Academic literature on the topic 'Sharpe Gallery'

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Journal articles on the topic "Sharpe Gallery"

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BILOTTA, ELEONORA, GIANPIERO DI BLASI, FAUSTO STRANGES, and PIETRO PANTANO. "A GALLERY OF CHUA ATTRACTORS PART V." International Journal of Bifurcation and Chaos 17, no. 05 (2007): 1383–511. http://dx.doi.org/10.1142/s0218127407018099.

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Chua Oscillator and its generalizations display a variety of chaotic behaviors, whose most startling manifestation is the presence of strange attractors. These come in many different shapes and sizes yet share a special kind of beauty. In the work reported in this paper, we explored the universe of these attractors — much of which is still virgin territory. We then recorded the most interesting and significant in a "Gallery of Chua attractors". In papers, published in previous issues of this journal, we showed how different versions of the Oscillator follow different "routes to chaos". Parts I
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Saulaka, Oky Tri Suci, Mesra Amirudin Mesra, and Daulat Saragi Daulat. "Analisis Kerajinan Boneka Berbahan Koran Bekas Produk Galeri J-ART." Journal of Education, Humaniora and Social Sciences (JEHSS) 3, no. 2 (2020): 294–300. http://dx.doi.org/10.34007/jehss.v3i2.205.

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This study aims to describe the craft of dolls made from used newspapers from the indicators of shape, and plasticity carried out in the J-Art Gallery. This research is a qualitative descriptive study. The subjects of this study were 3 doll craft works made from used newspapers from J-Art Gallery. The accuracy of the shape of the doll and its plasticity are the objects in this study. Data collection methods used are observation, documentation, and interviews. Analysis of the data used is descriptive qualitative analysis techniques. The results of this study indicate that the accuracy of the sh
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Crosby, Brian. "Private Concerts on Land and Water: The Musical Activities of the Sharp Family, c.1750–c. 1790." Royal Musical Association Research Chronicle 34 (2001): 1–118. http://dx.doi.org/10.1080/14723808.2001.10540993.

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Hitherto there have only been glimpses into the musical activities of William, James and Granville Sharp in London during the second half of the eighteenth century. These have been afforded by Prince Hoare's Memoirs of Granville Sharp, William Shield's anecdotal review of Granville's A Short Introduction to Vocal Music, the brothers' own catalogue of their music and the Leigh and Sotheby Sale Catalogue of 1814 which marked that music's dispersal, and, more recently, by the publication of the memoirs of R.J.S. Stevens who sang as a treble at the Sharps' concerts in 1772. From these sources it t
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Portesine, Chiara. "Poems in the Shape of Collage: The Case of Antonio Porta." Italica 99, no. 4 (2022): 505–22. http://dx.doi.org/10.5406/23256672.99.4.06.

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Abstract Since he was a young poet, Antonio Porta has always shown a strong interest in visual arts, in particular for abstract and conceptual painting. Porta began to experiment with collage in 1959, attending some key exhibitions at the Galleria Blu (Milan) and at the Galleria Arco d'Alibert (Rome) together with other Novissimi poets, including Alfredo Giuliani and Nanni Balestrini. This creative phase is often overlooked by critics and scholars. From this viewpoint, this article will show how these works brightly anticipate some crucial stylistic strategies that Porta will adopt in his line
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Korn, Randi. "Evaluation Methods and Findings Shape a Junior Gallery." Visitor Studies 5, no. 1 (1992): 180–90. http://dx.doi.org/10.1080/10645579209445772.

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Chen, Yang, Gang Liu, and Hong Gao. "Research and Analysis on Fire Simulation of Underground Pipe Gallery Based on Pyrosim Software." Journal of Physics: Conference Series 2185, no. 1 (2022): 012069. http://dx.doi.org/10.1088/1742-6596/2185/1/012069.

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Abstract In order to analyze the influence of the abrupt section of the underground pipe gallery on the spread of smoke, this paper uses fire simulation software to establish a numerical model to study and analyze the pipe gallery with abrupt sections. The simulation results show that under the condition of working condition 2, the temperature of the pipe gallery increases and then decreases. The highest temperature is at 182s, and the highest temperature is 698.51°C; in the sudden change section, the smoke spreading rate decreases, and the smoke peak The surface presents a “convex” shape; due
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Vartiainen, Elina. "Improving the User Experience of a Mobile Photo Gallery by Supporting Social Interaction." International Journal of Mobile Human Computer Interaction 1, no. 4 (2009): 42–57. http://dx.doi.org/10.4018/jmhci.2009062604.

