, iniciado pela leitura das obras fonte (1917), de marcel duchamp, e a traição das imagens (1928), de rené magritte. tais obras, como jogos de linguagens que são, como textos profundamente conscientes de suas formação e relação com os demais de sua cultura, contribuíram para formar as questões teóricas que comporiam a seqüência do trabalho, seu corpo principal. a relação das linguagens com o mundo, co
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6

Wang, Youxuan. "Buddhism and deconstruction : towards a comparative semiotics /." Richmond : Surrey (U.K.) : Curzon, 2001. http://catalogue.bnf.fr/ark:/12148/cb38869209x.

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7

Costa, Marcos Rogério Martins. "Semiótica e polifonia na estética romanesca de Fiódor Dostoiévski." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8139/tde-01062015-172736/.

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Na teoria musical, a polifonia remete a um estilo, criado na Idade Média em oposição ao canto monódico da Igreja, no qual as vozes se distinguem rítmica e melodicamente, permitindo que melodias diversas convivam no mesmo campo musical. Mikhail Bakhtin (1895-1975), resgatando o sentido musical do termo e baseando-se nele, cria uma metáfora conceitual da polifonia para definir um gênero discursivo que demonstra a coexistência de vozes plenivalentes na obra literária, inclusive entre a instância do autor-criador e a da personagem. O filósofo russo investiga esse fenômeno na estética de Fiódor Dos
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8

Nordell, Patrik. "Universalspråket : Deleuzes semiotik och åtbördsspråket." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-35402.

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In fact, as far as I know, linguists and philosophers of language have never really looked at the universal language. Instead, they frame a “universal language” that is based on the premise of the majoritarian languages. One approach, traditional linguistics, often goes from signs (lexical signs), phonology, and syntax and is based on phonocentric framing, i.e., sound is the basis of their theoretical frames. The other approach, cognitive linguistics, is based on spatiality and embodied figures in mental space. Cognitive linguists (Leonard Talmy, for example) believe that the objects of spoken
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9

Pinto, Pedro Atã Ribeiro. "Niche builders: towards art as meta-semiotic engineering." Universidade Federal de Juiz de Fora, 2016. https://repositorio.ufjf.br/jspui/handle/ufjf/2232.

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Wilson, Harold H. (Harold Hector). "Charles Morris' Maitreyan path as via positiva : toward a semiotic of religious symbolism." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68145.

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Charles William Morris (1901-1979) was a student of George Herbert Mead in the early 1920s when Mead was involved in the Chicago School. Inspired by his mentor, Morris wrote extensively on semiotics, philosophy of mind, philosophy of science, aesthetics, axiology and religion. Morris has received wide acclaim for his writings on semiotics. However, his writings pertaining to religion--the study of which preoccupied him throughout his life--have been all but entirely overlooked.<br>Morris first presented the "Maitreyan path" in his Paths of Life: Preface to a World Religion (1942). The expressi
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11

Nascimento, Roberto Duarte Santana 1980. "A teoria dos signos na filosofia de Gilles Deleuze : focos de elaboração semiotica em Proust e os Signos, Logica do Sentido e O Anti-Edipo." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278834.

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Orientador: Luiz Benedicto Lacerda Orlandi<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-08T10:31:36Z (GMT). No. of bitstreams: 1 Nascimento_RobertoDuarteSantana_M.pdf: 811578 bytes, checksum: ccc322e224117d41ec92fcd1f6ebfe89 (MD5) Previous issue date: 2007<br>Resumo: Segundo Deleuze a principal tarefa da filosofia é a invenção de conceitos (Deleuze, 1992). Tal lição pode ser aplicada aos estudos de história da filosofia, nos quais se averigua não só o alcance das idéias de um pesquisador como d
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Lacy, Rachel. "Hamlet's Objective Mode and Early Modern Materialist Philosophy." Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/32430.

