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Dissertations / Theses on the topic 'Sherpa Arts'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Urquidi, Nicole Lauren. "Cindy Sherman| Portraits in question." Thesis, California State University, Long Beach, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1527024.

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<p> Since her <i>Untitled Film Stills</i> of the 1980s, Cindy Sherman has assumed the roles of artist and model to present a continuum of complex female personas that are embedded within our cultural unconscious. Though we are often reminded that her photographs are not self-portraits, Sherman continues to employ many stylistic conventions of portrait photography. I use this as a means to re-contextualize Sherman's practice within a critical study of portrait photography that will open up new possibilities in reading her work. Using the photographic index, Charles Sanders Peirce's classificati

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2

Fleischman, Kimberly Ann. "Sheep Hill Community Tree." VCU Scholars Compass, 2004. http://scholarscompass.vcu.edu/etd/1357.

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An urban community is a fusion of new and old that is constantly changing. We understand better the plight of a community through raising awareness of its unique history and visual character. Linking individual and community experiences offers an opportunity for dialogue, especially as long-time residents and their new neighbors learn about their different pasts and explore their common future. Community building happens from within, when many individuals sharing common values create positive change.

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Iqbal, Samina. "Modern Art of Pakistan: Lahore Art Circle 1947-1957." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4359.

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This dissertation focuses on the modern art of Pakistan from 1947-57, more specifically, the role of six important artists who founded the Lahore Art Circle (LAC) in 1952. The group played a pivotal role in the formulation of modernism in Pakistan after its establishment as an Islamic Republic. Framed within postcolonial theories and criticism, this study will address the role of modern art in developing new artistic sensibilities in the nation of Pakistan. In order to understand the context of LAC’s framing of “modernism” and “nationalism” in terms of specific historic and hybrid nexus,my res

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4

Rutherford, Janis Pruitt. "Academic Achievement: Examining the Impact of Community Type at a Small Liberal Arts College in Texas." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc279165/.

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Hierarchical regression was used to determine if high school community type is an effective predictor of academic success when controlling for demographics, prior academic achievement, socioeconomic status, and current commitment or work habits for students entering Austin College in 1992,1993, and 1994 . Findings revealed that there is a relationship between attending high school in community types of rural and independent town controlling for the effects of SAT scores, high school rank, sex, and late application deposit on first semester grade point average.

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Siedler, Monica. "Auto-retratos de Cindy Sherman e teatratlidade:um estudo para a composição do movimento e montagem da performance "A1" (UMA)." Universidade do Estado de Santa Catarina, 2007. http://tede.udesc.br/handle/handle/1320.

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Made available in DSpace on 2016-12-08T16:52:05Z (GMT). No. of bitstreams: 1 Monica.pdf: 1656120 bytes, checksum: 5e8cc31dac409f50d0d93a6151f56c1d (MD5) Previous issue date: 2007-12-14<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Propõem a construção da performance 1A (UMA), partindo do estudo teórico da teatralidade nos auto-retratos da artista plástica americana Cibdy Sherman. A hipótese levantada é de que a teatralidade na obra de Sherman se evidencia pelo conjunto de suas fotografias, que revelam o jogo de transformação da auto-imagem da artista. O texto se divide em

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Vettori, Irene <1996&gt. "Arte, fotografia e attivismo negli anni Ottanta: tematiche femministe in Barbara Kruger, Cindy Sherman e Verita Monselles." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/18252.

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Nel primo capitolo il focus viene posto su un’introduzione del concetto di femminismo, così come la sua applicazione nell’arte e nella fotografia, per poi analizzare i motivi del suo sviluppo e come esso veniva interpretato dalle artiste. Viene sottolineata l’importanza dello sguardo femminile in un ambiente in cui la maggior parte delle volte lo sguardo maschile veniva preso come canone fisso da utilizzare e considerare, e viene evidenziato l’immenso apporto tematico portato dalle artiste nel mondo della fotografia e dell’arte. Nel secondo capitolo vengono presi in analisi tre casi studio di

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7

Arfara, Aikaterini. "Pour une convergence des arts plastiques et scéniques des années soixante à aujourd'hui : Jeff Wall, Cindy Sherman, Tony Oursler, Elizabeth LeCompte, Roméo Castelluci, Jan Fabre." Paris 1, 2006. http://www.theses.fr/2006PA010571.