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Today, image gallery applications on mobile devices tend to be stand-alone and offline. For people who want to share photos with others, many add-on tools have been developed to connect the gallery applications to Internet services to enable photo-sharing. The authors argue that photo-centric social interaction is best supported when the gallery application is fully integrated with an Internet service. In this case, no additional tools are needed and the user’s image content is fully synchronized with the service. They designed and implemented a service-integrated mobile gallery application wi
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Takezawa, Akihiro, and Mitsuru Kitamura. "Cross-Sectional Shape Optimization of Whispering-Gallery Ring Resonators." Journal of Lightwave Technology 30, no. 17 (2012): 2776–82. http://dx.doi.org/10.1109/jlt.2012.2207372.

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Friedman, Lee, Hal Stern, Vladyslav Prokopenko, Shagen Djanian, Henry Griffith, and Oleg Komogortsev. "Biometric Performance as a Function of Gallery Size." Applied Sciences 12, no. 21 (2022): 11144. http://dx.doi.org/10.3390/app122111144.

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Many developers of biometric systems start with modest samples before general deployment. However, they are interested in how their systems will work with much larger samples. To assist them, we evaluated the effect of gallery size on biometric performance. Identification rates describe the performance of biometric identification, whereas ROC-based measures describe the performance of biometric authentication (verification). Therefore, we examined how increases in gallery size affected identification rates (i.e., Rank-1 Identification Rate, or Rank-1 IR) and ROC-based measures such as equal er
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Aguiar da Cunha, Helder. "bysteel materializes Sir Richard Rogers’ gesture." Metálica, no. 25 (September 30, 2022): 14–17. http://dx.doi.org/10.30779/cmm_metalica_mi25_02.

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Installed at Château La Coste near Aix-en-Provence, the work is “a meeting between art and science” It was 2011 when Sir Richard Rogers, Nobel Laureate in Architecture, was asked by his good friend — Paddy McKillen — to design an art gallery at his estate Château La Coste, a wine estate where besides an extensive vineyard there is a hotel (W*214), restaurants and a cultural itinerary with works by stratospheric artists such as Louise Bourgeois, Renzo Piano, Oscar Niemeyer, Tadao Ando among many others. The gallery would have to fulfill only two requirements: serve the purpose of an art gallery
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Dissertations / Theses on the topic "Sharpe Gallery"

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Kelloniemi, Per, Jesper Birch, and Josef Quennerstedt. "Rörelsemönstrets betydelse : Att öka attraktiviteten i en galleria med Space syntax." Thesis, Tekniska Högskolan, Högskolan i Jönköping, JTH, Byggnadsteknik, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-19113.

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The functional connection between the building and the streetscape affects the city and its attractiveness. Stores located in shopping malls with their entrances facing internal walkways, creates segregation between the mall and the streetscape. This segregation implies that the shopping mall loses some of its attractiveness, which may result in a so-called Greyfield mall. The expression Greyfield mall is used for shopping malls that have lost its visitors. Competition from new modern malls and a lack of investments are examples of factors that influence the development of Greyfiled malls. To
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Pape, Eléonore. "A shared ideology of death ? : the architectural elements and the uses of the Late Neolithic gallery graves of western Germany and the Paris Basin." Thesis, Paris 10, 2016. http://www.theses.fr/2016PA100171.

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Au sein du vaste phénomène pan-européen de l’émergence de nombreuses sépultures collectives apparaissent à partir de la deuxième moitié du 4e millénaire av. J.-C. des structures dites allées sépulcrales dans deux régions distinctes, notamment en Hesse et Westphalie, dans le Bassin parisien et avec de faibles effectifs en Belgique et aux Pays-Bas. Ces caveaux de matériaux diverses et de forme rectangulaire sont organisés en une antichambre courte réservée au dépôt de mobiliers collectifs et en une vaste chambre funéraire réservée aux dépôts successifs de nombreux défunts. Les similitudes archit
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Kasalová, Nicol. "MORAVSKÉ VINAŘSKÉ CENTRUM BRNO." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2016. http://www.nusl.cz/ntk/nusl-354971.