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Hamlet's tragedy is constructed as a perspective of matter that is destined for decay, and this "objective," or "object-focused," mode of viewing the material world enhances theatrical and theological understandings of the play's props, figurative language, and characters. Hamlet's "objective mode" evokes early modern materialist philosophies of vanitas and memento mori, and it is communicated in theatre through semiotic means, whereby material items stand for moral ideas according to an established sign-signified relation. Extending an objective reading to Hamlet's characters reveals their fu
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Rozentalski, Evandro Fortes. "O estatuto ontológico e epistemológico do conceito de orbital em livros didáticos de Química Geral no século XX: uma análise de seus fundamentos, suas representações e implicações para a aprendizagem." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/81/81132/tde-28042014-204044/.

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Um dos tópicos discutidos no âmbito da Filosofia da Química diz respeito ao realismo científico dos conceitos químicos, como, por exemplo, o conceito de orbital. O estatuto ontológico (referência ou não à realidade) dos orbitais passou a ser objeto de intenso debate a partir de 1999, quando da publicação do trabalho de Zuo e colaboradores, corroborado sem maiores ressalvas pelo editorial da revista Nature, no qual se afirmava que orbitais haviam sido observados diretamente. Nesse debate, não apenas aspectos ontológicos foram levantados, mas, também, aspectos epistemológicos em relação a esse c
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14

Bayer, Udo [Verfasser]. "Lessings Zeichenbegriffe und Zeichenprozesse im "Laokoon" und ihre Analyse nach der modernen Semiotik / Udo Bayer." Hamburg : Diplom.de, 2003. http://d-nb.info/1187470996/34.

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15

Jorvid, Niclas. "Speaking Symbols : A semiotic analysis of the Smart Ping system in League of Legends." Thesis, Uppsala universitet, Institutionen för speldesign, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-227373.

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This thesis brings attention to communication systems in games and how their development has stagnated. The focus is directed towards visual communication and the question of “Can the Smart Ping system in League of Legends suggest visual communication as a viable solution for in-game communication in multiplayer games, according to the semiotic model of Roland Barthes? ” is presented. Roland Barthes’ two order of signification model is then used to perform an analysis of the visual communication system called Smart Ping in the game League of Legends. The findings suggests that visual systems c
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Carboni, Camilla. "Film spectatorship and subjectivity : semiotics, complications, satisfactions." Thesis, Link to the online version, 2007. http://hdl.handle.net/10019/1671.

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Rosario, Ana Claudia Trevisan. "Refletindo sobre as cartas sem resposta de Villa-Lobos: semiótica e filosofia na criação Villa-Lobiana." Pontifícia Universidade Católica de São Paulo, 2015. https://tede2.pucsp.br/handle/handle/11672.

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Made available in DSpace on 2016-04-27T17:27:09Z (GMT). No. of bitstreams: 1 Ana Claudia Trevisan Rosario.pdf: 3313327 bytes, checksum: 143588fda07f5dff57500ea6ceb4ed64 (MD5) Previous issue date: 2015-02-24<br>The research proposed here is justified by the emblematic interest in a philosophical approach essentially semiotic on aspects of musical creation of our greatest composer Heitor Villa-Lobos (1887-1959) and the excellence in constructing the trajectory of Brazilian musical identities, namely: a) the identity of the composer in his unique compositional technique; b) the identity represe
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18

Kosmack, Arnd. "Narratologie der Theatralität." Bristol [u.a.] Tenea, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2882367&prov=M&dokv̲ar=1&doke̲xt=htm.

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19

Scheifer, Camila Lawson 1983. "Espaço-temporalidade, ressemiotização e letramentos : um estudo sobre os movimentos de significação no terceiro espaço." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269455.

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Orientador: Marcelo El Khouri Buzato<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-24T10:46:41Z (GMT). No. of bitstreams: 1 Scheifer_CamilaLawson_D.pdf: 3672758 bytes, checksum: f387673efa21900df6629ab822fc0dc3 (MD5) Previous issue date: 2014<br>Resumo: Esta tese representa uma tentativa de estabelecer teórica e empiricamente possíveis pressupostos para uma pedagogia de letramentos que assuma o espaço como uma prática social ¿ um terceiro espaço - que abarca dimensões tanto materiais quanto simbólicas. Com ba
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Garnar, Andrew Wells II. "Sport/utility vehicles as technologies of the suburban self: The only civilized way to leave civilization." Thesis, Virginia Tech, 1998. http://hdl.handle.net/10919/37000.