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À la fusion des arts dans les années soixante a succédé, durant les années soixante-dix, une volonté artistique de transgresser les interdits des schémas institutionnels au sein des disciplines. La remise en cause du processus créatif est provoquée par un déplacement de point de vue permettant d'insérer, dans des genres spécifiques, des notions inhérentes à. D'autres champs de création. Notre étude portant sur les arts plastiques et les arts de la scène, nous proposons d'éclaircir les composantes de cette voie alternative à partir de l'œuvre des six artistes qui la révèlent aujourd'hui explici

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Lentis, Marinella. "Art Education in American Indian Boarding Schools: Tool of Assimilation, Tool of Resistance." Diss., The University of Arizona, 2011. http://hdl.handle.net/10150/203447.

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This dissertation examines the process of domestication of American Indian children in government-controlled schools through art education. At the end of the nineteenth century, Thomas J. Morgan, Commissioner of Indian Affairs (1889-1893), and Estelle Reel, Superintendent of Indian schools (1898-1910), brought changes to the curriculum of Indian schools by introducing the teaching of elementary art and instruction in "Native industries" such as pottery, weaving, and basketry. I claim that art education was as an instrument for the `colonization of consciousness,' that is, for the redefinitio

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Rivera, Florez Sandra Fabiola. "La permanencia del cambio: identidad y temporalidad en el artista shipibo-konibo Roldán Pinedo/Shoyan Sheca." Master's thesis, Pontificia Universidad Católica del Perú, 2019. http://hdl.handle.net/20.500.12404/15333.

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Para Pablo Macera, con la pintura de Roldán Pinedo y Elena Valera comienza una nueva “escuela” o estética shipiba. Sin embargo, si bien la pintura del artista shipibokonibo Roldán Pinedo/Shoyan Sheca (San Francisco, 1968) está teniendo cada vez más presencia en el medio artístico limeño, ella está siendo enfocada sobre todo desde un punto de vista iconográfico y valorada, en consecuencia, en tanto mera representación del mundo shipibo. Nosotros, desde un enfoque ecléctico, tratamos de abordar otros aspectos que hasta el momento han sido desatendidos, como el cambio, el ritmo y la tempor

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Masanès, Fabrice. "Portrait et travestissement entre peinture et photographie de Gustave Courbet à Cindy Sherman." Paris 1, 1999. http://www.theses.fr/1999PA010601.

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Nous esperons contribuer a l'etude du travestissement en proposant une reflexion sur quelques antecedents a travers la peinture et la photographie, sur leur evolution depuis le xixeme siecle, sur la place prise par l'artiste dans la construction de l'image travestie et la propagation de certains stereotypes ou images communes. Le sujet est ancre dans l'histoire de l'art mais aussi dans l'histoireculturelle. Les outils d'analyse semiotique et psychanalytique, nous ont permis d'en demontrer l'unite et la coherence. Des lors, tout en considerant la nature des transformations operees par les artis

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Yip, Wai-ka Olivia. "The ritual staging of the self comparing Post-1980s contemporary photography from China and the photographic imagery of Cindy Sherman /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B43209877.

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葉慧嘉 and Wai-ka Olivia Yip. "The ritual staging of the self: comparing Post-1980s contemporary photography from China and the photographicimagery of Cindy Sherman." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B43209877.

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Marianacci, Caitlyn D. "Old Masterpieces, New Mistress-pieces: Cindy Sherman's Reinterpretations of Renaissance Portraits of Women." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/840.