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The study design includes the new building of the Moravian wine and cultural center on the Hlinky street in Brno. There are spaces designed for wineries (producing, maturing and storing wine), administration, congress center (with business lounges), spa, restaurant and gastro-studio, shops, exhibition, hotel and parking. The building is trapezoidal shape and replace the existing object in a vacant lot, only some historical cellars will be retained. The supporting structure consists of reinforced concrete skeleton system and reinforced concrete reinforcing inner core around the staircase leadin
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Vjaclovský, Jaromír. "Centrum Ponava Brno, Královo Pole." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2014. http://www.nusl.cz/ntk/nusl-226756.

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My diploma thesis is mainly focusing on analyzing the potential of chosen site and it’s possibilities to be used for building a community center. Designed building should serve as a starting point for revitalization of Ponava. It is designed in a way, which makes this building an icon of the whole revitalization process and also is offering a wide variety of cultural events. In a combination with proposed solution for traffic and people flow a meeting point for a wide spectrum should be achieved with designed building as a podium for city life. Office block is then stepping out a bit from this
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CHANG, YUAN CHENG, and 張淵程. "The Study of Ultra Small U-shape Whispery Gallery Mode Optical Fiber Sensor." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/sj4696.

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博士<br>國立高雄應用科技大學<br>機械與精密工程研究所<br>103<br>Optic Fibre Sensor have diameter thin, light, pH and electromagnetic effects from the general characteristics. This study depth research ultra small U-shape whispering gallery mode (WGM) optical fiber sensor, which is not etched nor taped fibre with cost down in research funding way. Start from reducing the bending redius of the fiber bending process, to the physical test in temperature sensing, carbon dioxide monitoring, saline and glucose concentration measured sensed in use. In this study, 7.5 mm bend radius from the film mode, to use the lamping pro
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Lorbeck, Jeffrey Adam. "Quasi-optical shaped-reflector antennas for a whispering-gallery-mode gyrotron output." 1992. http://catalog.hathitrust.org/api/volumes/oclc/28087695.html.

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Thesis (Ph. D.)--University of Wisconsin--Madison, 1992.<br>Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 360-364).
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Books on the topic "Sharpe Gallery"

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Gallery, Sharpe. James Albertson, Roberto Barni, Erwin Bohatsch, Francesco Bonami, Lorenzo Bonechi, Mark Dean .... Sharpe Gallery, 1985.

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J, Goodwin Shauna, ed. The shape of chic: Fashion and hairstyles in the floating world : Yale University Art Gallery, March 18-May 4, 1986. The Gallery, 1986.

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W, Rothschild Henry, and Scottish Gallery, eds. Shape & decoration: An exhibition of contemporary British studio ceramics selected by Henry W. Rothschild at the Scottish Gallery ... Edinburgh, July 7-August 2 1986. Scottish Gallery], 1986.

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Richter, Anne Nellis. The Gallery at Cleveland House. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350372771.

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In 1806, the Marquess and Marchioness of Stafford opened a gallery at Cleveland House, London, to display their internationally-renowned collection of Old Master paintings to the public.A ticket to the gallery’s Wednesday afternoon openings was a sought-after prize, granting access to the collection and the house’s dazzling interior in the company of artists, celebrities, and Britain’s elite. This book explores the gallery's interior through the lens of its abundant material culture, including paintings in gilded frames, furniture, silver oil lamps, flower arrangements, and the numerous printe
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May, Susie. Shape (Children's Art Series from the National Gallery of Victoria). National Gallery Of Victoria, 2006.

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Roscoe, Lucy. The Book Tree Press. University of Edinburgh, 2024. http://dx.doi.org/10.2218/ed.9781836450580.

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The output is a collection of fifteen creative book works which explore how the formal and sculptural properties of the book can be used to communicate narrative. The research is an iterative, cumulative, practice-based approach to making books, where repetition leads to extended insights. Illustrated books currently sit within several fields including fine art, illustration, and design. Roscoe’s research invests the spaces between these fields to interrogate the way the physical book acts as a form of visual communication through materials, binding, shape, and audience interaction. Individual
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Charney, Noah. Devil in the Gallery. Rowman & Littlefield, 2021. https://doi.org/10.5040/9798881828080.

