Relevant bibliographies by topics / Sherpa Arts

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Sherpa Arts'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "Sherpa Arts"

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Deng, Qian, and Loo Fung Chiat. "Revealing The Exotic Rhythm and Tonality in Bright Sheng’s Dance Capriccio." Harmonia: Journal of Arts Research and Education 23, no. 2 (2023): 264–78. http://dx.doi.org/10.15294/harmonia.v23i2.47152.

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For the different embodiments of exotic styles in musical compositions, composers have provided a number of examples of patterns and new directions, broadly summarizing it as the musical characteristics of a different region, whether apparent or not, that are reflected in a musical work. Bright Sheng is one of the leading Chinese-American whose significant works exhibits a strong exotic style using Western compositional technique. This article analyses Sheng’s Dance Capriccio composed in 2011, featuring Sherpa folk music. The analysis focuses on how Sherpa folk song and dance are reflected in
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Adams, Vincanne. "Dreams of a Final Sherpa." American Anthropologist 99, no. 1 (1997): 85–98. http://dx.doi.org/10.1525/aa.1997.99.1.85.

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Sherpa, Pasang. "Climate Change, Perceptions, and Social Heterogeneity in Pharak, Mount Everest Region of Nepal." Human Organization 73, no. 2 (2014): 153–61. http://dx.doi.org/10.17730/humo.73.2.94q43152111733t6.

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Based on 15 months of research conducted between 2010 and 2012, this paper examines how climate change is unfolding for Sherpas in Pharak, the southern part of Nepal's Everest region. Sherpas are noticing environmental changes, undergoing socioeconomic transformation, being introduced to climate change, and becoming exposed to multiple forms of environmental knowledge from various sources. Thus, climate change in this research emerges as an issue not contained within a single geographic territory or an academic discipline but as the product of multiple knowledge systems in addition to observab
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Katsuhiko, Kano, and Sherry B. Ortner. "High Religion: A Cultural and Political History of Sherpa Buddhism." Asian Folklore Studies 49, no. 2 (1990): 362. http://dx.doi.org/10.2307/1178062.

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Messerschmidt, Donald A. ": Sherpa . Robert Godfrey. ; The Lion's Roar . Kenneth H. Green." American Anthropologist 89, no. 1 (1987): 264–65. http://dx.doi.org/10.1525/aa.1987.89.1.02a01220.

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Allen, N. J. ": High Religion: A Cultural and Political History of Sherpa Buddhism . Sherry B. Ortner." American Anthropologist 94, no. 4 (1992): 967–68. http://dx.doi.org/10.1525/aa.1992.94.4.02a00450.

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Mingma, Thundu Sherpa, and Das Sayak. "FAALGEE – SHERPA COMMUNITY'S CEREAL BASED ETHNIC DISH: A NON-FERMENTED FOOD." Biolife 2, no. 4 (2022): 1045–49. https://doi.org/10.5281/zenodo.7229189.

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&nbsp; <strong>ABSTRACT</strong> <em>Faalgee</em> is an ethno traditional dish of Sherpa community. It is predominantly prepared and consumed by the traditionally enriched people residing in the Himalayan region of Sikkim. Thus only few members of the old tribes of Sherpa community residing in this Himalayan region have this traditional knowledge to prepare this cereal based non-fermented dish, <em>Faalgee</em>. Our emphasis in this paper is to document this indigenous knowledge of preparation of this ethnic dish of Sherpa communities. It is basically prepared from maize seeds during August to
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Basu, Priyanka, and Sheema Kermani. "Dance, Gender, and Activism in Pakistan: Interview with Performer-Activist Sheema Kermani." Feminist Encounters: A Journal of Critical Studies in Culture and Politics 7, no. 1 (2023): 11. http://dx.doi.org/10.20897/femenc/12889.