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This thesis examines a selection of eight photographs in the History Portraits series by American photographer, Cindy Sherman, produced from 1989 to 1990. The photographs are based on Renaissance paintings of biblical and secular women painted by old master artists such as Leonardo da Vinci, Sandro Botticelli, and Raphael. Sherman focused on the female types of Biblical mother and femme fatale, as well as wives and models. These types are defined in their relation to men and are depicted by men. In Sherman’s reinterpretations of their portraits, she retells the stories of these women in ways t

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Leuthardt, Julia. "Blues Trope as a Cultural Intersection in Alice Walker's The Temple of My Familiar and Sherman Alexie's Reservation Blues." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/335.

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Though bound historically through hundreds of years, the African-Native American relation has not received much attention by scholars of literature; hence, the emphasis of this thesis is to investigate the literary portrayal of the interethnic relation between African Americans and Native Americans through the blues trope. The blues trope provides an intriguing literary platform for the psychological and physical struggles in finding an identity within such a diverse multiethnic society like the United States. For African American writer Alice Walker and Native American author Sherman Alexie t

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Hägertorp, Sara. "Fotografi som medium för att uttrycka identitet : En jämförande analys mellan Cindy Shermans och Francesca Woodmans sätt att arbeta med identitet i relation till ett didaktiskt perspektiv." Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-96114.

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Syftet med denna uppsats är att jämföra Cindy Shermans och Francesca Woodmans sätt att arbeta med temat identitet och sätta detta i relation till ett didaktiskt perspektiv. Utifrån frågeställningarna: Vad finns det för likheter och skillnader mellan Cindy Shermans och Francesca Woodmans sätt att arbeta med identitet genom fotografi? och Hur kan man utifrån dessa fotografer arbeta med identitet i bildundervisningen? kommer en komparativ analys göras på fyra bilder. Två av Cindy Sherman och två av Francesca Woodman. Resultatet påvisar att Francesca Woodman arbetar med identitet u

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Špokauskaitė, Rasa. "Avino būdas." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2013~D_20130124_112439-66669.

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Darbo objektas – kolekcija sudaryta iš devynių grafikos darbų, atliktų skaitmenine spauda. Ciklo pavadinimas - ,,Avino būdas‘‘. Veikėjai, kuriantys visą kolekcijos veiksmą yra nenuspėjami, dažnai peraugantys iš žmogaus į aviną. Tarsi pasąmonėje gimę personažai. Vieno personažo daug skirtingų būdo kaukių. Avinas tiesiog kaip išraiškos objektas. Ši kolekcija konkrečiai su šiuo gyvūnu nieko bendro neturi. Darbas skirtas vieno žmogaus būdo analizei. Nenorit tiesmukiškai vaizduoti žmogaus, pateikimui buvo pasirinktas atitinkamas personažas. Avis, avinas, ėriukas tai vienas daugialypiškiausių gyvūnų

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Pettersson, Joanna. "The Sheela-na-gig and the creation of her history : a comparative analysis of two theories concerning the mysterious medieval figure." Thesis, Uppsala universitet, Teologiska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-329942.

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After scholars started conducting research on the medieval Sheela-na-gig carvings, a number of theories regarding the purpose and origin of the figure have been suggested. The question has been tackled through many different approaches, but still remains unfinished as there are no written records explaining what the Sheela-na-gig figure actually is. Scholars have divided into different areas, approaching the discussion from different disciplines: art history, medieval social history, and religious history (both Christian and pre-Christian) to name a few. As the figure is usually found on Chris

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Lindblom, Frida. "Konstnärliga strategier på Instagram : En jämförande studie om Arvida Byström och Cindy Shermans närvaro på Instagram." Thesis, Karlstads universitet, Institutionen för samhälls- och kulturvetenskap (from 2013), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-78876.