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"It’s an in-depth look at varied time periods and artists, which readers interested in gossip, drama, or art history will enjoy." Library Journal, Starred Review Scandal, shock and rivalry all have negative connotations, don’t they? They can be catastrophic to businesses and individual careers. A whiff of scandal can turn a politician into a smoking ruin. But these potentially disastrous “negatives” can and have spurred the world of fine art to new heights. A look at the history of art tells us that rivalries have, in fact, not only benefited the course of art, from ancient times to the presen
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Keck, Ludwig. Digital Pictures Basics - 2012: Organize, Improve, Share your Photos using Windows Photo Gallery and Microsoft SkyDrive. CreateSpace Independent Publishing Platform, 2012.

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Aharon, Nir. ʻAl ha-ḥayim ṿe-ʻal ha-maṿet. 2003.

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Project M2 Level 2 Unit 1 : Designing a Shape Gallery: Geometry with the Meerkats Student Mathematician Journal. Kendall Hunt Publishing Company, 2010.

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Book chapters on the topic "Sharpe Gallery"

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Tait, David, and Meredith Rossner. "4. Digital justice." In Digital Humanities in the India Rim. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0423.04.

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Courts have increasingly made use of video technologies to allow witnesses and defendants to take part in hearings. This use increased dramatically as a result of COVID-19. Not only did individuals appear on screens in physical courtrooms, but courts themselves sometimes went virtual. We examine what happens to interactions and rituals when the physical courtroom disappears. We compare the standard form of video conference based on isolating participants into boxes in a gallery, with an alternative approach, the metaverse court, which brings participants together into a shared space.
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Crooks, Andrew, Alison Heppenstall, Nick Malleson, and Ed Manley. "Agent-Based Modeling and the City: A Gallery of Applications." In Urban Informatics. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-8983-6_46.

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AbstractAgent-based modeling is a powerful simulation technique that allows one to build artificial worlds and populate these worlds with individual agents. Each agent or actor has unique behaviors and rules which govern their interactions with each other and their environment. It is through these interactions that more macro-phenomena emerge: for example, how individual pedestrians lead to the emergence of crowds. Over the past two decades, with the growth of computational power and data, agent-based models have evolved into one of the main paradigms for urban modeling and for understanding t
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Desmond, Adrian. "22. British Aborigines." In Reign of the Beast. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0393.22.

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Saull’s switch from geology to primeval archaeology was not so strange. The upper geological strata and lowest archaeological layers were thought to share a porous border in the 1840s. Nor was the move any less central to his Owenite goal of proving nature’s perfectibility. He saw himself dealing with what he called British “aborigines”, and their rise from “savagery” towards modern mercantile man through changing cultural conditioning. In practice he developed a system, almost unique at this time, of Celtic cultural stages in pre-Roman Britain. Here we deal with his path to this singular posi
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Pozzi, Laura. "China, the Maritime Silk Road, and the Memory of Colonialism in the Asia Region." In Regions of Memory. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-93705-8_6.

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AbstractThis chapter analyzes how the city museums of Shanghai, Hong Kong, and Galle Fort deal with the memory and legacy of colonialism in the framework of the expanding economic and political power of the People’s Republic of China (PRC) in Asia. In the PRC, the historical memory of the country’s colonial past has been shaped by the Chinese Communist Party (CCP). In contrast to the transnational nature of the communist ideology, the CCP’s interpretation of history is strongly nationalist. China’s political expansion in the ex-British colony of Hong Kong and its economic ties to other Asian c
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"Wedge-Shaped Gallery Grave." In Encyclopedic Dictionary of Archaeology. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-58292-0_230052.

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Lehman, David. "Rogues’ Gallery." In The Mysterious Romance of Murder. Cornell University Press, 2022. http://dx.doi.org/10.7591/cornell/9781501763625.003.0028.