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Sheema Kermani (1951-) is a performer and activist based in Karachi, Pakistan. Through her organisation, &lt;i&gt;Tehrik-e-Niswan&lt;/i&gt; she has worked towards raising awareness of violence against women and women’s empowerment. &lt;i&gt;Tehrik-e-Niswan&lt;/i&gt; is a cultural organisation invested in social justice through the arts. As a dancer and theatre actor, Sheema Kermani uses her training, choreography, and pedagogy to foreground the activist potential of performing arts. Scholarship on dance and political activism within the larger global context (for example in South Africa and Ne
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Thomas, Rosie. "Book Review: Madhusree Dutta, Kaushik Bhaumik and Rohan Shivkumar (Eds), Project Cinema City." BioScope: South Asian Screen Studies 8, no. 1 (2017): 171–73. http://dx.doi.org/10.1177/0974927617699644.

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Gassis, Raven, Matthew B. Bayliss, Keren Sharon, et al. "Shapes and Centroids of 39 Strong Lensing Galaxy Clusters from the Sloan Giant Arcs Survey." Proceedings of the International Astronomical Union 18, S381 (2022): 94–101. http://dx.doi.org/10.1017/s1743921323004039.

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AbstractStrong lensing galaxy clusters provide a powerful observational test of Cold Dark Matter (CDM) structure predictions derived from simulation. Specifically, the shape and relative alignments of the dark matter halo, stars, and hot intracluster gas tells us the extent to which theoretical structure predictions hold for clusters in various dynamical states. We measure the position angles, ellipticities, and locations/centroids of the brightest cluster galaxy (BCG), intracluster light (ICL), the hot intracluster medium (ICM), and the core lensing mass for a sample of strong lensing galaxy
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Dissertations / Theses on the topic "Sherpa Arts"

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Urquidi, Nicole Lauren. "Cindy Sherman| Portraits in question." Thesis, California State University, Long Beach, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1527024.

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<p> Since her <i>Untitled Film Stills</i> of the 1980s, Cindy Sherman has assumed the roles of artist and model to present a continuum of complex female personas that are embedded within our cultural unconscious. Though we are often reminded that her photographs are not self-portraits, Sherman continues to employ many stylistic conventions of portrait photography. I use this as a means to re-contextualize Sherman's practice within a critical study of portrait photography that will open up new possibilities in reading her work. Using the photographic index, Charles Sanders Peirce's classificati
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Fleischman, Kimberly Ann. "Sheep Hill Community Tree." VCU Scholars Compass, 2004. http://scholarscompass.vcu.edu/etd/1357.

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An urban community is a fusion of new and old that is constantly changing. We understand better the plight of a community through raising awareness of its unique history and visual character. Linking individual and community experiences offers an opportunity for dialogue, especially as long-time residents and their new neighbors learn about their different pasts and explore their common future. Community building happens from within, when many individuals sharing common values create positive change.
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Iqbal, Samina. "Modern Art of Pakistan: Lahore Art Circle 1947-1957." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4359.

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This dissertation focuses on the modern art of Pakistan from 1947-57, more specifically, the role of six important artists who founded the Lahore Art Circle (LAC) in 1952. The group played a pivotal role in the formulation of modernism in Pakistan after its establishment as an Islamic Republic. Framed within postcolonial theories and criticism, this study will address the role of modern art in developing new artistic sensibilities in the nation of Pakistan. In order to understand the context of LAC’s framing of “modernism” and “nationalism” in terms of specific historic and hybrid nexus,my res
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Rutherford, Janis Pruitt. "Academic Achievement: Examining the Impact of Community Type at a Small Liberal Arts College in Texas." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc279165/.

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Hierarchical regression was used to determine if high school community type is an effective predictor of academic success when controlling for demographics, prior academic achievement, socioeconomic status, and current commitment or work habits for students entering Austin College in 1992,1993, and 1994 . Findings revealed that there is a relationship between attending high school in community types of rural and independent town controlling for the effects of SAT scores, high school rank, sex, and late application deposit on first semester grade point average.
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Siedler, Monica. "Auto-retratos de Cindy Sherman e teatratlidade:um estudo para a composição do movimento e montagem da performance "A1" (UMA)." Universidade do Estado de Santa Catarina, 2007. http://tede.udesc.br/handle/handle/1320.