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This essay examines Instagrams as platforms for displaying and promoting art, this by looking at two photo artists, Arvida Byström and Cindy Sherman who are active on Instagram to varying degrees. The essay goes through how their feed is structured and how they shape their feed to reflect their identity as artists. A formal and a semiotic analysis is done on their feeds and selected images from their feeds. The result of the study shows that Arvida Byström uses here instagram to promote her art while Cindy Sherman focus more on her everyday life and shows a more casual approach to Instagram.

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Silva, Daniele Renata da. "Eu sou princesa, fora cachorrada: uma análise do discurso da pastora Sarah Sheeva nos Aconselhamentos Sentimentais." Universidade Federal de Viçosa, 2014. http://locus.ufv.br/handle/123456789/4894.

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Made available in DSpace on 2015-03-26T13:44:35Z (GMT). No. of bitstreams: 1 texto completo.pdf: 1403479 bytes, checksum: e1ee441aa1f4cdcc6d638bbd191517b3 (MD5) Previous issue date: 2014-03-27<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The intention of this paper was to analyze how the ethos, pathos and logos were used in the religious discourse of Minister Sarah Sheeva, whose intention was to seek new members to her community and to keep those who are already part of it. With this objective in mind, our corpus is composed by 6 Sentimental Counseling published by the M

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Bekker, Ané. "'n Vergelykende ondersoek na die uitbeelding van identiteit in gekose dokumentasie van die Performance art-werke van Cindy Sherman en Berni Searle / A. Bekker." Thesis, North-West University, 2008. http://hdl.handle.net/10394/2310.

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Dekle, Mark. "Gulliver’s Travels to the Screen, Giant and Tiny." Scholar Commons, 2009. https://scholarcommons.usf.edu/etd/1928.

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Gulliver's Travels, by Jonathan Swift, has captured readers' imaginations for almost three hundred years, spawning countless adaptations over several different mediums. As different means of communicating and transforming art have been invented, these adaptations have grown to fill the new mediums and make use of the various possibilities each form has created. Film in particular has created an enormous opportunity to re-imagine Gulliver's Travels, since it can directly show the audience the fictional foreign locations in which Gulliver finds himself. In this study, I examine seven screen adap

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Madsen, Viktoria Marie. "TASTE - An investigation on taste and class in relation to - kitsch, art and commodiﬁed luxury". Thesis, Malmö universitet, Institutionen för konst, kultur och kommunikation (K3), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-46105.

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This thesis takes a closer look at the phenomena of taste in relation to kitsch, art and luxury, analyzing a visual campaign, by the luxury brand Louis Vuitton. The visual campaign is made by Louis Vuitton to promote a collaboration with the postmodern artist Cindy Sherman. In her art Cindy Sherman is stepping away from modern aesthetics turning towards nostalgia and, anti- elitism. In a provocative act she brings in traits of kitsch and other pop cultural references to her art and exposes it to a conﬂicted art world. Using the well accommodated theoretical framework by sociologist Pierre Bour

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Simmons, Kathryn Elizabeth. "Textiles in Rural Bolivia: Where Does the Art of Traditional Textile Making Fit Into Today's World?" University of Akron / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=akron1418306303.

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Astore, Mireille. "The Maternal Abject." University of Sydney. Sydney College of the Arts, 2002. http://hdl.handle.net/2123/500.

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Abstract In this Research paper and through my Studio practice, I search for what binds me and separates me from my children. I investigate abjection theories through Julia Kristeva and Georges Bataille and focus on a particular form I call the maternal abject. This occurs at the time an infant separates from its mother, acquires language and maps its own body. I am proposing that the mapping of the body is the point at which an individual perceives social structures and learns about prohibitions and taboos, hence the abject. I also investigate the relationship between the maternal abjec

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LANZA, Elisabetta. "LA CONCORRENZA NEGLI ORDINAMENTI COSTITUZIONALI. PROFILI DI COMPARAZIONE TRA ITALIA E STATI UNITI D’AMERICA." Doctoral thesis, Università degli studi di Ferrara, 2012. http://hdl.handle.net/11392/2389255.