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This chapter lists some of the author's favorite noir villains, from Gregory Anton in 1944's Gaslight to Julian Wilde from Lured (1947). It explores the enduring appeal of these villains, as these characters are a significant presence in crime dramas. In such films the villains have to be wicked, but they also have to make that wickedness interesting. Whether by being singular in some way, or by virtue of fine acting, or because what they do is so despicable, they offend even those who might ordinarily root for the scoundrel. However, as the chapter shows, some of them can simply impress the a
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Calè, Luisa. "The Literary Galleries and the Field of Art." In Fuseli’s Milton Gallery. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780199267385.003.0002.

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Abstract IN 1737, picture dealers were flooding the country with ‘Ship Loads of dead Christs, Holy Families, Madona’s, and other dismal Dark Subjects’. Eight years later, after making this complaint under the name of ‘Britophil’, William Hogarth painted his self-portrait and chose to rest his bust, and therefore his fame, on volumes of Shakespeare, Milton, and Swift. Associating with the poets, Hogarth gave visual shape to what was a recurrent reply to Dubos and later Montesquieu and Winckelmann. While these foreigners claimed that art was alien to the British national character due to a clima
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Calè, Luisa. "Conclusion." In Fuseli’s Milton Gallery. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780199267385.003.0007.

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Abstract THIS book locates the act of reading within the vibrant experience of exhibitions which characterized public culture in late eighteenth-century London. After the new copyright laws of the 1770s offered authors to the public domain, an increasing number of texts circulated in the shape of cheap editions, anthologies, and abridgements. This wider market in turn identified in readers a constituency of viewers, and in subscriptions for literary prints and texts a way of funding historical and epic painting. The cultural practices emerging from this new culture of exhibitions and anthologi
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Calè, Luisa. "The Reader Turned Spectator: Visual Narratives." In Fuseli’s Milton Gallery. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780199267385.003.0004.

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Abstract Chapter 2 used Iser’s reader response to analyse the role and trans- formation of texts at exhibitions. That analysis is here pushed further as we move from the catalogue to the pictures. Much as gallery catalogues exemplify the ways in which texts construct their implied readers, so do literary galleries construct their implied spectators. This chapter sets the visual narrative explored by theorists alongside dictionary entries, developments in museum layouts as well as the visual spectacles of the day: magic lanterns, panoramas, and the Eidophusikon. In The Shows of London (1978), R
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Gravett, Paul. "Hypercomics: The Shape of Comics to Come." In Comic Art in Museums. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828118.003.0022.

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In 2010, the British curator, Paul Gravett, stretched the rules established for exhibiting comic art as far as possible, experimenting with the basic elements of sequential art itself. A variation on “gallery comics” (comics created specifically for gallery display), Gravett’s Hypercomics: The Shape of Comics to Come broke comics out of the page-by-page format and played with the concepts of multi-linear narrative and self-guided navigation. Taking its cue from the digital devices that are dominating our attention, Gravett wonders if this style of show might be the future of comics and comics
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Conference papers on the topic "Sharpe Gallery"

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van Schoonhoven, Frederik, Yoshitaka Tomishige, Alejandro Sánchez Postigo, et al. "Horizontal Coupling of a Printed Passive Wedge-shaped Microdisk Resonator to Photonic Integrated Circuits." In CLEO: Science and Innovations. Optica Publishing Group, 2024. http://dx.doi.org/10.1364/cleo_si.2024.sm2i.5.

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We successfully integrated a printed, wedge-shaped microdisk resonator into a photonic circuit, allowing coupling of spatially separated whispering gallery modes into an SU-8 ridge waveguide and interfacing with integrated optical circuits.
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Wang, Nan, Zhizheng Wang, Bin Zhou, Yuwen Qin, and A. Ping Zhang. "3D Micro-Printed Limacon-Shaped Whispering-Gallery-Mode Microcavity for Cavity-Enhanced Fluorescence Spectroscopic Sensing." In Optical Sensors. Optica Publishing Group, 2024. https://doi.org/10.1364/sensors.2024.sf1c.4.

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A 3D micro-printed Limacon-shaped whispering-gallery-mode (WGM) microcavity is presented. It can achieve both high Q value and directional emission and thus is promising for on-chip cavity-enhanced fluorescence spectroscopic sensing applications.
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Ra, Sarah A., and Seung K. Ra. "Cultural Influence in the Digital Age." In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.91.