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Made available in DSpace on 2016-12-08T16:52:05Z (GMT). No. of bitstreams: 1 Monica.pdf: 1656120 bytes, checksum: 5e8cc31dac409f50d0d93a6151f56c1d (MD5) Previous issue date: 2007-12-14<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Propõem a construção da performance 1A (UMA), partindo do estudo teórico da teatralidade nos auto-retratos da artista plástica americana Cibdy Sherman. A hipótese levantada é de que a teatralidade na obra de Sherman se evidencia pelo conjunto de suas fotografias, que revelam o jogo de transformação da auto-imagem da artista. O texto se divide em
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Vettori, Irene <1996&gt. "Arte, fotografia e attivismo negli anni Ottanta: tematiche femministe in Barbara Kruger, Cindy Sherman e Verita Monselles." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/18252.

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Nel primo capitolo il focus viene posto su un’introduzione del concetto di femminismo, così come la sua applicazione nell’arte e nella fotografia, per poi analizzare i motivi del suo sviluppo e come esso veniva interpretato dalle artiste. Viene sottolineata l’importanza dello sguardo femminile in un ambiente in cui la maggior parte delle volte lo sguardo maschile veniva preso come canone fisso da utilizzare e considerare, e viene evidenziato l’immenso apporto tematico portato dalle artiste nel mondo della fotografia e dell’arte. Nel secondo capitolo vengono presi in analisi tre casi studio di
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Arfara, Aikaterini. "Pour une convergence des arts plastiques et scéniques des années soixante à aujourd'hui : Jeff Wall, Cindy Sherman, Tony Oursler, Elizabeth LeCompte, Roméo Castelluci, Jan Fabre." Paris 1, 2006. http://www.theses.fr/2006PA010571.

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À la fusion des arts dans les années soixante a succédé, durant les années soixante-dix, une volonté artistique de transgresser les interdits des schémas institutionnels au sein des disciplines. La remise en cause du processus créatif est provoquée par un déplacement de point de vue permettant d'insérer, dans des genres spécifiques, des notions inhérentes à. D'autres champs de création. Notre étude portant sur les arts plastiques et les arts de la scène, nous proposons d'éclaircir les composantes de cette voie alternative à partir de l'œuvre des six artistes qui la révèlent aujourd'hui explici
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Lentis, Marinella. "Art Education in American Indian Boarding Schools: Tool of Assimilation, Tool of Resistance." Diss., The University of Arizona, 2011. http://hdl.handle.net/10150/203447.

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This dissertation examines the process of domestication of American Indian children in government-controlled schools through art education. At the end of the nineteenth century, Thomas J. Morgan, Commissioner of Indian Affairs (1889-1893), and Estelle Reel, Superintendent of Indian schools (1898-1910), brought changes to the curriculum of Indian schools by introducing the teaching of elementary art and instruction in "Native industries" such as pottery, weaving, and basketry. I claim that art education was as an instrument for the `colonization of consciousness,' that is, for the redefinitio
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Rivera, Florez Sandra Fabiola. "La permanencia del cambio: identidad y temporalidad en el artista shipibo-konibo Roldán Pinedo/Shoyan Sheca." Master's thesis, Pontificia Universidad Católica del Perú, 2019. http://hdl.handle.net/20.500.12404/15333.

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Para Pablo Macera, con la pintura de Roldán Pinedo y Elena Valera comienza una nueva “escuela” o estética shipiba. Sin embargo, si bien la pintura del artista shipibokonibo Roldán Pinedo/Shoyan Sheca (San Francisco, 1968) está teniendo cada vez más presencia en el medio artístico limeño, ella está siendo enfocada sobre todo desde un punto de vista iconográfico y valorada, en consecuencia, en tanto mera representación del mundo shipibo. Nosotros, desde un enfoque ecléctico, tratamos de abordar otros aspectos que hasta el momento han sido desatendidos, como el cambio, el ritmo y la tempor
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Masanès, Fabrice. "Portrait et travestissement entre peinture et photographie de Gustave Courbet à Cindy Sherman." Paris 1, 1999. http://www.theses.fr/1999PA010601.