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The purpose of this thesis is to explore the transactional and transformative relationships between automobiles and their owners/drivers. Using the sport/utility vehicle as a case study, I show how both the automobile and its user go through transformations of meaning. These transformations take place on a number of levels. The one that I am most concerned with is how the sport/utility vehicle changes the owner's conception of his or her identity. <p> To elucidate these relationships, I appropriate Michel Foucault's concept of "technologies of the self". I use C. S. Peirce's work on the t
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Almeida, Carlos Cândido de. "Peirce e a organização da informação : contribuições teóricas da semiótica e do pragmatismo /." Marília : [s.n.], 2009. http://hdl.handle.net/11449/103380.

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Orientador: José Augusto Chaves Guimarães<br>Banca: Lauro Frederico Barbosa da Silveira<br>Banca: Leilah Santiago Santiago Bufrem<br>Banca: Maria de Fátima Gonçalves Moreira Tálamo<br>Banca: Miguel Luiz Contani<br>Resumo: A Semiótica de C. S. Peirce (1839-1914), longe de ser uma ciência que explica a totalidade dos fenômenos abarcados pela organização da informação e do conhecimento, oferece conceitos fundamentais à Filosofia da linguagem e à Lógica, os quais podem lançar novas luzes à reflexão epistemológica da área. A principal questão teórica que norteia a pesquisa é saber quais as inter-re
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Franciulli, Paula. "O percurso do pensamento de Rudolf Steiner e seu possível lugar no espaço psicológico." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/47/47132/tde-12112015-161312/.

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A psicologia é uma atividade cultural humana de construção do conhecimento (Simão, 2004) e, assim sendo, sabemos da importância de estudar os aspectos históricos e filosóficos que envolvem sua construção. Acompanhamos, portanto, o seu fazer-se ciência, nos colocando diante de uma psicologia que se contextualiza em uma teia de teorias ora conexas ora desconexas, segundo critérios de cientificidade. Esse espaço psicológico se sustenta em dinâmicas tanto de rupturas - devido à diversidade teórica que pode resultar em um campo de dispersão, conforme propõe Figueiredo (2012) - como de unificação da
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Gubatz, Thorsten. "Umberto Eco und sein Lehrer Luigi Pareyson : vom ontologischen Personalismus zur Semiotik /." Berlin Münster Lit, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=3038724&prov=M&dok_var=1&dok_ext=htm.

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Zammit, Katina. "The construction of student pathways during information-seeking sessions using hypermedia programs : a social semiotic perspective." Thesis, View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/19961.

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The thesis extends the use of systemic functional linguistics (SFL) to describe and analyse the semiotic systems beyond language by providing a detailed and systematic approach to the description of multimodal hypertext systems. The thesis uses a social semiotic approach to the text in order to develop an analytical framework for the description of hypertext through the two dimensions of rank and metafunction. This approach is employed to describe, assess and evaluate the pathways that student user groups construct using hypertext resources during a task-based information search session. The r
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Hassas, Hassas, and Jennie Norgren. "Happiness not Included : En kvalitativ undersökning av myter om lycka i svenska reklamfilmer." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-30813.

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”If we consume the product as a product, we consume its meaning through advertising” – Jean Baudrillard Syftet med denna studie är att identifiera och analysera bakomliggande myter om lycka i kommersiella reklamfilmer, utifrån ett konstruktionistiskt perspektiv. Analysmodellen, som bygger på semiotik och neoformalism, genererade kunskap om de olika berättarstrukturerna kring lycka i de undersökta reklamfilmerna. Resultaten indikerade framförallt att berättarstrukturerna om lycka grundar sig i myter som är starkt kopplade till den kapitalistiska ideologin. Studien avser därmed att blottlägga oc
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Seyler, Katrin Jutta. "Opening the cognitive tool-box of migrating sculptors (1680-1794) : an analysis of the epistemic and semiotic structures of the republic of tools." Thesis, University of Birmingham, 2012. http://etheses.bham.ac.uk//id/eprint/3275/.