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This research aims to focus on the basis of the freedom of competition in the constitutional systems. On one hand, the thesis reconstructs the antitrust role in the constitutional framework and, on the other hand, it investigates the relationship between the antitrust enforcement and the interests of the community and of the private citizen, as a consumer. Competition is a rule of neutralization of the power and the choice of the market structure is an expression of the correlation between power and liberty. The need for a balance between authority and liberty was the reason of the adopt

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Jacobsson, Madeleine. "Dr. Eleine Mad." Thesis, Kungl. Konsthögskolan, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-587.

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Dr. Eleine Mad är Madeleine Jacobsssons talesperson för dom vetenskapliga och paranormala upptäckter som uppstår i hennes världar. Hon beskriver innehåll, teknik och estetik utifrån ett kategoriseringssytem där konsten delas upp som olika typer av komponenter och därefter avkodas dessa allteftersom. För att förstå intuitionens inblandning i arbetsprocessen omförvandlas den till tre separata roller av en Sökare, Samlare och Myntare. Med rollerna försöker jag beskriva på vilka sätt som intuitionen är till gagn eller av förödelse för det konstnärliga arbetet. Sagan om M handlar om en grodlik ka

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Millar, Eve. "Dung, divinity and democracy tracing the cow in Indian folk art, ritual and the work of Sheela Gowda." Thesis, 2004. http://hdl.handle.net/1828/1069.

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In the 1990s internationally renowned Indian artist Sheela Gowda exchanged oil paint for cow-dung. This dramatic shift occurred in response to the rise in Hindu fundamentalism and as way to voice her distress at the violence of the Hindu / Muslim riots. From a eurocentric art-historical perspective, adopting cow-dung to create art may seem like a radical move, but in India it is a material rich in multi layered histories and one resonating with ritual, economic and gendered subtexts and overtones. This thesis analyzes Gowda's multi-coded artworks in an attempt to render more visible an artist

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Macêdo, Nicoli Braga. "O feminino e o fotográfico : uma visão de Sherman, Ventura e Rennó." Master's thesis, 2017. http://hdl.handle.net/10451/33408.

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Nesta dissertação analisamos os conceitos do Feminino e do Fotográfico, estabelecendo as particularidades que compõem cada um deles. Sobre o feminino realizamos um estudo objetivo presente em meados dos anos de 1970, que engendrou uma mudança significativa na produção das artes visuais, principalmente nos Estados Unidos e Europa, juntamente com o surgimento de movimentos radicais feministas. Aliados, as artes visuais e os movimentos feministas foram importantes para que houvesse uma proliferação de manifestações, tanto artísticas, quanto sociais, voltadas à crítica dos modelos e pensamentos q

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Parrish, Sarah Doane. "Anthropologies of fiber: Claire Zeisler, Ed Rossbach, Sheila Hicks." Thesis, 2017. https://hdl.handle.net/2144/27181.

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In the 1960s and 1970s, American artists Claire Zeisler, Ed Rossbach, and Sheila Hicks helped forge an international art movement that expanded the boundaries of fiber usage and, by extension, the boundaries of art itself. Often with only a loom, hook, or their own hands as tools, they crafted soft sculptures from thread, string, and rope. In contrast to recent formalist and feminist attempts to recover the overlooked genre of Fiber Art, this dissertation explores the ways in which artists employed fiber to register the ethnic and economic tensions of their era. Zeisler, Rossbach, and Hicks bo

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Wickham, V. Mason. "Architecture and photographic framing: Re-framing the building fragment in its context, and the body in a program of use (Roland Barthes, Brassa\"\i, Daniel Buren, Cindy Sherman)." Thesis, 1993. http://hdl.handle.net/1911/13798.