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Nous esperons contribuer a l'etude du travestissement en proposant une reflexion sur quelques antecedents a travers la peinture et la photographie, sur leur evolution depuis le xixeme siecle, sur la place prise par l'artiste dans la construction de l'image travestie et la propagation de certains stereotypes ou images communes. Le sujet est ancre dans l'histoire de l'art mais aussi dans l'histoireculturelle. Les outils d'analyse semiotique et psychanalytique, nous ont permis d'en demontrer l'unite et la coherence. Des lors, tout en considerant la nature des transformations operees par les artis
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Books on the topic "Sherpa Arts"

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Roberts, Jack. The Sheela-na-Gigs of Britain & Ireland: An illustrated guide. Key Books, 1995.

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Macrae, Sheena. Deus ex machina: Sheena Macrae. MAC-VAL, 2006.

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Gallery, Winnipeg Art, ed. Sheila Spence, pictures of me. [Winnipeg Art Gallery], 2008.

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Gallery, Walter Wickiser. Figure variations, January 5th-January 7th, 2010: Sheila Isham, Mark Jacobson, Anna Ravliuc, Annette Turow. Walter Wickiser Gallery Inc., 2010.

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Sigrid, Dahle, St. Norbert Arts and Cultural Centre., and Dunlop Art Gallery, eds. Me me me & me: Doug Melnyk & Larry Glawson, Shirley Brown & Sheila Spence. St. Norbert Arts and Cultural Centre, 1997.

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Buquet, Benoît. Graphics: Art & design graphique aux États-Unis (1960-1980) : George Maciunas, Ed Ruscha, Sheila Levrant de Bretteville. Presses universitaires François-Rabelais, 2019.

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Ayearst, Sheila. Sheila Ayearst, Janice Gurney, Andy Patton: Connected voices, June 28-July 29, 1990, the Art Gallery of Peterborough. Art Gallery of Peterborough, 1990.

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Kiran Nadar Museum of Art (Noida, India), ed. Seven contemporaries: Anita Dube, Bharti Kher, Dayanita Singh, Ranjani Shettar, Sheba Chhachhi, Sheela Gowda & Sonia Khurana. Kiran Nadar Museum of Art, 2015.

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Foundation, Sherman Contemporary Art. Go east: The Gene & Brian Sherman Contemporary Asian Art Collection. Sherman Contemporary Art Foundation, 2015.

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Aquilizan, Alfredo Juan. Isabel and Alfredo Aquilizan: In-habit : project another country. Sherman Contemporary Art Foundation, 2012.

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Book chapters on the topic "Sherpa Arts"

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Johnson, Dominic. "Slave to Love: An Interview with Sheree Rose." In The Art of Living. Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-32222-7_6.

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Villeval, Marie Claire. "Group identity and social preferences (by Yan Chen and Sherry X. Li)." In The Art of Experimental Economics. Routledge, 2021. http://dx.doi.org/10.4324/9781003019121-20.

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Trinks, Stefan. "Sheela-na-gig Again: The Birth of a New Style from the Spirit of Pornography." In Pornographic Art and the Aesthetics of Pornography. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137367938_9.

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Dippert, Tina, Erna Gelles, and Meg Merrick. "The Role of Collaboration to Encourage Civic Engagement through the Arts." In Advances in Media, Entertainment, and the Arts. IGI Global, 2017. http://dx.doi.org/10.4018/978-1-5225-1727-6.ch022.

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Historically governments have used art's universal language to achieve various goals, including political engagement through cultural enrichment. Employing nonprofit/public sector relationships for the arts presents myriad governance challenges, but always with the promise of intrinsic and extrinsic benefits. This chapter presents two cases to illustrate such collaborative relationships. Applying various nonprofit theories, stakeholder discussions and Sherry R. Arnstein's still relevant community engagement work to explore relationships between sectors in arts funding, the first involves the p
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Dippert, Tina, Erna Gelles, and Meg Merrick. "The Role of Collaboration to Encourage Civic Engagement Through the Arts." In Civic Engagement and Politics. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-7669-3.ch027.