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This thesis explores the epistemic structures of late seventeenth- and eighteenth-century migrating image-makers with a particular regard for producers of sculpture. By means of an analysis of journals written by the sculptor Franz Ertinger (1669 – 1747) and the glazier Jacques-Louis Ménétra (1738-c.1803) this thesis identifies an epistemic order which was contingent on the worlds of mobility of seventeenth- and eighteenth-century craftsmen. In order to advance the understanding of how artisan image-makers of this period acquired, organised and developed knowledge, the concept of a cognitive t
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Andersson, Mika. "WHAT DOES AN ELDERLY WOMAN HAVE IN COMMON WITH A MULTI-NATIONAL, MULTI-BILLION-DOLLAR COMPANY? - A QUALITATIVE STUDY ON VICTIMHOOD, INTELLECTUAL PROPERTY AND PIRACY." Thesis, Malmö högskola, Fakulteten för hälsa och samhälle (HS), 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-27145.

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Fildelning av upphovsrättsskyddad egendom har ökat i stor utsträckning efter inträdet av ny media och nya kommunikationskanaler. Målet med denna studie är att undersöka om företag behandlas enligt samma normativa standard som vanliga individer när de utsätts för ett brott. Christies teori om det ideala offret används för att analysera brottsmål rörande fildelning i Sverige mellan 2005 och 2011. Resultatet har, i flera bemärkelser, omformulerat hur offerskapet i sig konstitueras; den individ som är det ideala offret är inte svag och försvarslös utan en person med hög social status och inflytand
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Schartman, Samantha. "The Logic of Disorder: A Dynamic View of Cognitive Aesthetics." Case Western Reserve University School of Graduate Studies / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=case1270180685.

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Hjelm, Annica. "Att knyta näven i fickan? : En studie av socialdemokratiska och kommunistiska 1 maj-affischer 1922-1948 utifrån begreppet vredeskultur." Thesis, Uppsala universitet, Institutionen för ABM, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-333189.

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This study is intended to illustrate how the reformist and revolutionary directions in the labor movement are manifested and visualized in the empirical material with regard to angry culture, thus contributing to an understanding of the informative importance of the image. It is clear that the investigated material in the form of social democratic and communist 1 May posters from the period 1922-1948 reflects its time (the interwar period to the post-war era) with regard to angry culture.  It is not the aesthetic aspect that is central, but the historical and political perspective in terms of
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Almeida, Carlos Cândido de [UNESP]. "Peirce e a organização da informação: contribuições teóricas da semiótica e do pragmatismo." Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/103380.

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Made available in DSpace on 2014-06-11T19:32:42Z (GMT). No. of bitstreams: 0 Previous issue date: 2009-10-20Bitstream added on 2014-06-13T19:43:18Z : No. of bitstreams: 1 almeida_cc_dr_mar.pdf: 3032384 bytes, checksum: 5831cd9cf4fbf887c99b939f24225864 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>A Semiótica de C. S. Peirce (1839-1914), longe de ser uma ciência que explica a totalidade dos fenômenos abarcados pela organização da informação e do conhecimento, oferece conceitos fundamentais à Filosofia da linguagem e à Lógica, os quais podem lançar novas luz
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Russo, Luca [Verfasser]. "Telos and Object : The relation between sign and object as a teleological relation in the semiotics of Charles S. Peirce / Luca Russo." Bern : Peter Lang AG, Internationaler Verlag der Wissenschaften, 2017. http://d-nb.info/1127484060/34.

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Rousselot, Mathias. "Le sens de la musique : Discours argumentatif sur les questions de sens et de signification en musique." Thesis, Aix-Marseille, 2013. http://www.theses.fr/2013AIXM3068.

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Notre étude prend l’allure d’un discours argumentatif sur les questions de sens et de signification en musique. Elle s’interroge dans une première partie sur le sens en général et sur la visée musicologique du sens : y a-t-il une réalité ontologique du sens ? Le sens est-il objet, qualité, propriété, état de choses, visée intentionnelle de la chose, etc.Dans une seconde partie, nous engageons une discussion sur la signification musicale et sur le rapport signification/sens en musique. Elle réactive de nombreuses problématiques de la musicologie : l’épineuse question du signe musical, la commun
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Farronato, Cristina. "Eco's chaosmos : medieval models for a postmodern world /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2000. http://wwwlib.umi.com/cr/ucsd/fullcit?p9975887.