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How do we study the cultural impact on urban environments in the digital age? In Charles Renfro’s discussion of the influence of film in his work, he notes that, “any film with an edit has a point of view. It can’t simply be an index of a place”.1 The tools that we use to capture impressions, whether of culture or space, put their own unique filter on the message. As a novel approach to our study abroad course, we looked to investigate the exclusive use of digital media as a tool for students to convey their experiences. The diversity of contemporary Asian cities, with their dynamic juxtaposit
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Borgmann, Tim. "Shape.69c, Shape.53a#2." In ACM SIGGRAPH 2006 Art gallery. ACM Press, 2006. http://dx.doi.org/10.1145/1178977.1178996.

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Martino, Jacquelyn A. "The immediacy of the artist's mark in shape computation." In ACM SIGGRAPH 2010 Art Gallery. ACM Press, 2010. http://dx.doi.org/10.1145/1836786.1836788.

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West, Ruth, J. P. Lewis, Todd Margolis, et al. "Multiscale meta shape grammar objects for "...a grain of sand turns the balance" and ATLAS in silico." In ACM SIGGRAPH 2009 Art Gallery. ACM Press, 2009. http://dx.doi.org/10.1145/1667265.1667297.

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Kordigel Aberšek, Metka. "WRITING VERSUS TYPING IN THE BIOLOGY CLASSROOM: A CASE STUDY IN SLOVENIA." In Proceedings of the 2nd International Baltic Symposium on Science and Technology Education (BalticSTE2017). Scientia Socialis Ltd., 2017. http://dx.doi.org/10.33225/balticste/2017.65.

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The act of writing is a complex cognitive process, relying on perceptual sensorimotor combinations (Mangen et. all, 2015). Writing is the process of externalizing the content of our thinking, what we know, what we think, what we feel … Writing always involves the skilful handling of mechanical/technical devices, and necessarily results in a visuographic representation: some kind of readable text in a form of letters or symbols (Mangen, Velay, 2010). The neuroscientific research points out writing is a process that requires the integration of visual, proprioceptive (haptics/kinaesthetic) and ta
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Yacoby, Eyal, and Yosef London. "Saddle-shape whispering gallery mode resonators: µm- to cm- scale." In Electro-optical and Infrared Systems: Technology and Applications XX, edited by Duncan L. Hickman, Helge Bürsing, Ove Steinvall, and Gary W. Kamerman. SPIE, 2023. http://dx.doi.org/10.1117/12.2682043.

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Tan, Bo Xue, and Andrew W. Poon. "Visualizing Whispering-Gallery Modes through Second- Harmonic and Sum-Frequency Generation in Al0.4Ga0.6As- on-Insulator Microdisk Resonators." In CLEO: Science and Innovations. Optica Publishing Group, 2023. http://dx.doi.org/10.1364/cleo_si.2023.sth1f.6.

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We report second-harmonic and sum-frequency generation in Al0.4Ga0.6As-on-insulator microdisk resonators at ~775 nm wavelengths. Our experiments reveal clear polygonal-shaped whispering-gallery mode profiles.
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Li, Cheng, Jiang Qiu, Adley Gin, Phuong-Diem Nguyen, and Judith Su. "Particle shape analysis using whispering gallery mode polarization sensing (Conference Presentation)." In Nanoscale Imaging, Sensing, and Actuation for Biomedical Applications XVII, edited by Dror Fixler, Sebastian Wachsmann-Hogiu, and Ewa M. Goldys. SPIE, 2020. http://dx.doi.org/10.1117/12.2545252.

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Reports on the topic "Sharpe Gallery"

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Brison, Jeffrey, Sarah Smith, Elyse Bell, et al. The Global Engagement of Museums in Canada. University of Western Ontario, 2021. http://dx.doi.org/10.5206/vdjm2980.

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The Global Engagement of Museums in Canada examines Canadian museum diplomacy, assessing the international activities of Canadian museums to consider the ways these institutions act as cultural diplomats on the global stage. The report presents the results of a multi-partner collaborative research project addressing the work of ten institutions, including the Art Gallery of Alberta; Aga Khan Museum; Canadian Museum of History; Canadian Museum of Immigration at Pier 21; Montreal Museum of Fine Arts; Museum of Anthropology at UBC; National Gallery of Canada; Ottawa Art Gallery; Pointe-à-Callière
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