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Historically governments have used art's universal language to achieve various goals, including political engagement through cultural enrichment. Employing nonprofit/public sector relationships for the arts presents myriad governance challenges, but always with the promise of intrinsic and extrinsic benefits. This chapter presents two cases to illustrate such collaborative relationships. Applying various nonprofit theories, stakeholder discussions and Sherry R. Arnstein's still relevant community engagement work to explore relationships between sectors in arts funding, the first involves the p
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"William T. Sherman (1820-1891)." In Art of War in World History. University of California Press, 1996. http://dx.doi.org/10.1525/9780520354883-079.

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Ibarrola-Armendariz, Aitor. "Diasporic Native Americans in Sherman Alexie’s Short Stories." In The New American West in Literature and the Arts. Routledge, 2020. http://dx.doi.org/10.4324/9781003056775-7.

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Patrick, Martin. "Cindy Sherman: Morphing Changeling (2016)." In The Performing Observer: Writings on Contemporary Art, Performance, and Photography. Intellect Books, 2022. http://dx.doi.org/10.1386/9781789386745_17.

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"Cindy Sherman confronting feminism and (fashion) photography." In Doing Gender in Media, Art and Culture. Routledge, 2009. http://dx.doi.org/10.4324/9780203876800-19.

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"Sheila Hicks and the consecration of fiber art." In Re-envisioning the Contemporary Art Canon. Routledge, 2016. http://dx.doi.org/10.4324/9781315639772-11.

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Conference papers on the topic "Sherpa Arts"

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Oprit-Maftei, Carmen. "HANDLING IDIOMS IN JOB INTERVIEWS." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s11.28.

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In Romania, soon-to-be-graduates who aim at joining the corporate world are expected to master English for professional communication in order to make an impact on the hiring committee when they enter the increasingly competitive international labour market. Indisputably, communication skills are in high demand nowadays, in addition to some other essential soft skills such as critical thinking, motivation, mindful listening, empathy or flexibility, among others, which can improve job prospects. ESP students, in general can sometimes face difficulties when dealing with idioms as they are someti
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Fuller, Warren. "Sheeps." In ACM SIGGRAPH 99 Electronic art and animation catalog. ACM Press, 1999. http://dx.doi.org/10.1145/312379.313074.

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Epuré, Sherban. "Sherban Epuré." In the ACM SIGGRAPH 05 electronic art and animation catalog. ACM Press, 2005. http://dx.doi.org/10.1145/1086057.1086085.

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Draves, Scott. "Electric Sheep." In ACM SIGGRAPH 2004 Art gallery. ACM Press, 2004. http://dx.doi.org/10.1145/1185884.1185975.

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Arruda, Lina Alves. "We won’t play nature to your culture: questões de gênero na obra de Barbara Kruger." In Encontro da História da Arte. Universidade Estadual de Campinas, 2008. http://dx.doi.org/10.20396/eha.4.2008.3783.

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Apropriando-se de imagens difundidas pelos meios de comunicação de massa dos anos 1930/1950 e justapondo-lhes um texto lacônico, a artista norteamericana Barbara Kruger desloca o conteúdo das imagens para uma esfera crítica e constrói composições que questionam, com uma abordagem não moralista, os valores e funções sociais estabelecidos. O presente trabalho centrar-se-á na análise da obra Untitled (We won’t play nature to your culture, 1983) para discutir alguns domínios e critérios sociais elaborados a partir da idéia de uma suposta diferença relacional (superioridade e inferioridade) dos gên
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Bunkley, Brit. "Sheep Jet Head." In ACM SIGGRAPH 2006 Art gallery. ACM Press, 2006. http://dx.doi.org/10.1145/1178977.1179000.

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Hirano, Yoshihisa. "Stray sheep." In ACM SIGGRAPH 99 Electronic art and animation catalog. ACM Press, 1999. http://dx.doi.org/10.1145/312379.313089.

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Rosen, Dani. "Censor-sheep." In ACM SIGGRAPH 99 Electronic art and animation catalog. ACM Press, 1999. http://dx.doi.org/10.1145/312379.312877.

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Bie, Zhian. "On Relation between Sheep Horn Bell and Ancient Guangxi Musical Culture." In 2nd International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.81.

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Trica, Ana Gina. "DIVERSIFICATION POSSIBILITIES OF THE ACTIVITY WITHIN THE GROWTH AND OPERATION FARMS OF SHEEP." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/14/s04.032.

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