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This thesis explores the phenomenon of contingency inherent in photographic framing for its application to the design of a public building in an urban context. Like the conception of any duality, as stated by Roland Barthes in his essay Camera Lucida; a photograph exists only in terms of our perception of its frame. This project demonstrates these principles as they are examined in the images of Brassai's Paris, the work of Daniel Buren, and the Untitled Film Stills of Cindy Sherman through the design of a post office in Houston, Texas. The city, the site, the building and the program extend b

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Bleeke, Marian. "Situating Sheela-na-gigs : the female body and social significance in Romanesque sculpture /." 2001. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3029476.

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Bieger, Isabel Cristina 1979. "Paradigmas do feminismo e da educação pela arte." Master's thesis, 2011. http://hdl.handle.net/10451/4853.

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Tese de mestrado, Educação artística, Universidade de Lisboa, Faculdade de Belas Artes, 2011<br>This research project is about the art work of Joana Vasconcelos, intends to challenge the issue of feminism present in many of their artistic creations, highlighting, simultaneously, in the informal context, visual education and citizenship. It’s, at one time, the assumption of the educational functionality of Art in a non-networked role controversial, challenging, mobilizing and dynamic. The Artist as a persona that moves in a single weaving, where to be it’s having in your hands the thread of

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Lander, Faye E. "An investigation into the painted sheep imagery of the northern Ukhahlamba-Drakensberg, Kwazulu-Natal, Southern Africa." Thesis, 2014. http://hdl.handle.net/10539/15146.

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A dissertation submitted to the Faculty of Science, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements for the degree of Master of Science. Johannesburg, 2014.<br>This thesis presents data collected during the 2012 and 2013 recording of painted sheep imagery from five painted rock shelters in the northern Drakensberg, KwaZulu-Natal, South Africa. Through studying the micro- and macro-context of these paintings, I try to understand their presence in the rock art here. Paintings of sheep are believed to have been made by San hunter-gatherers and thought to be relati

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Nývltová, Tereza. "Textilní umění současnosti. Inspirace dílem Sheily Hicks pro výtvarnou výchovu." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-342438.

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The first part of the thesis has the character of an exploratory probe, which is looking for the form and situation of textile art at present. It is based mainly interviews of experts in the field of textile art and experiences of the visited exhibitions. Part of this thesis is also personal creation, based on textile experiments. From these findings there was created a pivotal part in the form of a didactic project, inspired in particular by the creation of Sheila Hicks. Results and benefits of the work is to outline the current situation of textile art in our country and verified in a practi

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Duguay-Patenaude, Lysanne. "La mise en relief du caractère construit et normatif de la figure féminine dans les images de mode de Cindy Sherman par l'utilisation de stratégies du grotesque." Mémoire, 2012. http://www.archipel.uqam.ca/5085/1/M12585.pdf.

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Ce mémoire porte sur la question du stéréotype féminin dans sa valeur construite et normative. Plus spécifiquement, nous aborderons ce type de catégorisation d'identité de genre mis en relief de manière critique par l'utilisation de stratégies du grotesque dans la série Fashion de Cindy Sherman. En substituant un canon grotesque à la représentation de la féminité à l'intérieur du champ de la photographie de mode haute couture, l'artiste met en évidence les structures qui régissent la création et le maintien d'un tel stéréotype. En premier lieu, nous procéderons à la définition de la notion de

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Le, Roux Angeline-Ann. "Follow the thread : fabricated social structures with the body as text." Diss., 2020. http://hdl.handle.net/10500/27127.

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The broad focus of this study is on how, through inequalities in power in constructed human socio-political, socio-economic and legal structures, the value and dignity of human life is destroyed. The researcher as artist wished to represent these observations though visual metaphor, metonymy and synecdoche in an installation, "Follow the thread". The dissertation contextualises that work within the works of Sheila Hicks, Amita Makan, Magdalena Abakanowicz and Ana Mendieta, all of whom use organic materials related to ideas about life and death. The first three use fibres as a metaphor for li

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