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Cavallari, Giuseppe. "Performativité de l’être-en-ligne : pour une phénoménologie de la présence numérique." Thesis, Compiègne, 2018. http://www.theses.fr/2018COMP2448/document.

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Autour d'une question fondamentale comme celle de la présence, nous mobilisons une littérature interdisciplinaire grâce à laquelle les contributions de l'anthropologie et de la géographie sociale, de la théorie du théâtre et du cinéma, des performance studies, de la psychanalyse et de la sociologie, sont articulées dans la perspective de la phénoménologie et des sciences de l'information et de la communication. Notre façon d'habiter le monde a changé : l'être-en-ligne se révèle alors comme étant la nouvelle condition existentielle. La connexion au réseau, le web, les applications, dans leur en
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Ferri, Fabien. "Science opérative et ingénierie sémiotique : des machines graphiques à la morphogenèse organique." Electronic Thesis or Diss., Compiègne, 2021. http://www.theses.fr/2021COMP2672.

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Cette étude comprend trois parties : la première est problématique, la seconde est analytique, la troisième est programmatique. La première partie présente le cadre théorique de l’ingénierie sémiotique, sa problématique, son héritage et son articulation à la problématique des représentations diagrammatiques. Une analyse historique et génétique de la pensée opératoire, conduisant à la représentation algorithmique, nous contraint à devoir reconnaître que la représentation diagrammatique est irréductible à la représentation algorithmique. Pour cette raison, la représentation diagrammatique est po
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Collomb, Cléo. "Un concept technologique de trace numérique." Thesis, Compiègne, 2016. http://www.theses.fr/2016COMP2286/document.

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Cette thèse entend proposer un concept technologique – c’est-à-dire non-anthropocentré – de trace numérique. Il s’agit de rappeler que l’informatique exigeant des objets et des actes qu’ils passent par l’inscription pour exister, les machines computationnelles sont parties prenantes des processus de production des traces numériques, qu’une « sémiotique technologique » permettrait de décrire. L’enjeu d’un tel concept est de mettre en circulation une narration qui ne soit pas de l’ordre de ces discours de fin de monde décrits par Déborah Danowski et Eduardo Viveiros de Castro. Ces discours racon
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Brunel-Lafargue, Karen. "Le designer graphique et les sens de la responsabilité : étude descriptive de la modélisation morale du praticien." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H311/document.

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L’essentiel du corpus théorique consacré au design et à la responsabilité de son praticien adopte une approche prescriptive où leurs auteurs dictent les contours d’une pratique responsable. Mais compte tenu de l’impact du design graphique sur notre quotidien, ne serait-il pas utile d’appréhender plus précisément le sens que ses praticiens donnent à leur responsabilité ? À notre avis, oui. L’objectif de notre recherche est donc de recueillir et de comprendre les significations de la responsabilité, et ainsi d’analyser les délibérations et les modélisations morales des praticiens du design graph
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38

Meyfeld, Dirk. "Volksgeist und Judenemanzipation." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät I, 2014. http://dx.doi.org/10.18452/17077.

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Philosophie und Frühantisemitismus bilden den Themenbereich der Arbeit. Der Frühantisemitismus reicht von 1780 bis 1850. Speziell verweigert er die Bürgerrechte für Juden. In diesem Sinn wenden Deutsche Liberale sich während der Entstehungsphase der bürgerlichen Gesellschaften im frühen 19. Jahrhundert gegen die jüdische Emanzipation: F. L. Jahn, E. M. Arndt, K. Follen, C. F. Rühs und J. F. Fries. Im Gegensatz zu ihnen votiert Hegel mit seinen Grundlinien der Philosophie des Rechts entschieden für sie. Er schließt damit an die Erklärung der Menschenrechte in den USA und Frankreich an und führ
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Leroy, Kim. "La condensation: un outil conceptuel pour la théorie de l'art." Doctoral thesis, Universite Libre de Bruxelles, 2006. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210885.

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La condensation :un outil conceptuel pour la théorie de l’art / Résumé.<p><p>Notre étude sur la condensation tente de montrer l’intérêt d’une voie peu explorée dans le débat sur la nature de l’art, à savoir l’économie sensible des représentations symboliques. Nous donnons tout d’abord consistance au concept de condensation en suivant les écrits de Freud. Freud, un des rares auteurs à avoir thématisé cette notion, fournit dans L’interprétation des rêves les linéaments principaux du concept. Dans l’analyse de cet ouvrage, notre effort se porte sur la distinction entre une approche plastique et u
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Rhodes, James W. Jr. "An Analysis of Visual and Verbal Appropriates in Mark Tansey's Philosophers Paintings." VCU Scholars Compass, 1997. http://scholarscompass.vcu.edu/etd_retro/37.

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Critics have considered the work of Mark Tansey either simplistic or accessible only to viewers with extensive art historical backgrounds. His paintings hang in the best museums of the world, from the Metropolitan Museum of Art to the Museum Moderner Kunst, Vienna. However, an inherent conflict arises. For critics, Tansey must be either accessible or inaccessible, and not both. Yet, Tansey's paintings operate precisely on this edge between the extraordinarily simple and the overwhelmingly complex. To understand the complexities of this dilemma it would be helpful to analyze Tansey's paint
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41

De, Varent Charlotte. "Pluralité des concepts liées aux unités de mesure : liens entre histoire des sciences et didactique, le cas de l’aire du carré dans une sélection de textes anciens." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCC106/document.

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Cette thèse traite des apports réciproques de la recherche en histoire des mathématiques anciennes (Cunéiforme, Chinois, Sanskrit) et de la recherche en didactique ; sur le sujet des unités de mesure. Une analyse historique de tablettes paléo-babyloniennes de Nippur est proposée, s’appuyant sur des outils de didactique. Une analyse historico-épistémologique autour de textes anciens traitant des unités de mesure dans l’aire du carré et du rectangle est menée, et mise en lien avec les travaux de didactique de référence. Une analyse de manuels scolaires de CM2 ainsi qu’une expérimentation en clas
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42

Weiss, Claude. "Déjà-vu et écologie du sens : De la croyance perceptive à la confiance adaptative." Electronic Thesis or Diss., Lyon 2, 2022. http://www.theses.fr/2022LYO20024.

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Le phénomène de déjà-vu exacerbe une réalité par laquelle il devient difficile d’admettre que le sens puisse être totalement contenu « dans » ni même « par » un système. L’expérience vivante n’est pas une situation de sens structurée par un ensemble fini de règles puisque le déjà-vu nous montrerait que, justement, si système il y avait, une programmation pourrait manquer son résultat. Il ne s’agit pas là d’un programme qui « échouerait », mais plutôt d’une programmation qui « manquerait » quelque chose. Dans le cas du déjà-vu, la non-conformité d’un résultat escompté, induit non pas une résolu
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43

Meyer, Reiner. "Die Reklamekunst der Keksfabrik Bahlsen in Hannover von 1889-1945." Doctoral thesis, [S.l. : s.n.], 1999. http://webdoc.sub.gwdg.de/diss/2001/meyer/meyer.pdf.

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44

Hopwood, Paul Andrew. "Frank Bridge and the English pastoral tradition." University of Western Australia. School of Music, 2007. http://theses.library.uwa.edu.au/adt-WU2008.0017.

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This study's thesis is that instances of pastoralism in the works of Frank Bridge from 1914 to 1930 demonstrate a gradual darkening of his pastoral vision, and evince his increasingly complex relationship with the genre of pastoral music that flourished in English music in the early twentieth century (referred to in this study as 'the English pastoral tradition'). The study traces the change from the sensual and romantic idyll of Summer (1914-15), through progressively more ambiguous and darker manifestations of pastoral, and eventually to a bleak anti-pastoral vision in Oration (1930). This t
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Maluli, Cesar Marina. "Sens et signification musicale dans les partitions graphiques : aspects visuels de l'invention musicale." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040231.

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Ce travail est dédié à l’analyse des partitions graphiques et de l’interaction son-image qui en résulte. Notre corpus de recherche comprend aussi bien des partitions qui utilisent une notation plus plastique que le sous-type textuel ou verbal et quelques partitions mixtes lesquelles permettent un regard sur la relation établie entre le texte et l'image; comme la musique instrumentale est un art performatif, nous examinerons également les aspects énonciatifs présents dans l’écriture de l’œuvre menée par le compositeur et dans son interprétation, au moment de sa lecture et de son exécution par l
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46

Gastaldi, Juan Luis. "Une archéologie de la logique du sens : arithmétique et contenu dans le processus de mathématisation de la logique au XIXe siècle." Thesis, Bordeaux 3, 2014. http://www.theses.fr/2014BOR30035/document.

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Ce travail s’engage dans la reconstitution d’une intelligibilité globale nouvelle pour la logique qui est née avec Frege afin de restituer l’une des conditions décisives pour la philosophie contemporaine, à savoir celle qui concerne son rapport aux pratiques et aux savoirs formels. Son hypothèse initiale affirme que le projet premier et constant de Frege a été celui d’une logique du contenu. Pourtant, il ne s’agit pas de réinvestir l’œuvre de Frege d’une cohérence nouvelle dans le but de rétablir une unité stable. Car l’intelligibilité procurée par cette reconstitution permet de localiser dans
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Perusset, Alain. "Sens et significations de nos formes de vie : dialogue intersémiotique." Thesis, Bourgogne Franche-Comté, 2019. http://www.theses.fr/2019UBFCH001.

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Exercer la sémiotique sans s’intéresser au monde de la vie, c’est condamner l’analyse à l’insignifiance, car le sens est cette direction indéterminée que tracent nos vies, individuelles et collectives, depuis que nous existons. Les textes et les objets qui composent le monde portent en conséquence tous, bien qu’à des degrés d’évidence variables, l’empreinte d’une multitude de vies humaines.Dans sa foulée, la vie humaine marque ainsi les textes et les objets qui croisent son chemin, ainsi que les activités qu’elle accomplit pour parvenir à ses fins et, ce faisant, persister dans son cours. Sur
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Cregan, Anne Computer Science &amp Engineering Faculty of Engineering UNSW. "Weaving the semantic web: Contributions and insights." Publisher:University of New South Wales. Computer Science & Engineering, 2008. http://handle.unsw.edu.au/1959.4/42605.

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The semantic web aims to make the meaning of data on the web explicit and machine processable. Harking back to Leibniz in its vision, it imagines a world of interlinked information that computers `understand' and `know' how to process based on its meaning. Spearheaded by the World Wide Web Consortium, ontology languages OWL and RDF form the core of the current technical offerings. RDF has successfully enabled the construction of virtually unlimited webs of data, whilst OWL gives the ability to express complex relationships between RDF data triples. However, the formal semantics of these lan
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Duhautpas, Frédéric. "L'expression en musique : entre sens et immanence : une problématique de la musique au regard du modèle du langage et au-delà." Thesis, Montpellier 3, 2010. http://www.theses.fr/2010MON30056.

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Nous nous proposons, au cours de cette thèse, de réunir les éléments d’une réflexion autour de la notion d’expression en musique. Le terme « expression » fait partie du vocabulaire courant de l’esthétique musicale. Pourtant son sens reste parfois ambigu. Le même mot peut être l’objet d’élaborations très différentes selon les contextes et les approches esthétiques. Les questions d’expression ont souvent été abordées à la lumière de conceptions sémantiques et langagières. Les liens historiques que la musique a entretenus avec le modèle verbal ont, en effet, largement favorisé ce type d’approche.
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50

Ortiz, de Pinedo Aitor. "Jean Etxepareren "Beribilez" (1931) : bidaia eta ideologia." Thesis, Bordeaux 3, 2018. http://www.theses.fr/2018BOR30027/document.

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Dans cette thèse est analysé le deuxième et dernier livre Beribilez (En voiture) de Jean Etchepare (1877-1935). Le but de la recherche est d’établir l'idéologie de l'auteur à l’âge adulte et l’image qu’il donne tout au long de ce récit de voyage, fait en voiture à travers le Pays Basque. On a utilisé deux méthodologies principalement : la sémiotique (Philippe Hamon) et l´imagologie (Daniel-Henri Pageaux). On a relu les critiques portant sur l´œuvre de cet auteur pour les comparer avec nos intuitions. Nous avons sondé la formation intellectuelle de Jean Etchepare, et nous avons vu qu'au Pays Ba
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